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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, Better Late Than No Time Soon, by Leonard Griffie and it's a mover with a definite R&B bottom. Opening with Look Me In The Eye, Griffie on lead vocal and guitar is backed by Doug McAlister on bass, Mark Stever on drums, Michael Vannice on keys, and with highlights by Gordon Greenley on trumpet and a hot solo by Randy Scherer on sax. I Got News is a real cool soul track, highlighting Griffie's love for this music and with tight highlights from Greenley and Scherer. With a melodic guitar solo of his own, one of my favorites on the release. Very nice. Cool shuffle, Leave This Town has a cool strut and stinging guitar riffs. Another R&B track with a country twist, You Done Stepped In It Now has a real nice feel with snappy drums and slick slide guitar. Funky, Ain't No Happy Home, has a solid bass line and tight trumpet riffs really setting it apart. It's Wilson Pickett like cadence and bluesy guitar solo makes it another favorite on the release. Boogie/jazz track, Up And At 'Em has a real nice bass groove giving Griffie and Vannice a good opportunity to solo giving this track a fresh feel. Title track, Better Late Than No Time Soon, has a straight blues feel with call and response between his vocals and guitar over McAlister's bass line. Punchy, A Dollar Or Two has a driving rhythm and powerful horns leading up to a low slung guitar solo. Wrapping the release is I'm Good Where I Am with a lightly salted Latin feel. With a real nice electric keys solo from Vannice and a cool groove by McAlister, Griffie stretches out nicely on guitar wrapping this release up with a solid instrumental closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, ... to the Edge, from 61 Ghosts and I quite like it. Opening with Heartbeat, a forward rocker, Joe Mazzari on lead vocal and guitar, Dixie Deadwood on drums and J.D. Sipe on bass have it going on. With Bob Seger like vocals and raw, jangly guitar work, this is a solid opener. No One At Your Door has the drive and sound of a solid raw rocker. Mazzari has the vocals and the style. Right on! My favorite track on the release is World Gone Crazy with flamboyant guitar work, raw vocals and abundant energy (with a blues twist). Excellent! If Tears Were Dirt continues the onslaught with White Stripes like attack. Crisp, focused drumming and flailing guitar riffs give this track great edge without losing it's way. Very nice. Wrapping the release is acoustic number, Passion Tipped Arrow with a light, Roger Waters like touch. A solid track to close a really cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, 9 Miles To Nowhere, by Jeff Fetterman, and it's quite good! Opening with funky blues rocker, Somebody Get Me A Doctor, Fetterman on lead guitar and vocals sets a great stage. With a nice groove and solid vocals, backed by Eric Brewer on guitars, Ralph Reitnger III on bass, John McGuire on drums and Judy Kessler on vocal and percussion, this band is rocking. Nice round tone opens Something Just Ain't Right and the stomping woodblock snap is pure magic. Brand New Day has a tight, thumping bottom and a real good blues rock feel. Fetterman's sense for dynamics is nice with compressed neck pickup picking balanced with open bridge soloing. Goodbye John Brown has a snappy drum riff that really delivers for me and Fetterman's slide works nicely with his rugged vocals. The smoothest track on the release is Broken Hearted, T-Bone Walker progression, just set up for perfectly for lead guitar soloing. A real nice track. With the Sonny Boy Williamson or Booker T groove, Early Grave has a super base for strong vocals and kicking guitar riffs. Wrapping the release is blues ballad, These Arms Of Mine, with is warm melody, solid vocals and fluid and well placed guitar soloing. Very nice closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Everything Intertwined, from Tom Savage and it's a solid rock release. Opening with Forever, a rocking ballad, Savage on vocal and guitar, shows influences of Bruce Springsteen