Bman's Blues Report

I just had the opportunity to review the most recent release, Mississippi Blend , from Ghalia and it's got great attitude and style. Opening with, Gypsy Lady , a blues based track with a rockin beat, Brussels born Ghalia (Vauthier) Volt shows her understanding of real blues with it's raw feeling and emotion. Leading on vocal and slide guitar Volt has a lot of help from Lightnin' Malcolm on lead guitar, Dean Zucchero on bass and Cedric Burnside on drums. Easing into a swampy blues number, Meet You Down The Road has the kind of rawness you'd expect from the hill country with Watermelon Slim on harp, Smokehouse Brown on lead and slide guitar, Zucchero on bass and Burnside on drums. The dual slide guitar sound is intoxicating under her soulful vocals and the tight rhythms are perfectly punctuated by Burnside. Very cool. I really like heavy footed blues rocker, First Time I Died . It has real kick. Volt focuses on vocals and does a great job with excellent timing by Co...

I just had the opportunity to review the most recent release, Holla & Moan , from The McMaMarr Project and it's dripping in soul. Opening with title track, Holla and Moan , a romping R&B track John McNamara and Andrea Marr team up vocally making a really cool team. McNamara handles lead guitar backed by Bobby Manuel on guitar, Ray Griffin on bass, Willie Hall on drums, Lester Snell on keys, Scott Thompson on trumpet, Lannie McMillan on tenor sax, and Jim Spake on bari sax. With a solid bass line by Griffin, Throwing Down a Little Love has a real firm beat and great vocal blending highlighted by great blues guitar riffs by McNamara. Soul ballad, History has a taste of country and a nice dash of blues with warm vocals and melody. Definitely the top radio track on the release. Another easy floating vocal track, Something That's Real , blends the honesty of early country music with R&B for a unique soulful blend. Wrapping the release is Blues Brought Me Here , a ...

I just had the opportunity to review the most recent release, Whisper in the Wind , by Michael Bloom and the Blues Prophecy and it's a cool relaxed blues rocker. Opening with Time On My Hands , Bloom is up front on lead vocal and guitar with Minuro Maruyama, also on guitars, Michael Damani on keys, an excellent rolling bass line by Jeffrey Labon, and Andrew Thomas and Faustino Cortez on drums. Just Can't Win is a real nice contemporary blues track with a solid melody and again, a cool bass line by Labon. Bloom and Michael Damani lay out some really cool guitar lines on this one as it floats along nicely. Bloom's take on Brownsville has classic styling with Bloom on slide and lead vocal and cool piano rolls by Damani. One of my release favorites is slower blues, Old Man Blues with Bloom stretching his chops on electric lead guitar and with Brant Leeper on B3. Clocking in at nearly 7 minutes...very nice. No Luck At All is an interesting blues track with a different kind...

I just had the opportunity to review the most recent release, Nothin' To It But To Do It , by Junior Watson and I really like it. It's become a theme, but I like most of what comes out of Greaseland, Kid Andersen's shop. Opening with Up and Out , an up tempo blazer led by Sax Gordon, Junior Watson opens this release like a showman with horns blazing. Gordon really has it humming with great underpinning by Kedar Roy on bass, Andrew Guterman on drums and Jim Pugh on keys, swinging the door open and letting Junior Watson run on guitar. Excellent! On swing boogie, Louella , Watson has lead vocal and guitar with big time sax work by Gordon. This track really has presence and Gordon shares the spotlight with Watson who shows why he's one of the best loved contemporary guitar players on the circuit. A Shot In The Dark is a terrific slower blues with Alabama Mike really working vocals upfront and giving Watson the space to work over his fretboard and he really does give i...

I just had the opportunity to review the most recent release, Don't Give Up On The Blues, from Giles Robson and I really like it. Opening with Land To Land Giles Robson on lead vocal and harmonica is a strong force to be reckoned with. His vocals are real and his harp playing solid. Backed by Bruce Katz on piano and Hammond, Aaron Lieberman on guitar, Antar Goodwin on bass and R ay Hangen on drums, this band is tight. Title track, Don't Give Up On the Blues is a cool shuffle track in pure Chicago style. Robson ramps up his harmonica showing his classic styling and key whiz Bruck Katz digs on piano for some terrific riffs as well. With it's Bo Diddley beat, Hangen really hammers it out on Damn Fool Way and Robson's tone is pure gold. Slow blues number, Your Dirty Look & Your Sneaky Grin is a terrific track with solid vocals, rich harmonica work by Robson and a real nice piano solo by Katz. Very nice. Harmonica/piano boogie track, Boogie at the Showplace is a...

