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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Friday, October 28, 2016

Provogue artist: Eric Johnson - ej - New release review

I just had the opportunity to review Eric Johnson's newest release, ej and it's quite special. An all acoustic release with acoustic guitar and piano it is a different side of Johnson. Opening the release is an instrumental cover of Simon and Garfunkel's Mrs. Robinson. Solid and very ornately adorned, a beautiful track. Somber ballad, Wrapped In A Cloud features Johnson of vocal, piano and acoustic guitar with strings. A very nice track outside of what you would traditionally think of with Johnson. Once Upon A Time In Texas is a curious, adventuresome, guitar interlude with a lot of dynamics and almost Spanish accents. Very nice. Jimi Hendrix's One Rainy Wish has the introspective melody of Hendrix with it's complexity but with a totally new twist. Johnson has successfully take it to a new place with new dynamics. Very nice. One of my favorites on the release is the classically structured, Serinidad, with it's chord bases and jazz like lead. Very special indeed. Les Paul's The World Is Waiting For The Sunrise is a super guitar duet with Doyle Dykes and it literally really runs. A fine blend of gypsy styling, country jazz and pure Les Paul style, this track is a shining star. Simon and Garfunkel's Scarborough Fair, gets a more classical styling with piano and solid vocals. One of the best vocal outings on the release. Wrapping the release is Song For Irene, an intricate acoustic piece with cleanly articulated melodic runs. A nice conclusion to an interesting direction for Eric Johnson.

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Thursday, October 27, 2016

VizzTone Label Group artist: Nancy Wright - Playdate! - New release review

I just had the opportunity to review the newest release, Playdate!, from Nancy Wright and it's smokin! Opening with funky, Why You Wanna Do It, Wee Willie Walker takes the lead on vocal and Nancy Wright really sails on sax. Joe Kyle Jr. sets the pace on bass with some heavy lines and J. Hansen's drum work is tight. Excellent opener! On Willie Dixon's I Got What It Takes, Kyle again sets a strong bass line and Tommy Castro brings a real nice guitar solo. This track is in the groove and Wright delivers a great sound on sax backed by Tom Poole on trumpet and Faris Jarrah on trombone.Yes He Do is a great swinger with Victor Wainwright really taking control on piano. Wright takes it higher and the two hit it out of the park. Super. Eddie Shaw's Blues For The Westside is an absolute screamer with Wright really digging in. Chris Burns' piano work on this track really stands out and Joe Louis Walker stands tall with soulful guitar riffs fluidly added throughout as well as featured in solo form. Really tasty! R&B track, Been Waiting That Long features Frank Bey on lead vocals and with it's swampy beat martin Winstad adds cool percussion to an already gritty track. Wright really squeezes the horn on this one getting it to squeal. The thoughts of Jr Walker come around as Trampled blows from Wright's horn with Kid Andersen echoing the guitar retort and Jim Pugh showing his stuff on organ. Very cool. Satisfied has a distinct revival/gospel sound with the Plymouth Church of Jazz and Justice Choir bringing up the chorus. Wright sails on sax backed by Chauncey Roberts on tambourine and handclaps. Another track with deep funk, Warranty, features Terrie Odabi on lead vocals. This track is so well crafted it is likely to get strong airplay across a number of stations. Andersen sets in some real nice guitar riffs and Wright crafts a hot sax solo giving the track real heat. New Orleans flavored, Cherry Wine, has super cool drum work and Lisa Leuschner-Andersen brings cool backing vocals. Wright down right swings it when she comes in for her solo taking it to the house. Instrumental, There Is Something On Your Mind, is a great blues track with Wright really winding up her sax and Mr Elvin Bishop answering with Red Dog on slide. This track has Bishops name written all over it and Wright really knows how to stack these cards. Excellent! Mike Schermer takes the lead on guitar on the swinging, Back Room Rock. Burns and Kyle really get the track cranking and Wright seals the deal with fat sax work on this one. Wrapping the release is laid back, Soul Blue, with Wright and Chris Cain setting the stage. Cain's guitar work cuts like a hot knife, searing through the horns and keyboard work giving the track a relaxed but crisp sound. Burns takes a real nice piano solo leading up to Wright tying everything up tight with her final chorus. This is an excellent release with plenty of blues for everyone. Check it out!

