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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Thursday, December 21, 2017

Dirk Digglers Blues Review - Cuba Neils - New Release Review

I just had the opportunity to review the most recent release, Cuba Neils, from Dirk Digglers Blues Review and it's a real kicker. Opening with Nuthin' Too Untoward, a super rocker with attitude, Darroll Wheatley has the lead on vocal and bass, backed by Mark Sweetmore on guitar, Paul Reece on keys and Aaron Gent on drums. Stinging rock riffs, usually associated with the southeastern US really give this track a hot edge. Keep Yo' Momma Down the Line has a nasty blues feel with a raw punky edge and slide guitar. I like it! Shuffle track, If You Don't Wanna Dance, maintains that edge with sounds not unlike Carl Perkins ...wound tight. Black Cat Blues settles down into a pure blues slot with Sweetmore's slide following Wheatley's vocal lead. Breaking down with a bit of funk (and some funky sax by Chris Dyer) It Ain't Fair has a real nice groove. Think "Use Me" with attitude. Very cool.  With a smokey, jazzy atmosphere, Steamroller Blues mixes blues, boogie and jazz into a laid back track with a laid back feel. Ain't No Woman follows traditional blues lines with a Latin feel and breaking into a full out shuffle but with a nice rock twist. Sweetmore, Wheatley and Reece balance nicely on Gent's rhythm and Dyers sax accents. Very cool. Wrapping the release is Go Tell Johanna, a fully blown ballad with solid vocals and melodic guitar lead. A real nice conclusion to a solid release. This may be a sleeper that you need to check out.



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Wednesday, December 20, 2017

VizzTone/Juicy Juju artist: Erin Harpe and the Delta Swingers - Big Road - New Release Review

I just had the opportunity to review the most recent release, Big Road, from Erin Harpe and the Delta Swingers and it's really enjoyable. Opening with Mississsippi Fred McDowell's Kokomo, Erin Harpe takes on traditional blues with a slashing slide and solid vocals. With Jim Countryman on bass, Matt Prozialeck on harp and Kendall Divoll on drums, this is great stuff! With classic Mississippi John Hurt style, Frankie gives Harpe the opportunity to demonstrate her solid story telling blues style and finger picking acuity. Response on harp by Prozialeck adds polish to this modern interpretation of a classic track. Slim Harpo's Shake Your Hips has a more modern "Stones" feel. Harpe lets it loose on guitar and Divoll really hammers, reinforced by Countryman and pumped up by Prozialeck really delivering the goods on this super boogie. Original track, Stop & Listen is a real driver in classic blues style. Prozialeck sails on harp and Harpe's slippery slide work gives this track great support to her own super vocals. Randy Newman's bluesy ballad, Guilty, is food for Harpe's transition to the conclusion of this release with clean acoustic guitar accompaniment and solid vocals. Very nice. Wrapping the release kicks it all with funky, Gimme That (Somethin' Special) with a heavy bass groove, and modern vocals. This is a cool jam with all of the blues attributes but including harp. Great closer.



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Tuesday, December 19, 2017

Lightnin' Records artist: Peter Parcek - Everybody Wants To Go To Heaven - New Release Review

I just had the opportunity to review the most recent release, Everybody Wants To Go To Heaven, by Peter Parcek and it's quite good. Opening with Peter Green's, World Keep On Turning, Parcek presents a dark, drum heavy track with flashy guitar. Solid blues rocker. On Blind Lemon Jefferson's, See That My Grave Is Kept Clean, Parcek's guitar chords are shimmery and haunting, his vocal interpretation is excellent and his solo guitar work is eerie. I've heard this track done numerous times by modern players but none as well as this. Very nice. Instrumental, Pat Hare has a country blues flair with modified chicken pickin' and cool harp work from Mickey Raphael. Ashes To Ashes is a really nice contemporary number with strong, ancient bone from Lil' Son Jones with slashing slide work and cool harp work from Raphael. Shiver has a cool mid century surf rock beat lead by Parcek's guitar and reinforced by Marco Giovino on drums. Andy Sanfospago lays in some real tasty lap steel guitar riffs paired with Parcek's own lead work creating a real cool track. Don Nix's Everybody Wants To Go To Heaven is a great track with solid blues treatment. A great 12 bar sound with reverb, slide, pedal steel leading up to an excellent blues guitar solo and great vocals make this one of my favorites on the release. Wrapping the release is Jennie Mae Clayton's shuffle track, Aunt Caroline Dyer Blues. Playing it in a traditional manner with Deanie Richardson and Jeremy Van Cleave on violin, Russ Pahl on mouth harp and Dennis Crouch on standup bass this track has a real rural feel. A solid closer for a strong release.



