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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Friday, April 6, 2018

VizzTone Label Group artist: Long Tall Deb and Colin John - Dragonfly - New release Review

I just had the opportunity to review the most recent release, Dragonfly, from Long Tall Deb and Colin John and I really like it. Opening with On The Way Down, an eerie blues track, Deb and Colin John sing in duet over cool, thick, slide guitar breaking into a driving "brick" like anthem. John really winds up on electric guitar under Deb's vocals making for an exceptional opener. Title track, Dragonfly, is a cool Duane Eddy, western surf  style track with fanned chords, vibrato and tom toms. Excellent! Slinky ballad, I'll Be The One, features some of Deb's best vocals on the release with a soulful style and a nice rhythm. This is the radio track for the release with a strong melodic line, nice guitar work by John and complimented by Jimmy Castoe on drums, Nate Hofman on organ, and Melvin Powe on bass. Another track with a western twist is Remember Why, with great baritone guitar work by John and snappy drum work by Jo El. Horizontal Lightning is a particularly seductive track with a Spanish flair. The track has a dark, smoky feel and Deb's vocals, coupled with nicely stylized guitar work by John certainly make this really pop. Very nice. Wrapping the release is a return on Dragonfly, with the guitar really popping and the Spanish overtones really dressed. This is a really special release and one you should definitely check out.


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Wednesday, April 4, 2018

Myles Goodwyn And Friends of the Blues - New release review

I just had the opportunity to review the most recent release, Myles Goodwyn and Friends of the Blues, from Myles Goodwyn and it's a lot of fun. Opening with I Hate To See You Go ( But I Love To Watch You Walk Away) Goodwyn shows super feel on lead vocal and keys with Shaun Verreault on slide guitar, Eric Khayt on sax. Blues ballad, It'll Take Time To Get Used To, has a super melody and Amos Garret's lush guitar work really hits the nail on the head, backed by Emily Lamarche on vocal. Very nice. Western styling on Tell Me Where I've Been (So I Don't Go There Anymore) is really nice with excellent piano work by Kenny "Blues Boss" Wayne and twangy blues guitar riffs from Steve Segal. I'll Hate You (Till Death Do Us Part) shows continued story telling and tongue in cheek soulful tracks. Wayne really works the keys on this one as well (I mean he really works them) and Frank Marino cooks the strings on guitar with precise blues riffs giving the track added sting. very nice! Shuffle track, Good Man In A Bad Place, has a real nice feel and Garret lays in some really tasty guitar riffs under Goodwyn's always tight vocals. Rick Derringer adds real heat on Last Time I'll Ever Sing The Blues, an easy loaded shuffle with some warm returns and articulate lead guitar work. Jack De Keyser has the lead on guitar on Nobody Lies (About Having The Blues), another track with particularly smooth vocals and cool electric piano work by Goodwyn. Wrapping the release is You Never Got The Best Of Me featuring Steve Segal and Amos Garret on guitar and Dewey Reeds on harmonica. This is a cool package with good tunes, solid guitar and real nice vocals. 

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Tuesday, April 3, 2018

33 Records artist: Zoe Schwarz Blue Commotion - The Blues And I Should Have A Party - New Release Review

I just had the opportunity to review the most recent release, The Blues And I Should Have A  Party, from Zoe Schwarz Blue Commotion and it a cool blues rocker. Opening with Please Don't Cheat On Me, lead singer and band leader Schwarz continues where she left off on This Is The Life I Choose, with strong guitar riffs by Rob Koral, Pete Whittaker on Hammond and Paul Robinson on drums. Title track, The Blues And I Should Have A Party, has a super slow pace with excellent guitar riffs by Koral under the melody. Rich Hammond organ work by Whittaker really sets a soothing stage for an excellent solo line by Koral and the soulful vocals of Schwarz. Excellent! Don't Worry Blues is another 12 bar entry with a cool groove. A firm bass line and Hammond work establishes the mood and Schwarz and Koral trading the lead is the standard. Whittaker lays down a nice organ solo and Koral is back with firm soloing of his own. Very nice. An up tempo jazz fused track, My Handsome Man, changes the pace up nicely and with a catchy melody and snappy beat making it the likely radio track for the release.  Another of my favorites on the release is Don't Hold Back with a strong melody, and some of Schwarz's strongest vocals on the release. I also really like the attack of both Whittaker and Koral on this track giving it a bit of edge. Wrapping the release is Thank You a cool soul jazz feel. Light and breezy, yet with stinging guitar riffs from Koral, Robinson mixing up the rhythms and solid organ work from Whittaker making this a super closer for a solid release.



