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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Going to Fishing - Fiddlin Joe- Willie Brown- Leroy Williams

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Fiddlin’ Joe Martin (8 January 1900–2 November 1975) was a blues musician who played mandolin on Son House's, Alan Lomax inspired recording sessions in 1941. He was born in Edwards, Mississippi, and died in Walls, Mississippi Martin learned guitar and trombone as a boy, later adding mandolin and bass fiddle (hence his nickname). He switched to washboard and drums in the 40s after damaging his hands in a fire. He worked with many Delta blues singers, including Charley Patton, Willie ‘Hambone’ Newbern, Johnnie Temple, Memphis Minnie, Willie Brown and Son House, recording with the last two for the Library of Congress in 1940. Martin played drums for Howlin’ Wolf until Wolf moved north, but his most enduring association was with Woodrow Adams; he appeared on all Adams’ recordings, and they worked Mississippi juke joints together until Martin’s death. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like...