Dickey Betts - Winterland San Francisco, CA 12/14/1974 - Stilladog - Guest Reviewer

Dickey Betts - guitar, dobro, vocals
Jeff Hanna - guitar
Spooner Oldham - organ
Vassar Clements - violin
John Hughey - pedal steel guitar
Oscar Underwood Adams - mandolin
Stray Straton - bass, vocals
Bonnie Bramlett - vocals, percussion
Jerry Jumonville - alto sax
David Walshaw - drums, percussion
Jerry Thompson - drums
Leon Poindexter - acoustic guitar
Walter Poindexter - banjo
Frank Poindexter - dobro

 By 1974, in large part due to Dickey Betts, Capricorn Records and the Allman Brothers Band were experiencing a success more lucrative than anyone could have dreamed. Betts, as a result, found himself free to pursue almost anything he desired musically, without having to worry about finances in the least. The situation allowed him to record his first solo album, Highway Call, and to perform with countless great musicians for the pure joy of playing, without any expectations of making money in the process. Over the course of the previous year, Betts had found a true, authentic voice, and had begun to distinguish himself within the ABB as a unique stylist, blending his love for country, bluegrass, western swing, jazz and rock into a style utterly his own - and one that would soon prove highly influential on all the Southern Rock bands that followed in the Allman Brothers' wake.

Betts’ Great American Music Show featured many of the players from his solo album, including the greatest fiddle player of his generation, Vassar Clements. Both the Poindexters and the legendary Spooner Oldham were also on board, and all these musicians combined to create a show that authentically traced the history of American music. 

Betts begins this Winterland show by showcasing his more acoustic side, with plenty of tight harmonies, sweet picking and relaxed communication between the musicians. Several of the best new songs from Betts’ solo effort are included, including "Rain," "Long Time Gone" and the superb "Hand Picked." The classic instrumental "Hideaway," as well as Allman Brothers' favorites "Blue Sky" and "Southbound," are given this new treatment with great success. Betts, Clements and the Poindexters then venture into historic American music and straight bluegrass for half a dozen songs, beginning with vintage material like "Old Joe Clark" and "Salty Dog," and closing with Vassar Clements raising the roof on "Orange Blossom Special." 

The set's closer, for which the ensemble goes electric, is perhaps its most interesting and exciting moment. This 40 minute version of "Elizabeth Reed" has to be one of the most expansive versions ever played, and is almost beyond description. Everyone in the ensemble gets several chances to shine on this unbelievable jam. All the elements that influence Betts’ music are represented, from jazz to rock to bluegrass and back. This version literally has it all, and stays amazingly cohesive and inspired throughout. The audience demands more, and the band returns for an encore consisting of the obligatory "Ramblin Man" followed by another of Betts’ most requested numbers, "Jessica." This lovely instrumental showcases the inventive playing of this large ensemble, and ventures into new areas only hinted at in versions with the Allman Brothers.
This is one of the finest examples recorded of musicians playing for the sheer joy of music, with no egos or financial concerns getting in the way. Touring this type of show was destined to be a monstrous undertaking - and ultimately a financial disaster - but thankfully, for a brief time in 1974, none of that seemed to matter.

Introduction / Rain 4:58
Blue Sky 11:05
Hide Away 9:11
Hand Picked 13:54
Long Time Gone 5:32
Southbound 9:06
Old Joe Clark 1:47
Salty Dog Blues 3:13
Carolina 2:24
Rollin' In My Sweet Baby’s Arms 3:29
Hard Time Blues 4:05
Orange Blossom Special 3:08
In Memory Of Elizabeth Reed 41:19
Ramblin' Man 7:59
Jessica 12:16 

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 

Shake-It-Sugar Records artist: Murali Corell - Restless Mind - New release review