and Neil Diamond, joined by Tony Silvestri on keys, Seamus Cowan on bass and backing vocals and Bonz Bowering on drums. Title track, Everything Intertwined, is a quiet ballad with a solid melody and acoustic backing. Very nice. One of my favorite tracks on the release is Sad When You're Not With Me with a catchy melody and warm keys and strong but understated guitar. With more of a humble country rock feel, like the Band, another strong entry is Come Home with Savage's best vocals on the release. Pushing further into the rock arena, 17 Years has a rock solid bottom, twangy guitar riffs and a rocking beat. Very cool. Wrapping the release is Cold But Free, a strong ballad with a good melody and simple but effective instrumentation. This is a real nice closer for a cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Howlin' At Greaseland, from Kid Andersen's Greaseland Studios and it's strong. This all-star tribute release to Howlin' Wolf features many of today's greatest blues players. Opening with Meet Me In The Bottom, Alabama Mike is upfront on lead vocal backed by Rick Estrin on harp, Alex Pettersen on drums, Bobby Yamalov on bass, Kid Andersen on guitar and slide and Lorenzo Farrell on piano paving a wide path. On Smokestack Ligntnin', John Blues Boyd has the mic, joined by Rockin' Johnny Burgin and Kid Andersen, Joe Kyle Jr. on bass, Estrin on harp, D'Mar on drums and Jim Pugh on piano. Very nice. Howlin' For My Darling features Terry Hanck on sax and vocals, backed by Johnny Cat Soubrand on guitar, Andersen on bass, Pettersen on drums and Pugh on piano. Both Hanck and Soubrand stretch a bit instrumentally adding nicely to the tight groove. Tail Dragger is upfront on I'm Leaving You and Aki Kumar's harp work stands out nicely, with a crisp guitar solo by Burgin, backed by Vance Ehlers on bass and June Core on drums. Henry Gray is on top on Worried Life Blues, one of my favorites on this release. His vocals and piano work are very real backed by Patrick Rynn on bass, Chris James on guitar. Shuffle track, Riding In The Moonlight, features Boyd on lead vocal, Andersen and Rockin' Johnny on guitars and Estrin on harp. This is a super track giving each featured artist space to take a whack. Very nice. Lee Donald belts out Forty Four with Andersen on piano, Soubrand on guitar, Kumar on standout harp, Phillips on bass and Core on drums. Another of my favorites on the release is Don't Trust No Woman with Tail Dragger on vocal Burgin on guitar and Kumar on harp. Gritty and tasty. Gray and Andersen play a simple duet on Little Red Rooster which is quite powerful with Gray's gripping vocals and piano styling. Wrapping the release is Spoonful with Boyd on vocal with stinging guitar riffs by Burgin and Andersen. This is a solid release of Burnett originals, performed in authentic style. Very cool.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Honkin' & Jivin' At The Palomino, from Big Jay McNeely and it's hot! Kicking down the door on the opener, Palomino Hop, McNeely has flames coming from his horn, backed by Marty Rifkin on pedal steel, Steve von Gelder on fiddle, Dale Watson on guitar, Ronnie Mack on guitar, Keith Rosier on bass and Billy Block on drums. Excellent! On Don Gibson's, I Can't Stop Loving You, McNeely set out a soulful rendition not unlike Ray Charles own arrangement. Pretty Girls Everywhere has a cool, sixties twist, beach sound with fiddle work by Gelder, Steel by Rifkin and Big Jay on vocal and sax. Shuffle track, Honky Tonk has extended instrumental lead from McNeely and Gelder plus a great pounding return. Very cool. Bluesy, Young Girl Blues is set deep with the best vocals by McNeely, and balanced soloing throughout. Wrapping the release is Big Jay Shuffle, and excellent closer with Big Jay honkin' out with swift pace. A crisp steel solo by Rifkin, guitar solo's by Watson and Mack and Gelder's fiddle work add nicely but this is the Big Jay show and he's playing it to the max. Super.