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Wednesday, October 26, 2016

Isaiah B Brunt Music: Isaiah B Brunt - A Moment In Time - New Release Review

I just had the opportunity to review the most recent release, A Moment In Time, from Isaiah B Brunt and it's refreshing. Opening with Still Waiting, Isaiah Brunt takes the lead on vocal and guitar backed by the cool piano work of Mike Lemmier, bass by George Porter Jr and drums on Doug Belote. The horn section featuring Jeffrey T Watkins on sax and Ian E Smith on trumpet and trombone really give the track a taste of New Orleans. Singing The Blues has a bit more of a contemporary pop track with solid horns and piano backing. Sarah E Burke adds nice backing vocals and the lap steel work of Brunt is very textural. Vocal phrasing by Brunt on That Place On The Road really reminds me a bit of Jim Morrison, the lizard king and Smoky Greenwell adds harmonica work, giving the track more color. Lost Jacket Blues has a straight up 12 bar drive but the horn section pumps it up giving it a hotter feel. A nice sax solo by Watkins gives the track more sparkle. Funky track, May I Dance With You, has a cool rhythm with riding B3 work by Lemmier on the top. Burke's backing vocals are a real treat and Brunt's guitar work trading with Watkins results in a super funky sax solo. Very nice. Travel Back In Time is a really cool track featuring Tuba Steve driving the train with his Sousaphone work. James Evan's excellent clarinet lines give the track a real feel of New Orleans, accented by the drum style of Belote and the horn punctuation by Smith and Watkins. Boogie track, Party Late All Night, keeps it low key relying mostly on Brunt's vocal lines but with a swinging sax solo by Watkins. Wrapping the release is title track, A Moment In Time, a quiet ballad with nicely blended vocals with Burke. The addition of David Stocker on Mellotron and the slide work by Brunt gives the track a particularly smooth soothing feel.

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Tuesday, October 25, 2016

JBR Records artist: James "Buddy" Rogers - By My Side - New release review

I just had the opportunity to review the most recent release, By My Side, from James "Buddy" Rogers and it's strong! Opening with Come Back To Me, a solid blues number with a super lope, Rogers had the lead on vocal and guitar establishing firm ground. With Freddie king like riffs and with solid backing from Slammin Mike Wedge on bass, James Hollywood Badger on drums and Lewis Stephens on keys, this is a great opener. On title track, By My Side, Rogers shows a smooth R&B style and his vocals are soulful and fitting. Stephens key board work is bright and clear nicely surrounding Rogers vocal phrasing. Very nice. On rocker, Can't Get You Off My Mind, Rogers had the solid drive of Chuck Berry but doesn't use and stereotypical riffs. His charge is direct and tight. Sweet ballad, You Belong, has an almost Eric Clapton feel with fresh, electric guitar riffs playing under the melody. Don Nix's Goin' Down is up next with a mix of Jeff Beck and Freddie King attacks. Rogers' guitar approach is new and interesting and the track still sounds fresh and compelling. Another blues rocker with a serious attitude, Hell To Pay, has a great swagger. Rogers plays his riffs prudently and with intent. Pop rocker, Runnin' is a cool track with a catchy hook. Albert King like guitar riffs (or Stevie Ray if you prefer) gives this track plenty of sting. Simple ballad, You & I, is quiet and radio geared. With it's solid melody and easy vocals, this track has all the elements of a hit. Am-Ola-Dora is a really cool and funky instrumental track that I'd say has a Freddie King beat. With it's bluesy, funky 60's, organ driven, Latin rhythm, this track soars. One of my favorite tracks on the release, this track is just too cool. Wrapping the release is another radio style track, Change, in the style of Peter Frampton. Nice melody, acoustic in nature with solid vocals, this track is a perfect closer.

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Monday, October 24, 2016

Flood Plane Records artists: Holly Hyatt and Jon Burden - Shufflin' The Blues - New Release Review

I just had the opportunity to review the most recent release, Shufflin' The Blues, by Holly Hyatt and John Burden and it's polished and precise. Opening with a shiny cover of Muddy Waters' Blow Wind Blow, Holly and Jon trade lead vocals as Holly walks her bass and Jon stretches out on his electric guitar backed by Marvin Walker. Next up is Memphis Slim's Mother Earth Blues with a rich, warm cover. I like this track and the duo does a real nice job making it their own with cool riffs by Jon and solid bass work by Holly. Let's Boogie is a cool rocker with a classic feel. Holly sets a nice groove on bass and Jon's guitar tone is clean and smooth. Steppin' blues, Lowdown Blues, has a clean, almost pop sound with a light drum dusting and and country tweaked guitar riffs. Cool. Robert Johnson's, Come On In My Kitchen, is my favorite track on the releae with really nice slide work and beautiful use of Holly and Jon's voices in call and response with a gospel feel. Excellent. Jazzy blues, Get Your Own Man, feels to me like a silky Pride and Joy with some of Holly's fines vocals on the release. Left Handed Soul is actually a real cool track with clever lyrics. Jon's vocals put me in mind quite a bit of the late Smokin' Joe Kubik and his blues guitar riffs are stylistic and cool. Acoustic track, Black Crow, has a totally different feel than most of the release highlighting Holly's vocal styling nicely. Quirky but I like it! Wrapping the release is shuffle track, Slushy Blues with it's walking bass line and brushed snare. Holly has the vocal lead and Jon steps out nicely on guitar for a nice conclusion to a different kind of blues release.