I just had the opportunity to review the most recent release, Holywater , from HeavyDrunk and it's tasty. Opening with blues rocker, If I Loved You Hard Enough with it's firm drone bass line by Bill Ferri this band is hitting the road hard. Lead singer Rob Robinson has great pipes for this style and with backing vocals by Renee Armand, Gina Pittman, Maureen Murphy and Nicki Connely, heavy horns by Tyler Summers (sax) and Roy Agee (trombone), and strong guitar lines by Will Beeman, Kurt Stone and Robinson, this is a great opener. HeavyDrunk Holywater is a somber, gospel tinted ballad with traces of Tom Waits with lead vocal by Robinson and crisp piano work by James Hooker. Will Beeman is upfront on Keeping Up With the Kid , a swinging shuffle with an interesting story line, sassy guitar work, a strong blend of keys by Eric Bikales and James Hooker, tight horns and cool bari highlights by Summers. Clever R&B track, Somebody's Got To Take Them Panties Off , not only...

I just had the opportunity to review the most recent release, Man of Many Blues , from Paul Gabriel and it's got style. Opening with Latin flavored, I Feel Good , Paul Gabriel is front and center on lead guitar and vocal with Frank Davis on bass, Lonnie Gasperini on Hammond, Mark Earley on tenor and bari sax, Doug James on bari sax and Mark Teixeira on drums. On shuffle, Maybe We Can Talk A While , Duke Robillard lays in some real nice guitar lead giving the track just a little more smooth polish. Blues For Georgia is a real cool track with a jazzy edge. Gabriel's guitar lead is really nice, paired with Gasperini's Hammond organ work and the mighty Bruce Bears on piano. Very nice. My favorite track on the release is Just A Bitterness with it's soulful structure and slow bluesy pace. Gabriel's vocal strengths and really showcased on this one and addition of Robillard on guitar gives stinging guitar results. With rich sax work by Earley, this track just hits the...

I just had the opportunity to review the most recent release, Bounce , from the Paul DesLauiers Band and it's a cool rock release with deep roots in the blues. Opening with It's All on You , a swaggering track featuring DesLauiers on lead guitar and vocal with Alec McElcheran on bass and Sam Harrisson on drums. This is a really nice opener with DesLauriers' slide playing having the fat resonance of Jimmy Page. Very nice. On Take Me To The Brink , DesLauriers revs it up with a "Train Train" like rhythm and hot hot chicken pickin style. Excellent! With a rocking funky beat, Driving Me Insane has a great back beat and strong melody. I think that anyone who likes the basic sound of Led Zep would really like this. With a bit more Hendrix like bite but remaining blues based, Picked a Bad Day is a strong rocker featuring the guitar work of DesLauriers and JP Soars. Hi intensity shuffle, Feeling All Kinds of Good , is one of my favorite tracks on the release with s...

I just had the opportunity to review the most recent release, Pay The Price , from Ray Fuller and the Bluesrockers and it's a lot of fun. Opening with blues rocker, Hoodoo Train , bandleader, lead vocalist and lead guitar player sets the pace with solid vocals and a steady pace. backed by Jumper Tutu on drums, Doc Malone on harmonica and Manny Manuel on bass, this is a real nice opener. Stepping up to Chuck Berry like pace on Pearlene , Fuller gets the house rocking and with clean double stops this track is rolling. Very cool. On Mojo Hand , John Lee Hooker creeps into the mix with an endless boogie. This band does know how to boogie with rhythmic guitar work, excellent vocal phrasing and overlying harmonica by Malone. Rollin' and Tumblin' is a great track with a constant drum attack by Tutu and some mighty greasy slide by Fuller. Back to the driving rock n roll feel with I Will Not Let You Go with a solid bass line by Manuel and wailing harmonica by Malone. Fuller l...