Also included is a DVD of the show. Looking forward to seeing it at home!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, This Time Tomorrow and it's quite good. Australian, Lloyd Spiegel's ninth release opens with Devil On My Shoulder, a rumbling blues rocker with a rough acoustic sound and swaggering edge. Backed by Tim Burnham on drums, and Arunachala on percussion, this track is solid. Spiegel handles lead vocal and guitars and his electric guitar soloing searing through the music like a hot sword gives it a smart balance. With a jazzy rhythm and stinging but muted guitar soloing, All The Cats Are Grey should have broad appeal with nice a melody for the ladies and clever guitar riffs for the dudes. Kansas City Katie has a cool Tex Mex flavor thanks to Spiegel's guitar work and his vocal phrasing quite reminds me of Glen Frey but his overall sound and feel is much more desirable. On rocker, Lost Like Me, Spiegel carries the melody broadly on his vocal shoulders with spanky guitar riffs reinforcements. Cure My Soul has a euro cafe sound with strong bass lines and a great melody. Lisa Sutton plays an outstanding trombone line in this track making it one of my favorites on the release. Excellent! Possibly the best radio song on the release is Into The Blue, joined by Riley Spiegel on guitar, with an almost Sting like feel and appeal. I'm not saying it sounds like Sting, but it has that same clean, inviting presence. Wrapping the release is a cool soulful track, Call You When I Get There. Spiegel is not only an accomplished guitarist and songwriter but a damn good singer as well. This release is so simple but yet so smooth. Really nice!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Rescue, from Kelly Z and it's quite enjoyable. Opening with James Brown's What Do I Have To Do, Kelly Z has that driving sound, backed by Teresa James, Shari Puorto and Lisa Orloff Staley on vocal, Rick Reed on bass, John Marx on guitar, and Bryan Head on drums. Mo Beeks really ramps in up with some super keyboard work and the horn section featuring Andy Najira on sax and Stan Martin on trumpet pump up the sound. On The Shirelles' Baby It's You, Kelly shines with only minor changes from the original arrangement one upped by nice trumpet work by martin and guitar soloing by Perry Robertson. Mike Bloomfield's ballad, You Don't Realize has a solid feel, backed by Barry Goldberg on B3 and Roy Weigand on trumpet. Very nice. Tina Turner's high energy Trying To Find My Mind is up next with sassy vocals and featuring Chuck Kavooras on slide. Isaac Hayes' Do Your Thing is my favorite track on the release with a dynamo bass groove by Reed and a slinky guitar solo by Marx. Very cool! Wrapping the release is Jimmie Davis' You Are My Sunshine. This track is almost unrecognizable as the tune we've all heard as children due to it's pumped up horn lines, heavy tom tom and R&B feel. Very smooth closer for a cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Blues Been Good To Me, from James Armstrong and it's quite enjoyable. Opening with title track, Blues Been Good To Me, James Armstrong has a great rolling rhythm going leading the way on vocal and guitar. John Kattke on B3 adds a real nice feel joined by Matt Murdick on keys and Darryl Wright on bass. Second Time Around has a nice slide sound by Armstrong and with his smooth vocals and a modified rock beat. Robert Palmer's Addicted To Love gets a cool, loping swing and Armstrong makes it his own, backed by Amy Slack and Kimberlie Helton as well as the horns of Bryan Fritz, Corey Fritz and Kasimu Taylor. Early Grave is a real nice R&B track and has not only a great feel but premium guitar soloing, vocals and additional vocals by Johnny Rawls and Mary Jo Curry. Very nice! Funky, Old Man In The Morning (Young Man At Night) has a great JGW /WWW R&B/blues feel and clever hook making it one of my favorites on the release. Another super track, Change In The Weather, is a somber bluesy ballad. Armstrong not only shines on vocal but his guitar work in soulful and inviting. Very nice. High stepper, Sleeping With A Stranger has a cool moving bottom and fluid guitar soloing over top. Wrapping the release is Shot Gun Wedding, a bluesy ballad