I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just received the newest release, Big Dog, from Albert Castiglia and it's voracious. Opening with Let The Big Dog Eat, Castiglia bursts into flames right out of the chute. With aggressive vocals and powerful guitar work, Castiglia picks up where he left off on his last release, Solid Ground.
Backed by Mike Zito on guitars, Scot Sutherland on bass, Rob Lee on drums and Lewis Stephens on keys, this is a terrific opener. Rolling blues, Don't Let Them Fool Ya has a real solid bass line and stinging guitar answer. This track has a bit of a loose vocal delivery and the guitar exchange between Zito and Castiglia puts me in mind a lot of Elvin Bishop attitude. Excellent! Shuffle track, Get Your Ass In The Van has the Elmore James/Hound Dog Taylor slide feel and Castiglia really rocks it. One of my favorite tracks on the release this track is smokin'! Slow and deliberate, Drowning At The Bottom, is a terrific blues track with excellent trem bends and soulful vocals. Castigli lays down some really expressive guitar lead here so heads up! Easing up on the pace, Let's Make Love In The Morning, would be an easy radio sell with simple, fluid, guitar lead and a cool melodic hook. Two stepper, What I Like About Miami, has cool vocal harmonies with alt country rock style guitar riffs. Easy Distance has a light funk bottom and Sutherland's bass work is hot! Castiglia is really comfortable at vocal on this type of track and with Stephens pushing a nice organ line. Castiglia's guitar work is crisp and nasty. Chicago style blues number, Where Did I Go Wrong, is another of my favorite tracks on the release with loose, gritty vocals and hot harp work from Johnny Sansone. Foot stomper, Where The Devil Makes His Deals, is really driven by Lee's kick drum and iced by Sansone on harp. Castiglia and Zito drive to a fever pitch on guitar but keep it contained under 4 minutes. Boogie woogie track, What The Hell Was I Thinking has a bit of rock n roll with Stephens on piano and a taste of country for a good mover. Really cool double stopped guitar lines and a solid bottom give this track just the right zip. Wrapping the release is R&B ballad, Somehow and Castiglia shows a more serious side of his vocal vocabulary. A hopeful track and a solid closer for a real strong release.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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