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Monday, April 2, 2018

Tommy DarDar - Big Daddy Gumbo - New Release Review

I just had the opportunity to review the most recent release, Big Daddy Gumbo, from Tommy DarDar and it's a healthy helping of swampy gumbo music. Very nice to get this release after DarDar's death in July of 2017. Opening with Johnny Lee Schell's It's Good To Be King, with DarDar on vocal and featuring Johnny Lee Schell on some exciting slide, backed by Hutch Hutchinson on bass, Jon Cleary on piano, Mike Finnigan on keys and DarDar on harp. Great opener. Baby I Can Tell has a great Chicago blues feel with solid bass lines and DarDar's vocals and harp up front. This has a great SB Williamson feel. C'mon Second Line really shows off Braunagel's excellent New Orleans drum styling with solid bass lines by Hutch. Very nice. With pure New Orleans R&B style, Jon Cleary's Let's Both Go Back To New Orleans is a nice showcase for DarDar on vocal, anchored by Cleary's piano rhythm and Hutch's bass. Very nice. The absolute radio track on the release is Dangerous Woman with it's Latin fused R&B feel and strong melodic lyrics, strongly supported by Teresa James, Tommy Lee Bradley, Larry Fulcher and Terry Wilson on backing vocals and a smooth harp solo by DarDar. Shake A Leg is a cool countrified blues rocker with bright piano and bouncy rhythm. Schell snaps in with some real nice country style riffs and DarDar's own harp work is super. Wrapping the release is my favorite track on the release, funky title track, Big Daddy Gumbo with it's infectious rhythm, a super sax vamp by Joe Sublett, excellent slide work by Schell. It's rich backing vocals, big bass lines, funky organ and tight drums make it almost impossible to sit still. Excellent closer! 

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Friday, March 30, 2018

For The Sake Of Song artist: Patrick Coman - Tree Of Life - New Release Review

I just had the opportunity to review the most recent release, Tree Of Life, from Patrick Coman and I really like it! Opening with Heartbeat, a rangy, bluesy, somber song Patrick Coman, singer/songwriter/guitarist sets a certain mood. Joined by Peter Parcek on lead guitar, Marco Giovino on drums, Tom West on keys and Joe Klompus on bass, a great opener. Good advice on stripped down rocker, Don't Reach, Coman blends early British, punk, rock, folk and a lot of other sounds to get this really cool sound. A loose but fluid guitar solo by Parcek kicks the track nicely. With a twist of cha cha and a real nice bari guitar solo and cool female vocal harmonies by Abbie Barrett and Kylie Harris. The Judge has a real Johnny Cash spank. Coman's vocals are loose and cool and Parcek's guitar work is perfect. Super! Another track with a cool country rock twang is 9-5ers with a real country style guitar solo and drums ... and get this...tuba (nice job Neal Pawley). One of my favorite tracks on the release is title track, Tree of Life with an underlying country flavor, surreal guitar sounds and nice tom tom style. Excellent! Another cool rocker, Chelsea Street has just the right rock vibe with a solid guitar riff, strong vocals and prominent snare beat up front. This is a great track. An interesting interpretation of Leon Russell's, Magic Mirror with a monotone vocal line is surprisingly refreshing. Changing the melody pretty much in entirety is really a bold move and quite successful with glistening guitar soloing crowning this work. Excellent! Keep My Soul is another strong track with what I can only call lazy vocals which are really effective. Parcek's guitar work does a lot to give the track just the right cohesion and Pawley, Klompus and Giovino are spotless. Wrapping the release is a folksy kind of track, Let It Ring. Basically Coman on vocal and acoustic guitar with basic keyboard backing this spartan track is an excellent closer for an excellent release! 

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Thursday, March 29, 2018

Powerful Soul Ensemble Samantha Martin & Delta Sugar Set to Release Sophomore Recording


Powerful Soul Ensemble Samantha Martin & Delta Sugar
Set to Release Sophomore Recording




Run To Me out April 27 followed by hometown CD launch party April 28 at the Horseshoe Tavern in Toronto

Watch/Share new live video for "All Night Long" here










For Immediate Release: March 29, 2018 (Toronto,ON) - Toronto-based Samantha Martin & Delta Sugar’s latest recording, entitled Run to Me, is scheduled for release on April 27, 2018. Produced by Darcy Yates (bassist for Bahamas), the new album explores the full range of the vicissitudes of love: desire, betrayal and, at times, emotional and sexual satisfaction. The lyrics are incisive, the melodies are constantly arresting and the harmonies and arrangements call up the best of the soul sounds of Stax Records and such contemporary artists as Leon Bridges, Sharon Jones, and Lee Fields.