has a real nice feel and Will Jackson's bass line is solid and groovy. Armstrong has put together a great set of tracks here and this is a solid closer for a real nice release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, I Always Turn The Blues On, by Val Starr & The Blues Rocket. Opening with shuffle track, High Time To Go, Val Starr, lead vocalist and rhythm guitarist has the floor showing G&R vocal styling in true Axl flare with John Ellis on bass, Frankie Soul on lead guitar and Paul Farman on drums. Boogie track, Whether Blues, with it's droning bass line gives Daniel Castro a real nice chance to stretch out showing his blues chops on lead guitar. A real cool shuffle track, You Better Stop has a super walking bass line and fluid guitar lead by Steve Wall. Bad Luck & The Blues has a real nice feel with some of Starr's best vocal work on the release, lower octave guitar work, nice piano work by Todd Morgan and complimentary harp by Tim Baron. Two stepper, The Baby Mama Song shows a twist of country highlighted by Starr's vocals and the key work of Morgan. Bye Bye has a real nice slinky feel and a light touch by Starr on vocal. Barron's harp additions are spot on and Soul's guitar lead is tight and clean. Wrapping the release is It's Always Somethin', a shuffle track with an easy feel. Harmony vocals behind the lead add nice warmth and melodic guitar lead gives the track sparkle for a solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Up All Night, from Albert Castiglia and it's smokin! Up to his 7th release now and still getting better, Castiglia opens with Mike Zito's Hoodoo On Me blistering his way on guitar and leading on vocal. Joined by Jimmy Pritchard on bass and Brian Menendez on drums, this is a great opener. With a heavy footed rock beat, I Been Up All Night is a classic funk rocker. Castiglia has great presence with fluid blues riffs and raspy vocals over the big bass lines of Pritchard and tight drumming of Menendez. Excellent! Driving rock n roller, 95 South is a super track highlighted by real nice slide work by Sonny Landreth. Another Mike Zito track, Quit Your Bitching has beautiful slow blues phrasing and may be my favorite track on the release. Smooth vocals, inspired guitar soloing lead the way. Cyril Neville's Unhappy House Of Blues has a solid blues bass with a great harp topping by Johnny Sansone. Another rocker, Chase Her Around The House, has a great boogie base line giving Castiglia a super opportunity to fly on the fretboard. Excellent! Wrapping the release is lumbering blues, You Got Me To That Place, featuring Zito and Castiglia on acoustic guitar and vocal. This is a solid closer for an exceptional release!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release (November 17, 2017), The Luckiest Man, from Ronnie Earl & the Broadcasters and it's really strong. Opening with Don Robey's Ain't That Loving You, and a great groove featuring Diane Blue on vocals, the band is smoking. Earl's perfect syncopation on his solos backed by Dave Limina on keys, Forrest Padgett on drums and Paul Kochanski on bass...excellent opener. Jim's Song is a quiet, introspective track using primarily guitar chords as the skeleton and guitar lead soloing as a lush environmental flesh. Very nice. With a cool swing, Blue is back up front on Heartbreak (It's Hurtin' Me). Limina really takes the floor with his B3 solo and Earl tears it up nicely with great balance and style. Soul track, Never Gonna Break My Faith really shows off Blue's vocal style at it's best. Earl and Limina carry the weight, but this track is all about Blue and she kills it. Sugar Ray Norcia's slow blues, Long Lost Conversation features Sugar Ray on lead vocal and harp, backed by Anthony Geraci on piano, Mike Welsh on guitar, Neil Gouvin on drums, Mudcat Ward on bass and of course Earl on lead guitar. This track is extended (over 10 minutes) and excellent! Blues For Magic Sam is another excellent track. Purely instrumental, Earl plays the melody of this excellent track with expressive confidence, technique and style. Really nice! Wrapping the