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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Monday, December 31, 2018

Robert Davis - Yuca con Mojo - Cuban Blues - New Release review

I just had the opportunity to review the most recent release, Yuca con Mojo - Cuban Blues from Robert Davis and it's quite soulful. Opening with Muddy Waters' I've Got My Mojo Working, Robert Davis on lead vocal and harp takes a traditional Chicago style blues and with island rhythm and bongo gives it a much more tropical feel. Supported by Fraser Melvin on guitars, Yasel Giralt on bass, and Pedro Perez Quintero on percussion this is a cool opener. On Walter Vinson and Lonnie Chatmon's, Sitting On Top Of The World, lush acoustic picking gives the track a real iridescence under Davis' solid vocals. Real traditional Cuban flavor soaks in on traditional folk blues, House of the Rising Sun. This is a really nice arrangement and with beautiful finger picked accompaniment and simple percussion rhythm, this is very nice. Ernie K. Doe's R&B classic, Mother In Law gets a reggae rhythm and a breakout rockin turnaround. Davis' vocal and harp work on the track is very solid and the rhythm seems so natural that it's as strong as the original. My favorite track on the release is Davis' harmonica mastery of Gershwin's Summertime with classic cuban backing piano by Rosario Escobar and guitar by Melvin. Excellent! Wrapping the release is a terrific take on Robert Johnson's Me And The Devil in traditional delta fashion. The recording is clear and the the guitar seems to jump from the track. Very nice closer.



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Friday, December 28, 2018

Regina Bonelli - Love Letter - New Release Review

I just had the opportunity to review the most recent release, Love Letter, from Regina Bonelli and it's a cool mix of pop, blues, R&B and blues. Opening with blues rocker Don't Put Your Hands On Me, Bonelli shows pure attitude and backed by Nick Rolfe on keys, Mike Griot on bass and some hot guitar riffs by Tomas Doncker. R&B track, Nothing I Can't Handle has a strong melody and a good beat, with strong vocals by Bonelli, solid sax work by Mark Henry and cool guitar work by Hill. My favorite track on the release is bluesy ballad and title track, Love Letter with musical tension and really strong guitar phrasing by Hill to support Bonelli's soulful lead. Very nice. The Stones' Paint It Black gets a pop rockier feel but with a more contemporary edge and eerie guitar work by Artur Uronen. Very cool. Wrapping the release is The Ladder, a strong, pure pop rocker. With it's straight ahead beat, wailing guitar and firm tom tom work, this is a solid closer for a solid effort. 

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Thursday, December 27, 2018

JP Cadillac Records artist: The Knickerbocker All-Stars - Love Makes A Woman - New Release Review

I just had the opportunity to review the most recent release, Love Makes A Woman, from the Knickerbocker All-Stars and it's rich. Opening with R&B track, So Soon, Darcel Wilson is upfront with powerful vocals, backed by the power horn section of Rich Lataille and Doug James on sax, Carl Querfurth on trombone, Doc Chanonhouse and Carl Gerhard on trumpet and the tight rhythm section of Mark Teixeira on drums, Brad Hallen on bass, Kevin Barry on guitar and David Limina on keys. Excellent opener. Thornetta Davis really swings boogie track, Good Rockin' Daddy with excellent backing vocals and stellar piano work by Limina a sweet sax solo and tight guitar lead by Barry. Definitely one of my favorites on the release. Wilson takes Joe Seneca's Talk To Me, Talk To Me by the short hairs and really spins it. With a perfect touch of trumpet by Chanonhouse, the warm sax work of James and Lataille and fluid jazzy guitar work of Barry, this is a definite star. Go Girl! is an excellent instrumental jam with hot solos throughout by James and Lataille...wow! james Brown's Don't Cry Baby has a great groove with a nice walking bass line by Hallen, laid back guitar lead by Barry, rich sax heat and lead vocals by Davis. Very nice. Wrapping the release is a strong cover of Aretha's Since You've Been Gone by Wilson. This is a solid release with super tunes and a powerful lot of talent .. and did I mention that all proceeds go to United Theater/Knickerbocker Music Center and their joint educational program with the Rhode Island Philharmonic. Very nice!