Samantha Martin and Delta Sugar’s debut release, 2015’s Send the Nightingale, was a stripped- down affair consisting of Martin, her two co-singers Sherie and Stacie, and guitarist Mikey McCallum. For Run to Me, Martin elected to record her emotionally wrought material with an expanded band, augmenting the core of Delta Sugar’s gospel-infused harmonies with a full rhythm section, piano, organ and an ever-so-soulful horn section.

Send the Nightingale was a stunning achievement which garnered four Maple Blues nominations in 2016, was regularly featured on the CBC, topped the blues charts on Stingray radio and propelled the group onto the stages of all the major Canadian festivals and clubs coast to coast. Subsequent to the album’s release, Martin has been nominated three years in a row as Female Vocalist of the Year at the Maple Blues Awards. Continuing to build on the group’s steamrolling momentum, in the fall of 2017, Samantha Martin and Delta Sugar were selected by a panel of blues experts to represent Toronto at the International Blues Challenge in Memphis, a platform that has served to launch any number of careers in both Europe and the United States.

While Martin is a powerhouse unto herself, the vocal alchemy of Delta Sugar is not the work of a single talent. In combination with what she likes to term her “co-vocalists,” Sherie Marshall and newest full-time member Mwansa Mwansa, the vocal blend Delta Sugar produces is pure, unadulterated gospel-tinged, neuron-tingling magic where the sum is even richer than the already soul-melting parts.

After performing 130 high energy “soul revue” style shows in the US and Canada in 2017, and buzz-worthy showcases at both Americana (Sept. 2017) and at The International Blues Challenge in Memphis (Jan. 2018) – Samantha is now building her European fan base with two full-length European tours scheduled before February 2019. The live show is a torrid force of nature, taking audiences to emotional peaks while leaving them stunned with pin-you-against-the-wall power.

 

Samantha Martin & Delta Sugar CD Release Party
Saturday, April 28
The Horseshoe Tavern
370 Queen Street West, Toronto, ON
Doors at 8:00 p.m. Show at 9:00 p.m. with Dani Nash and The Honeyrunners 
Advance tickets $15 available at ticketfly.com / $20 at the door





DELVON LAMARR ORGAN TRIO HIT THE ROAD FOR U.S. TOUR | NEW LP #1 ALBUM ON BILLBOARD'S CONTEMPORARY JAZZ CHART!


INSTRUMENTAL SOUL/JAZZ ACT DELVON LAMARR ORGAN TRIO KICK-OFF THEIR 2018 U.S. TOUR DATES IN APRIL IN SUPPORT OF THEIR RECENTLY RELEASED ALBUM "CLOSE BUT NO CIGAR



DLO3'S "CLOSE BUT NO CIGAR” JUST DEBUTED AT #1 LAST WEEK ON BILLBOARD’S CONTEMPORARY JAZZ CHART, AS WELL AS LANDING AT #3 ON THEIR JAZZ CHART AND #20 ON THEIR HEATSEEKERS CHART!






COLEMINE RECORDS TO RELEASE A VERY LIMITED RED VINYL PRESSING OF "DELVON LAMARR ORGAN TRIO LIVE AT KEXP!" ON RECORD STORE DAY!






DELVON LAMARR ORGAN TRIO 2018 TOUR DATES

Apr 02 Earshot Jazz Festival - Seattle, WA

Apr 12 Sonic Boom Records - Seattle, WA

Apr 14 Dakota Jazz Club - Minneapolis, MN

Apr 15 Vaudeville Mews - Des Moines, IA

Apr 16 Reggie’s, Chicago, IL

Apr 18 Rockwood Music Hall Stage 2 - New York, NY

Apr 19 Funk N Waffles - Syracuse, NY

Apr 20 Beachland Tavern - Cleveland, OH

Apr 21 Plaid Room Records - Loveland, OH

May 18 Blue Note Napa - Napa, CA

May 20 Joshua Tree Music Festival - Joshua Tree, CA

Jun 07 River Fest - Wichita, KS

Jun 22 Vancouver International Jazz Festival - Vancouver, Canada

Jul 05 High Sierra Festival - Quincy, CA

Jul 06 High Sierra Festival - Quincy, CA

Jul 14 Saint Paul Soul Jazz Festival - Saint-Paul-Trois-Châteaux, France

Aug 02 Battery Park City’s River & Blues Series - New York, NY

Aug 03 Shalin Liu Performance Center - Rockport, MA

Aug 11 San Jose Summer Jazz Festival - Downtown San Jose, CA

Aug 30 The Refectory - Columbus, OH

Sep 02 Detroit Jazz Festival - Harper Woods, MI

Sep 23 Monterey Jazz Festival - Monterey, CA

(additional dates to be announced soon)




Delvon Lamarr Organ Trio (photo credit: Jean-Paul Builes)

  

After years of playing in bands that inevitably fell apart, as bands so often do, keyboard player Delvon Lamarr landed in a different kind of group: one founded by his wife and manager, Amy Novo. She created the Delvon Lamarr Organ Trio so her husband could fully focus on the things he does best: writing and playing music.