release is Fenton Robinson's You Don't Know What Love Is with it's funky beat. Blue is back up front on lead vocal works really nicely with Earl adding as much strength vocally as Earl does on guitar. This is a really strong closer for a really solid release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Blues And The World Beyond, from Likho Duo, and it's quite cool. Likho Duo was formed by Italian guitar and harmonica player, Noe' Socha and upright bass player, Cliff Schmitt in 2016. Opening with acoustic boogie, Derby Street Blues, Schmitt sets a firm footing on bass and Socha plays clean stylized guitar riffs, accompanying himself on harp. Schmitt also takes a few bars for himself rounding out the track. Nice opener. Willie Dixon's Spoonful is next with reinforcement of the melody on bass with tight harp lead. Slide work by Socha takes the blues influence even deeper complimented by his harp work. Muddy Waters' I Can't Be Satisfied it a real hot take with lead work by Socha on harp supported by Schmitt on bass. Kicking it into high gear, Socha rips out the slide and harp to the end. Very nice. Socha's Romance Among Thieves is a really nice track. Possibly my favorite on the release with an almost gypsy feel providing nice soloing opportunities for both himself on acoustic guitar and Schmitt. Excellent! Another cool track on this release is an acoustic Black Dog (Led Zep). With harp lead and tandem guitar and bass melody this is really quite enjoyable. Classic Freddie King on Hideaway has a cool feel with clean, articulate guitar runs over a basic blues bass line. Another really nice original from Socha, Almere, has a classical jazz feel with a strong solo by Schmitt on bass. Great track. Sonny Boy Williamson's Good Morning Little Schoolgirl gives the floor to Socha on harp and really bluesy tones. Very cool. another track with a gypsy feel is Tu VuoFa L'Americano. Schmitt holds tight on bass and lays down really nice bass lead trading with Socha in a classic gypsy style boogie. Wrapping the release is a really strong composition, Waltz For Katja, by Schmitt. With lead bass and in duet with Socha's harp work, a super closer for a very strong release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the debut release, Cursed, from Bad Luck Woman & Her Misfortunes. Opening with Snatch & Grab It, Raha Javanfar, lead vocalist and bassist for Toronto based swing band is kicking it. A walking bass line with Andrew Moljgum on sax, Galen Pelley on drums, Tom Moffett on trumpet and Adam Beer Colacino on guitar makes for a great opener. With it's Latin influence, I Don't Know About You, is a super track showing Javanfar's vocals, and Tom Moffett on trumpet and Moligun on bari really set this track off. Very nice. Memphis Minnie's bluesy, Bad Luck Woman has a cool feel fired by Jay Swinnerton's piano work and stylistic guitar work by Fraser Melvin. One of my favorites is Spinach Song with it's rag feel. Javanfar's vocals are perfect and with strong bass, cool rhythm guitar and kazoo...perfect. Boogie track, Went Down, has a real nice feel with a great bass line, strong trumpet soloing by Moffett. Very cool. Wrapping the release is Ay La Bah, a blues rocker with punchy horns and cool vocals. Moffett sets down a real nice trumpet solo and Melvin's guitar work is smart. Super closer for a cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Dream Train, from Alastair Greene and it's a smokin' rocker. Opening with title track, Dream Train, Greene on lead vocal and guitar, joined by Jim Rankin on bass and Austin Beede on drums really hit the road hard including fiery slide work by Greene. Big Bad Wolf is a great boogie rocker with grinding guitar rhythm and slashing solos. Excellent! Billy Gibbons penned, Nome Zayne has a heavy bottom and cool pinched guitar harmonics. One of my favorite tracks on the release is blues ballad, Another Lie, featuring features Walter Trout on guitar and Mike Finnigan on organ and some of the best Greene guitar riffs on tape in a while. Excellent! Acoustic instrumental, Song For Rufus, shows Greene's guitar