I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just had the opportunity to review the most recent release. Tall, Dark & Handsome from Delbert McClinton and Self-Made Men + Dana and it's pretty interesting. Opening with foot stompin shuffle, Mr. Smith McClinton really has a groove going. With great sax work by Jim Hoke and trumpet by Dana Robbins, this track is hot. Backing vocals by Vicki Hampton, Wendy Moten and Robert Bailey and a super band including Joe Maher on drums, Glenn Worf on bass, Bob Britt on guitar, Kevin McKendree on piano and B3, Jim Hoke on bari and tenor sax, and Quentin Ware on trumpet, Dana Robbins on tenor sax and Roy Agee on trombone, this band is super. On light swing track, No Chicken On The Bone, McClinton's vocals are well primed and Stuart Duncan shines on violin. Again excellent backing vocals by Hampton, Moten and Bailey enrich the track and Britt on acoustic guitar and mandolin nicely compliment McKendree's piano work. Very nice. With a jazzy undertow, Lulu has a loose, small club feel. A real nice solo by Britt punctuates this track with it's overall swing. Loudmouth is a cool, BB King like blues shuffle. Yates McKendree, Britt and Kevin McKendree lay down some tasty guitar riffs and Kevin's piano work is strong. New Orleans flavored, A Fool Like Me, has rich gumbo, with great stumble drumming by Maher and piano by McKendree. Delaney McClinton vocal paring with Delbert is really fine and the addition of Hoke on clarinet and Bari sax, Ware on trumpet, and Agee on trombone makes this track one of my favorites. Temporarily Insane is another favorite on the track with stripped down backing on McClinton's stark vocals sounding mostly like acoustic guitar but including Mellotron, drums and bass. Excellent! Wrapping the release is A Poem, a quirky track with rugged vocals by McClinton over minimal guitar by Britt and piano by McKendree. Strong closer.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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