I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just had the opportunity to review the most recent release, Moon Over Montgomery, by The McKee Brothers and it's flavorful. Opening with Pig Feet, a jazzy track with cool backing vocals, Jeff Robinson on lead vocals, backed by Denis McKee on guitar, Hammond and vocal, Bobby West on keys, Ralph McKee on lap steel, Bobby Watson on bass and particularly Jerome Edmonson on classic drums. Andy Wilson adds a really nice chromatic harp, Bob Schultz on bari sax and Andy Georges on acoustic guitar are complimented by Maxayn Lewis, Melissa McKee, Dennis Lockett on vocals. Funky, I Feel Like Dynamite, has a cool James Brown feel with tastes of the Temptations, Tower of Power and Dave Mason. Very cool. One of my favorite tracks on the release, You Know How I Lie, has some of the best vocals, both lead and lush backing on the release, smart lead guitar runs by Laith Al-Saadi, trumpet and trombone by Lee Thornburg and tenor and bari sax by Doug Webb. Very nice. With an orchestral quality, Kicks, has a boogie beat and Denis McKee lays down some real nice guitar riffs, punctuated by Thornburg and Webb. Gotta check out Webb's tenor solo on this one...very nice. bayou Man has a real nice groove, nicely blended vocals and slick slide work by Stan Budzynski. Smooth but funky jazzer, Go 2 Work! has a great bass lines by Bobby Watson and in addition to the rich vocal leads by Robinson, Reggie Gonzales, Maxayn Lewis and Melissa McKee features really nice beautiful soprano sax lines by Webb. R&B track, Runaway Love has a classic hit lines with a great melody, nicely matched vocals and instrumentation. Latin flavored, Late at Night has warm vocal work and exceptional rhythm with punchy trumpet by Thornburg and great lead vocal and guitar by Larry McCray. Funky blues number, Blues of the Month Club, features Denis on lead vocal and guitar. Tight horn work by Thornburg and Webb and precision drum strokes by Edmondson nicely frame funky blues guitar riffs by Denis. Wrapping the release is Kenny Loggins' Celebrate Me Home featuring Melissa McKee on lead vocal. A culmination of the bands efforts on the release with Webb's solo, a solid closer.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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