This Week's Reader Favorite Post

Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Cry Baby Cry - Effie Smith

By Bman -

Born Effie Bly, 10 April 1914, Oklahoma and Died 11 February 1977 , Los Angeles, California Smith made her first professional splash in the '40s, when she appeared as a regular guest on broadcasts of the Armed Forces Service Radio. Much of this material has been reissued as collector's broadcast transcripts, and reveals a performance opportunity that not only included a hungry, appreciative audience, but a whole world of possible connections and influences for a young performer.

Effie Smith took part in broadcasts with artists such as tenor saxophone colossus Coleman Hawkins, bandleader and composer Benny Carter, and even pianist and eventual classical conductor Andre Previn at the age of 16. Smith cut one her earliest sides, "Answer to R.M. Blues" and "It's Been So Long," for the Miltone label in 1947.
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