With a deep soul backbone augmented by jazz, rhythm & blues and rock ’n’ roll, the Seattle trio — Lamarr on B-3 organ, Jimmy James on guitar and David McGraw on drums — evokes a classic instrumental sound with a fresh, virtuosic sensibility all its own on debut LP Close But No Cigar. The band put out the album independently in 2016, and Colemine Records gives it a wide release in March.


All three musicians knew each other from the local soul scene. When Novo founded the Delvon Lamarr Organ Trio in 2015, Lamarr asked McGraw if he was interested in joining the band. After playing for a year with another guitarist in the group, Lamarr invited James to sit in as a substitute one night at the trio’s regular Tuesday gig, and he never left. That’s when the band truly found its sound. “We had chemistry right out of the gate, and that doesn’t always happen,” Lamarr says.


In fact, the keyboardist and guitarist say they’re constantly engaged in a game of name-that-tune, throwing in licks from obscure soul or rhythm & blues tunes and seeing where the other takes it, while McGraw sits back in the pocket and keeps things moving. “It puts you on the edge of your seat, like, I don’t know what’s going to happen here,” James says. “It’s like going out into the middle of the forest with nothing, and there’s bears and wolves all around, and seeing if you can make it out.”


Their chemistry stems from each musician’s unique abilities. James describes McGraw as having “that rare soul sound. He’s got this light touch, but it still tells you, ‘I’m here.’ You feel it.” Meanwhile, Lamarr holds down basslines on the organ that are so vivid that audience members sometimes ask where the bass player is. “His left hand is second to none,” James says. “He’s got that, but he’s also got this wild approach. He goes for it, and he’s fearless about it.”


Though James is more modest about his own abilities — “I mostly just go for what I feel,” he says — his bandmates complete the picture. “When Jimmy joined the band, everybody who was a regular at that club said, ‘That’s it: that’s the band right there,’” Lamarr says.


Lineup thus complete, the Delvon Lamarr Organ Trio spent those Tuesday night sets honing its sound, often creating songs onstage in the middle of gigs. “It gave us a lot of freedom to explore,” says McGraw, who also plays with James in the local soul band the True Loves. “So much of the songwriting, and our ability to improv together, came from those live shows.”


The Delvon Lamarr Organ Trio recorded Close But No Cigar soon after James joined the band. “Those originals came together pretty quickly, and we were still kind of learning them when we went in to record the record,” McGraw says. While Novo handles the business end of the group (and others that Lamarr plays in), the musicians have logged countless hours onstage together, resulting in a trio that’s tighter than ever. In addition to the tunes on Close But No Cigar, they have a stockpile of new material they’re looking forward to taking on the road and, by the end of the year, recording for a second album.


“It means a lot to me that people dig what we do,” Lamarr says. “I just want people to feel it, basically. So far, it seems to be going pretty well.”


Delvon Lamarr Organ Trio’s Close But No Cigar is out now on vinyl, CD, cassette, digital and streaming formats via Colemine Records. Click here to order. 



~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~






Delvon Lamarr Organ Trio
Live at KEXP!

(red vinyl limited to 1750 copies for Record Store Day)



"I've got to give credit where credit is due on this one," admits Colemine Records co-owner Terry Cole. "Pressing this up for RSD was my brother Bob's idea. We had just signed the group for their first LP and he called me one night and said, 'I think I just had my one good idea for the year.' This fiery live performance at KEXP of this Seattle organ trio is right on the heels on their debut LP. Channeling groups like Booker T & The MGs, The Meters, and Soulive, this is straight up funky organ soul jazz here! Mastered for vinyl by JJ Golden, this set will set your turntable on fire!! We should also note this is the first full KEXP session to be pressed on vinyl." Here are the YouTube videos you can check out:

https://www.youtube.com/watch?v=jhicDUgXyNg https://www.youtube.com/watch?v=tNO71hgto7c

