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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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FRENCH ROCKING BOOGIE / OLD HOME WALTZ - SHIRLEY BERGERON

Cajun singer and steel guitarist Shirley Bergeron (a man, not a woman) recorded, for the most part, standard Cajun music in the late 1950s with his accordionist father Alphee Bergeron and backup band the Veteran Playboys. Cajun music for the most part, that is, because there was one 1962 single, "French Rocking Boogie," that tried to get some action by fusing Cajun with rock'n'roll. Actually it was a pretty enjoyable, energetic track, and the one that Shirley Bergeron is most known for among collectors. However, for the rest of his recording career Bergeron stuck to Cajun music of a much more typical sort, always accompanied by his father Alphee on accordion. Alphee Bergeron had done one 1949 single with the Veteran Playboys, but Shirley made his recording debut in 1957 with two songs at a radio session that eventually got issued on an LP. There were some recordings for Goldband in 1960, but Bergeron spent most of the 1960s doing singles for the small Lanor label, recording at the Crowley Studios run by Jay Miller, who did so much for Louisiana popular music of all kinds in the 1950s and 1960s by cutting bluesmen like Slim Harpo. Some of the Lanor recordings had drums, but Bergeron just used guitar, Alphee's accordion, violin, and triangle when he recorded the album Cajun Style Music at the music store of Marc Savoy in Eunice, LA in late 1969. A compilation of Bergeron's 1957-69 sides, French Rocking Boogie, came out on CD on Ace. ~ Richie Unterberger, Rovi If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

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