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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Friday, July 8, 2016

Forty Below Records Releases Today a Special 2-LP Gatefold Vinyl Version of "John Mayall's Bluesbreakers Live in 1967 - Volume Two"




Forty Below Records Releases Today a Special 2-LP Gatefold Vinyl Version of John Mayall’s Bluesbreakers Live in 1967 – Volume Two


Second Edition of Previously Unreleased Live Recordings Feature John Mayall, Peter Green, John McVie and Mick Fleetwood

LOS ANGELES, CA – Forty Below Records today (July 8) released  a special 2-LP gatefold vinyl version of the second set of previously unavailable live recordings from newly-elected Blues Hall of Fame inductee John Mayall and his classic 1967 Bluesbreakers band, titled John Mayall’s Bluesbreakers– Live in 1967- Volume Two. The new two-LP set, which follows the May 6 release of the set on CD,  continues the archival blues path blazed in Volume One that captures heralded performances of one of the best of the Bluesbreakers band lineups, featuring iconic musicians John Mayall (vocals, keyboards, harmonica), Peter Green (lead guitar), John McVie (bass) and Mick Fleetwood (drums). (“A welcome second helping” – Rolling Stone; “Essential listening” – Blues Music Magazine; “Raw, uncontested power blues.” – Elmore).

Distributed by Sony/RED, John Mayall’s Bluesbreakers – Live in 1967 – Volume Two showcases a legendary group of players who while only together a short three months, created a lasting legacy, made an immense impact on music and led to the formation of one of the most acclaimed groups of all-time when Green, McVie and Fleetwood left to form Fleetwood Mac. Produced by John Mayall (who also did the cover package photography, artwork and design) and Forty Below’s Eric Corne from one channel reel-to-reel original tapes recorded by Tom Huissen, John Mayall’s Bluesbreakers– Live in 1967- Volume Two contains performances recorded in the Spring of 1967 at such well-known London venues as Bromley, The Marquee Club, The Ram Jam Club and Klook’s Kleek. 

“I am so happy that the remaining usable tracks from these London club dates have been released as a follow-up to the well-received Volume One,” says John Mayall about the new album. “Peter Green as before is on fire throughout and this set includes a great instrumental based on his composition, ‘Greeny.’ There are a couple of Otis Rush tracks that were included on the first volume, but they are from different venues and totally different.  I couldn’t possibly let these slide.  Also, there is another version of T-Bone Walker’s 'Stormy Monday’ that is sung by Ronnie Jones, who would frequently sit in at our gigs. John McVie gets in a great bass solo on ‘Chicago Line’ and Mick Fleetwood drives the whole set with his unique and powerful drumming. With these new tracks added to the collection, it pretty much features all the material we had in our repertoire at that time and I’m very glad that you can now enjoy this great piece of rock/blues history.”

Volume Two showcases three John Mayall originals including the opening track, all-time blues classic “Tears in My Eyes;” “Chicago Line;” and “Please Don’t Tell,” a great example of the power blues sound The Bluesbreakers were revered for around the world. These historical performances were captured for all time and largely unheard for almost fifty years until John Mayall recently obtained the tapes and began restoring them with the technical assistance of Eric Corne. Speaking about the tapes, Corne says, “While the source recording was very rough and the final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances are.”

The Bluesbreakers live sets at the time of these performances included songs that had originally appeared on the first two band studio recordings with Eric Clapton and Peter Green, respectively, holding down the guitar chair in the group, as well as some that would soon be recorded for the third LP, Crusade, by which time Green, McVie and Fleetwood had left to start Fleetwood Mac and the new guitar player was a young, then-unknown Mick Taylor, who would later go on to further fame and glory as a member of The Rolling Stones.

Of the new album’s 13 tracks, three are songs that first appeared on Volume One, although these new tracks included here were recorded on different nights and ably demonstrate how improvisational the band could be infusing a different feel and tone from night-to-night. Of particular interest is the inclusion of the version of “Stormy Monday,” which features special guest vocalist Ronnie Jones, a former American serviceman and original member of  the first incarnation of Blues Incorporated, a contemporary band to the Bluesbreakers, which included Alexis Korner, Cyril Davies, Jack Bruce and Ginger Baker during its lifetime. Another highlight is the Peter Green instrumental, “Greeny,” which perfectly states the case for why he is still revered as one of the best-ever guitarists. 