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Monday, December 18, 2017

Andrea Marr - Natural - New Release Review

I just had the opportunity to review the most recent release, Natural, from Andrea Marr and it conjures up images of old time soul and R&B. Opening with driving number, Force Of Nature one can't help thinking of Otis Redding and his aggressive vocal styling. backed by Dave Reynolds on guitar, Rob Little on bass, Roby Corelli on drums, Cameron Fallaw on keys, and with powerful horn work of Sean Rankin on trumpet, Jeff Mead and Stuart Byrne on tenor sax, and Byrne on bari sax, this track is moving. Aretha Franklin's Rock Steady has great movement with a heavy bass line by Little and punchy horn lines. Blues ballad, That's Where Love Ends, is a super showcase for Marr's vocal lead as well as a nice sax solo by Andy O'Connell. Let's Take It To The Bedroom is a rumbling blues number and features a nice guitar solo by Reynolds. What Do I Have To Do had a super James Brown strut with cool bass work by Little and tight drums work by Corelli and trumpet by Rankin. Closing the release is Sticks and Stones, a dark jazzy ballad with a deep bass line by Steve Temple and a slick guitar solo by Reynolds. 

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Friday, December 15, 2017

Mike 'Mudfoot' McDonald - Play This - New Release Review

I just had the opportunity to review the most recent release, Play This, from Mike 'Mudfoot' McDonald and it has a good feel. Opening with Tired Of The Same Old Rut, an island flavored rocker, McDonald leads on guitar and vocals with Edwin Romikat on drums, Cory Turnbull on bass, Pat Rush and Russell Williams on guitar,and Mick Evans on percussion. On Screamin' Jay Hawkins' I Put A Spell On You, McDonald's vocals seem tailored for the track. Guitar soloing on this track is particularly cool with the addition of Mike Branton on guitar. Whistle Blowin' has a real nice feel featuring real nice guitar work both behind and upfront by McDonald and a nice piano solo by John Lee. On Valerie, McDonald and Pat Rush play a real nice guitar duet melody reminiscent of the Allman Brothers and Chuck Leavell with solid bass work by Al Richardson and tight drumming by Randy Coryell. Light and jazzy...very nice. Slide is a cool shuffle featuring McDonald playing a real nice slide guitar melody over a solid bottom and Lee's bright piano solo. Very nice. Wrapping the release is a reprise of Tired Of The Same Old Rut with plucky bass lines, reggae guitar rhythms and full rock guitar riffs under paired vocals.



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Thursday, December 14, 2017

Gandy Dancer Records artist: Peter Ward - Blues On My Shoulders - New Release Review

I just had the opportunity to review the most recent release, Blues On My Shoulders, from Peter Ward and it's quite good. Opening with solid shuffle, She Took It All, Peter Ward on guitar and lead vocal sets a great pace with Mudcat Ward on bass, Neil Gouvin on drums and Sugar Ray Norcia on harp. Excellent opener. Surf rocker, Which Hazel, is a solid rocker along the lines of Chuck Berry with a strong surf twist. Clever lyrics and guitar riffs by Ward give this track a lot of gas. On title track, Blues On My Shoulders, Anthony Geraci adds nice piano and I particularly love the guitar work by Monster Mike Welch. Collaborate is all about lush chords and sassy sax and Ward's guitar work with Sax Gordon Beadle's sax work is just that. Excellent! Shuffle track, It's On Me is another outstanding entry on the release with a hot sax solo from Beadle and hot fingering from Ronnie Earl and Ward. Very nice. Southpaw is a hot number with a smoking B3 solo from Rusty Scott, solid bass work from George Dellomo, and hot guitar riffs by Ward.  One of my personal favorites on the release is jump track, Kansas City Blues featuring great vocals, a strong bass line by Joe Delia and really nice soloing by Ward. Wrapping the release is Drummin' Willie, about Willie Big Eyes Smith with Neil Gouvin on druma, Mudcat on bass and Sugar Ray Norcia on harp. This is a strong release with a lot of cool surprises. Check it out. 