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Wednesday, December 26, 2018

Dale Bandy - Blue. - New Release Review

I just had the opportunity to review the most recent release, Blue., from Dave Bandy and it's solid. Opening with super nasty, My Bad Reputation, Dale Bandy creates a great feel (think Cocker's Black Eyed Blues)  on drums, guitar, keys and lead vocal, and Gary Thompson on bass. Excellent opener. R&B soaked, If I Could Only Take It Back, is solid with soulful vocals and guitar by Bandy. Updated and funky, Big Legged Woman is a great hi stepper with a poppy bass line and hot sax work by Joe Bolero. Bandy's guitar lyric and bass lines on The Thrill Is Gone work nicely together accentuating the soulful vocals lines. Jazzy Comin' Down is heavy bass driven with slick guitar riffs giving it a nice kick. Bandy wraps the release with traditional blues, Trouble In Mind, showing his fluid blues riffs as accompaniment to his vocals. Solid closer to this interesting release. 

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Friday, December 21, 2018

Conner Ray Music - Dry Johnson - Long Live Them Blues Vol. 1 - New Release Review

I just had the opportunity to review the most recent release, Long Live Them Blues Vol. 1, from Houston based duo, Dry Johnson and I really like it. Opening with lumbering blues rumbler, Daddy's Got A Cadillac, features favorites Annika Chambers and Mike Zito on vocals with Zito and Terry Dry on guitars and Matthew Robert Johnson on drums. Cool opener. On title track, Long Live Them Blues, Trudy Lynn's distinct lead vocals are coupled with Steve Krase on harp and Mighty Orq on guitar for a grinding groove. John Del Toro Richardson has the lead on guitar and vocal on Hit That Highway, a real nice blues shuffle. Two stepper, Drunk Girl With A Tambourine has kevin Snit Fitzpatrick on lead vocal and the Mighty Orq on guitar. This is really a strong track with kick. Juke Joint is a slick shuffle with a Bob Wills feel. Featuring Dry on lead vocal and Mighty Orq and James Wilhite on guitar this track is a great swinger. A track with a lot of texture is I Walk Alone featuring the gritty vocals of Wilhite and opposing shimmering guitar vibrato. Very cool. With a bluesy funk, Trashy Women & Cheap Guitars is another great track with Dry on lead vocal and drums and sweet guitar riffs by Zito. Definitely one of my release favorites. Fried Chicken is a super cool instrumental featuring Zito on lead guitar. Get funky my brother. Very nice. Wrapping the release is Little Bird featuring Terry Dry on vocal and acoustic guitar  with a strong folk track. I got to say, this release has a lot of sounds but it's all super. This is a great Christmas idea, and get one for yourself.

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Thursday, December 20, 2018

Mensch House Records artist: John Akapo - Paradise Blues - New Release Review


I just had the opportunity to review the most recent release, Paradise Blues, from John Akapo and it has a strong blues underpinning and excellent vocals. Opening with Robert Johnson's Ramblin' On My Mind, Taumei "Big John" Akapo shows why he has made a big name in his home of Hawaii with solid guitar playing and some of the smoothest vocals since Richie Havens. On original blues shuffle, Little Lani, Akapo uses traditional blues bones but crafts a more contemporary feel with vocal styling, super blues riffs and harp backing. Muddy Waters' I Can't Be Satisfied is one of three covers on the release with Waters like slide riffs and a simple gait. laying back in the slot a bit more, Caramac Blues shows a different blues guitar style, fluid soloing and smooth natural vocals. Akapo's voice is so smooth that it adapts itself nicely to anything he sings. Hindsight (Missionary Blues) is played on a high strung, light soundboard instrument, likely a ukulele or mandolin adding even more contrast to an already large rich vocal juxtaposed to a high pitched instrument. Very nice.  Another strong blues original, Don't Believe Her, relies on firm 12 bar structure and excellent fingerpicking style. Wrapping the release is Tommy Johnson's Big Road Blues with a firm bass strum in the 6 string mix in an almost Taj Mahal. This is an impressive release for Akapo and his guitar.