John Mayall’s Bluesbreakers– Live in 1967- Volume Two – Track Listing

Side A
1     TEARS IN MY EYES                                                    7:31
                Mayall/Warner/Chappell Music Ltd (PRS)
2     YOUR FUNERAL AND MY TRIAL                          5:32
                Williamson/Arc Music (BMI)
3     SO MANY ROADS                                                     8:18
           Marshall/Arc Music (BMI)

Side B
4     BYE BYE BIRD                                                                              5:02
                Dixon-Williamson/Arc Music-Hoochie Coochie Music (BMI)
5     PLEASE DON’T TELL                                  4:08
                Mayall/Carlin Music (PRS)
6     SWEET LITTLE ANGEL                                              6:10
                King-Taub/Universal Music (BMI)
7     TALK TO YOUR DAUGHTER                   3:00
                Lenoir-Atkins/BMG Platinum Songs obo Arc Music (BMI)

Side C
8     BAD BOY                                                                      5:08
                Taylor/Conrad Music (BMI)
9     STORMY MONDAY                                                  8:21
                Walker/Gregmark Music-Lord & Walker (BMI)
10   GREENY                                                                        6:36
                Green/Unichappell Music (BMI)

Side D
11    RIDIN’ ON THE L&N                                                                2:22
                Hampton-Burley/Trio Music (BMI)
12    CHICAGO LINE                                                          4:34
                Mayall/ Carlin Music (PRS)
13   DOUBLE TROUBLE                                                    6:35
            Rush/Conrad Music (BMI)

For more information, visit www.johnmayall.com and www.fortybelowrecords.com

Epops Music artist: Mike Sponza - Ergo Sum - New release review

I just received the newest release, Ergo Sum, from Mike Sponza and I really like it. Opening with a R&B flavored Modus In Rebus, Sponza and Ian Siegal share the guitar and vocal spots with a cool texture of swamp and soul. Stinging guitar riffs, nice organ work by Dean Ross and tight rhythm by Mauro Tolot on bass and Moreno Buttinar on drums make this melodic opener a great start. Country blues rocker, Carpe Diem, pushes hard with solid structure and a real nice sax solo by Matej Kuzel. With a good dose of country and simple slices of slide guitar, Penelope has the flavor of Hey Jude, and sweet sax work by Kuzel. A definite radio track with a solid melody, this track is super. One of my favorite tracks on the release, The Thin Line, is a dark, jazzy track with Kuzel on sax, Chris Storr on trumpet and Ross on Hammond, features Dana Gillespie on lead vocal and has nicely interleaved slide work and jazz guitar chords giving it just the right amount of suspense. Very cool! Funky track, See How The Man, continues with pumped up horn work from Storr and Kuzel and a funky guitar rhythm under an almost poetic delivery of spoken lyrics. Very nice! Shuffle track, Poor Boy, is a super showpiece for Siegals's slide work and Ross does an excellent job on piano as well. Driving rhythm and a vocal duet by Sponza and Siegal gives this track a lot of spunk. Kiss Me is a solid foot stomper with solid vocals and a nice interplay between Siegal and Sponza on guitars. Wrapping the release is super soul track, Prisoner of Jealousy. Mustering vocals with Otis Redding intensity, and nicely backed by horns and Rob Cass on percussion, this is a terrific closer for a solid release.

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Thursday, July 7, 2016

Arkansas Street Records artist: Bill Phillippe - Parade - New release review

I just received the newest release, Parade, by Bill Phillippe and it's quite good. This is not your typical blues release...in fact, not sure it's a typical release at all, but it's interesting. In a cool followup to 2014's Ghosts Phillippe set new roads in a sensuous and unconventional way.
Opening with Blues Come Calling, Phillippe, on vocal and guitar, creates an aural street feel joined by Ivor Holloway on clarinet, Swen Hendrickson on bass and Glenn Hartman on accordion. Nicely crafted and melodic, this track is soothing. Folk track, Proper Sorrow is so nicely arranged with Phillippe's vocals backed by a very strong acoustic bass work and weaving clarinet line it's quite enticing. 14th Street, with warm accordion work and clarinet lead gives the track a sense of old Paris. Sensitive writing, vocals and a very strong bass line give this track nice contrast with clarinet overtones. If I Should Lose My Mind is the most straight forward melody on the track but again with sophisticated accordion and clarinet support and great bass. Duke Ellington's Solitude / A Kinder Voice is very subdued with only critical accompaniment. Everything I Have Is Grey, a quiet ballad adheres to a haunting ballad style with really nice bass work and a super clarinet/accordion duet. Little Zion has a more jazzy yet folk approach. Hendrickson really plays a nice bass on this release and his style on this track is outstanding. Balanced with Phillippe's vocals and Holloway's clarinet work, this track is magic. With a 30's sound, Holloway opens Red Beret with clean clarinet work over that solid bass work. Phillippe uses his vocals and guitar work creating a perfect balance of music. Wrapping the release is Tom Waits' Take It With Me, a bluesy number with a nice clarinet intro. Phillippe's vocals are deeper and the track is bathed in accordion. A nicely written and performed release, check it out for a change of pace.

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Wednesday, July 6, 2016

BROTHER DEGE HITS THE ROAD FOR WEST COAST SUMMER TOUR!



LOUISIANA BLUESMAN BROTHER DEGE & THE BRETHREN ON TOUR NOW FOR WEST COAST SUMMER DATES!



