This Week's Reader Favorite Post

Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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What Am I Gonna Do? - Beulah Bryant

Claimed by the proud state of Alabama as one of their homegrown talents, Beulah Bryant was born Blooma Bryant and sang in local church groups. She left the state as a teenager, though, relocating to California in 1936 and more or less officially launching her professional career about a decade later by winning an amateur contest held by a network radio show. This victory inspired her to start up her own trio, which worked regularly in California. In the mid-'40s she moved to New York and by 1950 was part of a group of signings pulled off by Joe Davis wearing his hat as an MGM A&R man. The June, Billboard of that year announced that the label had "inked West Coast blues thrush Beulah Bryant." She made some excellent recordings with a group of musicians that had also backed up singers such as Irene Redfield and Millie Bosman, including the fine trombonist Will Bradley and trumpeter Taft Jordan. Bryant's style was tailored from the same type of musical suits worn by the so-called "blues shouters." She had a strong, authoritative delivery, a sense of rhythm that was like a bass drum pedal come to life, and the advantage of some first-class material created specifically for her by contributors such as singer and writer Irene Higginbotham If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

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