Bman's Blues Report

 I just had the opportunity to review the most recent release, Live at Power Station , from Vanessa Collier and it's energetic. Opening with The Run Around , Collier has the mic vocally and on sax on a driving rocker. With the incredible Laura Chavez on guitar, William Gorman on keys, Andrew Crane on bass, and Byron Cage on drums, this is a bright opener. Rolling, Whiskey and Women has a really nice feel and is a grat showcase for Collier's voice. Chavez lays in a solid solo and Collier caps on the track with a nasty solo of her own. Sweatin' Like A Pig, Singin'' Like An Angel has a cool, swampy New Orleans styling and I really like the interplay between Chavez and Collier instrumentall over the tight bottom provided by Cage and Crane. Excellent track. On Chris Smither's, Love Me Like A Man   Chavez really shines and Collier not only really rips it vocally but gets a great groove going on her sax. Excellent track. Pulling out her James Brown funkiness on Tong...

 I just had the opportunity to review the most recent release, Oasis: The Music of Gregg Hill , from Rodney Whitaker and it's a strong outing. Opening with bass driven, Betty's Tune featuring Rockelle Fortin on lead vocal. Bruce Barth on piano, Whitaker on bass and Dana Hall on drums really cement this piece together and excellent top work by Terell Stafford on trumpet and Tim Warfield really highlight the track. Excellent opener. Next up is Puppets with it's quiet piano/drum/bass bottom and Stafford with his muted trumpet laying out the melody. As the tune lays back into a more bop feel, Warfield on soprano sax really sings. Barth kicks it to double time on piano with a exciting piano solo and Whitaker stands out with the standup. Very cool. One of my favorite tracks on the release is Minorabilia with it's traditional bop feel. Stafford on trumpet and Warfield on tenor sax hold the melody, reinforced by Barth on piano. This track really hits a great groove featurin...

  I just had the opportunity to review the newest release, Lockdown , by Trabants and I really like it. Opening with Freddy King flavored, Detour , Eric Penna has the lead (melody) on guitar, joined by Pete Curry on bass and drums. Penna has his own sound, but the influence is definitely King and a great opener. Title track, Lockdown was inspired by the Covid pandemic and it's obvious that these musicians didn't let the time go to waste. Influenced by the likes of British blues masters like Rory Gallagher and Peter Green title track, Lockdown is a solid slower blues featuring Penna laying down clean lead guitar phrasing over simple drum / bass backing. Quarantine is a cool improvisational blues that has thematic influence by Peter Green's Fleetwood Mac to my ear. With Penna on acoustic guitars, Glenn Brigman on Farfisa, and Curry on drums, this is an interesting venue. Tears In Rain is a strong soulful ballad with Penna on lead guitar and Hammond Organ, Anthony Brisson...

 I just had the opportunity to review the most recent release, In The Moment , from Ella & The Bossa Beat and I really like it. Opening with Speak From The Heart , Ella Borges on all vocals, piano and bass really create a lush sound supported by her father Magrus Borges on drums. The Latin rhythm is captivating and Ella's vocals intoxicating. On Dreamer , Kim Freitas on acoustic guitar provides a clean rhythm base for Ella's vocal and Jonathan Dills on cello adds a deep richness under Ella's piano and layered vocals, supported nicely by Magrus' percussion. Excellent! I love the neo soul feel on O Tempo Traz and Ella's Portuguese vocals really add a special feel. Wrapping the release is What Happened To Our Love , a straignt up pop track with it's straight forward radio appeal. A sweet melody, lush vocal, and nicely accompanied keyboard work, held tight by Magrus is a solid closer for a really nice release.    If you support live Blues acts, up and...

 I just had the opportunity to review the most recent release, Blues To Be There , by Planet D Nonet and it's strong! Opening with Spacemen , a high energy romp, With excellent trumpet lead by James O'Donnell and Michael Zaporski on piano, this track is hot. Alex Harding on bari sax, and Christopher Tabaczynski on tenor sax,  and Tbone Paxton on trombone really sail with Charlie Miller on trumpet, Alex Colista on alto sax, Trevor Lamb on string bass and Sean Perlmutter on drums. Title track,  Blues To Be There finds Zaporski laying down the melody on piano with Colista, Tabacynski, Wyche, O'Donnell, Miller Paxton, Lamb and Perlmutter joining in. O'Donnell blows some really soulful work on trumpet giving this track a great feel. Purple Gazelle is one of my favorite tracks on the release with it's Latin rhythm, powerful bari sax work by Harding, hot clarinet by Tabaczynski, and brass highlights by O'Donnell, Miller and Paxton. Wrapping the release is VIP's ...