virtuosity with serious intent. An exceptional piece of recording and playing. Dare Devil is a cool 12 bar number with a nice solo from Dennis Gruenling on harp, Mike Finnigan on organ and of course Greene on guitar for one of the most balanced tracks on the release. Blues guitar super star, Debbie Davies joins Greene on funky rocker Grateful Swagger with both artists really ripping some great riffs. Tight bottom instrumental... very cool! A beautiful instrumental tune, Iowa shows colors of electric guitar in lead soloing over tom tom. This is a very nice presentation and a nice showcase for sensitivity and guitar craft. Thick power rocker, Down To Memphis, adds super guitarist Mike Zito with a lot of girth. Very nice. Wrapping the release is jazz fused, Lucky 13, with snappy drums, a driving beat and fluid guitar runs. This is a great track to wrap a really solid release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, The Last Shade Of Blue Before Black, by The Original Blues Brothers Band and it's great! Opening with Jimmy Reed's Baby What You Want Me To Do, Bobby "Sweet Soul" Harden with Tommy "Pipes" McDonnell on harp and vocals and Rob "The Honeydripper" Paparozzi on harp and vocals take center stage with super harmony and John Tropea plays terrific guitar soloing backed by Tom Malone on trumpet, Baron Raymonde on alto sax, Eric "The Red" Udel on bass, Lee "Funkytime" Finkelstein on drums, Leon "The Lion" Pendarvis on organ, Rusty "Cloudmeister" Cloud on clav, Wurlitzer and piano. High stepping, Cherry Street, features McDonnell on lead vocals, Birch Johnson on trombone and Raymonde really rips on alto sax. Eddie Floyd is up on lead vocals on slinky, On Saturday A Night, and guest Tom Malone on bari sax and with tight, warm horn backing. Harden takes the lead on funky, Itch and Scratch. This is a mover with hot horn work pushing all the way and snappy drum work over the funky bass line by Udel. Joe Louis Walker had the lead on Willie Dixon's Don't Go No Further. This track has a great groove with Rob Paparozzi on chromatic harp and featuring a cool harp solo by Tommy McDonnell. This track is saturated with soulful horns punctuated by Steve Howard's trumpet solo and a classic guitar solo by Matt "Guitar' Murphy. A hot version of James Brown's Sex Machine is lead by Paul Shaffer on lead vocal and piano with David Spinozza on guitar and Tom Malone on trumpet. New Orleans flavored, Your Feet's Too Big has Paparozzi on lead vocal and harp. The horn work throughout is super with standout solos on this track by Cloud on piano and Lou Marini on clarinet. Excellent! Dr. John is front and center on Qualified with his distinctive vocal and piano styling. With Birch Johnson on trombone, Baron Raymonde on alto sax, Lou Marini on bari and tenor sax solos, this is one of my favorites on the release. Title track, The Last Shade Of Blue Before Black has a real nice Johnny Guitar Watson bluesy R&B feel featuring Lou Marini on lead vocal. This is a super closer with Tropea featured with some ultra tasty guitar and a sultry tenor sax solo by Marini. Excellent!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Two, from Sunday Wilde and Reno Jack and it's colorful. Vocalist/ piano player, Sunday Wilde leads the way on opener, Howlin' Wolf's Howling For My Darling with guitars by Steve Koch and Johnny MacLeod, bass by Reno Jack and drums by Cleave Anderson. I really like Jack's interpretation on Moonlight Rising which is like a cross between Lou Reed and Roger Waters. Very cool. Shuffle track, 5-10-15 Hours has a super blues feel pairing Jack and Sunday on a cool duet. MacLeod's bass work and light brush strokes of Anderson are a nice backdrop for a cool jazzy guitar lead. Bluesy ballad, No Matter How Far features Sunday on lead vocal and piano in her best vocal track on the release. Wrapping the release is duet, Leaving On Your Mind which really sets off Jack and Sunday against Jack's bass playing. A solid closer for an interesting release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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