I just received the newest release, Blues Won't Let Me take My Rest from Henry Gray and Bob Corritore. Featuring 10 previously unreleased out of 14 included tracks, this release features not only Gray and Corritore, but many other of the greats in recent blues history. Opening with Let's Get High, a great piano shuffle with Gray on lead vocal backed by Willie "Big Eyes" Smith on backing vocal and drums and Corritore on harp, this is a great opener. Gray's vocals on Blues Won't Let Me Take My Rest are a stark contrast to Clapton but this is real and Gray's piano with Corritore on shielded harp, Bob Margolin and Johnny Rapp on guitar and Chico Chism on drums, this sounds a lot like Muddy's band. New Orleans flavored boogie, I'm In Love Again features a cool harp riff by Corritore and hot guitar riffs by Rapp. Robert Jr Lockwood is featured on vocal and guitar on Robert Johnson's Ramblin' On My Mind, one of my favorite tracks on the release. Big Maceo's Worried Life Blues, feature Nappy Brown on lead vocal but Gray's piano work is solid and unmistakable. Gray is in top form on vocal on They Raided The Joint, joined by Kid Ramos on guitar, Corritore on harp, Paul Thomas on bass and Chism on drums. Very cool! Dave Riley takes the lead vocal spot on Ride With Your Daddy Tonight joined by Chris James on guitar, Yahni Yiley on bass and Eddie Kobek on drums. Corritore and Gray both do really nice jobs on this track making it one of the strongest instrumental tracks on the release. Lowell Fulsom's Trouble Blues, has a great feel with Rapp laying down some real nice slide over Gray's killer piano and vocal work. Excellent! Shuffle track, I'm Gonna Miss You, keeps Gray up front on piano and vocal. With extended harp work from Corritore, Steve Cushing on drum and, Paul Thomas on bass this track, Rapp steps up again with some pretty cool riffs on guitar. John Brim's That Ain't Right features Brim himself on the mic backed by Troy Sandow on bass and Big John Atkinson on drums. Corritore keeps up the heat but this track really shows how nicely Gray can hit the groove on piano. Ernest Lawler's Can't Afford To Do It has Gray back on lead vocal backed by Little Frank, Danny Michael and Big John on guitar, Sandow on bass and Brian Fahey on drums. One of the hottest tracks on the release is Boogie Woogie Ball, really giving Gray the open door to rock it and he really does. Corritore has strong continuity on harp throughout the track, Kirk Fletcher it tight on the beat with hot riffs backed by Patrick Rynn on bass and Brian Fahey on drums. Very cool! On laid back Honey Don't Let Me Go, Gray has the full focus with lead vocal and piano. Backed by Rapp on guitar, Thomas on bass and Cushing on drums, Corritore steps in for a nice harp solo balancing out the track nicely. Wrapping the release is BB King's She Don't Move Me No More featuring Gray on beautiful piano and lead vocal. I especially like Corritore's riffs on this track as well as Rapps tight guitar solos. Paul Thomas on bass and Chico Chism on drums round out the line up.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label Kid Ramos. Show all posts
Showing posts with label Kid Ramos. Show all posts
Tuesday, June 2, 2015
Wednesday, February 18, 2015
Thursday, June 5, 2014
Monday, May 5, 2014
17th Annual Doheny Blues Festival
Tuesday, April 8, 2014
Ventura County Blues Festival
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Monday, March 10, 2014
Festival Season On The West Coast
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Wednesday, February 26, 2014
Announcing the 9th Annual Ventura County Blues Festival
9TH
ANNUAL VENTURA COUNTY BLUES FESTIVAL/SATURDAY, APRIL 26 FEATURING THE
BEST ENTERTAINMENT LINEUP TO DATE; THIS YEAR'S NEW ATTRACTIONS TO
INCLUDE A VERY SPECIAL TICKETED V.I.P. AREA
(MOORPARK, CALIF) - The 9th Annual Ventura County Blues Festival on Saturday, April 26, 2014 returns to Moorpark College and features its best lineup to date with performances by Fabulous Thunderbirds front man, Kim Wilson's Blues All-Stars; premier Southern California-based record label Delta Groove Records' own Delta Groove All-Star Blues Revue featuring Sugaray Rayford with Kid Ramos and friends; soulful vocalist extraordinaire, Sista Monica Parker; festival favorites making a command return appearance, Jimmy Thackery & The Drivers; the stellar band fronted by VCBS President, Michael John and The Bottom Line and friends, including BMA nominee, vocalist Karen Lovely; and VCBS Band Challenge winner, Lightnin' Willie. Returning as Celebrity Emcee is noted actor-musician, Mickey Jones
(Trini Lopez, Bob Dylan, The First Edition; and currently a regular on
FX hit TV series, "Justified"). Food and craft vendors, guitar giveaway,
and, for the first time, a Ticketed V.I.P. area. Benefits the American Diabetes Association
and community charities. Presale General Admission tickets $20. in
advance, $30. at the gate; V.I.P. tickets $100. (limited quantity
available). More information at www.venturacountyblues.com.
