I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
Get link
Facebook
X
Pinterest
Email
Other Apps
CLICK ON TITLE BELOW TO GO TO PURCHASE!!!!
CD submissions accepted! Guest writers always welcome!!
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, All You Gotta Do, from The Nighthawks legendary blues & roots band and it's quite good. Opening with Jerry Reed's power rocker and title track, That's All You Gotta Do, the band is humming right from the start with Mark Wenner on harp, Paul Bell on guitar, Johnny Castle on bass and Mark Stutso on drums. Hot! On Willie Dixon's, Baby, I Want To Be Loved, the band really has the spirit of Dixon's blues and Wenner's riffs are crisp and smoky. On Randy Newman's Let's Burn Down The Cornfield the band explores the darkness of the blues with super slide work by Bell, nice harp by Wenner and super vocals over a well paced blues rocker. On Sonny Williamson's shuffle track, Ninety Nine, it's all Wenner who really does a nice job of working the harp. Excellent. On original soul track, Three Times A Fool, the band digs deeply into the groove with hot vocals and cool reverb soaked guitar work. Jesse Winchester's Isn't That So has a cool R&B feel and great vocal harmonies over a Tony Joe White feel. Country flavored riffs by Bell and lightly salted harp riffs dress the track nicely. My favorite track on the release is RL Burnside's Snake Drive with saturated guitar tones and super slide riffs, tight harp adds and a great bass/drum feel. Excellent! Wenner's composition, Blues for Brother John has a real cool saunter and gives him an excellent opportunity to blow over a solid bottom and walking bass line. Paul Bell injects some real clean jazz flavor on guitar giving the track a cool feel. Very nice. Standell's hit, Dirty Water wraps the release in pretty straight order. Bell explores classic guitar riffs from the sixties including the Stones and The Yardbirds capping a fun release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
For added exposure - Blues World Wide Group "LIKE"
“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE
Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
Comments
Post a Comment