I just received the newest release, Restless Mind, from Murali Coryell (yes, it's Larry's son)but not at all following in dad's footprints. Opening with country rock styled Waiting and Wasting Away, Coryell is out there on lead vocal and guitar sounding more like Glenn Frey than Larry Coryell. Joined by Ernie Durawa on drums and Chris Alcaraz on bass this group is tight. Kiss Me First has a bit of R&B but with a bit more tasty guitar indulgence. Again, not the chorded jazz infused playing but more wide open SRV style wailing. On title track, Restless Mind, Coryell has more of an introspective take, with a quiet approach to this strong ballad. Cleanly articulated guitar solos over Lating percussion make this track tick. I'm So Happy returns to the country rock style and really reminds me quite a bit of Steve Miller with it's rockin sound and vocal blending. No slouch on guitar Coryell lays out a few nice guitar riffs to spice the track up. Sex Maniac is a straight forward rocker with a lot of cockiness. With a high stepping strut the band band lays it out there and coryell gets some really nice round guitar tones on his soloing. Crime of Opportunity, a R&R style track is one of my absolute tracks on the release. Coryell gets into a super groove vocally and the band sets up nicely right behind him. A well executed guitar solo caps this track making it one of the coolest tracks on the release. I Can't Give You Up has a funky rock feel and the addition of Joe Morales on sax and Jimmy Shortell on trumpet warm this track up nicely. A super radio track. Tag Along is a smooth shuffle track again with nice horn backing. A real nice sax solo from Morales and a hot trumpet solo from Shortell are the topper on this track..... check it out! I need Someone To Love has a real bluesy feel with a shuffle tempo. Coryell uses the blues tempo to his absolute advantage throwing down so hot guitar riffs really popping the track up. Very cool. Latin ballad Lonely Eyes features nice vocal harmonies and it really is a strong radio track contender with it's simplicity and strong hook. Everyday Is A Struggle has a real funky blues lope with SRV/A King flavors. This rhythm has to coax the flaming guitar riffs out of a man and it certainly does. This is the hottest guitar track on the release by far and a smokin' groove. The release is capped by Marvin Gaye's Let's get It On. This is done pretty much right along Gaye's arrangement but with updated instrumentals. Coryell lays down some real nice funky riffs on this track making it not only a great tribute to Gaye but a great track with hot riffs. Very nice!  

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”
 

Deep Rush Records artist: Dexter Allen - Bluez Of My Soul - New Release Review

I just received the newest release, Bluez Of My Soul, from Dexter Allen and it's hot! Opening with southern country blues funky track, Coming From Mississippi, Allen has you squirming in your seat leading the way with his own solid vocals and joined by Bobby Rush on harp. Joey Robinson lays down a snappy drum rhythm and Allen compliments himself nicely on lead guitar. Ride This Train, pushed along by Rush on harp, has a spiritual feel... you can almost feel the tent rising with excitement. Allen breaks loose with a few tight guitar riffs but this track is all about lifting the spirit with music. Still Called The Bluez has a real nice slow blues slide to it. A R&B style track with beautiful vocal work and hot guitar chaser makes this definitely one of the best tracks on the release. With the feel of BB King and the funky chop style of WWW this track is way cool. Monk Donky has a fast funk sound not unlike Robert Parker. letting the guitar out for a walk on this track, Allen coaxes himself along like a modern James Brown. Another slow blues track, Come Out And Play, draws Allen's soul out through his fingers. Accompanied by Joey Robinson on keys, Allen squeezes the fretboard for every last drop of soul. Very nice! Have A Party has a lighter, jazzier R&B feel with a balance of guitar, drums, lead and backing vocals. Bluez Party is a cool swing blues track... you can almost see BB King popping his palm with his fist. Allen has a cool voice and knows how to play call and response with his guitar. Robinson takes a nice key solo on this track warming up the bottom and Allen stretches it out a bit with a solo of his own. Nicely written and arranged Allen rocks this one. Deep Inside is a real nice soul rooted blues track with just the perfect balance of soul vocals, horn accompaniment and hot blues guitar riffs. Excellent! Pudding and Rice is a rocky R&B number with a cool hook. I Doubt It is a funky pop track with a cool guitar chaser. This is the track that could most easily cross radio lines for broad audience appeal. Wrapping the release is soul track, That Same Thing. Allen has a warm soulful voice, a cool sense of style and a hot guitar hand. Very nice compliment. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE” If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

Australia's First Lady of Blues, Anni Piper, Launches Canadian/U.S. Summer Tour

Award-winning Australian-based blues bassist-vocalist Anni Piper makes her triumphant return with a two-month Canadian/U.S. Summer Tour, kicking off July 28 with a one-week residency at Blues On Whyte in Edmonton, Alberta, Canada. Info: www.annipiper.com.