"We're
very excited about the 2014 festival,” says festival founder/Ventura
County Blues Society President, Michael John. "This event opens many
doors for service clubs in Ventura County and supports Moorpark College.
New this year we have a Ticketed V.I.P area with private shade,
restrooms and a bar. (The V.I.P. area) also includes a festival t-shirt,
poster, two drink tickets, complimentary water and early entrance into
the festival. We have had so many people ask us to do this, and your
wish is our command.” Past
festivals have entertained more than 4,000 people with acts like Blues
Hall of Fame inductee Charlie Musselwhite, and last year, special guest
George Thorogood.
About The 9th Annual Ventura County Blues Festival Headliners
Kim Wilson's Blues All-Stars:
Kim Wilson is an American blues singer and harmonica player. He is best
known as the lead vocalist and front man for The Fabulous Thunderbirds
on two hit songs of the 1980s; “Tuff Enuff”, and “Wrap It Up.” Wilson
was born in Detroit, Michigan in 1951, but grew up in Goleta,
California, where he sometimes went by the stage name of “Goleta Slim.”
He started with the blues in the late 1960s and was tutored by people
like Muddy Waters, Jimmie Rogers, Eddie Taylor, Albert Collins, George
“Harmonica” Smith, Luther Tucker and Pee Wee Crayton and was influenced
by harmonica players like Little Walter, James Cotton, Big Walter
Horton, Slim Harpo and Lazy Lester. Before he moved to Austin, Texas in
1974, he was the leader of the band Aces, Straights and Shuffles in
Minneapolis, Minnesota; this band released one single. In Austin he
formed The Fabulous Thunderbirds with guitarist Jimmie Vaughan, and they
became the house band at the blues club, Antone’s, owned by Clifford
Antone. Muddy Waters called Wilson, “The greatest harmonica player since
Little Walter”. Wilson continues to perform up to 300 concert dates per
year at blues music festivals and clubs all over the world, both as
leader of The Fabulous Thunderbirds and with the Kim Wilson Blues
All-stars. His powerful style of blues harp playing has been described
as “loaded with the textures of a full-blown horn section.” https://www.facebook.com/pages/Kim-Wilsons-Blues-All-Stars/272734382786980.
Delta Groove All Star Revue Featuring Sugaray Rayford & Friends:
When Sugaray belts out a song, you not only hear it, you feel it. The
excitement in the room is palpable when he takes the stage; he is a
superb vocalist and entertainer. His dynamic voice is large just like
the man. With his old school vocal style, echoes of Muddy Waters, Otis
Redding and Teddy Pendergrass can be heard. At 6’5” he is a big man, but
he moves with grace and energy. His fluid dance steps will remind you
of the Legendary James Brown. After moving to Los Angeles several years
ago, Sugaray was asked to host a blues jam at Cozy’s in Sherman Oaks. It
is through this venue that Sugaray met and played with innumerable
world-class musicians. Suga’s desire to explore and expand his musical
vision has been nourished by these musicians while his solo career has
flourished in L.A. Sugaray has fronted his own band since 2010, called
the Sugaray Rayford Band made up of world-class musicians including
Ralph Carter on bass who is also his writing partner, Gino Matteo on
guitar, Leo Dombecki on keyboards, Lavelle Jones on drums, Allan Walker
on Sax, and Gary Bivona on trumpet. But the Sugaray Rayford Band is only
one of his projects. As of May 2011, Sugaray became one of the lead
vocalists for the Mannish Boys, who are under Delta Groove management.