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Wednesday, December 19, 2018

Bryan Lee - Sanctuary - New Release Review


I just had the opportunity to review the most recent release, Sanctuary, from Bryan Lee and it's smokin' good. Opening with New Orleans funky, Fight For The Light, with a super strutting rhythm. Lee on guitar and vocal sets the pace backed by Deirdre Fellner on backing vocal, Marc Spagone on guitar, Jack Berry with particularly hot bass, Matt Liban on drums, lush keystrokes by Jimmy Voegeli, and Greg Koch on dobro. Very nice. Rolling shuffle, The Gift has great stride and a warm BB King kind of feel. Voegeli sets a great path on electric piano and Lee's guitar soloing is tops. One of my favorite tracks on the release, Mr Big, has a perfect blend of soulful vocals and guitar floating in a blues cloud. Very cool. another outstanding track is Don't Take My Blindness for a Weakness with extended melodic guitar soloing and soulful vocals. Excellent! Wrapping the release is swinging shuffle, Lord And Savior with direct, committed vocals and concise guitar riffs. Lee is one of those guys that has been around for a while and every time you hear him you say, man this guy is great!


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Tuesday, December 18, 2018

Rip Cat Records artists; Johnny & Jaalene - self titled - New Release Review

I just had the opportunity to review the most recent self titled release, Johnny & Jaalene and it's quite good. Opening with Phil Spector's Baby I Love You, Johnny Ramos, son of blues guitar player Kid Ramos and super 16 year old singer, Jaalene DeLeon, breathe fresh air into this 60's classic with solid vocals instrumentation and a great mix. Eddie Cochran's rockabilly tune Teenage Cutie has plenty of spark and tight guitar riffs giving it real oomph. 50's French tune, Let It Be Me, popularized in the US by the Everly Brothers is a real standout here with excellent vocal blending and clear, crisp guitar accompaniment. Lalo Guerrero's Los Chuco Suave is a natural here with excellent Latin styling and accordion by Jesus Cuevas. Excellent! Another huge 60's classic, Rosie (Hamlin) and the Original's Angel Baby is done with little alteration and is a perfect showcase for the purity of DeLeon's voice. featuring a nice sax solo by Ron Dziubla, this is a great retro radio track for the release. Jessie Mae Robinson's rocker, Let's Have A Party features some hot guitar riffs by Kid Ramos led by Deleon on lead vocal. Very cool. Wrapping the release is Danleers', One Summer Night with a twist of doowop (original), zydeco, punk and rock. I actually like this a lot better than the original cut with it's carefree lest. A cool, accordion flavoring by Cuevas and solid vocals by DeLeon make this a perfect closer for a strong new release.


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Monday, December 17, 2018

JJ Appleton and Jason Ricci - Beautiful Slop - New Release Review

I just had the opportunity to review the most recent  release, Beautiful Slop, from JJ Appleton and Jason Ricci and it's quite good. Opening with delta style acoustic blues, Don't Take Advantage Of Me, with JJ Appleton on vocal and slide guitar, Jason Ricci on harmonica and vocal and Derek Nievergelt on acoustic bass the band gets the raw efforts of the early blues pioneers down pat. Great opener. With certain tension, Hurt Myself, is a great contemporary blues piece with hoots and hollers by Ricci and tight guitar riffs by Appleton, leading to a real nice harp solo. Certainly my favorite track on the release. Geaux Nuts Kids is a cool, Zydeco style instrumental jam featuring harp and guitar with only vocal punctuation. Very cool. Another of my favorite tracks is Don't Badger The Witness with some of the hottest slide guitar riffs on the release. I like Ricci's rowdy vocal styling and trademark harp work. Wrapping the release is bluesy ballad, Stay, with only the minimal instrumental accompaniment under solid vocals and  melodic harp soloing. I think that this release is really rich with edgy tracks and warm tracks, checking a lot of boxes for blues listeners.