Marshall Lawrence - Feeling Fine - New Release Review

I just had the opportunity to review the most recent release, Feeling Fine, by Marshall Lawrence and it's a solid rocker. Opening with title track, Feeling Fine, Lawrence on lead vocal and guitar is joined by Zach Daniel Robertson on bass, Alan Beveridge on drums and Andrew Glover on keys, the band has nice vocal harmonies somewhat similar to Good Rats. Country/blues flavored rocker, Ida Mae, has a cool shuffle spine and aggressive guitar lead and tight drums reminding me a bit of Molly Hatchet. Blues number, Blues Still Got Me has a great 12 bar feel. Grinding guitar lead gives this track a definite edge making it one of my favorites on the release. Bluesy ballad, Help Me Find My Way Home, has strong radio appeal with a nice melody, modest but interesting guitar lead and well balanced backing. Latin flavored, Keep On Walking, features Lawrence on slide guitar and he sets a nice groove. With tight drum riffs and a solid bass line, this is a great lead into the release closer, Dirty Dishes. Blues rocker with a cool backbeat, not only gives up a good foot stomper but also has nice guitar lead and some of Lawrence's best vocals.


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Wednesday, March 28, 2018

The Nick Moss Band Featuring Dennis Gruenling To Appear On NPR's Mountain Stage


THE NICK MOSS BAND FEATURING DENNIS GRUENLING

TO APPEAR ON NPR'S MOUNTAIN STAGE
New CD, The High Cost Of Low Living, Debuted At #3 On The Billboard Blues Chart



Nick Moss's muscular, electric energy combines jaw-dropping guitar, gruff, soulful vocals and impassioned songwriting. Gruenling is a contemporary harmonica master...impressive, genuine and fresh-sounding. --Living Blues


The Nick Moss Band Featuring Dennis Gruenling, whose newly-released Alligator Records debut CD The High Cost Of Low Living entered the Billboard Blues Chart at #3, recently recorded a live performance for NPR's celebrated music show, Mountain Stage. Over 240 NPR member stations around the country will begin airing the program this Friday, March 30. Air times and stations can be found here.



The High Cost Of Low Living is already earning rave reviews, as are the band's must-see live shows. The album is a tour de force of the classic Chicago blues ensemble sound that world class guitarist/vocalist Moss and master harmonicist/vocalist Gruenling know, live and love. AllMusic says, "The album makes the case for the vitality of old-fashioned Chicago electric blues in the 21st century."



The High Cost Of Low Living is no recycling of old songs. Moss wrote eight memorable new originals and Gruenling wrote two, all deeply rooted in the blues tradition with a touch of old school rock ‘n’ roll. Produced by guitarist Kid Andersen and Moss and recorded at Rancho de Rhythm in Elgin, Illinois, the album is a joyous sonic blast of pure blues power.



With the release of The High Cost Of Low Living, The Nick Moss Band Featuring Dennis Gruenling will do what they do best: barnstorm the globe, bringing their muscular, high-energy show to clubs, concert halls, roadhouses and festival stages night after night. It is a show that is not to be missed. Current tour dates can be found here.

According to Moss, “I’m a shy person, but when the band and I get on stage, the music takes over. We can’t hold back and the energy just comes pouring out. We get carried away and the audience gets carried away with us.”

Webb Wilder & the Beatnecks Set to Unleash Some "Powerful Stuff!" April 27 on Album of Previously-Unreleased Tracks Recorded from 1985-1993 Via Landslide Records





Webb Wilder & the Beatnecks Set to Unleash Some Powerful Stuff! April 27 on Album of Previously-Unreleased Tracks Recorded from 1985-1993 Via Landslide Records



NASHVILLE, TN - Landslide Records is excited to announce an April 27 street date for its next release, Powerful Stuff!, by veteran rock and rollers, Webb Wilder and the Beatnecks.  Since 1985, Wilder and his cohorts have been cranking out their own brand of rootsy Rock and ROLL throughout the USA and the world. The band’s energy and intensity is well exemplified by the heretofore unreleased, vintage tracks contained on Powerful Stuff! A potent mixture of roots rock, Americana, blues, and British influences, the album primarily features the “original” Beatnecks: Wilder on lead vocals and guitar; Donny “The Twangler” Roberts, guitar and vocals; Denny “Cletus” Blakely, bass and vocals; and Jimmy Lester, drums.



Special guests featured on these rare, unissued tracks include the legendary Al Kooper on organ, acclaimed guitarist David Grissom (Joe Ely, John Mellencamp and Storyville), and renowned bass player Willie Weeks (Eric Clapton, Gregg Allman).  



Webb Wilder and the Beatnecks will perform at the official CD release party for Powerful Stuff! on Sunday, April 29, starting at 7 PM at Nashville’s Exit/In, a venue where several of the tracks on the new CD were originally recorded live in 1986. The current band lineup includes Webb Wilder – guitar, vocals; Jimmy Lester – drums; Tom Comet – bass; and Bob Williams - guitar.