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Wednesday, December 13, 2017

Al Corte' - Mojo - New Release Review

I just had the opportunity to review the most recent release, Mojo, from Al Corte' and it's a cool soul & R&B release. Opening with title track, Mojo, lead singer Al Corte' sets the stage for this cool track with a solid melody and nice vocals. Featuring Leroy Hodges on bass, Rev. Charles Hodges Sr. on B3 and Steve Potts on drums, this track hums with a strong guitar solo by Michael Toles and backing vocals by Candice Rayburn, Sharisse Norman and Stefanie Bolton. Also contributing throughout the release are Jim Spake on tenor sax, Kirk Smothers on bari sax, Lannie McMillan Jr. on tenor sax, Marc Franklin on trumpet and flugelhorn. I'll Never Lose My Love For The Blues features a cool slide riffs by Brad Webb and a strong bottom end. Very cool. John Nemeth's harp contributions to Juke Joint Jive add a crisp edge to this soulful stepper and I particularly like the Hammond work by Hodges and the soulful work by Smothers on the bottom. Soul tune, Blessed To Have Your Near has a super gospel edge nicely complimented by Hodges Sr. on piano and the strong overall vocals. It's A Good Day has a really cool groove with moving percussion by Corte' and perfect accents by Franklin, Hodges, Rayburn, Norman and Bolton. Very nice. Wrapping the release is soul ballad, You Hurt Me So Good showcasing Corte' at his best, with warm backing vocal harmonies, Ron Miller.s piano, Hodges Sr's B3 and McMillan Jr.s tenor sax. Excellent closer.



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Tuesday, December 12, 2017

Goonzy Magoo Records artist: Jim Vegas - Soul Shattered Sister - New Release Review

I just had the opportunity to review the most recent release, Soul Shattered Sister, from Jim Vegas and it's an interesting mix of rock, pop and soul. Opening with title track, Soul Shattered Sister, Jim Vegas leads on vocal and guitar backed by Sam Young on bass, Luke Young on sax and Philip Holmes on drums. One of my favorite tracks on the release is Till The Whole Thing Blows, an easy paced ballad with a nice melody, warm sax tones and comforting guitar riffs. Not That Strong is a solid boogie with a driving pace and sax overtones. Love Is Coming Back Around has a polished Steely Dan feel with it's tight, solid rhythm, Fagan like vocals and jazzy sax approach. Very nice.  Another lead track on the release is Lightning Hit The Box with warm sax, polished guitar riffs and soulful singing. Very nice. Closing track, Sun Is Gonna Smile, has a smooth sway and nice melody. This is an interesting release with plenty of easy paced melodies. 

