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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Thursday, April 14, 2016
THE BLUES FOUNDATION 2016 BLUES HALL OF FAME INDUCTION AND 37TH BLUES MUSIC AWARDS SET FOR MAY 4 AND 5
Forty Below Records artist: John Mayall's Bluesbreakers - Live In 1967 - Volume Two - New Release Review
I just received the second installment from Forty Below of John Mayall's Bluesbreakers, Live in 1967 in it is spectacular! Like the earlier Volume 1 , this release (May 6, 2016) is the band made up of Mayall along with Peter Green, John McVie and Mick Fleetwood, the core of the later, Peter Green's Fleetwood Mac.
Opening with Mayall composition, Tears In My Eyes, these guys waste no time showing you why this release is important. It is hot, explosive and vital! Mayall's vocals are at his best and Green was disputably the best white blues player in the world. McVie laying down a solid bottom and Fleetwood handling the drums, Green literally scorches the stage with incredible riff and incredible riff. If there is anything wrong with this track, it's too short at over 7 and a half minutes. Excellent!! Sonny Boy Williamson track, Your Funeral and My Trial really hits the groove and Mayall is on it on vocal and harp. This is a great track with that Mayall magic! Classic, So Many Roads, fits so perfectly into this band's style that it's unbelievable. Clocking in at over 8 minutes, Green literally tears it up. Mayall leads the way on vocal and McVie and Fleetwood support strongly but Green is just unbelievable. Excellent! On Dixon/Williamson composition, Bye Bye Bird, Mayall is back up front on harp and shows why he is considered the father of modern blues. His harp playing is inspired and tight. Another original track, Please Don't Tell sets the early British rock sound made popular by the Yardbirds and Foghat. Super rocker. Sure, Green comes in a rips it up but it's the rocking groove that makes this track what it is. Next up is a super BB King track, Sweet Little Angel, and Mayall slides into a real nice vocal groove cushioned by his own keyboard work. Easy paced guitar work by Green is respectful of King's own style, thoughtful and expressive yet compelling. JB Lenoir's Talk To Your Daughter has a rockin' shuffle and balanced instrumentals throughout. Featuring the lead vocal of Mayall and fleet guitar work of Green, a cool track. Eddie Taylor's Bad Boy has a cool Chicago shuffle feel with highlights on harp responding to Mayall's vocals. Green bursts loose with a nice solo as does Mayall on electric keys. T-Bone Walkers well known classic, before it was broadly known, Stormy Monday, is an ideal track to feature Ronnie Jones on vocal as well as Green cutting in. Greeny is a Freddy King style shuffle instrumental with Green just laying it out there.... a 6 plus minute guitar jam with Mayall on keys. Very cool! Riding on the L&N is a great rocker a la Chuck Berry. Without getting too flashy, this track is a rocker! Mayall original, Chicago Line is up next and has classic Mayall sound. McVie takes a great bass solo on this track, an unusual feature and well done. Wrapping the release is Otis Rush's Double Trouble. Mayall is made to sing and play these slow blues tracks and there's no secret that Green knows how to blow them up. His phrasing and emotional output on guitar is spectacular, leading to his ultimate formation of his own band. Excellent show and one that you should definitely hear.If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
For added exposure - Blues World Wide Group "LIKE"
Wednesday, April 13, 2016
Big Jake Records artist: Paul Filipowicz - Rough Neck Blues Live! - New Release Review
I just received the newest release, Rough Neck Blues Live!, from Paul Filipowicz and I really like it! A few years back I reviewed another release by Filipowicz, Saints and Sinners and this release, being live, gives Paul an opportunity to take an already great formula and blow it out and that he does. Opening with shuffle track, Gambling Woman, Filipowicz is cranking with his trademark raw vocals and rowdy guitar riffs. Backed by Rick Smith on bass and Brian "Tito" Howard on drums, this is a hot opener! Most Dogs is up next and Filipowicz brings down the tempo but not the heat. His guitar phrasing is masterful and engaging with traces of Magic Sam, Johnny Winter and Buddy Guy. Black Spider is a blues rocker with a solid bottom. Chuck Berry like construction but with less spring and more blues is complimented by Benny Rickun on harp. Slowing things way down, Santa Fe Windows is a hot potato with really hot, Albert King like phrasing but without King trademark riffs. Smokey guitar attack and honest vocals make this a scary cool track. Hi energy, Junk In The Trunk, visits Freddy King territory with a really cool shuffle. With a little Bo Diddley injection, this track rocks out. Excellent! Jackson Transfer has a hard Chicago edge and Muddy Waters feel. Filipowicz's vocals on this track are particularly cool and with a slack sounding guitar rhythm and super cool harp on the top by Rickun, this track has legs. Breaking into a clean, electric solo run, Filipowicz shows patience and taste. Very nice! Midnight At The Nairobi Room has a super bottom with a diminishing bass line by Smith and a seductive drum rhythm by Howard. His own guitar work is excellent with wide vibrato further adding to the tension which is ultimately broken into a cool instrumental shuffle. Excellent! Chickenwire steps up with a cool rockin' boogie featuring a blend of call and response between vocals, guitar and harp. With it's solid drive...Hooker style...it's hard not to love and when Filipowicz opens up the guns, he shows he knows the ropes! Your True Lovin' has the feel of Waters, Winter and Rush. A great Chicago style blues number, Filipowicz shows his positive mastery of this style. His guitar tone is warm and radiant and his phrasing really nice. Excellent! My favorite track on the release, Hootin' and Hollerin' is an excellent loose jam with a blend of everything that I liked about TJ White's Polk Salad Annie and CCR with the raw honesty of Jimbo Mathus. This track is excellent! Wrapping the release is Where The Blues Comes From has a solid R&B bottom reinforced by Rickun on harp. Jamming out for over 8 minutes Filipowicz has an engaging voice and trading riffs with Rickun, makes this a super closer for a really strong release!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
For added exposure - Blues World Wide Group "LIKE"
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
For added exposure - Blues World Wide Group "LIKE"
Tuesday, April 12, 2016
Eric Bibb Is "The Happiest Man in the World" on New Stony Plain Records CD, Coming May 6
Tasty Country
Blues Musical Gumbo Teams Award-Winning Roots Musician and North Country Far
with Legendary Bassist Danny Thompson
EDMONTON, AB – Stony Plain Records has set a May 6 release
date for The Happiest Man in the World, the latest album from
award-winning roots musician Eric Bibb, which teams him up with the group North
Country Far and legendary bassist Danny Thompson.