ANNI PIPER, AUSTRALIA'S AWARD-WINNING FIRST LADY OF BLUES  MAKES TRIUMPHANT RETURN WITH 2-MONTH CANADIAN/U.S. TOUR Performs Locally: BLUES ON WHYTE in Edmonton - July 28 thru Aug. 3   (Edmonton, Alberta, Canada) - Anni Piper, Australia's award-winning "First Lady of Blues," makes her triumphant return with a two-month Canadian/U.S. Summer Tour kicking off Monday, July 28, with a one-week residency of shows at Blues On Whyte, 10329 82nd Ave. July 28-29-30, 9 p.m., free; July 31, 10 p.m., free; August 1-2, 10 p.m., $4.; August 3, 9 p.m., free. Info: (780) 439-3981 or http://www.bluesonwhyte.ca/   Anni Piper blends deep, sexy vocals with a high-energy bass playing style (often barefoot), making for a thoroughly enjoyable live experience. On the recording end, Piper won "Best Blues Album" at the 2013 Canberra Roots & Blues Awards in Australia for her collaborative effort with Nicole Hart on the critically-lauded Split Second (Blues Leaf Records). Piper was nominated in the "Female Vocalist Of The Year" category for the 2014 Australian Blues Music Awards.                  Anni Piper, Australia's award-winning First Lady of Blues.                                                    ANNI PIPER - BACKGROUND      Piper first started playing electric guitar at age twelve, but switched to bass at age fourteen.  In 2004 Anni released an album entitled "Jailbait" in her native Australia, for which she won "Best New Talent" at the 2005 Australian Blues Music Awards. Subsequent album releases include 2007's "Texas Hold 'Em," 2010's "Chasin' Tail" (released by Blues Leaf), and her newest, 2013's "Split Second." Blues Leaf also released "Two's Company,"  a compilation from her two Australian releases.  Throughout her burgeoning career, Piper's charismatic stage presence and sultry vocals have garnered her both great reviews and multiple music industry awards nominations.                 WHAT THE MEDIA IS SAYING...ABOUT ANNI PIPER "If you enjoy award-winning talent with a splash of the wild side, sultry Australian performer Anni Piper won't even come close to disappointing you. And you don't have to travel Down Under!"                     NAPLES DAILY NEWS "Raw and raucous, down and dirty, Down Under blues."   ILLINOIS TIMES                                      "A songwriter of distinction, her songs have a blues sensibility while still addressing the issues of today."                                                                                  EDMONTON JOURNAL "Barefoot in a red cocktail dress and brandishing both an electric bass guitar and a powerful blues vocal tone, this down under diva makes quite the impression."                                                                                                                    VERO BEACH NEWSWEEKLY The Alternate Root magazine invited Anni Piper to perform on their popular television show "The Extended Play," taped this past Spring in front of a live studio audience in Boston. Watch it here:                          Anni Piper Summer 2014 Canadian/U.S. Tour Itinerary July 28 (Mon.) July 29 (Tues.) July 30 (Wed.) July 31 (Thur.) Aug. 1 (Fri.) Aug. 2 (Sat.) Aug. 3 (Sun.) Aug. 15 (Fri.) Aug. 16 (Sat.) Aug. 20 (Wed.) Aug. 21 (Thur.) Aug. 22 (Fri.) Aug. 29 (Fri.) Aug. 30 (Sat..) BLUES ON WHYTE BLUES ON WHYTE BLUES ON WHYTE BLUES ON WHYTE BLUES ON WHYTE BLUES ON WHYTE BLUES ON WHYTE RAGING RIVER CAFE & CLUB A CASE OF THE BLUES FESTIVAL EL CORAZON VIE DE BOHEME SAPOLIL CELLARS RAM'S RIPPLE RAM'S RIPPLE   (more dates to be announced)    Edmonton, AB    Edmonton, AB    Edmonton, AB    Edmonton, AB    Edmonton, AB    Edmonton, AB    Edmonton, AB    Fall City, WA    Yakima, WA    Seattle, WA    Portland, OR    Walla Walla, WA    Moses Lake, WA    Moses Lake, WA                                                    www.annipiper.com                       https://www.facebook.com/AnniPiper.music Bradenton Times Lawton Constitution Illinois Times Edmonton Journal