Powerful Stuff! presents timeless live and studio tracks produced by R.S. “Bobby” Field, a founding member of The Beatnecks. Recorded between 1985 and 1993, the material is split equally between original songs and distinctive cover renditions, all of which inexplicably escaped release back in the day.

  

The title track, “Powerful Stuff,” written by Field, is an unreleased Beatnecks original that stayed in the can after The Fabulous Thunderbirds picked it up and made it one of their biggest hits.  Other original tunes appearing for the first time include “New Day,” a prescient and timely composition by Webb and Terry Anderson, and a popular concert favorite, “Animal Lover.” The band adds its own distinctive flair to raucous covers of songs by Levi and the Rockats, Sam and Dave, Johnny Paycheck, Little Richard, and Tina Turner.



“‘Lost In The Shuffle,’ a tune on the new album, kind of suggests what happened to those tracks,” said Wilder, who is thrilled to finally see them available for his “loving public” and beyond. Compiled and remixed (where possible) by Wilder and George “The Tone Chaperone” Bradfute at his Tone Chaparral studio in Madison, Tennessee, Powerful Stuff! was culled from dozens of recordings that had been carefully stored in a Nashville facility for over 30 years.



A native of Hattiesburg, Mississippi, and a member of the Mississippi Music Hall of Fame, Wilder and his friend since junior high, Bobby Field (producer for several earlier records), crafted their signature brand of "Mid-Atlantic" (British and American) rock and roll into their often double-time tunes which separated Wilder’s music from the pack and boasted classic influences from both sides of the pond. The band’s 1986 debut album, It Came from Nashville, a brazenly rocking bar-band rave-up that’s also available from Landslide Records, was recently named one of the top 50 all-time best Southern Rock albums by Paste Magazine.



Webb Wilder & The Beatnecks, Powerful Stuff! Track List

1) Make That Move (S. Preston)
2) New Day (W. Wilder, T. Anderson)
3)  No Great Shakes (R. Field, W. Wilder)
4)  Lost In The Shuffle (R. Field, M. Smith)
5)  Powerful Stuff (R. Field)
6)  Ain’t That A Lot Of Love (H. Banks, W. Parker)
7)  Wild About You Baby (B. Shad)
8)  Animal Lover (R. Field)
9)   Nutbush City Limits (T. Turner)
10)  High Rollin’ (R. Field)
11)  Catbird Seat (S. Forbert)
12)  Hey Mae (D. Kershaw, R. Kershaw)
13)  Revenooer Man (J. Paycheck)
14)  Is This All There Is? (R. Field)
15} Dead and Starting To Cool (R. Field)
16)  Lucille (R. Penniman, A. Collins)



Tracks 1-3 recorded at Sanctuary Sound, Nashville, July, 1993, Produced by Mike Musmanno and Webb Wilder

Track 4 recorded at Sixteenth Avenue Sound, Nashville, March, 1991, Produced by R. S. Field

Track 5 recorded live at Mountain Stage, Charleston, WV, May 15, 1988

Track 6 recorded at Nightingale Studios, Nashville, circa 1989, produced by R.S. Field

Track 7 recorded live at 1313 Club, Charlotte, NC, September 18, 1991

Track 8 recorded at Treasure Isle Recorders, Nashville, March 10, 1988, produced by R.S. Field

Tracks 9, 12, 13, 15, 16 recorded live at the Exit/In, Nashville, March 14, 1986 by Johnny Rosen/Fanta Sound, produced by R.S. Field

Track 10 recorded at The Masters Touch, Nashville, 1985, produced by R. S. Field

Tracks 11, 14 recorded live at Oklahoma City Museum of Art, June 24, 1989



PERSONNEL:

Webb Wilder – Lead Vocals, Guitars
Jimmy Lester – Drums (Tracks 1-9, 11-16)
Donny “The Twangler” Roberts – Guitar, Vocals (Tracks 1-3, 5-16)
Denny  “Cletus” Blakely – Bass, Vocals (Tracks 5,8,9, 11-16)
Kelley Looney – Bass, (Tracks 1-3)
Rich Ruth – Bass (Track 7)
Billy Prince – Bass (Track 10)
R.S. Field – Drums (Track 10), Guitar (Track 4)
Scott Baggett – Bass (Track 4)
Al Kooper – Organ (Track 4)
Gary “El Bujo” Gazaway –  Trumpet (Track 4)
Jim Hoke – Tenor and Baritone Sax (Tracks 4, 6)
Hugh Garraway – Sax (Track 6)
David Grissom – Guitar, Track 6)
Willie Weeks – Bass (Track 6)
Wally Wilson – Piano (Track 10)

