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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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3 On The B Records artist: Omar Coleman & Westside Soul - Westside Soul - New Release Review

I just had the opportunity to review the most recent release, Westside Soul, from Omar Coleman & Westside Soul and I quite like it. Opening with Sweet Little Woman, a cool gospel like R&B track with a Ray Charles/Billy Preston feel, Omar is front and center on lead vocal backed by Neal O'Hara on keys, Ari Seder on bass, Marty Binder on drums and Pete Galanis on guitar. On Ashford and Simpson number, Let's Go Get Stoned, Coleman takes the pace up with a bit of high steppin' and his vocals are super. Let The Babies Live is a driving R&B track with a super bass line by Seder grinding guitar riffs from Galanis. Funky, Jody's Got Your Girl and Gone has a grooving bass line and O'Hara sets up some real nice organ work. Soul track, I Let A Good Girl Go, is one of my favorite tracks on the release, really highlighting Coleman's vocals nicely. Galanis steps up nicely on Rotten Old Lady with fluid blues riffs giving the track a nice kick. Another favorite on the release, Good Provider has particularly cool vocals by Coleman and with hard working bass lines by Seder, and cool keyboards work by O'Hara this track just has that right feel. R&B track, Give Me The Green Light, is another track that just gets in your blood. Coleman's phrasing, O'Hara's organ and that funky bottom by Seder and Binder is tops. On Don Nix's Goin' Down, Coleman sticks very close to Jeff Beck's arrangement from the 70's which is quite effective. No attempt is made by Galanis to put up Beck like pyrotechnics but his own guitar work is really quite cool with O'Hara's keyboard work shoring up the track over driving bass and drum work by Seder and Binder. Wrapping the release is Whisper To A Moan, a bluesy rocker with soulful vocals and a frenzied keyboard solo by O'Hara for a cool closer to a real nice release.


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