BROTHER DEGE & THE BRETHREN 2016 U.S. TOUR DATES:
7/6 SANTA CRUZ, CA - APTOS STREET BBQ
7/7 SAN FRANCISCO, CA - DOC'S LAB
7/9 GRANT'S PASS, OR - G STREET BAR & GRILL
7/10 EUGENE, OR - SAM BOND'S GARAGE
7/11 HOOD RIVER, OR - TRILLIUM CAFE
7/12 PORTLAND, OR - DUFF'S GARAGE
7/13 SEATTLE, WA -  HIGH DIVE
7/14 BAINBRIDGE ISLAND, WA, TREEHOUSE CAFE
7/19 DENVER, CO, 3 KINGS
7/22 TULSA, OK, MERCURY LOUNGE
HERE'S WHAT PEOPLE HAVE BEEN SAYING ABOUT BROTHER DEGE:
"Frankly, every track on the Brother Dege CD could have been in the movie [Django Unchained]. It works and has a badass score sound to it. Almost every song could be a theme song. It’s like a greatest hits album. But this song 'Too Old to Die Young'... it’s pretty damn badass. And it’s used in the movie in a pretty damn badass way, I’ve got to say.” - QUENTIN TARANTINO
 “Fans of slide guitar, Southern gothic, or plain old rock & roll attitude need to run, not walk, and check out Brother Dege ASAP. Brother Dege is a case study in how one guy with a steel guitar and minimal accompaniment can out-rock a roomful of electric bombast, given the right songs, the right skills, and the right voice. Brother Dege has‘em all.” – POPMATTERS
 “[Four Stars] In lesser hands all this might easily sound contrived, but instead it’s genuinely powerful and compelling stuff. 'The Girl Who Wept Stones' and 'Dead & Gone' might have been ripped from the Son House songbook, though the seven-minute epic 'House of the Dying Sun' is the real keeper.” – UNCUT
 “Both ancient and modern, like an indie rock cover of something Lomax may have recorded a hundred years ago.” – BLOGCRITICS
 "... an updated perspective of the age-old Delta blues." - OFFBEAT MAGAZINE
 “Brother Dege brings the ghosts of kudzu-covered swamp rats to life in your speakers.  Find the darkest spot in your backyard, light some candles and turn it up.” – THE BIG TAKEOVER
 “... in the slide guitar Delta blues tradition, but with Legg’s own twist.” – CLASSIC ROCK MAGAZINE 

Omnivore reissue of Ru-Jac catalog continues: 'Gene & Eddie with Sir Joe at Ru-Jac'











OMNIVORE’S REISSUE OF RU-JAC RECORDS CATALOG
 CONTINUES WITH
TRUE ENOUGH: GENE & EDDIE WITH SIR JOE AT RU-JAC
 
Gene & Eddie and Sir Joe were stars of Baltimore soul and R&B label.
Compilation, out September 2, available on CD, digital and blue vinyl.


BALTIMORE, Md. — Omnivore Recordings continues its restoration and reissue of the mid-’60s Baltimore-based R&B/soul label Ru-Jac Records with True Enough: Gene & Eddie With Sir Joe at Ru-Jac, the first-ever compilation of single sides by Washington D.C.’s sensational soul duo Gene & Eddie. Also included are the rare sides by Sir Joe, otherwise known as Joe Quarterman, producer/songwriter/artist, who produced and wrote many of the Gene & Eddie sides for Ru-Jac.
The compilation is scheduled for September 2, 2016 release on CD, blue vinyl LP (with download card) and digital.
Emerging from the very active East Coast ’60s soul scene, Gene, Eddie and Joe had been in bands and recording from the early part of the decade. They formed, or joined, regional acts with names like The Nightcaps, The Knights, Don Downing, The El Corols and The Maidens, sharing stages with bigger, national artists such as Major Lance, Garnet Mimms, Joe Simon, The Soul Children, and The Emotions.
For all their ambitions, wider, national success never found them, and with only one local chart hit to their name, “It’s So Hard,” they eventually all called it quits to pursue other endeavors. However, these restored tracks give us a window onto a time when East Coast doo-wop met the soul explosion and got a little funky as it headed into the early ’70s. 
Featuring rare photos and extensive liner notes, this is the definitive musical history of Gene & Eddie and Sir Joe Quarterman — True Enough!
Omnivore’s Ru-Jac reissue initiative launched with the March 25 release of Mr. Clean: Winfield Parker at Ru-Jac.
Track listing:
1. I Would Cry
2. I Tell You
3. Nobody Beats My Love (Sir Joe)
4. If You Give Up Your Love (Sir Joe)
5. You Don’t Fool Me
6. Let Me Go Easy
7. It’s So Hard
8. Sweet Little Girl
9. Let Me Go Easy (Alternate Version)
10. She’s True Enough 11. Baby, I’d Drop Every Thing (Sir Joe)
12. Every Day (I’ll Be Needing You) (Sir Joe)
13. It’s No Sin

14. You’ve Got To Love Me Sometimes
15. Darling I Love You

16. Why Do You Hurt Me
Bonus Tracks:
17. It’s So Hard (Eddie & Gene and the Nightcaps)
18. Check You Later (Eddie & Gene and the Nightcaps)
19. A Guy For You* (Sir Joe)
20. You Don’t Fool Me (Stereo Mix)*
21. Let Me Go Easy (Stereo Mix)*
*Previously unissued
LP consists of tracks 1-16 with download card of entire CD program