I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just received the newest release, Sugar Me, from Sammy Eubanks, and it's got a definite southern link. Opening with It's All Blues To Me, Sammy Eubanks, singer/guitarist, leads the charge with a track that is of Charlie Daniels and Tinsley Ellis. Country styling and rock overtones, this is a cool opener. Stop That Grinnin has a super blues drive, Elmore James style, with particularly cool work from Eubanks, Matt Hauer and Bob Britt and strong piano riffs from Reese Wynans. Darren Theriault handles the bass and Chris Kimmerer the drums. Very cool. Blues All Mornin' has a real cool bass line and really sweet lead guitar work by Eubanks. Wynans' organ work is nicely saturated giving the track nice girth. Willie Dixon's I Just Wanna Make Love To You has a great boogie beat, sounding more like contemporary Foghat than original Dixon but I really like it... I mean...who doesn't love a boogie. Eubanks' vocals and slide work both shine on this track, making it one of my favorites on the release. Latin influenced, My Baby's Gone, has just the right mix of blues and rock, giving it a cool beach sound. Scott Saunders contributes keys on this track and Eubanks' guitar work is crisp and cool. Title track, Sugar Me, has a raspy guitar vamp giving the track a great edge. Clean guitar soloing over the top gives the track sting. Cool track! Excellent blues track, No Excuse For The Blues has a cool boogie woogie undertone and a strong strait forward drive by Wynans on piano sets the bar for Eubanks' lead solos. It's My Life Baby has a real nice upbeat stab by Kimmerer played against Theriault's bass line sets a terrific platform for solos by Wynans and Eubanks. Very cool! Opening with a Keith Richards like riff, I'm Gonna Leave You, is a rockin' closer. With strong bass lines from Theriault and a grinding guitar riff, Eubanks' vocals and guitar soloing work nicely to sum up this solid release.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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