I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just received the newest release, Moon Turn Red, from Monkey Junk and it's quite good! Opening with Light It Up, lead guitarist Tony D dusts the slide and they're off to the races behind Steve Marriner on lead vocal and harp backed by Tony and drummer Matt Sobb. This is a swift track with slippery slide and rolling harp riffs... a super opener. Driving blues rocker, You, has a really nice guitar vamp (think Whiskey Train) and Marriner sounds quite a bit like Paul Rogers with cool vocal backing and again solid harp work. Very nice! Show Me Yours is a solid rocker but with a taste of Tone Loc with Marriner's smooth vocals and warm keyboard work. David Wilcox's rocker Hot Hot Papa features Wilcox on vocal and guitar and the track has a real ZZ Top like swagger. Stinging guitar soloing and a driving beat make this one of the total standouts on the track. Love Attack has a definite reggae feel and sets a terrific groove. Breaking from the traditional rhythm on the chorus the band adds a more commercial sound but when it returns it hits hard. I really like this track, it's Louisiana feel on percussion, and the intelligent guitar playing from Tony. Live Another Day has a whole different spin with a Uriah Heep kind of feel. One of my least favorite tracks on the release, it still is interesting and well performed. Marriner lays down a solid and progressive harp solo and Tony rips a pretty nice guitar solo of his own. Learn How To Love is a really cool track with excellent guitar effects. It's really a simple ballad but the melody, vocal blending and precise instrumentation is captivating. Lucky One is really Matt Sobb's track to lead with it's hot drum work. Marriner of course is on top with his excellent vocals and Tony D is driving on guitar but it's the beat that makes this track float. Travelin' Light is a straight up rocker with radio styling. A solid melody and a clever rhythm give this track wheels and Tony slides into home on guitar with speed and accuracy. Meet Me At Midnight has a cool R&B feel with a light funk. Nicely blended vocal harmonies and slick guitar work bring this track if for a solid closer.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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