JP Cadillac Records artists: The Knickerbocker All-Stars - Open Mic At The Knick - New Release review

I just received the newest release, Open Mic At The Knick, by the Knickerbocker All-Stars and it's excellent! Opening with the swinging You Upset Me Baby, Ricky King Russell lays down some really hot guitar riffs and Sugar Ray Norcia leads the way on vocals. Al Copley smokes the keys backed strongly by horn section, Doc Chanonhouse (trumpet), Bobby "Breeze" Holfelden (trombone), Rich Lataille (sax) and Dennis Cook (bari sax). Smokin! Up next is Turn On Your Love Light and Malford Milligan commands the stage on vocal. Vocalist Willy Laws has you in the palm of his hands from the first note of Mother-In Law Blues. Russell steps up with some really tasty guitar riffs on this track and the horn section keeps a real traditional early modern blues feel. Very nice. Milligan is back on the mic for Love Disease and an excellent sax solo from Lataille and Muscle Shoals like guitar work from Nick Adams make this song a standout. Johnny Nicholas takes the lead on the classic Jelly Jelly. Al Copley lays down classic blues riffs on this track and it's slow, easy pace makes for a cool opportunity for Russell to really step out with some nicely articulated guitar riffs. Very nice! On Reconsider Baby the band gives the track a real warm feel with a smooth horn backing and super guitar highlights. Again I find myself really groovin to Russells tasty guitar riffs. On jump track, It's Later Than You Think, Copley really has the keys rolling and the horn section is really pushing as Norcia does a great job on lead vocal. Ain't That Lovin' You features Curtis Salgado on lead vocal and his vocals are top notch. Channonhouse , Holfelden, Lataille and Cook really blow the doors on this one. Willy Laws takes the lead on Five Long Years really gripping the feel of the track. Copley  inserts some solid piano riffs but it's Russell who takes center stage instrumentally with a blistering guitar solo on this one. Excellent! J.P. Sheerar with a much heavier voice, takes the mic on Somebody's Got To Go and again Russell shows what a perfect choice he was as the guitarist for this set. The man just sits in the pocket and cherry picks his solos. Lataille plays a really rich sax solo on the track as well over the masterful key work of Copley. Brilliant. Brian Templeton is on lead vocal for Tore Down. It's nice that the vocalist from track to track are different giving a cool blend of textures with the same band. Templeton has a great voice for the swing and Russell again is right there adding just the right touch of hot guitar over the horn section. Along About Midnight features Nicholas on vocal and has a cool laid back pace. The band wraps itself around the core feel and Russell steps up with just the right amount of throttle. Very nice. Rocker, Going Down really kicks it up a notch with Russell and the horn section at full throttle. Bob Worthington on bass drives it along and featuring Dave Maxwell on keys and tight drumming from Bobby and Fran Christina on drums, is a super conclusion to a hot set!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 

