I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just had the opportunity to review the most recent release, To The Top, from Blackfoot Gypsies and it's outrageously cool! I can draw a number of parallels to this music and similarities to other things that i have heard but ultimately, it's different and super. Opening with I'm So Blue, you are taken to a time when music was cool and simple with a good melody and a great beat. This sound is British and it's American and it's pop and it's punk...and it's rock. Think early Kinks. Matthew Paige on vocal and guitar and Zach Murphy on drums are the core with Dylan Whitlow on bass, piano and vocal and Ollie Dogg on harp. On Promise To Keep the band is driving hard on a blues rock bottom. With a twangy guitar and beach Boys like backing vocals, this band it letting it all hang out. On Potatoes and Whiskey that band really starts to encroach on Gram Parsons and Jerry Garcia territory moving into rural music and full country without abandoning rock...very cool. Stripped down rocker, I Had A Vision shows traces of the San Francisco sound but then also John Doe. One of my favorite tracks on the release is Back To New Orleans with addition of sax and trombone. This track has a super street rhythm and cool vocals...excellent! On simple waltz, Velvet Low Down Blues, incredibly rural vocals, fiddle, piano pedal steel and a cool melody make this another contender for top track. I Wanna Be Famous is another hard rocker with an infectious beat and wailing guitar. This is the kind of music that drives your parents crazy...I love it! Settling down to more of a The Band feel, Woman Woman is probably the best radio track with nice vocal blending and a super melody. I've Got The Blues is a real cool track with authentic style vocals and features Paige on mandolin and Dogg on harp. Another of my favorite tracks, this track sounds real. Another solid rocker is Can I Get A Warning? with terrific drum work from Murphy. (Some bands have an entire career and never cut a track this good). With it's Bo Diddley beat, Gypsy Queen keeps this party rolling with a solid bottom, voracious drums, unearthly vocals and powerful guitars. Wrapping the release is Why Should I Try, a full bodied rocker with everything turned to 11. These guys aren't leaving a drop of sweat. Check it out!
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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