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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Crossroad Blues - Rory Block

Aurora "Rory" Block (born November 6, 1949, Princeton, New Jersey, United States) is an American female blues guitarist and singer, a notable exponent of the country blues style. Aurora Block was born in Princeton and grew up in Manhattan. Her father, Allan Block, ran a sandal shop in Greenwich Village in the 1960s, and the influence of the Greenwich Village folk music scene, such as Peter Rowan, Maria Muldaur, and John Sebastian, tempted Block to study classical guitar. At the age of 14, she met guitarist Stefan Grossman, who introduced her to the music of Mississippi Delta blues guitarists. Block began listening to old albums, transcribing them, and learning to play the songs. At age 15, she left home to seek out the remaining blues giants, such as Mississippi John Hurt, Reverend Gary Davis, and Son House, and hone her craft in the traditional manner of blues musicians; then she traveled to Berkeley, California where she played in clubs and coffeehouses. After retiring temporarily to raise a family, Block returned to the music industry in the 1970s with middling success until signing with Rounder Records in 1981, who encouraged her to return to her love for the classical blues form. Since then she has carved out her own niche, releasing numerous critically acclaimed albums of original and traditional songs, including many Robert Johnson covers, such as "Terraplane Blues" and "Come on in My Kitchen". Block has won five W. C. Handy Awards, two for "Traditional Blues Female Artist" (1997, 1998) and three for "Acoustic Blues Album of the Year" (1996, 1999, 2007). She also won NAIRD awards for "Best Adult Contemporary Album of the Year" in 1994 for Angel of Mercy and again in 1997 for Tornado. Angel of Mercy, Turning Point, and Tornado were filled with her self penned efforts. However, Mama's Blues, Ain't I A Woman and When A Woman Gets The Blues, featured songs written by Tommy Johnson, Robert Johnson, Lottie Beaman, and Mattie Delaney. Block continued to tour, although not as heavily as earlier, and she was often accompanied by her son Jordan Block, who also played on her albums. She remained busy in the early part of the 2000s, releasing six albums, including a live recording. 2005's From the Dust drew decent critical reviews, as did 2006's The Lady and Mr. Johnson. In 2010, Block released her autobiography in .pdf format and a limited print run titled When A Woman Gets The Blues. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

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