Mascot Label Group artist: Koch Marshall Trio - Toby Arrives - New Release Review

I just had the opportunity to review the most recent release, Toby Arrives, from Koch Marshall Trio and I really like it! Opening with loose shuffle and title track, Toby Arrives, Greg Koch on guitar, Dylan Koch on drums and Toby Lee Marshall on Hammond set the corner stone for this latest release. This is a tight trio with feature strength all round. Funk Meat has a rich bottom provided by Marshall's organ and Greg's funky guitar lead is nicely enhanced by Dylan's tight drumming. Heed The Boogaloo has a driving bass line similar to a Manzarek riff setting a strong foundation for Greg to dig in with adventurous and nicely flowing guitar lead. His float from rock to jazz influenced lead is very nice.  One of my favorite tracks on the release is jazz rock fusion endeavor, Mysterioso, with understated bass and organ lines and a beautiful exploration in chorded melody by Greg and East Indian influenced bending/slide. Very nice. Marshall takes the helm for a solid ride on organ as well with Greg playing primarily bass lines and Dylan's tight drums support. Quick paced shuffle, Enter The Rats, is really snappy with pace that would satisfy Gatemouth Brown. Greg's solos are fluid and inspired and Marshall's Hammond lead is really nice. Boogie Yourself Drade is a hot track with driving bass lines and foot stomping guitar lead. Marshall starts low with poise before building to a real frenzy on Hammond leading to the final summation by the trio. Excellent! Wrapping the release is Sin Repent Repeat with hot slide work played vocal style for melody. Powerful Hammond work supplementing Greg and a great beat by Dylan make this an excellent closer for a really solid release.



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Tuesday, March 27, 2018

Ghost Town Blues Band - Backstage Pass - New Release Review

I just had the opportunity to review the most recent live release, Backstage Pass, from Ghost Town Blues Band and it's a good party. Opening with the Beatles, Come Together, Matt Isbell leads this hill-country take of the British pop classic which is more morphed with the addition of Suavo Jones on trombone and Kevin Houston on sax. With it's driving beat by Preston McEwen on drums, romping bass line compliments Matt Karner, Tim Stanek on keys and Taylor Orr and Isbell on guitars, this track which weaves through Norwegian Wood and Whole Lotta Love is a great opener. new Orleans flavored, Tip Of My Hat has a great feel and Stanek's piano work is tops. A salty sax solo by Houston is up first and I'm always a sucker for trombone work and Jones lays it all out. Givin' It All Away is a funky horn heavy track with solid sax work and Betts like guitar riffs giving the track an Allman like feel. A well developed trombone solo by Jones really sets this track apart. Boogie woogie track, Big Shirley is horn heavy and has super rock 'n' roll guitar riffs, even venturing off into Led Zep's "Rock and Roll" but the spotlight here is on the super piano work of Stanek. Very nice. A new, laid back take on the Allman's Whipping Post is actually quite fresh but does progress into a full blown 15+ minute blues rock jam with B3, rolling bass lines and adventurous guitar jazz/rock leads. Very cool. The Meter's, I Get High, has a terrific groove and the band rides high for almost 10 minutes exploring solo and dual guitar leads and Lou Reed. Smoking! Shuffle track, One More Whiskey is certain to be a crowd favorite with it's bouncy beat and sing along chorus. Wrapping the release is Robert Randolph's I Need More Love giving the entire crew a chance to stretch starting with a dynamic solo by Jones, followed by Houston. Blending a bit of Spencer Davis/Winwood in, Stanek takes the track full swing. Isbell and Orr tear it loose a bit and then Karner steps out on bass, followed by McEwen on drums. Isbell blows harp starting the final onslaught, making this a powerful sliding closer for a super new release.



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Monday, March 26, 2018

Mascot Label Group artists: Sterling Ball - John Ferraro - Jim Cox: The Mutual Admiration Society - New Release Review

