This Week's Reader Favorite Post

Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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City Hall Records artist: Big Walker - Root Walking - New release review

By Bman -

I've been listening to a new release,Root Walking, by Big Walker. Big Walker has assembled 12 original compositions including 17th and 18th century poems. It's Hard, the opener is a standard Chicago blues track and grooves quite nicely. Raise A Rukus has the flavor of a back country compound with hoot and hollarin along with a stripped down blues singing, guitar and harp. Wild Black Bill uses the blues format to tell an interesting little story not unlike the early southern blues... very cool. Run Nigri Run really has that southern voodoo sound and is a great track. The Hypocrite Blues has the characteristics of a early American country song ... possibly from the Appalachians. Can't Take No Train head back to Chicago for a high steppin' early electric Mud type track. Midnight Special is the traditional track whose authorship is unknown. It was first recorded in around 1900 and has since been recorded by everyone from Ledbelly to CCR. There is a cool acoustic slide part on this track. You Got A Home In That Rock, a traditional spiritual, is done uptempo with a bit of a rock beat and nice harp work. Papa Guede gets that Little Feet/ New Orleans feel going and along with again nice slide and harp work is a really cool track. Devil's Cloth has that deep south voodoo sound and is very interesting. It's not just the rhythm with these tracks but how certain instruments and sounds are used strategically to create the ambiance... again very cool. Thirteenth Full Moon is a much more conventional rock format track and has a real nice groove including guitar and sax riffs that help to create the mood. Slave is another dark track in that voodoo sound. Big Walker seems to have the formula down to express these tracks in a very effective way. Instuments are used for effects and voices are used as instruments in an orchestra. Overall a very interesting composition.
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This is Big Walker playing blues in a more traditional fashion:

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