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Thursday, December 13, 2018

Blooming Tunes Music artist: Diane Durrett - Diane Durrett & Soul Suga Live - New Release Review


I just had the opportunity to review the most recent release, Diane Durrett & Soul Suga Live from Diane Durrett and it's a funky, soul drenched live outing. Opening with Bright Side, Durrett on vocal and guitar with sassy Billy Preston like organ work by Yoel B'nai Yehuda, with solid trombone work from Wes Funderburke, Gregg Shapiro on bass, Markham on guitar and Melissa Junebug on drums as well as rich backing vocals by Adam McKnight and Debra Reese. It Is What It Is is a cool soul track with a nice melody and gritty, Macy Gray like texture. For me Funderburke's trombone really shines on this track. Excellent! Wish It Would Rain is a really nice soulful ballad and the best showcase for Durrett's voice on the release. Backed by McKnight and Reese, this track is very strong. Smooth soul track, Be Somebody's Angel has super radio potential and with it's warm vocals and organ work. Very nice. Super New Orleans dripping, Sassy Larue has a strong drum driven beat and total trombone domination with firm organ bottom and a bounce bass beat. Very cool. Porter's Summertime gives Funderburke another excellent opportunity to shine and he makes this track his own. Killer. Wrapping the release is crowd favorite, Woohoo, a swinging blues shuffle with driving organ and piano, a rowdy trombone solo and the band really rolling. Solid closer for a solid release. 

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Wednesday, December 12, 2018

David Lumsden & Friends - Hues of Blues - New Release Review

I just had the opportunity to review the most recent release, Hues of Blues, from David Lumsden & Friends and it's got a mix of tracks to show off  Lumsden's guitar chops. On Earl Hooker's, You Got To Lose, Lumsden leads on vocal and guitar, backed by Tim Bahn on organ, Wayne carter on piano, Gary Davis on bass and Arthur Carey Sr. on drums. Cool shuffle, You're Ruining My Bad Reputation, written by Denise La Salle features Wayne Carter on lead vocal, giving Lumsden free rein to play slide. Nice job. Pulling out the eccentric Jeff Beck instrumental, Brush With the Blues, Lumsden not only demonstrates his solid guitar chops but his excellent listening influences. Memphis Minnie's What's The Matter With The Mill features Reggie Britton on lead vocal and drums with a great driving pace and Steve Mehlberg on harp. One of my favorite tracks on the release, Raised Me Right, features super vocals by Mary Jo Curry and fat fat slide work by Lumsden. Very nice. Willie Newbern's Rollin' and Tumblin' has a rocky feel with a blend of Jeff Beck's arrangement and some heavy handed drumming giving the track a strong edge and slicing guitar riffs by Lumsden. very cool. A solid cover of Hoagy Carmichael's Georgia featuring Wayne Carter on vocal and piano adds one more to the list of sloid covers, closing with Led Zeps Rain Song, all instrumental with Lumsden on acoustic guitar,  Andon Davis on slide, Gary davis on keys and Jim Engel on drums. A real nice closer for a solid release. 

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Tuesday, December 11, 2018

Catfood Records artist: Sandy Carroll - Blues & Angels - New Release Review

I just had the opportunity to review the most recent release, Blues & Angels, from Sandy Carroll and it's got something special. Opening with Soak Me In The Spirit, a gospel soaked shuffle, Carroll has lead vocal backed by Rick Steff on keys, Steve Potts on drums, David Smith on bass and Will MacFarlane on guitar. Soulful ballad, Wrapped In An Angel, has a really nice melody, with Mark Narmore on keys, Smith on bass, Potts on drums and MacFarlane on guitars. Sassy shuffle, Mama Don't Like It is one of my favorite tracks with a cool shuffle feel clean bluesy riff by MacFarlane and some of Carroll's best vocals on the release. Funky, Headin' Home is another of my favorite tracks with snappy drum work by Mario Dawson, bass by George Moye and featuring Bernard Allison on guitar. Very cool. Wrapping the release is ballad, Mississippi Me featuring only her vocal and Narmore on piano. A fitting closer for a nice release. 