I just had the opportunity to review the most recent release, The Mutual Admiration Society, from Sterling Ball, John Ferraro and Jim Cox and it's got a cool vibe. Opening with Jesse Winchester's Payday Song, an instrumental featuring Ball on guitar and bass, Ferraro on drums and Cox on clavinet. a simple rock shuffle, a cool opener. The In Crowd, is jazzed up instrumental version of Billy Page's 60's hit and features Steve Morse giving it his country flavored jazz lead. Nice. Sonny Boy Williamson's Checkin' Up On My Baby has up tempo beat and is the stripped down 3 some featuring snappy riffs from Ball and organ by Cox. Ball's driving bass line is king on Big Joe William's Baby Please Don't Go and Steve Lukather does a real nice job with modern blurred guitar work to compliment the rock style take. Roy Head's Treat Her Right has a detuned (less HP) feel with it's swinging shuffle. Cox is featured on piano and organ and Ball lays in a fluid guitar solo.  Chuck Berry's Memphis gets just a slight country twist with Brad Hayman on bass and lead guitar by Ball. One of my favorites.  Buck Owen's Cryin' Time is full boat country featuring Albert Lee trading lead guitar with Ball and featuring Dave Stone on bass, Jeremy Moyers on steel guitar and some terrific piano lead by Cox. Very nice. One of the most outrageous tracks on the release is Disney Medley featuring John Petrucci on lead guitar. There's nothing quite like hearing Wish Upon A Star, Zip-A-Dee-Doo-Dah, Baroque Hoedown and It's A Small World played over a jazz beat with high speed triplets, electric squeal, dive bombs and the like. Adventurous. Hank William's Hey Good Lookin' features Albert Lee and settles into a nice, two stepping groove with Lee and Ball leading the way on electric guitar solos and Jeremy Moyers on steel guitar. Another of my favorites on the release. Wrapping the release is a cool Latin jazz original, Strip Mall Gourmet. Kicked back and smooth, Jay Graydon shows his stuff and nicely so. With Ball on bass, Ferraro on drums and Cox on keys and organ, this is a terrific closer for a cool release. 

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Friday, March 23, 2018

Ruf Records artist: Victor Wainwright and The Train - New Release Review

I just had the opportunity to review the most recent self titled release, Victor Wainwright and The Train and it's rockin. Wainwright on lead vocal and keys pushes a nice duel with guitarist Pat Harrington, on Healing, backed by Billy Dean on drums and Terrance Grayson on bass. Also adding a nice bit of oomph are Mark Earley on sax and Doug Woolverton on trumpet. Nice opener. Train is a hot boogie woogie track with Wainwright really driving hard on vocal and piano. Woolverton and Earley fill nicely and Reba Russell's vocals are super.  Excellent track. Soulful, Dull Your Shine is a really nice track that puts me in mind of D'Angelo with a suspenseful approach to the song and super vocals. Also of particular note on this track is a sweet guitar solo by Greg Gumpel. Blues with a distinct R&B feel, Thank You Lucille, is possibly my favorite track on release featuring some of Wainwright's best vocals on the release and Monster Mike Welch handling the lead guitar spot, backed by Reba Russell, Nick Black and Patricia Ann Dees on vocal. Boogie Depression is another driving boogie with super piano and excellent slide work by Harrington. Nice! Foot stompin rocker, Righteous really gets that tent revival feeling going with a solid bottom, powerful vocal by Wainwright, super slide work by Harrington, and vocal backing by Russell. Very cool. Rocking boogie, I'll Start Tomorrow is a real mover with cooking piano and organ, tight drums, a great sax solo by Earley and punchy trumpet work by Woolverton. Another track with strong slide lead by Harrington is Sunshine. His slide work is inspired and fat, soaring into the music nicely. A track, seemingly built around his excellent slide lead, a real keeper. Wrapping the release is gospel styled, That's Love To Me, with it's rich melody, organ and soulful vocals by Wainwright. Subtle but nice acoustic guitar by Jeff Jensen adds nicely and solid lead guitar by Harrington adds depth for an excellent closer to a really strong release.



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Thursday, March 22, 2018

Gus Spenos - It's Lovin' I Guarantee - New Release Review

I just had the opportunity to review the newest release, It's Lovin' I Guarantee from Gus Spenos and it's jumping. Opening with title track, It's Lovin' I Guarantee, Spenos leads the way on vocal and tenor sax. Backed by Wycliffe Gordon on trombone, Corey Wilcox on trombone, Freddie Hendrix on trumpet, Tatum Greenblatt on trumpet, Walter Blanding on tenor sax, Bruce Williams on alto sax, Jason Marshall on bari sax, Chris Burger on bass, Cecil Brooks III on drums and Brad Williams on guitar, these guys are really moving. Fool's Blues is a sassy swing number with some real nice sax and trombone solos. With trumpets firing, Every Tic's Got A Toc has a great feel. Spenos lays down some stylized sax work and Hendrix hits the trumpet solos full on. I really like Williams' tight guitar riffs on Livin' Is A Crime and again Hendrix shines on trumpet. Sax work on Lil' Dog is fast and fluid making it one of my favorites on the release. Wrapping the release is full blazing horns on Got Myself A Diamond with all saxs pumping. Marshall and Hendrix trade solos and backing vocals by Wincey Terry-Bryant, Audrey Shakir and Renee Collins Georges cap it off. 

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