I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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Smoky Greenwell's New Orleans Blues Jam - Live At The Old U.S. Mint - New Release Review
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Bman
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I just received the newest release, Live At The Old U.S. Mint by Smoky Greenwell's New Orleans Blues Jam and it's a great jam! Opening with swinging harp track, Smoke Alarm, Greenwell and his band, Pete Bradish on drums, David Hyde on bass and Jack Kolb get the joint rocking with a hot instrumental. Bringing the tempo down a bit, My Own Blues Club is a solid 12 bard number with great harp tones and steady guitar riffs. Henry Mancini classic, Peter Gunn, gives Greenwell to step up with his tenor sax and play lead lead lines. With great heart and solid technique, Greenwell, backed by the driving rhythm of Hyde on bass whips it out. Mark Pentone and Kolb lay down some stylized guitar riffs as well. Very cool! Swing blues track, Power of Now, plays nicely into the hands of Greenwell on harp and vocals. Joined by Brandish and Pentone on vocal this track has a great feel! Mark Pentone takes the lead on Jodie with solid vocals and fleet fingered guitar riffs. Greenwood of course adds hot harp riffs maintaining clean balance. On I Earned The Right, the crew gets a rockin' blues feel a great walking bass line by Hyde. Smokin Chicago style with guitar and harp solos throughout. Between Iraq and a Hard Place uses a clever play on words on a Jimmy Reed style blues. With Bradish back on vocals Greenwood and Kolb each add cool riffs making this one of my favorite tracks on the release. Funky blues, Need A Friend, ventures into Albert King land rhythmically, Smoky teams up on a vocal duet, reinforcing his vocal with harp echo. Funky harp work with blues roots punctuate the track at every turn and another slick guitar solo on this track gives it an extra zing! Bruce "Sunpie" Barnes adds vocal and accordion to Love's Gone, a New Orleans flavored R&B track. What a great time for Smoky to break back out his sax to trade riffs with Sunpie on accordion. Driving guitar riffs pushed along by Sunpie's accordion add to a cool jam. Sunpie starts off another track, Leroy's Shuffle on accordion and vocal which really has a nice groove. Greenwood steps up with some of the best harp riffs since the opener trading with Sunpie. Kolb adds a bit of flash as well on guitar bringing the track back to TDC with solo's by Sunpie and Smoky. Wrapping the release is a stone boogie, Back To The Boogie, featuring twin lead harp and guitar. With a jam of over 6 minutes, Smoky and Kolb cover a lot of land with fluid riffs. Very nice!
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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