 I just had the opportunty to review the most recent release, Urbanessence , from Tito Carrillo and it's very cool. Opening with Momentum with a paired lead melody by Tito Carrillo on trumpet and Troy Roberts on sax this track is humming. With Ben Lewis on piano, Clark Sommers on bass, Jay Sawyer on drums and Victor Gonzalez on congas, this is a strong opener. Crazy, Stupid Fine is a really cool track with a cool, lightly funky rhythm. Opening with a bass solo setup, Carrillo and Roberts again pair on the melody, splitting off to seperately lay in very nice variations on the melody. Carrillo's tone and phrasing is clean and controlled and Robert's tone, warm and more frantic. With excellent punctuation and melodic improvisation by Lewis on piano, this is a terrific track. Carrillo pulls out the flugelhorn for warm tone on Phillip Kocheril's Up The Down Staircase sharing this introspective melody with Lewis on piano. Wrapping the release is Sublime (for Roy Hargrove...

 I just had the opportunity to review the most recent release, Winter's Coming , by Bridget Kelly Band and it's a solid blues rocker. Opening with title track, Winter's Coming Blues V.1 , a romping shuffle with a droning bass line and hot guitar lead by Tim Fik, Kelly on vocal and Roland "Boss" Jones on drums. Funk rocker, Whirlwind has a great driving beat and solid melody. I like Fik's energetic guitar lead and Jones' drum beat keeps it tight. My favorite track on the release. Southern flavored rocker, Travelin' Bone has a great Lynyrd Skynyrd swagger. Contrasted with Kelly's bluesy vocals, Fik and Jones drive this truck hard. Wrapping the release is instrumental track, Ride The Wind with it's more progressive jazz rock sound. Fik lays down a pretty nice lead guitar solo over the thumping drum work of Jones for a solid closer.    If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news an...

 I just had the opportunity to review the most recent release, Weight Of The World , by Joe Louis Walker , and it's a cool uncompromised blues release. Opening with title track,  The Weight Of The World , Joe Louis Walker on lead vocal and guitar leads the way on this R&B soaked track. His funky approach and with Eric Corne and Gia Ciambotti on backing vocals gives it even a gospel like feel. His guitar work is great, surrounded by Scott Milici on organ and backed by John Medeiros Jr on drums, Eddie Jackson on bongos, and Geoff Murfitt on bass. Strong opener.  Soul track, Hello, It's The Blues , really has a rich approach with smooth backing vocals and Eric Gorfain on violins and tasty nylon string guitar work by Walker. Very nice. Blues rocker, Blue Mirror is my favorite track on the release with a strong feel of Chuch Berry or Keith Richards. Walker puts his own signature on it complimented by great riffs and great driving rhythm by Milici on piano, Murfitt on bass...

 I just had the opportunity to review the most recent release, Tribute To Peter Green, by Rick Berthod, and it's a solid retro of an important blues guitar revivalist of the 70's. Opening with If You Be My Baby , Rick Berthod on vocal and guitar and vocal leads the way with Ronee Mac on bass, Brett Barnes on drums and Junior Brantley on Vocal and Piano. On the Green track that Santana made popular, Black Magic Woman , Berthod does a real nice job of getting the harmonic ring and the general Green "les paul" grind. Nice phrasing and of course track recognition will make this the top track on the release.  John Zito joins on slide guitar adding a real nice depth to Albatross , paired with Berthod and with Mac on bass, Billy Truitt on piano and Barnes on drums. Cool shuffle, Stop Messing Around, adds Chris Tofield, Stoney Curtis and Mike Varney on dueling guitars to the mix over Truitt on Hammond giving this track real traction. Berthod lays down his coolest guitar work ...