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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

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Do What The Lord Say Do - Clarence Fountain/ Sam Butler

Clarence Fountain was one of the founding members of the Original Five Blind Boys of Alabama, a group that was formed when he was a 12-year-old student at the Talladega Institute for the Deaf and Blind in Alabama. The group, which drew all of its members from the school, was originally known as the Happy Land Jubilee Singers. They made their first recordings in 1948 after adopting their permanent name and had a recording career that extended over a more than 60-year span. Fountain broke with the group in 1969 to pursue a solo career and recorded two albums with Jewel, then rejoined the group in 1980. In 1983 the group performed as the chorus in the Obie-winning adaptation of a Sophocles play, The Gospel at Colonus, and continued to revive their roles in that play several times in the following years. Fountain continued to record for Jewel in the '90s, as well as issuing compilations of his work on a variety of labels. Working with fellow Blind Boys' alumnus Sam Butler (Fountain had actually mentored Butler in the group), Fountain and Butler released the wonderful Stepping Up & Stepping Out album, an emotionally balanced set of both gospel and secular numbers, on Solomon Burke's Tyscot Records in 2009. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

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