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Monday, December 11, 2017

Andre' Bisson - Break - New Release Review

I just had the opportunity to review the most recent release, Break, from Andre' Bisson and it's a solid set of bluesy tracks. Opening with title track, Break, lead guitarist and vocalist, Andre' Bisson belts out a cool R&B melody, backed by Gordon Aeichele on alto and tenor sax, Bil Holinaty on bari and tenor sax, Loretta Hale on trumpet, Mike Rowell on bass, Sean Bruce Parker on drums and Jesse O'Brien on piano, B3 and Wurlitzer. With a lot of that early 70's style, Bisson throws his riffs out like a true pro. Funky, I Got The Right, has a great horn backing and especially nice bari sax leading into a fluid guitar solo by Bisson. I also really like O'Brien's piano work giving the track real sparkle. Ballad, The Reason Why, is particularity strong with and solid melody, warm vocals and nice backing horn work. Hi Stepping, Next In Line is power packed with some of the best vocals on the release, backed up with punchy horns and rocking guitar riffs. Latin flavored, Your Attention (I Don't Need) has a really nice feel with snappy rim shots, wurlizter piano soloing and powerful vocals. Slower blues number, Reflections, has a really nice feel and opens nicely for Bisson to solo on guitar, Backing keys by O'Brien add nice tension and horn work adds dynamics. Very nice. Another funky number, The Last Sandwich in Hungry Town, has a cool bass groove, courtesy of Rowell, with O'Brien, Aeichele, Holinaty and Hale setting up for Bisson's light, jazzy solo. Eleanor Rigby has a clever light jazz approach with a real nice trombone solo by Rob Sommerville. Wrapping the release is simple, rural flavored ballad, Nothing At All (Live) with very nice harmonized vocals, and cello by Hale. A nice closer for a cool release.



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Friday, December 8, 2017

Casey James: Strip It Down - New Release Review

I just had the opportunity to review the most recent release, Strip It Down, by Casey James and it's quite good. Opening with blues rocker, All I Need, Tommy MacDonald sets a Ray Manzarek style bass groove and Casey James on lead vocal and guitar takes the bait. His vocals are gritty and his guitar tone is warm and rich. Backed by Kevin McKendree on Wurlitzer, Tom Hambridge on drums and Ron McNelley on rhythm guitars, this is a band made in heaven. Two stepper, Bulletproof, has a great feel and Delbert McClinton joins on vocal giving it great style and screaming harp work gives it great edge. Hurt Me More has a real nice Texas lope where McKendree's dancing key work nicely compliments James' vocals and guitar riffs. Very nice. Pat Buchanan's harp work sets the tone for Latin flavored blues number, I Got To Go with a great sound. Hambridge's tight rhythm patterns drive this track, McKendree's B3 solo adds color and James guitar soloing and vocals are top notch. Little Willie John's, Need Your Love So Bad, is one of my definite favorites on the release showcasing James' vocal style and providing just that right forum for an expressive guitar solo. Excellent! With a taste of R&B, James steps forward on strong radio track, Different Kind Of Love with a solid melody, joined by Wendy Molten on backing vocals and potent horn work by the Muscle Shoals Horns. Very nice. McKendree opens Makin' Up, a potent rocker, with a rolling piano riff and they're off to the races. A definite foot stomper, and excellent piano/guitar exchange make this another of the favorite tracks on the release. Wrapping the release is Fight You For The Blues, a raw blues number with James on lead guitar and McNelley on slide giving the track real grit. McDonald's bass lines and McKendree's B3 work add to the tension and Hambridge's perfect accent drumming really kick it. Super closer.



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Thursday, December 7, 2017

The McKee Brothers - Moon Over Montgomery - New Release Review

I just had the opportunity to review the most recent release, Moon Over Montgomery, by The McKee Brothers and it's flavorful. Opening with Pig Feet, a jazzy track with cool backing vocals, Jeff Robinson on lead vocals, backed by Denis McKee on guitar, Hammond and vocal, Bobby West on keys, Ralph McKee on lap steel, Bobby Watson on bass and particularly Jerome Edmonson on classic drums. Andy Wilson adds a really nice chromatic harp, Bob Schultz on bari sax and Andy Georges  on acoustic guitar are complimented by Maxayn Lewis, Melissa McKee, Dennis Lockett on vocals. Funky, I Feel Like Dynamite, has a cool James Brown feel with tastes of the Temptations, Tower of Power and Dave Mason. Very cool. One of my favorite tracks on the release, You Know How I Lie, has some of the best vocals, both lead and lush backing on the release, smart lead guitar runs by Laith Al-Saadi, trumpet and trombone by Lee Thornburg and tenor and bari sax by Doug Webb. Very nice. With an orchestral quality, Kicks, has a boogie beat and Denis McKee lays down some real nice guitar riffs, punctuated by Thornburg and Webb. Gotta check out Webb's tenor solo on this one...very nice. bayou Man has a real nice groove, nicely blended vocals and slick slide work by Stan Budzynski. Smooth but funky jazzer, Go 2 Work! has a great bass lines by Bobby Watson and in addition to the rich vocal leads by Robinson, Reggie Gonzales, Maxayn Lewis and Melissa McKee features really nice beautiful soprano sax lines by Webb. R&B track, Runaway Love has a classic hit lines with a great melody, nicely matched vocals and instrumentation. Latin flavored, Late at Night has warm vocal work and exceptional rhythm with punchy trumpet by Thornburg and great lead vocal and guitar by Larry McCray. Funky blues number, Blues of the Month Club, features Denis on lead vocal and guitar. Tight horn work by Thornburg and Webb and precision drum strokes by Edmondson nicely frame funky blues guitar riffs by Denis. Wrapping the release is Kenny Loggins' Celebrate Me Home featuring Melissa McKee on lead vocal. A culmination of the bands efforts on the release with Webb's solo, a solid closer. 

