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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Compass Records artist: Shannon McNally - Black Irish - New Release review

I just had the opportunity to review the most recent release, Black Irish, by Shannon McNally and it's quite good. Opening with You Made Me Feel For You, McNally on lead vocal delivers the blues with a country flair backed by Jerry Roe on drums, Michael Rhodes on bass, Micah Hulscher on keys and Audley Freed and Colin Linden on guitars. A solid opener. Stevie Wonder's I Ain't Gonna Stand For It with a country twist is nicely enhanced by closely matched backing vocals  featuring Wendy Moten and Rodney Crowell and the steel guitr riffs of Jim Hoke. Original track, I Went To The Well, is rooted in the blues with a note of Elmore James and reinforced by Lex Price on bass. Another self penned track, Roll Away The Stone has a rock feel and wailing sax by Jim Hoke. J.J. Cale's Low Rider has a soothing touch, enhanced nicely by McNally's smokey voice.  Chapman/Crowell ballad, Isn't That Love, is really a nice track and McNally delivers the goods. On Muddy Waters' Stuff You Gotta Watch, McNally throws a curve giving it country swing. A cool harp solo by Hoke works nicely with interwoven instrumental by Freed, Linden and Hulscher. My favorite track on the release is Robbie Robertson's It Makes No Difference. It's not only an excellent composition but an excellent choice for McNally's voice, complimented by backing vocalists Tanya Hancheroff and Kim Keys. Wrapping the release with Pop Staples track, Let's Go Home, McNally maintains a spiritual feel but adds country spunk. Very nice closer for a cool release. 

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