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Monday, December 10, 2018

Sandy Key Music artist: Jim Allchin - Prime Blues - New Release Review

I just had the opportunity to review the most recent release, Prime Blues, from Jim Allchin and it's quite good. Allchin, who is releasing his 4th studio release is really honing in on the perfect sound for him. Opening with R&B flavored blues number, Give It Up, featuring Allchin on lead vocal and guitar, peppered with punchy horn work by the Memphis Horns (Charles Rose, Jim Hoke, Steve Hermann and Doug Moffet). Allchin has really honed his tone and his chops have always been super. His backing band is tops with Bob Britt, Rob McNelley  and Kenny Greenberg on rhythm guitar, Tom Hambridge on drums, Glenn Worf on bass, Mycle Wastman on backing vocals and Kevin McKendree on keys. Strutting, Devil Don't Sleep really has a great feel with excellent lead work by Allchin and heavy B3 by McKendree. Jimmy's Boogie is a high energy boogie with a solid bass line by Worf and terrific piano work by McKendree over the tight drums of Hambridge giving Allchin free rein to play. Excellent! Mike Zito guests on lead vocal on Enough is Enough and the track has a hard driving country rock feel. Very nice! Solid shuffle, Found The Blues really finds Allchin in the slot with terrific lead lines and sounding really comfortable on lead vocal. B3 soloing by McKendree adds real beef to the track making it one of my favorites. Bobby Rush steps up on harp and vocal on Two Bad Dreams, a slow blues number with rich horn work by the Memphis Horns. Allchin digs deep showing real blues chops giving this track a stiff edge. Wrapping the release is cool, Albert King flavored, Logoff, with a cool Latin rhythm and stinging guitar riffs. Allchin has really learned to temper his vocals with style and warm backing vocals and electric piano by McKendree adds real spice to this solid closer. Very cool. 

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Friday, December 7, 2018

Catfood Records artist: Dave Keller - Every Soul's A Star - New Release Review

I just had the opportunity to review the most recent release, Every Soul's A Star, from Dave Keller and it's a solid R&B entry. Opening with Don't Let Them Take Your Joy, a poppy R&B track, Dave Keller leads a super band on vocal and guitar with excellent backing from Bob Trenchard on bass, Johnny McGhee on guitar, Dan Ferguson on keys, Richy Puga on drums, Mike Middleton on trumpet and Nick Flood on sax. Solid opener. On title track, Every Soul's A Star, a warm horn intro leads the way for Keller's soulful vocals and nice backing vocals by Janelle Thompson and Shakara Weston. Digging down into the funk, Ronnie Shannon's Baby, I Love You has a great sound. I really love Aretha's version of this, but I really like this one as well with a slower, more powerful bottom and bluesy guitar riffs. Very cool. Another solid R&B track, Freedom Is Ours is another solid vocal track which benefits nicely from the horn work of Middleton and Flood. Up-tempo, It's All In Your Eyes, has a great melody with just the right organ underpinning supporting super vocals and effortless guitar soloing by Keller. Soul track, When Are You Gonna Cry is one of my release favorites with a particularly memorable melody, strong vocals by Keller and nicely phrased guitar riffs and horn punctuation punching the track up. Wrapping the release is Ain't Giving In with a fusion of funk and R&B with a strong melody and balanced vocals and horns, with snappy percussion. Very nice. 