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Wednesday, December 6, 2017

Lost Bayou Records artists: Lost Bayou Ramblers - Kalenda - New Release Review

I just had the opportunity to review the most recent release, Kalenda, from the Lost Bayou Ramblers and it's a earthy taste of Lousiana. Opening with Sabine Turnaround, Andre Michot on accordion and Louis Michot on vocal and fiddle present this rural music in it's purity supported by Eric Heigle on drums, Korey Richie on bass, Jonny Campos on guitar and Kirkland Middleton on T-fer. Granny Smith is a real foot stomper with particularly hot drumming by Heigle. La Valse de Balfa/ The Bathtub is a particularly cool track with environmental sounds over Kirkland Middleton on drums. Very cool.  Si J'auris Des Ailes is another interesting track with a strong melody by accordion and fife over super, stumble march drumming. Nezpique is a lively jig with a droning bass line, churning fiddle and tom tom. Title track, Kalenda, has a very cool African feel with definite Creole/Cajun influences. Mysterious and cool. Wrapping the release is Aloha Golden Meadow, Andre's playing pedal steel, Hawaiian style against sonic backing. The tune is haunting and enchanting...very nicely done.



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Tuesday, December 5, 2017

Big Wing Records artist: Kings & Associates - Tales of a Rich Girl - New Release Review

I just had the opportunity to review the most recent release, Tales of a Rich Girl, by Kings & Associates and it's quite good. Opening with slinky blues number, Truth Be Told, Benjamin Cunningham leads the way with slashing lead guitar and lead vocal in duet with Angela Portolesi, backed by Stephen Portolesi on bass, Matt Williams on guitar, Kelvin Sugars on drums and Louie Higuera on Hammond and piano. Very nice. Deadwood is a driving blues rocker with a great bass line and stinging guitar lead. Soul tune, Nitty Gritty, is really well constructed with a great duet with Portolesi and Cunningham and impressive instrumental dynamics. Peace x Peace is a super, gospel based track beautifully featuring Portolesi's vocals. I particularly like the organ and piano work by Higuera adding super tension and the backing vocals on this track are over the top. Excellent! Another real mover is All That's Good has a great bass line and Higuera's Hammond work is tops. Charlie B is a smoking James Brown style R&B track with tight drumming by Sugars. Hot! Live and acoustic, Tales of a Rich Man, features Cunningham on lead vocals along the lines of Delaney and Bonnie. Nicely blended vocals on a laid back blues base. Wrapping the release is 1000 Ways, a strong ballad featuring Portolesia and Cunningham sharing lead. Cunningham's melodic guitar soloing, paired with nice vocal blending and dynamic drumming by Sugars make this an excellent closer for a strong release.



