I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, Not So Simple, from the Austin Young Band and it's quite good. Opening with Take Me Away, the Austin Young Band establishes firm footing in the blues based rock world. Featuring Alex Goldberg on bass and Forrest Raup on drums Austin Young has the lead guitar and vocal role and handles it readily. With a solid bottom and especially crisp drums, Young's guitar work is fluid and inventive and his vocals nicely done. Barren Road Blues has roots in Hendrix with an edge of Living Colour. Well written and performed, I really like this. Funking it up a little bit and with the addition of horns, Something More, is a real mover. Young's guitar shows rich tone and his lines are clean and clear. Building steam and they roll this track hits hard. Title track, Not So Simple, is a bluesy ballad with a great melody. Destined to be one of the crowd favorites on this release, Young's vocals are gripping and his guitar lines bluesy and heartfelt. Very nice. Sets Me Free has a casual "Beast of Burden" feel and is likely the poppiest track on the release. Shuffle track, Heal My Heart, cranks up the horns, ramping up the bluesy swing features of the track. Young's guitar phrasing resembles Clapton quite a bit with concise compact concepts. Letting Go puts me in mind quite a bit of Golden Earring with it's driving rock bottom. Blended vocal harmonies are rich and warm and Raup's drum work is especially cool. Moving On has the smart feel of a well written Steely Dan track with smooth vocals and a bright jazzy tempo. Very nice. Mountains On Fire is a bluesy ballad with soulful vocals by Young. With considerable musical tension and emphatic drumming under cool bass lines, Young soars on his strat with stinging intensity. Free has a progressive edge with an irregular but contagious bass line. A solid rocker, this track really shows off Raup's drum work. Nice . Instrumental, Whirlwind has the bite of Mountain with a taste of Focus and Edgar Winter. Goldberg bass work on this track is particularly solid and Raup's drum work super. Young takes the track to another level with his guitar solo as the band amps up the pressure. Smokin! Wrapping the release is acoustic number, Angel Flying Home, a quiet, nicely written track with a memorable melody and lightly accompanied with melodic guitar soloing over the body. A nice conclusion to a really cool release.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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