Big Muddy Blues Festival Announces 2014 Artist Line-up

Big Muddy Blues Festival Announces 2014 Artist Line-up

Local acts compliment regional and national touring artists   St. Louis, MO – The Big Muddy Blues Festival is St. Louis’ largest Blues festival, with 24 renowned acts + more to be announced from across the nation and around St. Louis, filling three stages on historic Laclede’s Landing, August 30 and 31, 2014. This year, Big Muddy not only has more national, regional and local artists, the festival also offers a wider variety of artists than recent years. Festival goers will experience a full range of Blues styles, from Louisiana, Chicago, St. Louis and more throughout the newly rebuilt cobblestone streets of the Landing. National, regional and local acts in 2014 will include: Saturday, August 30th Main Stage 4:30 p.m.         Steve Scorfina’s Soul Steel 6:30 p.m.         Nashville, TN artist Goodbye June 8:30 p.m.         Chicago, IL. artist Lil’ Ed and the Blues Imperials 10:30 p.m.       Kansas City, MO. artist Samantha Fish  Morgan Stage 3 p.m.              Hudson and the HooDoo Cats 5 p.m.              Melissa Neels 7 p.m.              Everett Dean 9 p.m.              Trip Daddy’s Lucas Stage 3 p.m.              Miss Jubilee & the Humdingers 5 p.m.              Eugene Johnson & Co. 7:30 p.m.         Billy Barnett Blues Band 9:30 p.m.         Atlanta, GA artist Tinsley Ellis Sunday, August 31st Main Stage     3 p.m.              The Brothers 5:30 p.m.         Kim Massie 8 p.m.              Baton Rouge, LA artist “American Bluesman”                          Kenny Neal 10 p.m.            Houston, TX artist Guitar Shorty Morgan Stage 3 p.m.              Wrath of Khan 5 p.m.              Tony Campanella 7:30 p.m.         Steve Pecaro 9:30 p.m.         Marsha Evans and the Coalition Lucas Stage 3 p.m.              Blue Bayou (Tribute to Linda Ronstadt and Aaron Neville) 5 p.m.              Tommy Halloran’s Guerilla Swing 7 p.m.              Big Mike 9 p.m.              Tupelo, MS young artists Homemade Jamz Blues Band In total, this stellar line up of 24 acts + more to be announced, lighting up three stages, will offer St. Louis a weekend full of all things “Blues.” Big Muddy will take place from 3 p.m. to midnight. Saturday, August 30 and Sunday, August 31 on Laclede’s Landing. The Main Stage will be located at North 1st & Lucas, the Lucas Stage will be located at North 2nd & Lucas St., and the Morgan Stage will be located at North 2nd & Morgan St. The Morgan and Lucas stages are both free, while Main Stage tickets will be $10 General Admission (Chairs welcome, sorry no umbrellas or tents), $50 for a single day VIP (Seat in the VIP area right in front of the stage, premium open bar, festival t-shirt), and $90 for two-day VIP per person. Parking ranges from $10 to $20 in public garages throughout the Landing. More information on what to bring, transportation, concert times and ticket prices can be found at www.bigmuddybluesfestival.com, on Facebook at www.facebook.com/BigMuddyBluesFestival or on Twitter @BigMuddyBlues

Playin' in the the Sand with Ronnie Earl & the Broadcasters

During a recent sand sculpture competition on Revere Beach north of Boston, one contestant tied together his love of Ronnie Earl and the Broadcasters with his sand sculpture building skills. Check out this work by Prince Edward Island artist Abe Waterman. Sure beats my work with a little bucket!

Thanks Mark Pucci

Prairie Dog Blues Festival Presents Howard & The White Boys

"Chicago's Hardest-Working Blues Band " for over two decades is Howard and the White Boys. They perform at he Prairie Dog Blues Festival in Prairie du Chien, WI this Friday, July 25.