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Monday, December 4, 2017

Lock Alley Music artist: Lara and the Bluz Dawgz - Out Here In The Blue - New relese Review

I just had the opportunity to review the most recent release, Out Here In The Blue, by Lara and the Bluz Dawgz and it's smooth. Opening with Easy Come, Easy Go, vocalist Lara Germony has the lead backed by Gregg Germony on bass, Al Rowe on guitar, Carlos Ruiz on drums, Reggie Murray on sax and B3 and Dan Nadasdi on keys. Soulful title track, Out Here In The Blue gives Murray a chance to really show his chops with smooth Sanborn like tones. Germony vocals on this track are particularly strong Rowe gets a chance to stretch a bit as well making it one of my favorites on  the release. Catch Me If You Can has a pop. Steeley Dan guitar rhythm but a soulful sax line by Murray giving it a real nice feel. High stepping, Smoke Break, has a great bluesy bottom with strong lead from Murray, Rowe and Nadasdi. Boogie, Custom Made, sports a cool walking bass line, a bright piano solo by Nadasdi and a fat sax solo by Murray. R&B track, Moonlight is a nice showcase for Germony on lead vocal and a slick solo by Rowe. Very nice. Wrapping the release is Wrong Question with it's driving R&B rhythm and Jr Walker like feel. Eric Walker sets out a deep bari line with Chuck Lyons on trombone, Stuart Naylor on trumpet and with Murray on sax solo and nice phrasing by Rowe on guitar this is a solid closer.



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Friday, December 1, 2017

Moon Voyage records artist: Chris Daniels and The Kings with Freddi Gowdy - Blues With Horns Vol 1 - New Release Review

I just had the opportunity to review the most recent release, Blues With Horns Vol 1, by Chris Daniels and The Kings with Freddi Gowdy and it's a lot of fun. Opening with country rocker, Sweet Memphis, Sonny Landreth has his slide would up and Freddi Gowdy's vocals a pure. Backing Gowdy and Daniels are Randy Amen on drums, Kevin Lege on bass, Colin "Bones" Jones on lead guitar, Jim Waddell on alto and tenor sax and Darryl Abrahamson on trumpet. Very cool. Fried Food/Hard Liquor is an interesting blend of Steeley Dan and blues. The backing vocals provided by Hazel Miller, Coco Brown, Jacob Davis and the band mates are warm and well blended and acute guitar soloing by Jones is tight. Just the right touch of horns gives this track a super feel.  Get Up Off The Funk is driven by the funky guitar rhythms of Jones and Lege but it's the excellent sax work by Waddell that punts this track out of the stadium. Excellent! Elvin Bishop's Can't Even Do Wrong Right, maintains Elvin's tongue in cheek approach, playing it with a slightly smoother delivery with sweet backing vocals and a nice trumpet solo by Abrahamson. Very cool. Johnny Guitar Watson's infamous, You Can Stay But That Noise Must Go is a great match for this band with it's tight horn section and Gowdy's vocals. always loved this track and this is a cool rework with a crisp guitar solo by Jones. Buddy Miles' Changes, always a great driving rocker slots in next with hardy horn and harp work. Jones gets the go ahead on a more progressive guitar solo and he does a really nice job with fluid runs, punched by horn work. Super. Wrapping the release is original track, Rain Check, featuring Daniels on slide guitar, vocal and harp and John Magni and Doug Krause on keys . This is a light hearted ballad, primarily acoustic in nature with a solid melody.


And I forgot to mention...this extremely expensive looking die cut cover is out of control cool!

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Thursday, November 30, 2017

Koch Marshall Trio To Release Toby Arrives on 2/23/18





MASCOT LABEL GROUP LAUNCHES PLAYERS CLUB IMPRINT WITH RELEASE

OF KOCH MARSHALL TRIO ALBUM TOBY ARRIVES ON FEBRUARY 23, 2018

The Koch-Marshall Trio Are American Guitarist Greg Koch, His Son Dylan Koch On

Drums and Hammond B3 Specialist Toby Lee Marshall



New York, NY --- Mascot Label Group has announced the release of Koch Marshall Trio’s Toby Arrives on February 23, 2018.  This will be the first album on the new imprint THE PLAYERS CLUB.  At the heart of this organ trio is a blues sensibility - but Koch's compositions are an amalgam of rock, funk, jazz and country served up with heavy grooves and dynamic improvisations delivered with no small dose of humor and occasional wild abandon.