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Friday, October 21, 2016

The Catfish - Popa Chubby - New Release review - by Stilladog: Guest Writer

Talk about keepin’ it fresh?  Oh yeah. This album does it.  Popa Chubby (Theodore Horowitz) is a bad man with an axe in his hand! I’ve met the man and I believe this is the album he was always meant to do.
At first you will be impressed with solid blues and blues rock songs with a touch of nasty funk.  Tracks 1 & 2, Goin’ Downtown and Good Thing fall into this category.  Next comes an instrumental version of the Buddy Holly classic Bye Bye Love, the first of many tracks where Chubby pays homage to his influential heroes.
There are rockers Dirty Diesel (a touch of Stevie Ray?) and Motorhead Saved My Life and the slow gut-bucket Blues For Charlie . Then there’s Slow Down Sugar which throughout includes a muted trumpet paying homage to Miles Davis. Later this track breaks into a primitive rap reminiscent of Miles’ Doo-Bop album that received terrible reviews but which fused jazz and hiphop perfectly way back in the early 90s.  
A couple top notch originals, The Catfish and Put a Grown Man To Shame are not to be missed and the album concludes with the Robert Johnson cover Come On In My Kitchen which is terrific!
But the crowning jewel in this excellent album is track 5, Wes Is More, where Chubby channels Wes Montgomery!  It’s basically a jazz shuffle in which Popa Chubby displays more depth and diversity than anyone could imagine. Just wonderful!  

This is a GREAT album and has a little for everyone whether your tastes run to rock, blues/rock, funk, hip-hop, or straight jazz. The Chubby man offers it all up on this recording.  This album is EXTREMELY recommended by Stilladog. The more diverse your taste in music is the more you will like this album. 

     

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Mitch Kashmar "West Coast Toast"





Mitch Kashmar "West Coast Toast"

Featuring: Junior Watson, Bill Stuve, Fred Kaplan, and Marty Dodson

West Coast Toast heralds the arrival of Mitch Kashmar's long-awaited third studio album from Delta Groove. Although fans had the live recording Live at Labatt (2008) and a CD reissue of his early '80s era LP 100 Miles to Go (2010) to tide them over, it's been ten years since his last full studio effort, Wake Up & Worry (2006). This time out, Mitch pays tribute to his legacy, tipping his musical hat to the unique sounds of West Coast blues with a program of well-chosen covers mixed in with his own original compositions, all filtered through his own individualistic approach to the blues, and distilled down into the essence of what the blues is today. Together with the stellar backing musicianship of Junior Watson (guitar), Fred Kaplan (piano), Bill Stuve (bass) and Marty Dodson (drums), Mitch Kashmar ably proves that the golden era of West Coast blues harmonica isn’t behind us – it’s still happening right now!

"Few blues singers, songwriters, & harmonica blowers performing today can top Mitch Kashmar." - Living Blues Magazine

"Kashmar has harmonica chops to spare and possesses an unsurpassed vocal prowess." - BLUES JUNCTION Productions

“Mitch Kashmar is my absolute favorite blues harp player of his generation, and one of my favorites period! He's also a first-class vocalist - his singing really knocks me out.” - William Clarke

"You're playing and singing are superb!" - Charlie Musselwhite



MITCH KASHMAR - FALL 2016 EUROPEAN TOUR DATES:
10/18/16: München, Germany - Alfonso's Live-Music Club
10/19/16: Chur, Switzerland - Calanda Restaurant
10/20/16: Rimsting, Germany - Blues Club Chiemgau
10/21/16: Sargans, Switzerland - Jazzclub
10/22/16: Luzern, Switzerland - Tschuppi's Wonderbar
10/24/16: Müllheim, Germany - Pur Pur "Blues Monday"
10/25/16: Emmendingen, Germany - Culture Mill Mehlsack
10/26/16: Kandern, Germany - ChaBah
10/27/16: Fürth, Germany - Kofferfabrik
10/30/16: Berlin, Germany - Hans Rosenthal House
10/30/16: Potsdam, Germany - Schiffsrestaurant John Barnett
11/01/16: Bremen, Germany - Meisenfrei Blues Club
11/02/16: Hannover, Germany - Marlene Bar & Bühne
11/04/16: København, Denmark - Mojo Blues Bar
11/05/16: Frederikshavn, Denmark - Frederikshavn Bluesfestival-Blues.dk