The Happiest Man in the World is a 14-track
tasty gumbo of country blues songs recorded in the English countryside with an
exuberant, soulful spirit that feels like the perfect soundtrack for relaxing
on the back porch or the front parlor. Led by multiple Blues Music Award-winner
Eric Bibb, this stellar acoustic band is made up of musicians who have known
each other for years. It features famed upright bassist Danny Thompson, whose
resume includes work with such acclaimed artists as Alexis Korner, Donovan,
Richard Thompson (no relation), Pentangle and John Martyn. The album also
includes a bonus instrumental track, “King Size Bed,” which is available only
in the Deluxe digital edition.
To celebrate the release of the new CD, Eric Bibb and the
band created a special video EPK about its making that can be viewed bekow:
In the liner notes for The Happiest Man in the World,
Eric Bibb talks about how the album came together. “Some years ago, when I was
living in Helsinki, I had the good fortune of meeting the Haavisto brothers –
Janne, a very groovy drummer, and Olli, a wonderful dobro and pedal steel
player. In addition to being fine musicians, both of them are experienced
recording engineers. We became friends and began working together on various
recording projects. Olli introduced me to Petri Hakala. He not only plays great
mandolin & mandola, he also makes his own instruments! We started playing
gigs advertised as Eric Bibb and North Country Far. Like most musicians, we
began sharing road stories, telling tall tales and name-dropping. At some point
I mentioned that a few years back I’d had a chance to tour with Danny Thompson,
the legendary bassist. Fast-forward. One day, during a recording session, Olli
said, ‘It would be great to make a record with Danny – he’s one of my heroes.
Any chance?’
“And it happened - because it was meant to be! We met at The
Grange (a residential studio where I’d recorded an album years before) near
Norfolk, England. Together, for a few days in the month of July, with veteran
sound engineer Dave Williams at the console, we experienced something
beautifully friendly and elevating. I’d do it again in a heartbeat!”
The Happiest Man in the World continues Eric
Bibb’s tradition of versatility in expressing his musical craft. His last
album, the universally-acclaimed Lead Belly’s Gold, was a tribute
to the iconic bluesman that saw Bibb join forces with French harmonica master
JJ Milteau for an album of songs recorded at famed Paris jazz club, The Sunset,
as well as five new studio recordings.
Eric Bibb’s career spans over five decades, 36 albums,
countless radio and TV shows and non-stop tours, making him one of the leading
bluesmen of his generation. Bibb tours regularly throughout the world and
already has dates booked at both showcase venues and festivals throughout the
spring and summer in the USA and Canada.
The Happiest
Man in the World – Track Listing
1. The Happiest Man In The World / Words & Music by
Eric Bibb, BMG/Chrysalis
2. Toolin’ Down The Road / Words & Music by Eric
Bibb, BMG/Chrysalis
3. I’ll Farm For You / Words & Music by Eric Bibb,
BMG/Chrysalis
4. Tossin’ An’ Turnin’ / Words & Music by Eric Bibb,
BMG/Chrysalis
5. Creole Café / Words & Music by Eric Bibb &
Ulrika Pontén Bibb, BMG/Chrysalis
7. Prison Of Time / Words by Eric Bibb & Wendell
Berry, Music by Eric Bibb, BMG/Chrysalis
8. King Size Bed / Words & Music by Eric Bibb,
BMG/Chrysalis
9. On The Porch / Words by Wendell Berry (from The
Sabbath Poems 1979-1997 “They Sit Together On The Porch”, 1994), Music by Eric
Bibb, BMG/Chrysalis
10. 1912 Skiing Disaster (instrumental) / Music by Olli
Haavisto & Petri Hakala
11. Tell Ol’ Bill / Traditional/Arr. by E. Bibb
12. Wish I Could Hold You Now / Words & Music by Eric
Bibb, BMG/Chrysalis
13. Blueberry Boy (instrumental) / Music by Eric Bibb,
BMG/Chrysalis
14. You Really Got Me / Words & Music by Ray Davies,
Sony/ATV Songs LLC
15. (Bonus track: King Size Bed - Instrumental bonus
track)
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