The trio blends the explosive guitar manipulations of Greg, the groove-centric, power-pocket playing of his son Dylan on drums (who share many telepathic musical moments) and the glorious, Hammond organ stylings of the uber-talented Toby Marshall, Greg’s compositions are properly portrayed in the blues drenched, funk, chicken-fried, gospely jazz-rock panorama in which they were conceived. Their first release, “Toby Arrives” the first moments of their unexpected musical partnership captured at an extemporaneous jam session earlier in the year. 



“So we went over there…the drums and B-3 were already set up and mic’ed. I sat down with my guitar and said, ‘Let’s just do a shuffle in G.’ And as soon as I heard it back I said, ‘We’re releasing this!’ So the very first notes we ever played is that first song you hear on the album, totally unrehearsed. And just from that very first tune I was like, ‘Holy shit! This is not your grandfather’s organ trio!’” Greg Koch



“Toby had actually retired from music,” Koch says of the 39-year-old Hammond B-3 ace. “For the last several years he’s been working for a farm, driving a semi and taking crops to the Twin Cities from River Falls. He had two young kids so he decided to stop touring to help raise the kids. For Toby, it was kind of like that scene in The Godfather where Michael Corleone says, ‘Just when I thought I was out, they pull me back in!’ But now he’s so excited to be playing in this trio because this is just such a perfect format for him to let his freak flag fly. It’s the perfect combination of this kind of churchy, bluesy, funky, jazzy, rock, chicken-pickin’ thing, and he fits right in.”

Stony Plain Records Signs Acclaimed Canadian Roots Guitarist/Singer Sue Foley and Will Release Her Label Debut CD, "The Ice Queen," March 2, 2018







Stony Plain Records Signs Acclaimed Canadian Roots Guitarist/Singer Sue Foley and Will Release Her Label Debut CD, The Ice Queen, March 2, 2018



Special Guests on New Disc Include Jimmie Vaughan, Z.Z. Top’s Billy F Gibbons and

Charlie Sexton



EDMONTON, AB – Stony Plain Records announces the signing of acclaimed Canadian roots guitarist/singer Sue Foley, and will release her label debut CD, The Ice Queen, on March 2, 2018.



Produced by Mike Flanigin, who also plays organ on the new disc, The Ice Queen was recorded at Firestation Studios in San Marcos, Texas. Joining Sue Foley as special guests is a trio of legendary Texas guitarslingers – Jimmie Vaughan, Z.Z.Top’s Billy F Gibbons and Charlie Sexton - as well as a host of other Lone Star State all-stars, including Chris “Whipper” Layton (formerly of Stevie Ray Vaughan and Double Trouble) and George Rains (drums), Derek O’Brien (guitar), Chris Maresh and Billy Horton (bass) and The Texas Horns: John Mills, Al Gomez, Jimmy Shortell, Randy Zimmerman and Mark “Kaz” Kazanoff.



I’m extremely excited to be working with Holger Petersen and Stony Plain Records,” Sue Foley says about the new CD. “Holger is one of the most knowledgeable ‘real music’ people in the business. Stony Plain is known to put out great music and I know The Ice Queen has found her home.”



Sue Foley is the only female member of the famed “Jungle Show,” featuring Billy Gibbons, Jimmie Vaughan, Mike Flanigin and Chris Layton, which became one of the hottest tickets in Austin in 2016. Soon after playing two sold out shows at Austin City Limits Live 3TEN Club in December, Foley entered the studio with her Texan pals and began laying down tracks for the new album. She will return to Austin for more of “The Jungle Shows” on December 26 and 27 at Antone's.



Recorded throughout 2017, The Ice Queen represents Foley’s full circle journey – her return to the roots of her career in Austin with producer Mike Flanigin. The album was recorded with her long-time friends and collaborators Vaughan, Gibbons, Layton, Sexton and others, as well as members of the Tedeschi Trucks and Gary Clark Jr. bands.