RECENT RELEASES FROM DELTA GROOVE
JOHN LONG
"STAND YOUR GROUND"

Featuring: Fred Kaplan, Bill Stuve and Washington Rucker

"Long doesn't sample the old country blues; he inhabits it." - All Music Guide

"John Long is a NATIONAL TREASURE." 
- Al Blake / Hollywood Blue Flames

“If you wanted to make an argument for reincarnation, John is it.” – Zach Zunis

BIG JON ATKINSON
& BOB CORRITORE
“House Party at Big Jon's”


Featuring: Willie Buck, Alabama Mike,Dave Riley, Tomcat Courtney & more!

“Nobody gets it done better than Bob Corritore.” – No Depression

"Nobody gets it done better than Bob Corritore.” – No Depression





Malaco Records artist: Grady Champion - One Of A Kind - New Release Review

I just had the opportunity to review the most recent release, One Of A Kind, from Grady Champion, and it has variety. Opening with Bump and Grind, Grady Champion on lead vocal and harp along with Ken Smith on bass, Eddie Cotton on guitar and Carroll McLaughlin on keys set an early groove, not unlike a more polished Jesus Just Left Chicago. Nice opener. With a R&B feel, Heels and Hips floats along with a really cool bass line by Smith and nice backing vocals by Champion, Jewell Bass, Eddie Cotton and Lisa Palmer. Shuffle track, House Party, gets deeper in the groove with the addition of Kimble Funchess on trumpet, Jessie PrimerIII on sax, Sydney Ford II on bari, Robert Lamkin on trombone and champion's harp backed by nice vocals by Bass and Palmer. On Life Support, Champion really gets the band swinging on harp and some of his best vocals on the release. Myron Bennett's bass work is tight and vital giving this track just the right weight. Classic, Chicago style blues track, Leave Here Running, features Theodis Ealey on guitar and Champion really opens up his harp for a super run. Ealey throws down a cool solo of his own giving this track even more spirit. Another R&B track, Move Something, has a real nice feel, pumped by the bass work of Smith and the Jackson Horns. Soul tune, One Of A Kind, is one of my favorite tracks on the release with just the right amount of warmth, a nice sax solo by Primer, guitar solo by Ealey and most soulful vocals by Champion backed by super horns and backing vocalists. Stone In My Path has an Albert King kind of feel with Champion's gravely vocals balanced against his harp punctuation over nicely executed piano work by McLaughlin. Thin Line has a rolling bass line edged along by cool backing vocals. Champion's lead vocals and harp capper gives the track a real nice feel. What A Woman has a bit of a Willie Dixon lumber with vocals along the lines of the Wolf. Mr. Elvin Bishop adds slide guitar to the track giving it that extra bit of texture. More contemporary track, When I'm Gone has a cool funky edge, with nice backing vocals from Bass and Palmer. Clean piano work by McLaughlin stands out on this track bumped along by Scott's drum work. Wrapping the release is GC Boogie, a slick instrumental featuring Champion playing harp riffs and Cotton playing guitar riffs over a plucky bass line by Bennett and McLaughlin riding on organ. Cool closer.

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Thursday, October 20, 2016

Connor Ray Music Set to Release New CD from Acclaimed Houston Blues Singer Trudy Lynn, "I'll Sing the Blues for You," on October 21





Connor Ray Music Set to Release New CD from Acclaimed Houston Blues Singer Trudy Lynn, I’ll Sing the Blues for You, on October 21

Trudy Lynn Will Celebrate New Album’s Release with a Special Show at Houston’s Big Easy Social and Pleasure Club on Saturday, October 22


HOUSTON, TX – Connor Ray Music announces an October 21 release date for I’ll Sing the Blues for You, the new CD from acclaimed Houston-based blues singer Trudy Lynn. I’ll Sing the Blues for You features 10 tracks dripping with blues, soul and R&B, and includes her unique takes on songs from Big Mama Thornton, Lowell Fulsom, Memphis Minnie and Johnny Copeland, among others, as well as the funky original, “Thru Chasin’ You,” destined to be a fan favorite. Backing Trudy on the new album are label president Steve Krase on harmonica, David Carter on guitar, Terry Dry on bass, Randy Wall on keyboards and Matt Johnson on drums.  

