I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just had the opportunity to review the newest release, Scofflaw, from Clint Morgan and it's a winding road of interesting passages. With an intro of children singing This Little Light of Mine, this release covers gospel, blues and country styles. Waco almost smells of John Wayne with a heavy bottom by bassist Dave Roe and Jerry Roe on drums and with Clint Morgan on piano and vocal with raggedy nice guitar by Kenny Vaughan. Early rocker, Wild One maintains a lot of it's country flavor but rips with some nice guitar and piano work and Morgan's vocals are perfect. I Got A Gun is an easy country rocker with Jonathan Yudkin on violin with Morgan painting a cool lyrical story. I Don't Know Where To Turn is a cool boogie woogie track with real nice piano work backing Morgan's duet with Diunna Greenleaf on lead vocals. Dripping country, Vaughan lays out some real nice guitar work on the bluesy track. Eastham Farm has a lot of Johnny Cash in style balanced by nice harp work by Jim Hoke, additional rich vocals by Greenleaf and just the right touch of horns. Country flavored, D.B. Cooper Blues, is right down the middle pre pop country with solid vocals, piano and guitar work. Very strong. David Allen Coe's, I Love Robbing Banks gets a fresh coat of paint with a really hot sax solo and tight drums. Morgan is very comfortable in singing this kind of music along with his piano, sounds like he was born to do it. A Johnny Cash flavored, Bad Man Blues, has the solid acoustic guitar/bass vamp, tight little snare riffs and even steel guitar riffs giving this track it's classic sound. Love it! Boogie track, Thief In The Night, has the droning bass line and low key vocals setting up nicely for a pretty nice guitar score. Bob Dylan/Johnny Cash penned, Wanted Man has the sounds of a prison cam song with effective drum stomp and backing acoustic slide. Morgan's vocals nicely score on the Johnny cash connection and violin and electric guitar work add nicely to the fabric of the tune. The Face In The Mirror is a nicely introspective track with a subtly blistering guitar solo by Vaughan. Two stepper, A Sackful Of Cash, is high energy with a carnival of sounds but with great piano work, sexy sax and flashy country style guitar riffs. Very cool! Bessie Smith's Send Me To The 'Lectric Chair holds that New Orleans blues sound with the rolling piano, bluesy guitar and wailing clarinet, making it one of my favorite tracks on the release. Old hymn, Softly And Tenderly, Jesus is Calling is a duet with Maria Muldaur, handled with the utmost respect backed by piano, mandolin, guitar and dobro. Very nice. I Done Made It Up In My Mind, a spiritual number written by Muldaur, is nicely performed featuring Muldaur on lead vocals. Morgan's secondary vocals are clean and uplifting and his piano and organ work is top notch. The release is closed with an alternate take of I Got A Gun. Gritty and full of western, this is a n appropriate closer for a really western release...dig the guitar effects!
This is a really interesting release and make certain you check the liner notes which is plastered with outlaw photos (one in a wooden box) and notorious characters of all kinds.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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