I just received a cool new 2 CD release, Bad News Travels from John Ginty and it's quite live, tight and entertaining. Opening with Switch,
a walking bass line driven B3 extravaganza. Paul Kuzik sets the tempo
and Ginty takes over where Booker T left off. With a double drums setup
featuring Dan Fadel and Andrei Koribanics this is a tight track. Very
nice! Arrivals is a funky jam with cool guitar lines by Mike Buckman and Ginty playing against his retort. Next up is Black Cat
featuring Albert Castiglia. A slow blues groove, Ginty sets a really
nice stage for Castiglia to take the lead on vocal and guitar. I've only
ever seen Castiglia on Youtube (never live) and he is an exceptional
player. I am looking forward to seeing him if he ever makes it to
Phoenix. He doesn't over sing, his phrasing is inviting and his vocals
are really nice. Ginty plays both piano and B3 solos taunting Castiglia
into a really sweet and extremely fiery guitar solo. Excellent! On funk
infused Elvis Presley, again Castiglia takes the lead on
vocals with the feel of Boz Scaggs. I've reviewed a few of his releases
and all favorable but watching him in person quickly elevates him to the
list of people who I want to see in person soon! Castiglia's smokin'
soloing played against Ginty's strong improvisational skills on keys
makes this one terrific track. Up next is Peanut Butter,
an easy shuffle featuring Todd Wolfe. Ginty's B3 work is exemplary and
Wolfe grabs his tele just choking the life out of it. I've seen Wolfe in
concert a few times and have always walked away smiling but Ginty
coaxes a flame thrower out of Wolfe's bag of tricks. Excellent! I think
that I mentioned that it was hard for me to fathom a blues band that was
primarily built around a B3 player but Ginty is one guy who can really
carry it off. He is no wallflower and really cooks the keys. On Rock Ridge,
there is a cool phase shift during the B3 intro that messes with your
head a little bit. Wolfe uses a coricidin bottle to get his slide tone
before breaking into a cool jazz style jam with Kuzin walking the bass
lead and Ginty and Wolfe stretching it out. Very nice! Next up is Seven and the Spirit,
a bluesy rocker featuring Alexis P. Suter. Last year I reviewed Suter's
terrific new release and it's a pleasure to see her join Ginty on stage
with her guitar player, Jimmy Bennett. This is one of today's elite
female blues singers with Jackie Scott and Karen Carroll in my opinion.
Bennett lays into his Les Paul and Ginty adds substantially to the track
with his well heeled organ work, along with the drumming of Fadel and
Koribanics elevating the track to a full revival feel (Can't Turn You
Loose).
Disc two opens with guitarist/vocalist Cris Jacobs and Castiglia, Suter and
Ginty on stage for Damage Control, a funky rocker with
more than a little taste of country. Jacobs knows his way around the
telecaster and plays some blistering solos but also venturing into Jerry
Garcia territory in style. Castiglia, playing his custom strat style
guitar with rosewood fretboard and what look like some pretty expensive
humbuckers. Sharing vocals on this track each player gets a chance to
take his day in the spotlight making for a pretty cool jam. The Quirk opens
with a cool B3 riff from Ginty, joined by Castiglia and Jacobs. Kuzik
is solid on bass and Ginty gets a chance to stretch a bit. Jacobs takes
the first guitar solo with a very round sound for a tele. Castiglia is
up next mowing the fretboard's upper register. Ginty brings the tension
back down with his laid back melody before driving off on his own solo.
Off the Cuff is a keyboard feature track for Ginty with
primarily drum and bass backing. The duo drumming actually brings me in
mind of early Allmans with Trucks and Jainoe. Listening to it multiple
times I actually think I hear a trace of Trouble No More hiding in there
somewhere. Fadel and Koribanics take a pretty nice drum break showing
the cleanliness and coordination of two guys who play a lot together.
Ginty takes a free form solo without any backing. Creating a musical
impressionistic painting as an abstracted graphic forms on the screen is
a definite change. Sliding right in to the beautiful intro of Mirrors,
Ginty and Jacobs trade riffs before opening into a funky rock track.
Jacobs gets a Santana like tone out of his tele and plays sparingly as
Ginty crafts the body of the track, taking extended times breathing very
soulful solos from his tele. Very nice! Wrapping the release is Trinity
featuring all of the guest artists along with Ginty and band. Again, a
tent raising revival style track finds Ginty leading the way. Breaking
into a smooth sway Castiglia is fist to take the floor followed closely
by Jacobs. Shifting gears again to a bit of a pop feel, Ginty creates a
theme line and Buckman gives his first solo. Jacobs isn't far behind
with a hot blistering riff followed by Bennett on slide. Castiglia paces
himself taking the longer of the solos with plenty of spark. Wolfe is
also more patient but lays out a crisp solo as well. Cool conclusion to a
really nice show.
