I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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Mascot Label Group Announce Release Of Black Sites Debut: Monochrome for 2/17/17
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By
Bman
-
MASCOT LABEL GROUP AND BLACK
SITES ANNOUNCE RELEASE
OF BAND’S DEBUT IN MONOCHROME
ON FEBRUARY 17, 2017
Album Presents The Return of
Mark Sugar Following Trials Dissolution
Chicago,
IL --- Mascot Records has announced the global release of Black Sites
debut In Monochrome, on February 17, 2017. A lyric video
for the lead track “Dead Languages” can be streamed here:
In
2015, revered metal guitarist, vocalist, and songwriter Mark Sugar had a
creative breakthrough that led him to leave behind a modern metal legacy to
bravely forge a new one. Now, one of underground metal’s most uncompromising
visionaries returns with a new band and an invigorating heavy-with-melody
aesthetic. Sugar offers, “I wanted to challenge myself with clean singing and
by writing well-crafted songs. I went back to my influences, old school metal,
prog rock, and hard rock—music built on classic songwriting.”
Sugar
was formerly known as the mastermind behind the cult metal quartet Trials, a
group that amicably folded in 2015, leaving behind three artistically bold and
well-received albums that bridged the divide between thrash and melodic death
metal. His new band, Black Sites conjures burly proto metal riffs and
vibey grooves, whiplash thrash, moody ambience, and the stately expanse of
modern and classic prog. The Chicago-based hard rock quartet’s debut, In
Monochrome (Mascot Records), thrills with unexpected twists and
turns, and tuneful songcraft that never sacrifices heft for hooks.
An
aura of mystique surrounds Black Sites. The band is a super group of sorts,
featuring some of Chicago’s finest players from the underground metal scene.
The band features Mark Sugar on vocals/guitar, ex-Trials bandmate Ryan Bruchert
on guitar, John Picillo on bass, from Without Waves and Immortal Bird, and
Chris Avgerin on drums, from Nequient and Autonomy. The four-piece band
draws inspiration from a panoramic pedigree of classic and modern metal and
hard rock influences including Black Sabbath, Deep Purple, 1970s Judas Priest,
Iron Maiden, Fates Warning, Motörhead, Queensrÿche, Voivod, Hammers Of
Misfortune, and Dawnbringer.
The
story goes that at the time of the Trials split, it was was seeing Avgerin
during this transitional period that encouraged Sugar to follow his muse. He
recalls, “Watching Chris play awesome John Bonham, Ginger Baker, and Bill Ward
style drums in these bands that had a 1960s vibe really inspired me.”
Sugar
and Avgerin worked on the demos as a duo before heading to Gunpoint Recording
Studios with recording engineer Quentin Poynter (The Skull). Bassist John
Picillo joined the band halfway through the sessions, and guitarist Ryan
Bruchert signed on after the recordings.
The
10-track album opens with the elegiac piano interlude “M Fisto Waltz,” which
eventually lunges for the jugular with lacerating guitars. In
Monochrome’s first official track, “Dead Languages,” unfurls the
album’s manifesto of musical intent. Packed within its 5:23 minutes the
band traverse Sabbath-y grooves, agile progressive rock drums, Thin
Lizzy-esque guitar harmonies, sinister guttural vocals, and soaring melodic
vocals.
Other
album standouts include “Hunter/Gatherer,” “Burning Away The Day,” and “Locked
Out – Shut Down.” “Hunter/Gatherer” opens with a darkly classical acoustic
guitar figure and plaintive, clean vocals. It’s a storyteller song that uses
dramatic dynamics to convey the narrative. Within the epic are slight nods to
vintage Mercyful Fate, Trouble and Queensrÿche. “Burning Away The Day” is an
instrumental tour de force with savage 1970s hard rock drums and fleet-fingered
guitar solo playing that explodes with classical melodicism and proto-shred
flash. The relentless pummel of “Locked Out – Shut Down” evinces Sugar’s
thrash roots.
As
anticipation builds for the band, and Black Sites releases its debut long
player and plays its first shows ever, Sugar is reflective. After all, in the
span of a year he’s gone from no band to a new band with an irresistible old
school aesthetic. “I remember driving in my car listening to the final album
and just feeling so relieved and excited to hear these songs come to life,” he
says. “I learned a lot during this time. I learned how to keep an open mind and
stay focused. I feel like this is the best thing I’ve ever done.”
The
full track list features “M Fisto Waltz,” “Dead Languages,” “Monochrome,”
“Burning Away The Day,” “Hunter Gatherer,” “Watching You Fall,” “Locked Out –
Shut Down,” “In The Woods,” “The Tides.”
Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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