I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, Born For You, by Rockie Charles and I really like it. Opening with title track, Born For You, Rockie Charles quickly establishes that he is going his own route with influences from many reaches. I am first taken by his smooth vocals and JL Hooker like phrasing, complimented by Jerry Embry on sax. Old Black Joel feels a lot like 60's soul and Clarence Carter. A solid backing band made up of Jerry Pekinto on bass, Rick Allen and Wayne Lohr on organ, Tony D'Alessandro on drums, not to forget Charles' own Spartan guitar playing and with really sweet backing vocals by Karlene Arena and Rhea Kahler, this sound is really earthy. Excellent. On easy paced, Oh My Darling, Look What You're Doing To Me, Charles sings with the ease of Al Green in a style more like Willie Nelson. Smoky Greenwell adds a soothing harp overtone giving the track just the right hint of spice. Please Tell Me It Ain't So is one of my favorite tracks on the release with Hooker like phrasing and Green like vocal tones...an unbeatable pair. R&B track, I Need Your Love So Bad has a terrific groove with a super lead line and tight horn work by Wilber Tank on trumpet and solid vocal backing by Arena and Kahler. Don't Let Me Go calls to mind the great Wilson Picket and his vocal work over arpeggiated guitar work. One of the most soulful tracks on the release is I Just Called To Wish You A Merry Christmas. Charles falsetto vocal and Sean Kenny's bari sax are a really nice pair supported by Lohr's organ sea. Very nice. Wrapping the release is There Is A Rainbow Hangin' Over My Shoulder, a super soul track with Charles adding some really nice guitar riffs. Horn phrasing on this track really gives it that 70's Wilson Pickett feel but it's all Charles and a super track to close a really strong release.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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