PRAIRIE DOG BLUES FESTIVAL PRESENTS "CHICAGO'S HARDEST-WORKING BLUES BAND," HOWARD AND THE WHITE BOYS, IN CONCERT                                    Friday, July 25 - 7 p.m.     (Prairie du Chien, WI) - The Prairie Dog Blues Festival presents Howard and the White Boys, "a/k/a "Chicago's Hardest-Working Blues Band," in concert, Friday, July 25. 7 p.m. performance. Tickets $25. in advance, per day - purchase online at http://www.prairiedogblues.com/buy-tickets/. The Festival is held on scenic, historic St. Feriole Island, on the banks of the mighty Mississippi River.     *Also catch Howard and the White Boys the night before, Thursday, July 24, at 8 p.m. performing at the Blue BBQ Fest in Indianapolis. More at http://www.indybbq.com/                 NEW HOWARD AND THE WHITE BOYS ALBUM COMING!   The celebrated longtime blues/rock ensemble recently recorded their long-awaited new album (and follow-up to the critically-acclaimed "Made In Chicago") at Rosas' Lounge in  Chicago, scheduled for a Summer 2014 release. Read more about it in this Examiner.com article: http://exm.nr/1nLgftH.                            MORE ABOUT HOWARD AND THE WHITE BOYS...      Howard and the White Boys continue to perform through out the U.S., bringing audiences to their feet and out onto the dance floor - much as they have done for over twenty years. Longtime band member Rocco Calipari has also branched out with his successful side project Head Honchos' who have released a well-received debut CD and play regularly throughout the Midwest as well as the rest of the U.S. and Canada.   The members of Howard And the White Boys first met at Northern Illinois University in Dekalb in 1988 and began jamming together just for fun, but their fast-growing popularity soon convinced them they could make a career of it. After only a few months, they got their first big break by opening for Blues legend, B.B. King. The band soon made the move to Chicago and began performing with the biggest names in Blues: Koko Taylor, Albert King, Junior Wells, Lonnie Brooks, Luther Allison, Bo Diddley, and Chuck Berry (the latter whom they were the backing band for in a headlining capacity at the 2002 Long Beach Blues Festival in Long Beach, Calif.).     Here's Howard and the White Boys killing it live on their song "Black Cat Bone," recorded at Rosa's Lounge in Chicago.                                      www.howardandthewhiteboys.net https://www.facebook.com/pages/Howard-And-The-White-Boys/ Kane County Chronicle - Interview Chicago Examiner - Feature The Alternate Root - Artist of the Week

Blind Pig Records artist: Deanna Bogart - Just A Wish Away - New Release Review

I just received the newest release, Just A Wish Away from Deanna Bogart and it's quite good. I'll start off by saying this is not a traditional blues release by any means. What it is more is a pure artist finding her own voice and expressing it in many different ways. Opening with If It's Going To Be Like This, Bogart is on piano and vocals joined by Derwin "Big D" Perkins and Cris Jacobs on finger pickin guitar, Charlie Wooton on bass, Terrance Houston on drums and especially featuring Marty Rifkin on pedal steel on this country flavored track. On funky R&B style track, Fine By Me Good Bayou, Bogart shows her vocal style and of course her sax work joined by Mark Mullins, Craig Klein and Greg Hicks. If You Have Crying Eyes, a vocal duet with Cris Jacobs has a gospel ballad arrangement with country hints for a real nice sound. Back and Forth Kid, a vocal and piano track has the maturity of Carol King and presents Bogart in a very straight forward light. Collarbone is a horn infused jazz style instrumental with a cool Latin rhythm. There are some really nice efforts efforts on this track and especially nice George Benson like guitar wizardry accompanied by Houston on drums. Bramhall/Vaughn penned Tightrope gets a New Orleans funk feel with a lot of keys and drums (George Horn) and rhythm guitar. Bogart takes some of her nicest piano solo's on this track laying it wide open. On ballad What Is Love Supposed To Do, Bogart again cranks out a serious ballad with a twist of country, highlighted by her solid vocals and balanced by Rifkin on pedal steel. Maybe I Won't is a light jazzy track with solid vocals and warm sax work. Rafael Pereira adds some crisp percussion work giving this track a cool feel. Conversing With Lincoln is a fast paced calypso style track with nice sax work and nicely blended vocals. Wooten's smokin' bass work drives the track with support by Houston drums. Big D pops in for some hot guitar riffs giving this track a sophisticated spin. On Sly Stone's Hot Fun In The Summertime, Bogart gives the classic hit a lighter spin with Alvin Ford Jr. on drums. The horn work on this track is full and Scott Ambush playing bass is complimented by Joshua Fairman on synth bass. Bogart takes a full throated sax solo on melody on this one and Wooten does some real hot under the track bass riffs on bass. Surprisingly, the final track, classic Bye Bye Blackbird, done in New Orleans style is my favorite on the release. Opening with full sax melody and leaving space for light, crisp guitar work from Jacobs, Bogart really plays it up on this one. Alvin Ford Jr. is back on drums and his work helps to accentuate the march style. A very cool conclusion to a different style of release.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”