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Thursday, December 6, 2018

Reference Recordings artist: Fiona Boyes - Voodoo in the Shadows - New Release Review

I just had the opportunity to review the most recent release, Voodoo in the Shadows, from Fiona Boyes. Opening with dark, smoky Call Their Name, Boyes, with her swampy guitar rhythms and solid vocals leads the way backed by Tim Neal on keys, Mark Grunden on drums and Johnny Sansone on harp. On What You Put On Me, the band sets a Mississippi hill country pace with Sansone wailing away on harp and Boyes laying out some prime cigar box slide work. Very nice. On Latin flavored, Dark and Dangerous Love shows a different side of Boyes with dark, a seductive melody, steamy vocals and smooth guitar lead. Neal adds some real nice sax backing in addition to a hot organ solo and Grunden's conga playing really spices it up. New Orleans has a nice bluesy feel with great piano work by Neal. R&B roots fuel With A Little Respect. Neal steps up with another nice sax solo and melodic harp work by Sansone adds just the right tough to Boyes vocal efforts. Wrapping the release is another R&B track, Ember, with the most straight forward melody. Boyes' vocals are really nice and her guitar lead is tight, warmed nicely by the organ efforts of Neal. This is a nice closer for a real solid release.


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Wednesday, December 5, 2018

American Showplace Music artist: Sean Chambers - Welcome To My Blues - New Release Review

I just had the opportunity to review the most recent release, Welcome To My Blues, from Sean Chambers and it's meaty. Opening with flamboyant blues rocker, and title track, Welcome To My Blues, guitar player/songwriter/guitarist, Chambers lets it fly with solid vocals and ripping blues rock riffs, joined by John Ginty on keys, Moe Watson on drums and Todd Cook on bass. Great opener. My absolute favorite track on the release, Black Eyed Susie, has a super swagger thanks to Chambers' strong vocals and Watson's heavy drum work. Jimmy Bennett's slide guitar work on this track is super, the track actually reminding me a lot of a terrific track written by Jackie Lynton for Savoy Brown in the early 70's. Luther Allison's Cherry Red Wine is an absolute screamer with some of Chambers' most fiery riffs on the release. If you don't like this, you probably don't like contemporary blues...at all! Excellent! Backbeat shuffle, Cry On Me, has a great feel with Freddie King like poise. Very cool. On One More Night To Ride, Chambers' emphasis is on funky wah wah driven rhythm and free wheeling soloing. Very nice. Again on Red Hot Mama the slide is hot and slashing. With a straight up rock beat, this track has a great feel and never sounds like a Duane Allman clone. Very nice. Another great blues track, All Night Long, has just the perfect level of suspense, enhanced by the organ work of Ginty. Chambers' vocals are great and his guitar phrasing is particularly excellent. Wrapping the release is guitar ballad, Riviera Blue, with a really nicely poised guitar melody. Wel managed piano work by Ginty supports Chambers, intricate guitar soloing but never gets in the way. Masterful.


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Tuesday, December 4, 2018

The Wildcat O'Halloran Band - New York City Chill - New Release Review

I just had the opportunity to review the most recent release, New York City Chill, from The Wildcat O'Halloran Band and it's cool. Opening with jazz/blues rocker, Van Wyck Expressway the band lays down a real nice instrumental groove. Featuring O'Halloran with strong guitar and sax exchanges with Emily Duff over a solid rhythm section of Mark Chouinard and Kathy Peterson, this is a super opener. With a bit of sizzle, Can't Get It Like That is a romping shuffle with fluid guitar riffs and a driving rhythm.  To really get you up and moving, Cookin' Mama has a funky beat and harp by Wally Greeney leading to some fat fat slide work by Wildcat. Very nice. Louis Jordan's classic jump track, Saturday Night Fish Fry is up next and the band is having a blast with nice horn work by Duff. One of my favorite tracks on the release is Dumb with it's funky rhythm, fiery guitar work and peppery harp. On Muddy Waters' Don't Go No Further, Wildcat is alone on guitar and vocal showing his solo skill and it's solid. Wrapping the release is Waiting Awhile, a rumbling boogie. With poised harp attack and typical Wildcat guitar slaying, they wrap the release in style.



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