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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Things That I Used to Do - Earl King


King was born Earl Silas Johnson IV in New Orleans, Louisiana. His father, a local piano player, died when King was still a baby, and he was brought up by his mother. With his mother, he started going to church at an early age. In his youth he sang gospel music, but took the advice of a friend to switch to blues to make a better living.

King started to play guitar at age 15. Soon he started entering talent contests at local clubs including the Dew Drop Inn. It was at one of those clubs where he met his idol Guitar Slim. King started imitating Slim, and his presence gave a big impact on his musical directions. In 1954, when Slim was injured in an automobile accident (right around the time Slim had the #1 R&B hit with "The Things That I Used To Do"), King was deputized to continue Slim's band tour, representing himself as Slim. After succeeding in this role, King became a regular at the Dew Drop Inn.

His first recording came in 1953. He released a 78 "Have you Gone Crazy" b/w "Begging At Your Mercy" on Savoy label as Earl Johnson. The following year, talent scout Johnny Vincent introduced King to Specialty label and he recorded some sides including "Mother's Love" which created a little stir locally. In 1955, King signed with Johnny Vincent's label, Ace. His first single from the label "Those Lonely, Lonely Nights" become huge hit reaching #7 on the R&B chart. He continued to record during his stay at the label which lasted for 5 years, and during the time, he also he started writing songs for other artists such as Roland Stone and Jimmy Clanton.

In 1960, Dave Bartholomew invited King to record for the Imperial Records. At the label, he was backed by host of musicians including Bob and George French, James Booker, and Wardell Quezergue. It was at this label he recorded his signature songs "Come On" and "Trick Bag". The former of which remained a much covered standard for decades especially for Jimi Hendrix, Stevie Ray Vaughan and Anson Funderburgh. The latter has also been widely covered including versions by The Meters and Robert Palmer.

Elvin Bishops cut oof this off of his solo cd called The Elvin Bishop Group still is one of my favorites.

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