This international act performs 6-8 times a year. He sang lead vocals on
9 songs on Double Dynamite the Mannish Boys latest CD that won Best
Traditional Blues Album in May 2013 at the Blues Music Awards. His first
solo CD Blind Alley was a self-release in 2010, which garnered critical
acclaim. His second solo CD Dangerous, was just released last September
under the Delta Groove label, debuting at # 2 on Blues Debut Chart and
#6 on the Roots Music Chart. http://www.deltagrooveproductions.com/newspost/ventura-county-blues-fest/.
Sista Monica Parker:
She’s Blues! She’s Soul! She’s Gospel! and She ROCKS!Sista Monica
Parker ‘The Blues Lioness’ is an award-winning singer/songwriter and
performer. Her eleventh CD release “Living In the Danger Zone” recently
earned a 2012 and 2013 BMA nomination for “Best Soul Blues Female
Artist of the Year” by the Blues Foundation. Since then, she has
traveled and toured worldwide and has been recognized for her
captivating stage presence and rich contralto vocal power. Born in Gary,
Indiana, Monica developed her vocal chops between Chicago and Detroit
singing in church choirs and listening to singers on the city streets.
Since those days she has stormed through the music scene traveling and
performing major festivals and concerts venues in countries such as
Italy, France, Holland, Greece, Canada, Norway, Mexico, and Spain. Sista
Monica is dynamic string of melodies from up tempo Chicago style blues,
heartfelt soulful ballads to feel good gospel – She brings her roots
and connects with the audience with her own unique charisma. She sings,
coos, belts, croons, and shouts according to her hearts delight and her
fan’s amazement. She’s considered to be one of the best soul blues
female performers in the country. Come see, hear and enjoy Sista Monica. http://www.sistamonica.com/.
Jimmy Thackery & The Drivers: Whether
Jimmy Thackery headlines a festival in South Dakota or jams for hours
in one of numerous blues bars that dot the musical landscape, he’ll
always unleash an intense volley of rockin’ blues guitar guaranteed to
leave crowds emotionally spent. His double edged guitar dynamics allow
him to fire off tracer missiles, bend a note so it will fit under a
limbo bar, run off dive bomber riffs, and find space within the
trembling of one stinging note. “I put all my senses on hold and find
the zone and follow what’s inside. There’s an electricity from your mind
to your heart to your fingers. You just try and remember to breathe.”
He’s one of the few blues guitarists who learned first hand from the
masters of the blues, not off a blues record or DVD. Though most
associate Jimmy with his 15 years as the co-founder of the Nighthawks,
he ended his time with them in 1987. Since then, Jimmy has been on the
road as a solo musician for 15 years doing nearly 300 shows a year
proving each night that he is still the guitar powerhouse in the blues.
Thackery has lived the life of a true road warrior; he’s absorbed the
artistic lessons of life and filtered them into his guitar playing and
song writing. To get where he is today, Jimmy has journeyed a highway of
life filled with a series of twists and turns. He met all the right
people and they have had a permanent influence on him.
It was Thackery’s time on stage with Muddy Waters that is branded deep
within his musical soul. “Muddy was one of those guys who was constantly
encouraging. He never told you what to do, but he always told you what
you were doing wrong. He never minced words about that." http://www.jimmythackery.com/.