If
you support live Blues acts, up and coming Blues talents and want to
learn more about Blues news and Fathers of the Blues, Like ---Bman’s
Blues Report--- Facebook Page! I’m looking for great talent and trying
to grow the audience for your favorites band! - ”LIKE”
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CD submissions accepted! Guest writers always welcome!!
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Wednesday, January 14, 2015
Tuesday, January 13, 2015
Montrose records artist: Brad Absher - Lucky Dog - New Release Review
I just received the newest release, Lucky Dog (January 13, 2015), fro Brad Absher and it has a nice sound. Opening with Woman Who Loves Me, a clean rocker with a 60's beat, features Absher on vocal and guitar, Larry Felcher on bass, Barry Seelen on hammond, Mike Patton on drums and Nicoya Prolar on backing vocal. A steady rocking beat and easy Raitt style slide works highlight this pop melody. R&B styling on I Need A Drink really features a nice bass line by Fulcher and nice bari sax work by Anthony Terry and Tenor sax work from Andy Saad. Bill Withers was really one of the unsung songwriters of his time and his Same Love is up next really nicely complimenting the vocal strength of Absher. Prolar adds nice warmth on backing vocals and Kyle Turner rides nicely on tenor sax. Another R&B style track, I Can't Wait, not only has nicely blended vocals but a nice key solo from Seeelen and cool guitar riffs from Absher. Miss Your Water has an almost gospel like feel with super piano and Hammond work by Seelen. The vocal work on this track is quite nice and Absher stretches a real nice blues guitar solo as well. Wanna Be Your Man stays in that R&B style with a cool beat and particularly nice horn work from Saad and Terry. Leon Russell's Rather Be Blind has a chugging rhythm and Samantha Banks percussion is a nice touch undeer the stinging guitar work of Absher. Very cool! A venture into country, Not Tonight, has a solemn feel with the straightforward vocal attack of Absner and Prolar, Seelen's piano styling and the addition of Brian Thomas on pedal steel. Allen Toussaint's Lipstick Traces has a smooth funky jazz sound with solid Hammond work from Seelen. The style of track seems to show in Absner's vocals. On this particular track his voice has a richer southern style which works nicely with the track. Very nice! Traditional track, Jesus On The Mainline has a modern blues feel with some really warm slide work from Absner. Possibly my favorite track on the release. Funky track Trouble, gets into a cool groove with strong Hammond and so "authentic" dialog gives it a different flair. Twelve bar number Memphis On The Way has a real nice sway with Fulcher leading the way with his solid bass line. Seelen takes a nice piano run and Absner cooks on guitar as well. Saad and Terry stay i swing but play in a morphed New Orleans style creating a really nice pocket. Excellent conclusion to a cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
Brad Absher,
Lucky Dog,
Montrose Records,
Review
Monday, January 12, 2015
Heartfixer Music artist: Tnisley Ellis - tough love - New Release Review
I just received the newest release, tough love, from Tinsley Ellis and he continues to write scorching riffs. Opening with Seven Years, a bluesy ballad, Ellis has a tone all his own with the soul of Robert Cray, the articulation of Mark Knopler and the the heat of SRV. Very cool. Midnight Ride has a romping blues feel with warm organ flow from Kevin McKendree, a driving bass line from Steve Mackey and tight percussion from Lynn Williams. A cool track with hot riffs, this one could catch the radio pretty easy. Give It Away is a quiet ballad featuring Ellis' vocal and acoustic slide techniques. Hard Work has more of a JJ Cale feel with an easy country blues drive. All In The Name Of Love has a really nice R&B feel with McKendree on electric keys. Another track with a particularly strong melody line also features Jim Hoke (sax) and Steve Herrman (trumpet) backing soulful guitar riffs. Should I Have Lied is one of my favorite tracks on the release with BB King like phrasing and a really tight guitar intro. This track sets up more nicely than any other on the release for a strong flexing of Ellis' more than killer guitar riffs. Leave Me has a rock beat but fluid bluesy overtones. A cool rhythm and nice organ work from McKendree opens the door for some real nice guitar riffs from Ellis. A tight number, another of my favorite tracks. The King Must Die definitely has a blues rock format but the underlying bass line on the melody by Mackey feels like Albert King. High tension lead guitar throughout makes this another of my fav's on the release. Everything has a standard 12 bar feel and Ellis whips out his harp for a little ride. Getting some really pretty nice tone from the harp and using the guitar as a secondary instrument isn't a bad thing here. Nice job! Wrapping the release is In From The Cold, a slow ballad with key strings and a lot of room for Ellis to ride the guitar light on the air in the style of David Gilmour. Excellent conclusion for this newest release from Ellis.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
Georgia,
Heartfixer Music,
Review,
