Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist. 🎵 LISTEN & SUPPORT THE ALBUM Keep Holding On by Leigh ...
I just had the opportunity to review the most recent release, Toby Arrives, from Koch Marshall Trio and I really like it! Opening with loose shuffle and title track, Toby Arrives, Greg Koch on guitar, Dylan Koch on drums and Toby Lee Marshall on Hammond set the corner stone for this latest release. This is a tight trio with feature strength all round. Funk Meat has a rich bottom provided by Marshall's organ and Greg's funky guitar lead is nicely enhanced by Dylan's tight drumming. Heed The Boogaloo has a driving bass line similar to a Manzarek riff setting a strong foundation for Greg to dig in with adventurous and nicely flowing guitar lead. His float from rock to jazz influenced lead is very nice. One of my favorite tracks on the release is jazz rock fusion endeavor, Mysterioso, with understated bass and organ lines and a beautiful exploration in chorded melody by Greg and East Indian influenced bending/slide. Very nice. Marshall takes the helm for a solid ride on organ as well with Greg playing primarily bass lines and Dylan's tight drums support. Quick paced shuffle, Enter The Rats, is really snappy with pace that would satisfy Gatemouth Brown. Greg's solos are fluid and inspired and Marshall's Hammond lead is really nice. Boogie Yourself Drade is a hot track with driving bass lines and foot stomping guitar lead. Marshall starts low with poise before building to a real frenzy on Hammond leading to the final summation by the trio. Excellent! Wrapping the release is Sin Repent Repeat with hot slide work played vocal style for melody. Powerful Hammond work supplementing Greg and a great beat by Dylan make this an excellent closer for a really solid release.
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