Along With Very Special Performances By
Michael John & The Bottom Line And Friends With Karen Lovely: Michael
John, Founder and President of the Ventura County Blues Society, is
also the Founder of the Ventura County Blues Festival and leads his band
The Bottom Line. Since the festival’s inception, Michael John & The
Bottom Line have performed and donated their music which now has become
an annual tradition for the festival kick off. When you combine family
and lifelong friends you get a special musical bond that touches the
hearts and souls of all music lovers alike. The band consists of Michael
John (lead singer, guitar, harmonica), Michael John’s son Mikey Mo
(lead guitar), Steve Nelson (electric, stand-up Bass), Eddie Z (tenor,
alto sax), Jeff Dellisanti (tenor, baritone sax), and Tom “T-Bone”
Broderick (drums, backup vocals). The group attracts people of all ages
with their blend of Swing to more contemporary rocking blues. They have
received national airplay and have won multiple awards including placing
in the top ten bands in the finals for the International Blues
Challenge in Memphis Tennessee. Michael is a past recipient of the All
Access Magazine award for Best Male Vocalist. http://www.michaeljohnandthebottomline.com/. Special guest vocalist Karen Lovely
shot onto the blues scene out of the Pacific Northwest like Stack O'
Lee's .44 placing second at the 2010 International Blues Challenge followed
by three 2011 Blues Music Award Nominations for BEST CONTEMPORARY BLUES
FEMALE ARTIST, BEST CONTEMPORARY BLUES ALBUM and BEST SONG for her sophomore release STILL THE RAIN.
Karen is a two time “#1 Pick to Click” artist on XM Radio
Bluesville and has just been selected as the 2014 Featured Blues artist
by KJZZ FM in Los Angeles. Lovely’s records have topped the national
blues and roots charts and made the Top 10 favorite artist list for
dozens of nationally syndicated radio stations.
Known for her passionate, driven performances and always backed by
stellar musicians, this powerhouse vocalist delivers a blistering mix of
contemporary & old school blues. Lovely's standout performances
have garnered awards, critical acclaim and standing ovations at
festivals and venues throughout the US, Canada and Europe. www.karenlovely.com.
Lightnin' Willie: Emerging
from the clubs and bars of the U.S Blues scene, Lightnin’ Willie is an
accomplished and hard-working guitarist, vocalist and songwriter. Now
based in Los Angeles, Willie is a seasoned musician who has paid his
dues. With four albums under his belt, this eloquent storyteller has his
own story of time on the road, personal loss, fresh beginnings and an
over-riding love of playing the “Devil’s Music.”
Originally
from Texas, this blues-man’s years of steady gigging have given him as
much polish as his performance. He is tall, with an expressive face,
piercing eyes, and the kind of confident all-American swagger that
allows you to walk up to total strangers on the street and introduce
yourself. Lightnin’ Willie and the Poorboys are by no means destitute.
In fact the musical vein they mine is rich indeed. They steer away from
dry academia and combine a seductive exchange of swinging Blues and
R&B with a hint of Rockabilly. A lively, interactive, face-to-face
approach to their music has had audiences waving their banner throughout
the United States and Europe for over ten years. http://www.lightninwillie.com/.
9th Annual Ventura County Blues Festival Media/Photo Passes Available.
