I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just had the opportunity to review the most recent release, The Mutual Admiration Society, from Sterling Ball, John Ferraro and Jim Cox and it's got a cool vibe. Opening with Jesse Winchester's Payday Song, an instrumental featuring Ball on guitar and bass, Ferraro on drums and Cox on clavinet. a simple rock shuffle, a cool opener. The In Crowd, is jazzed up instrumental version of Billy Page's 60's hit and features Steve Morse giving it his country flavored jazz lead. Nice. Sonny Boy Williamson's Checkin' Up On My Baby has up tempo beat and is the stripped down 3 some featuring snappy riffs from Ball and organ by Cox. Ball's driving bass line is king on Big Joe William's Baby Please Don't Go and Steve Lukather does a real nice job with modern blurred guitar work to compliment the rock style take. Roy Head's Treat Her Right has a detuned (less HP) feel with it's swinging shuffle. Cox is featured on piano and organ and Ball lays in a fluid guitar solo. Chuck Berry's Memphis gets just a slight country twist with Brad Hayman on bass and lead guitar by Ball. One of my favorites. Buck Owen's Cryin' Time is full boat country featuring Albert Lee trading lead guitar with Ball and featuring Dave Stone on bass, Jeremy Moyers on steel guitar and some terrific piano lead by Cox. Very nice. One of the most outrageous tracks on the release is Disney Medley featuring John Petrucci on lead guitar. There's nothing quite like hearing Wish Upon A Star, Zip-A-Dee-Doo-Dah, Baroque Hoedown and It's A Small World played over a jazz beat with high speed triplets, electric squeal, dive bombs and the like. Adventurous. Hank William's Hey Good Lookin' features Albert Lee and settles into a nice, two stepping groove with Lee and Ball leading the way on electric guitar solos and Jeremy Moyers on steel guitar. Another of my favorites on the release. Wrapping the release is a cool Latin jazz original, Strip Mall Gourmet. Kicked back and smooth, Jay Graydon shows his stuff and nicely so. With Ball on bass, Ferraro on drums and Cox on keys and organ, this is a terrific closer for a cool release.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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