“When I was a teenager I idolized Jimmie Vaughan and Billy F Gibbons,” Foley says. “They're both legends now so this feels like an historical event (at least it does for me). And I grew up sitting at the feet of players like George ‘Big Beat’ Rains, Derek O'Brien and The Texas Horns. I spent many nights watching Charlie Sexton and the Arc Angels with Chris Layton. I learned and grew more musically in my years in Austin than at any point in my life. The fact that all these mega talented musicians have graced my album is beyond anything I hoped for. I am still pinching myself.”

                                                                                                                                    

A flood of inspiration and themes can be found on each of the tracks – ranging from lost love, anguish, and struggle to release, forgiveness and rebirth.  Mostly recorded live in the studio, Foley’s emotional vocal delivery, conviction, accessible yet inspired lyrics and intrepid guitar playing are all laid out, bare and raw for the songs to reveal.



Opening with the radio friendly, funky, swamp-meets Bo Diddley beat of “Come to Me,” The Ice Queen also features the upbeat and rollicking tracks “Run,” “The Lucky Ones” (a duet with Jimmie Vaughan) and “Gaslight.” There are several bluesy and soulful tracks, including “81,” “The Ice Queen,” (with its menacing John Lee Hooker vibe in tone and substance), “Fool's Gold” (featuring Billy F Gibbons on vocals and harmonica), “If I Have Forsaken You” (with the horns sounding echoes of the great Bobby “Blue” Bland), and a cheeky, guitar-heavy cover of Bessie Smith’s “Send Me To The ‘Lectric Chair.” Foley also provides some more mellow and unexpected songs on The Ice Queen with the jazzy “Death of a Dream,” the flamenco-blues hybrid “The Dance” (which showcases her acoustic guitar work) and a beautiful cover of the Carter Family’s “Cannonball Blues.”



Sue Foley is a multi-award-winning musician and one of the finest blues and roots artists working today. She is a veritable triple-threat of musical talent as a guitarist, songwriter and vocalist. As with many blues women of the past, Foley has a long history of defying convention, and being a positive role model for aspiring, young female musicians.



She has been working professionally since the age of 16, and by the age of 21, Foley had relocated to Austin, Texas, and began recording for Antone’s, the esteemed blues label and historic nightclub that helped launch the career of Stevie Ray Vaughan and many others. In the two decades that have followed, Sue Foley has been busy touring and recording steadily, all while toting her signature pink paisley Fender Telecaster. In 2001, she won the prestigious Juno Award (Canadian equivalent of the Grammy) and also holds the record for the most Maple Blues Awards in Canada and has earned three Trophees de Blues de France. She has also garnered several nominations at the Blues Music Awards from The Blues Foundation.



The Ice Queen represents Sue Foley’s indefatigable commitment to her craft, and her transparency with the journey that birthed her, further proving that you can’t keep a good blueswoman down, particularly when she is The Ice Queen.


R.D. Olson - Keep Walking Woman - New Release Review

I just had the opportunity to review the most recent release, Keep Walking Woman, from R.D. Olson and it's pretty cool. Opening with high stepper, Baby Boomer Blues, R.D. Olson plays harp and sings with backing by Eric Williams on piano, tenor and bari sax, Jamie Waldron is on bass, Darryl Porras on guitar and Robert Sellani on drums. With a real kicker, swing style, Sheila has a great beat and Olson's vocals are tops with a snappy guitar solo by Porras, a nice piano by Williams, big tom toms by  Sellani and hot harp work by Olson. On slow blues, Miss New Orleans, I particularly like Williams' piano and sax work and Porras' guitar phrasing is very nice. One of my favorite tracks on the release is Johnnie Walker with it's somber overtones and warm sax tones and powerful vocals along the lines of Screamin Jay. This is my favorite track on the release, hands down with great feel and an exceptional jazz infused blues guitar interlude. Excellent! Wrapping the release is Can't Lose What You Never Had in full Morganfield style. Porras has a fine touch on slide and this is fat and raw. With Olson on overdriven harp and vocal, this is an excellent closer for a super release. 

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