Thursday, January 31, 2013
Rip Cat Records artist - Mike Eldred Trio - 61/49
I've been told that 2013 is gonna be a great year. If the quality of music coming across my desk this year is a sign... we're in for a windfall. I am reviewing the just released Mike Eldred Trio release, 61/49 on Rip Cat Records and it's a blast! Opening with Eldred original, Don't Go Down There, an acapella spiritual number this recording is off to a terrific start. Eldred shows that he has the voice to carry off this type of track and is backed by the Emmanuel Church Gospel Choir. This track is authentic, real.... terrific! Every track on this release is an Eldred original and next up is Jake's Boogie. This is a fast paced Texas style guitar boogie (instrumental) and it's a 1st class ripper! Louise has got a bit of lope to it and Eldred belts out this rockabilly flavored blues track and plays smokin' blues riffs along with Kid Ramos keeping the track hot end to end. She's A Rocket takes a real dip into the R&R featuring Ike Turner on piano and keeps you boppin with Jeff Turmes on Bari sax honking out great bottom. This is a trio and Eldred is back on each tune by John Bazz (bass) and Jerry Angel (drums). Ruby's Blues is a soft sultry track giving Eldred a great opportunity to show his slow blues guitar chops and that he does. You like slow blues... you'll love this track. This Old Train is a easy going pop track reminicent of early Ricky nelson accompanied by Cesar Rosas on nylon string acoustic guitar. This is a track destined for airplay. Jimmy, Jimmy is a great rocker with hot piano by Ike Turner pushing the rhythm. Eldred really gets the recording charged with this number and his vocals and guitar work are great! Ms. Gayles Chicken House ... just the name conjures up an image and the instrumental light jazz boogie meets the bill. One of the best tracks on the release, this has a great groove and also features Scotty Moore on second guitar. Don't take my word for it. This is cool. I Ain't Comin' Back has a great bottom and uses construction techniques similar to the early Brit blues players playing real blues in the 60's. Eldred plays really hot riffs on this track and his tone is spot on. Lookie Here is a step right out of the early rock blues transformation and Eldred and the gang have the sound down to precision. Again Eldred's vocals are well placed in the track and his guitar work is straight forward and really clean. Swingin! 61/49 is the last track on the release and done acoustically on a resonator...closing the release as it opened... on a primitive earthy real note.
This is a great release and one that is certainly a candidate for Bman's Best of 2013 list.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Monday, June 11, 2012
Blues Jam with Kid Ramos - Hook Herrera & the Derailers
Born and raised in east San Jose. Influenced by the great concerts in the Bay Area and all the music within my own family. The a.m. radio at the time brought us Jimi Hendrix, Little Richard, BB King and Donny Hathaway in the same half hour. My family brought me homegrown pure folklorico music from Mexico. Dancing and playing and singing. Mix it all together and you get bands like War, Santana and Tower of Power – which are all heavy influences into how I think of rhythms and music.
I started out on the accordion. A great big one. Bigger than me. I had to pull it around in my red wagon and have someone put it on me once I sat down. That’s how big. Soon my brother Dennis was turning my head with the guitar and blues a la Peter Green’s Fleetwood Mac, Muddy Waters and the Rolling Stones. I graduated to rhythm guitar so my brother could practice his leads. Jimmy Reed all day for me. Then I saw an old cat play harmonica in the greyhound bus stations. Went out and mowed lawns all day one Saturday till I had $2.75 to get a marine band ‘c’ harmonica from Langone’s music store on Alum Rock Ave. next to Chuck’s Hobby Shop and across the street from Peter’s Bakery. I played it to everything. Everything on the radio. Everything I heard. I played along. In key or not. I played. I got a rack and played guitar and harp and was the neighborhood jukebox getting called onto friends porches and lawns to play a song.
We worked. I worked all the time. We played on my street. In garages. At jams at the bodega in Campbell, San Jose. At parties. All over… Playing blues was without question already my direction. I loved rock and still do and more where it came from. I studied records and liner notes and went to meet and hang out.
I carried guitars and shined shoes and snuck wine in to hang out. I just wanted to hang. And I did. Like so many of my friends and cats before me did. We just loved the old dudes and the blues dudes and women and had as much fun as we could.
In San Diego during my stint in the navy I met William Clarke and Smokey Wilson. The Paladins had a rehearsal built in my garage. We all ran together and i saw some great shows and played some. OK a lot. I had met Charlie Musselwhite when I was a kid hanging out at the bodega. He was with John Lee Hooker. I only wanted to play what they were playing. Lowdown. Smokey was unreal. And he and Bill Clarke were tight as family and thru them I met everyone down there and we played in Watts. Ricky and Laura’s. Pure pleasure lounge. Smokey’s Pioneer 88 on Vermont and 88th. JD Nicholsons’ after hours on Avalon. Harmonica Fat’s upstairs on 88 and Broadway. The Safari Room with Cardell. It was lowdown. William Clarke was family and will always be and a giant influence on everything to me. Hollywood Fats was a friend and just so much fun to watch play. The great James Harmon ruled the California coast and is as big an influence as anyone. Larry Taylor along with Junior Watson and Harmon and Bill and Fats were so great to have around and watch and play with. I learned so much from all of em.