Trudy Lynn will celebrate the new album with a special CD release party show at Houston’s famed Big Easy Social and Pleasure Club on Saturday, October 22.

“Choosing material for this album was quite an adventure,” says Trudy about I’ll Sing the Blues for You. “In my musical career, there are so many blues artists that I have been inspired by.”

In the new album’s liner notes, Trudy explains how its title came about. “As I’ve said in a previous recording of mine, ‘Everybody’s Got a Blues Song to Sing.’ One day my daughter gave me a gift of business cards, and on the top of each card was, Trudy Lynn: I’ll Sing the Blues for You! As I was looking at the cards, she said, ‘Mama, that’s what you do. You sing the blues for everybody.’ During so many of my performances, a fan will come up to me to say, ‘You were singing that song for me. That’s why I came!’ I take these compliments as stars in my crown, like flowers in my garden.”

I’ll Sing the Blues for You is Trudy Lynn’s 12th solo album and her third release on the Connor Ray Music label, following up on 2014’s Royal Oaks Blues Café, which hit #1 on the Billboard Blues Chart; and 2015’s Everything Comes with A Price, which spent four months on the Living Blues Radio Chart. Trudy is also a five-time Blues Music Award nominee and was inducted into the Houston Music Hall of Fame in 2015.
Trudy Lynn was born Lee Audrey Nelms in Houston’s Fifth Ward, where she began singing as a teenager. After high school, Lynn went to visit her aunt in Lufkin, where a club called the Cinderella needed a singer. She decided Lee Audrey Nelms wasn't going to cut it as a stage name. The club had a bunch of cartoon character names painted on the wall and she noticed “Trudy,” which she quickly paired with Lynn. “Lynn was something in those days,” she recalls. “Gloria Lynne, Barbara Lynn. I thought, ‘I’m going to be one of those Lynns, too, baby.’”

Prior to striking out on her own, Trudy was the vocalist for such Texas greats as I.J. Gosey and Clarence Green, where Trudy spent five years as the vocalist for his band. Green was a stern mentor, but Lynn credits him with helping her become a professional. “He molded me well,” she says. “He's still in me because of what he taught me. It takes that.” After leaving Green’s band, Lynn began performing on her own. For years she struggled to get recorded in a manner deserving of her talent, until 1989 when Trudy signed with John Abbey’s famed Ichiban label and provided the opportunity for her to tour the world and perform at the most prestigious festivals, including Lucerne and the Chicago Blues Festival. While at Ichiban, producers had a strong hand in directing her recordings. Since joining forces with harmonica wizard Steve Krase and the Connor Ray Music label in 2014, Lynn has played curator for herself. She has been writing original songs that blend nicely with the vintage material. The songs are mostly about good times and bad men. “Each one of these songs means something to me,” she states. “I truly understand something about each one of them.”

White River Records artist: Jimmy Thackery & The Drivers - Spare Keys - New Release review

I just had the opportunity to review the most recent release, Spare Keys, from Jimmy Thackery and the Drivers and it's quite good. Opening with instrumental, Candy Apple Red, this release is on the road with a surf driven track. Thackery's clean mastery of his trade is evident and pure with lower octave riffs setting the track off nicely. Backed by Rick Knapp on bass and Chris Reddan on drums. On Blues All Night, Thackery switches to a straight up 12 bar giving his a super opportunity to play call and response with his vocal and guitar. Jimmy is a certain master of the 6 string and this track is cool and clean. On slow bluesy ballad, No More Than Me, Thackery belts out the blues and plays beautifully melodic guitar lines. Very nice. One of my favorite tracks on the release, I Even Lost The Blues, follows a cool jazzy line...kind of a modified T-Bone Walker track. With nice round guitar tones, Thackery really works up a lather on this one digging deep for soulful lead runs. Excellent! Another blues rocker with a surf twits, Five Inch Knife, has a cool recurring riff and reverb laden chords. If you don't like this, check your pulse. Same Page On Demand is another of my favorites on the release with with a thematic guitar line and solid bottom. Thackery just sits back and fans the flames on this red hot smoker. Excellent! An R&B frame work on Puttin' The Word Out kind of puts me in mind of a rock version of the Temptations. With focused but scorching guitar riffs, Thackery wields his axe like a flame thrower. Very nice. Bella Noche has the melodic hook of an Eagles track but with a taste of Tex Mex and Thackery's clever guitar work. Very nice. Wrapping the release is The Barber's Guitar, with a reggae and the openness of Mark Knopfler. Thackery has boundless chops and flows from the innovative feel of Jeff Beck to the tele swells of Roy Buchanan but never losing his own signature. This is a really nicely composed release. Check it out.
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Wednesday, October 19, 2016

