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Hole In The Wall - Albennie Jones with Sam Price

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Albennie Jones was born in Gulfport, MS. on November 29, 1914. She later relocated to New York City but got off to a rough start making recordings for Savoy in 1944 and Black & White and in early 1945 that were unissued. In the spring of 1945 she cut two singles for the National label. She was signed to Decca in 1947 and recorded a handful of singles for that label, wrapping things up in 1949. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

You May Be Fast But Mamma's Gonna Slow You Down - Lucille Hegamin

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Lucille Nelson Hegamin (November 29, 1894 – March 1, 1970) was an American singer and entertainer, and a pioneer African American blues recording artist. Hegamin was born as Lucille Nelson in Macon, Georgia, United States. From an early age she sang in local church choirs. By the age of 15 she was touring the US South with the Leonard Harper Minstrel Stock Company. In 1914 she settled in Chicago, Illinois, where, often billed as "The Georgia Peach", she worked with Tony Jackson and Jelly Roll Morton before marrying pianist, Bill Hegamin. She later told a biographer: "I was a cabaret artist in those days, and never had to play theatres, and I sang everything from blues to popular songs, in a jazz style. I think I can say without bragging that I made the "St. Louis Blues" popular in Chicago; this was one of my feature numbers." Lucille Hegamin's stylistic influences included Annette Hanshaw and Ruth Etting. The Hegamins moved to Los Angeles, Californ...

Bullfight - Chuck Edwards

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Soul shouter Chuck Edwards was born Charles Edward Edwins in Philadelphia on November 29, 1927. According to online funk e-zine Funky 16 Corners, he began playing guitar professionally during the late '40s, and made his recorded debut on the Sonny Thompson Band's "Harlem Rug Cutter." Credited as Charles Edwins & His Orchestra, he made his headlining debut for Duke with 1953's "I Got Loose" before assuming the name Chuck Edwards for subsequent efforts, including "If You Love Me (Like You Say You Do)" and "You Move Me." Moving with each successive release from his formative smooth blues sound to a grittier R&B approach, Edwards frequently changed labels, following 1956's Apollo effort "Just for a Day" with 1959's Alanna single "Lucy and Jimmy Got Married," backed on the latter by the Five Crowns (featuring a then-unknown Ben E. King). None of these records made any kind of commercial impact, howeve...

FPR Company Store Holiday Sale!

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Fur Peace Ranch 2013 Calendar The first ever Fur Peace Ranch calendar is here! Keep track of your days and keep Fur Peace close to your heart with the Ranch's 2013 calendar.  Twelve beautiful pictures, featuring the winning photos submitted by FPR students for this year's calendar contest.  All Fur Peace workshop and concert dates are noted. Important dates in rock history and special birthdays are also marked.  Keep the spirit of Fur Peace with you daily and mark the days to your next visit! Visit the Company Store and get your copy today!   FPR Company Store Holiday Specials! 20% off all T-shirts ! 20% off all Hats ! 2010 Denim Pick-n-Putt Jacket was $9...

Wine, Women, Whiskey - Papa Lightfoot

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Papa Lightfoot, also known as Papa George Lightfoot (March 2, 1924 – November 28, 1971), born Alexander Lightfoot, was an American blues singer and harmonica player. Born in Natchez, Mississippi, Lightfoot recorded several sessions in his late twenties – for Peacock Records in 1949 (which were never issued), Sultan Records in 1950, Aladdin Records in 1952, and Imperial Records in 1954. After final singles for Savoy Records in 1955 and Excello Records in 1956, Lightfoot quit recording, still an obscure Southern blues harmonica player. As interest grew in rural Delta blues in the 1960s, Lightfoot's name became more well-known, and in 1969 record producer Steve LaVere went to Lightfoot's home town of Natchez, and asked him to record again. The result was the album Natchez Trace, released on Vault Records in 1969, which brought Lightfoot briefly to the forefront of the blues revival. Rural Blues Vol. 2 followed on Liberty Records later that same year. However, his comeback was...

