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Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Uniqek Sound Records artist: Clarence "The Blues Man" Turner - The Caster Blaster - New Release Review

By Bman -
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I just received the newest release, The Caster Blaster , from Clarence "The Blues Man" Turner and its funky blues cool! Opening with a hot funky blues, Fame and Fortune , Turner shows his chops which venture from Albert to BB with cool bass work, also by Turner and a nice horn backing by Gene Meros on sax and Gary Hendrickson on trumpet. On Mojo Hand , David Satterwhite lays down a nice bass line and Turner stretches out some pretty funky blues riffs on guitar. Meros and Hendrickson are back on horn giving it a kind of Memphis sound and Turner's vocal phrasing reminds me a bit of Johnny Guitar. A real swinger, C.C. Rider , takes a different tempo than what is typically associated with this track with Hendrickson pushing the lead on trumpet amd Meros holding down the bottom. Charles Pearson adds some really fine key work with tight drumming from Sean Graves but it's the solo work of Saxman Meros and Turners guitar work that makes this track sing. Sabrena has a kind...
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