Clyde Is Thinking artist: Eric Sommer - Brooklyn Bolero - New Release Review

I just had the opportunity to review the newest release, Brooklyn Bolero from Eric Sommer. Opening with knee slapper, Red Dress, Eric Sommer (guitar, vocal and harmonica), Jim Oakley (percussion, vocal and stomp box) and Zach Smith (bass, vocals and groove accelerator) set a hefty pace for the release. On Cereal Song, Sommer creates something of a country rudimentary rap. With harmonica and rim shots, it's more of a chant. Warm ballad, Best Foot Forward, is nicely constructed with Elvis Costello style. Soothing vocals and clean electric soloing makes for a real nice track. Chord driven, Doin' Wrong, has a country punk style that I could most easily associate with Frank Black / Pixies. Short and sweet, possibly my favorite track on the release. Cover My Soul is an easy going rural style showing solid vocal blending, nice song writing, a cool bass line and interesting finger picking. Rural sounds, blended with contemporary presentation yields What A Day I Had, a cool pop track with a solid drum beat. Death Ray Cataclysm is straight ahead but reminds me of David Lindley just the same. A good melody and simple acoustic guitar work, another favorite on the set. Wrapping the release is rocker, Hold Your Hand. With a relentless swing, this track gives Sommer a chance to stretch a bit on electric guitar and Oakley's driving drum lines paired with Smith on bass makes this the perfect closer.

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Tuesday, October 18, 2016

Conner Ray Music artist: Ally Venable Band - No Glass Shoes - New Release review

I just had the opportunity to review the debut release, No Glass Shoes, from Ally Venable Band and it's a solid blues rocker. Opening with Trainwreck, a cool track with a solid walking bass line by Zach Terry, Ally Venable takes the lead on vocal and guitarist Bobby Wallace simmers nicely. Title track, No Glass Shoes, has a bluesy basis with a strong guitar and bass vamp. Elijah Owings keeps the bottom tight on drums and Venable's vocals are sassy. Boogie track, Woke Up This Mornin', has a great driving bass line with call and response guitar riffs. Wise Man has a cocky, Junior Wells feel and Venable grinds her vocals, displaying her guitar licks backed by Randy Wall on keys. On Junior Wells, Messin With The Kid, her vocals have edge and her guitar playing shows adventure. Too Much Too Soon has a really solid, bass line and features Steve Krase on harp. A super track, may be my favorite on the release. Wrapping the release is the Chris Smither track, Love Me Like A Man. Given much more girth than Bonnie Raitt's hit, Venable belts out the lyrics backed by strong B3 work, clean guitar riffs and Krase's harp work.

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Monday, October 17, 2016

Wendy Rich - It's All Nothing - New Release Review

I just received the newest release, It's All Nothing from Wendy Rich and it's a fine blend of rock, funk and country. Opening with Back To Zero, a cool funky rocker, Wendy Rich sets a strong pace with funky bass lines from Mark Andes, stinging guitar riffs from Kenny Cordray, Tyson Sheth on drums, Paul English on keys and sassy sax work by Eric Demmer. On ballad, Love and Happiness, Rich digs deep in a country/gospel style with warm key work by English. A really tasty guitar solo by Cordray sets the track off nicely. With even more country in the mix, Welcome Home is set for strong radio presence. Nicely mixed vocals really cement the deal on this one. Ballad, Losin' You has a country ballad feel with a bluesy taste. Amping up her vocals with contrasting guitar work by Rob McNelley and Kevin McKendree on organ gives this track nice oomph. Song About Nothing has a real cool swampy feel featuring Cordray on slide and with a cool bass line by Andes and tight drums by Sheth, this is likely my favorite track. Off The Deep End has a Rolling Stones kind of feel with Keith Richards like guitar riffs by McNelley. A clean rocker with a great riff and super piano work by McKendree. Wrapping the release with a Bo Diddley beat, Get It Together is a great closer. With rhythmic guitar work paired with tight drumming, it leaves you slapping your hands.

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