She Use To Be My Girl - Wayne Bennett

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Wayne Bennett (December 13, 1931 – November 28, 1992) was an American blues guitarist. Bennett was born in Sulphur, Oklahoma, and died in New Orleans Louisiana. He worked with blues musicians such as Bobby Bland, Boxcar Willie, Buddy Guy, John Lee Hooker, Alan Haynes and Elmore James, as well as with jazz musicians, including Cannonball Adderley, Sonny Stitt and Dexter Gordon. In 1990, he played on Willy DeVille's album Victory Mixture. Bennett also played with the Chi-Lites, the Lost Generation, the Hues Corporation; among many others and cut his own record in 1968, an instrumental called "Casanova, Your Playing Days are Over" on the now defunct Brunswick label. Bennett was a guitarist originally known for his jazz-tinged blues guitar work with Bobby "Blue" Bland. He worked with Bland for a long time, and his solo on "Stormy Monday" on Bland's album Here's The Man is still considered by many guitarists[who?] to be a classic, drawing both f...

Benny Turner Real Blues Band with Charles Moore

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Benny Turner, as you may or may not know, is the brother of Blues legend Freddie King. Even less known, he is also second cousin to Johnny Mathis. He is immensely talented, however, one of his most striking qualities is that he is unwilling to "toot his own horn" and constantly looking to give credit to others. Benny was born in Gilmer, Texas and grew up in the shadow of his famous brother, Freddie King, who always dreamed of becoming a great guitar player. Freddie got his start with a cheap Roy Rogers box guitar. He and his little brother Benny would listen for a few hours a day to old radio programs like "In the Groove." Benny and Freddie, as they grew up, listened to Blues and Swing Music by such artists as Louis Jordan, Charles Brown and later, T-Bone Walker. These Blues greats became the influence of the music that Freddie King started to produce and Benny Turner continues today Later, Freddie and Benny's family moved to Chicago where Freddie becam...

The Blowin' Smoke Rhythm & Blues Band - Beyond The Blues Horizon - New review

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I just got Beyond The Blues Horizon , a hot release from The Blowin' Smoke Rhythm & Blues Band featuring the Fabulous Smokettes . This live concert recording opens with C.O.D. , a hot R&B track featuring Michael Murphy on Hammond and Jimmy Delgado rippin' a great lead guitar. This is a real foot stomper and Larry 'Fuzzy" Knight, lead vocalist and bass player delivers the goods. Willie Dixon's Built For Comfort is up next and is dropped into a smooth swingin' groove. Again with Knight on strong lead vocal this track is very cool. Delgado, shows he's been around the block a few times laying down riffs that would rival many of the prominent Texas blues players. Murphy, on this track adds significant electric piano riffs that really punctuate Knights guttural blues voice. Get Your Money Where You Spend Your Time is a cool R&B/jazz track along the lines of WW Washington. Tenor Sax player the "Count" Yates takes the lead vocal spot on t...

Bloodshot Records signs Luke Winslow-King

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BLOODSHOT RECORDS SIGNS NEW ORLEANS-BASED ARTIST LUKE WINSLOW-KING THE COMING TIDE TO BE RE-RELEASED IN MARCH 2013 News post: http://bloodshotrecords.com/news/bloodshot-signs-luke-winslow-king [photo by Jason Kruppa] Bloodshot Records is very excited to announce the signing of New Orleans-based artist Luke Winslow-King . Luke initially caught our ear with his unique style, emerging from the ashes of Delta blues, New Orleans traditional jazz, ragtime, and pre-war American folksong. After being transfixed watching Luke and singer/washboard player Esther Rose perform gorgeous duets at a noisy college bar in Chicago we were straight up hooked. His amalgam of sounds is full of culture and texture, and respectively Winslow-King’s knowledge of music history and attention to detail are nearly as captivating as his impeccable song compositions, guitar technique, and warm voice. [photo by Zack Smith] As for a little background detail: in 2010, a...