After the navy and Southern Cal I went to Texas. Started in dallas and met a ton of great musicians out there and played with Freddie Pharoah, Hash Brown, Felix Reyes and Dallas cats. Met Sam Myers and Anson Funderburgh and would live with Sam Later and play once in a while with Anson. And me and Sam would do gigs. Sam on drums. Unreal.
From there Kim Wilson and Clifford Antone brought me down to Austin to play at Antones. I met every blues cat I ever wanted to there. They all played there and hung out there. During anniversary week just one year for example, I played with Buddy, Luther Tucker, Jimmy Rogers, Bob Strogher, Willie Big Eyes Smith, Pinetop, Bonnie Rait, Denny Freeman, George Rains, Mel Brown, Hubert Sumlin, Mike Buck, Rodney Craig… See what I mean? It was blues heaven and I was rolling in it. Drunk. It was the most musical unreal time.
Me and Alex Napier (Texas legend) leave for our first tour and we still didn’t have a van. We borrowed from the Continental and a tire shop and three friends with jobs and bought a dodge ramvan for 800 bucks on Lamar. Built a loft for a bed on top in the back and gear underneath. Welded some of the holes shut in the floor. Although the exhaust leak in the back would knock you out without fail. We didnt even have a whole tour booked but would show up places and play for food and gas. And we did. Sometimes we had actual shows. We opened up for all our friends. Roomful of blues and Albert Collins and all kinds. And the blues is a small world. One week on the road could bring jams with Uncle John Turner and Ronnie Earl and Denny Freeman.
I played in Texas till I got sober, with the help of some great friends. Some who are gone now. I went back out to California and got signed to Warner Chappell and William Morris then ICM. I played with the Greg Allman Band and met Warren Haynes and Woody Allen playing in that group when we toured. I love Warren and we all loved Woody. I met Matt Abts later and watched Gov’t Mule go thru all the stages from birth of that great band. Over the years I have done various appearances with Gov’t Mule and will do so till the end I imagine. At the end of the Allman tour I played with the Allman Brothers Band off and on for a few years and I would do shows here and there. I met Richie Sambora in the early 90s and i played harp for him for many years on his solo projects. A more generous helpful giant hearted rock star would be hard to find. A regular Jersey cat who loves blues. I am thankful for all the help he laid on me and exposure.
After it ALL blew up at the same time, I left. Went to Spain for two weeks and stayed. Began touring Europe and playing with a whole new set of cats. The most rewarding part of my Spanish trip, with the “spanishes” (as Smokey Wilson says) was and will alway be the flamenco. I met and was brought into the Amador family. The Fernandez family. Heavy weight flamenco blood line. Cathy Claret belongs to that family and I have recorded and played with Cathy and have played concerts with Raimundo Amador. I wrote a song in tribute to that first meeting.
Flamenco Soul is on my new record and I have moved back to the states. Billy Gibbons, Matt Abts and Jorgen Carlsson are the rhythm section for that song. After touring with the Alvin Younblood
Hart Muscle Theory playing bass for Alvin, I went back to Spain and closed up shop. I recorded this latest record No Matter What I Do on Blue NDN Records. A label I started with Shannon Green of California. We hope to develop a few friends and artists if we can get this record moving. The direction of it all is blues power and help for blues artist. We hope.
More recently I played with Warren Haynes as a duo for his set at Levon Helm’s Ramble. Since then I have been back and will continue to do so. The environment and vibe that Levon has created with his enormous soul and incredible music has been an honor for me to partake in.
For the future I hope to finalize a project with my cousin Russell Rodriguez, nephew Lico Zuniga and Taj Mahal. That is my dream project and goal for now. Taj Mahal has been a great help to me and more than an influence. I have shared the stage with Taj and it’s incredible. To say the least.
The second project I have on my list is Corey Harris, Pura Fe and Alvin Youngblood Hart, my cousins and me. These are goals I am working towards and hope to see all of you on the journey.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
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