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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

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Video on lost chapter of Chicago history

blindpigrecords.com
http://mailman.305spin.com/users/blindpigrecords/images/PalmTavernWeb.jpg
 Gerri Oliver in front of the Palm Tavern  (photo: Jim Newberry)
  NEW VIDEO ON LOST PIECE OF CHICAGO CULTURAL HISTORY
  Three-time Grammy Nominee Tells the Story of the Legendary Palm Tavern and Its Owner
“Going To See Miss Gerri One More Time” is a moving song about a lost chapter in the cultural history of Chicago’s black population.  As Living Blues put it, “It’s the story of Gerri Oliver, long-time proprietor of the Palm Tavern on 47th Street on Chicago’s South Side.   That neighborhood, often referred to as Bronzeville, is rich with African-American history – it’s been called the ‘Harlem of the Midwest’ – and much of that history unfolded in the legendary watering hole that Gerri Oliver presided over from 1956 until the city shut it down (or, more accurately, snatched it out from under here) in July of 2001.”

The song was written by acclaimed Chicago bluesman Billy Branch, whom Oliver called her "son.”   To ensure historical accuracy, Branch consulted with Dr. Timuel Black, one of the city’s most respected African-American scholars and historians.   Living Blues called the result “by any objective standard, both an eloquent piece of storytelling and an appropriate tribute” and which Branch calls “the best song I’ve ever written.” 
The song is the centerpiece of Blues Shock, the first studio CD from the three-time Grammy nominee with his band in fifteen years.  A fan of Billy’s, Will Gay, created a video for the song as a gift to the musician.   Comprised largely of old photos (including some disturbing images), it illustrates the historical significance and heartfelt sentiments of the lyrics that tell the story of Gerri’s life.  The song and video highlight her struggles with racism and segregation, from her birthplace in Mississippi in 1922 to Chicago, where she moved in the ‘40s in search of a better life, as well as her endurance and triumph as owner of an elite social and cultural touchstone for the black community.  In a lengthy cover story Living Blues calls the composition “nothing less than the story of the Great Migration itself, exemplified in the life trajectory of one remarkable woman.”
In its heyday, the Palm Tavern was the hot spot for celebrities – folks like Duke Ellington, Louis Armstrong, Sammy Davis, Jr., Count Basie, Billie Holiday, Nat King Cole, Quincy Jones, and Dinah Washington, who would hang out there after their gigs - as well as for other luminaries such as dancer Josephine Baker, writers Richard Wright and Langston Hughes, and in later years, Frank Sinatra and Tommy Dorsey.  It was, in short, as the Chicago Tribune put it, “a landmark in Chicago history and American musical culture.”
http://mailman.305spin.com/users/blindpigrecords/images/BranchLPcoverWeb.jpg Its demise haunted Branch, who says, “It was just a tragedy. The way they closed the Palm Tavern, without fanfare or celebration, it felt so wrong.  Such a rich historical and cultural legacy, to be just erased without any mention – this song is my way of paying homage to Gerri Oliver and the Palm Tavern.”
To watch the video, please click HERE.

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