Tinsley Ellis,
tough love
Friday, January 9, 2015
Booze Records artist: TG and the Swampbusters - Swamp Tooth Comb - New release review
It's not Joe Bonamassa... and that's good! (Nothing against Joe)
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Thursday, January 8, 2015
Pete Herzog/Dennis Walker - Waiting On The Rain - New Release Review
I just received the newest release, Waiting On The Rain, from Pete Herzog and Dennis Walker and it has a rural country blues sound. Opening with Lotsa Rain, a catchy track with Herzog on acoustic guitar and vocal, Dennis Walker on bass and GT Albright on drums it's a compact hit. I Wish Him Luck is an easy 2 stepper. Herzog again handles vocals and an acoustic slide guitar solo on this track. World's On Fire Again has a bit of a folk blues feel with an almost european sound. Cedric Billings adds some alternate bass work on this track complimenting warm backing vocal and jangly slide work. It's Gotta rain has a really contemporary pop sound. This is a track that would really seem to have radio appeal with a light rhythm and cool melody. St. Louis runs right down 12 bar highway. Herzog plays a real nice bluesy slide solo on this track. That Rainy Day is a nicely constructed ballad with a somber feel. Very nice. Arizona is a rockin 2 stepper with a simple beat. Tight, concise and clever. Blues Instead is one of my favorite tracks on the release with a blues basis but country feel. I particularly like Herzog's vocal with Albright's snappy drum work. I'm Thru With You takes the 12 bar on an easy ride with simple accompaniment and slide. Walker steps up his bass lines against David Bromberg like vocal delivery. Cool! Where's My Sun has an easy country feel with a touch of rock (alt country). Hot Today is a soft paced shuffle with a nice call and response Herzog with himself on guitar and vocal and a solid bass line. I Wish Him Luck is a faster paced shuffle with a carefree feel. A walking bass line from Walker and slide work from Herzog dress the track nicely. Wrapping the release is In The Ground with it's grounded bass line and Herzog running blues riffs on acoustic guitar lines behind his vocals. This is an interesting release with short clever tracks, all of which have well rounded melody and execution.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Wednesday, January 7, 2015
Blind Raccoon Showcases Roots & Blues Artists
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Ian Siegal to release new live album "One Night In Amsterdam"
As such, while 2014’s Man & Guitar showcased the award-winning British songwriter as a solo acoustic troubadour, One Night In Amsterdam flicks the power switch, marking Siegal’s first live album with a full-throttle electric band. Chalk up another first for the man that Mojo called, “One of the most innovative, gifted and engaging blues performers on the planet today.”
Three songs into his set at the North Sea Jazz Club in April 2014, Siegal halts the band to give the Dutch crowd the mission-statement: “We’re going to play some new songs, some old songs, and some songs by great heroes of mine, who were influences on me in my early days, back in the 1930s…”
He’s joking, of course. In reality, Siegal is now in his early-forties, at the top of his game, and able to draw on an astonishing eight-album catalogue that has scored him seven British Blues Awards in five categories (he’s also the only Brit ever to receive two nominations at the U.S. Blues Music Awards).
Likewise, the bar for Siegal’s live albums has been set sky-high by Man & Guitar – recently crowned Blues Album of the Year by Mojo– but from the opening notes of One Night In Amsterdam, it’s clear he’s up for the challenge.
The new album features Siegal’s relatively new (launched in 2013) Dutch-German contingent and his first band change in ten years. With an average age of 23, Dusty Ciggaar (guitar), Raphael Schwiddessen (drums), and Danny Van’t Hoff (bass), deliver in spades, as though they have been playing with Siegal for as long as they are old. Young Dusty Ciggaar, already well known on the Benelux scene, confirms his status as a guitar god in waiting.
One Night In Amsterdam is the sound of chemistry, of course, but the songs are always the stars. Several of these tracks have never been played live by Siegal before. None have ever sounded quite like this. Before the crowd’s welcoming cheers have even subsided, I Am The Train races out of the blocks, perhaps even more urgent here than when Siegal tracked it in Mississippi for his 2012 album, Candy Store Kid.
Also from Candy Store Kid comes the sad-eyed, slide-powered travelogue of Early Grace, Siegal’s raw vocal exposing the tarnish on the Golden State (“California, where all your dreams come true, your nightmares too”). Plus, don’t miss the extended free bonus track Hard Pressed – unlocked via a download key with every copy of Amsterdam, and available from the release day of March 9.
Elsewhere, true to his promise of “old songs”, the bandleader digs deep into his oeuvre. He pulls out the funk-blues strut of Kingdom Come (from 2009’s Broadside), with its tough vocal telling of a woman with “the wings of an angel and the eyes of a shark”. He revisits the evergreen Brandy Balloon (from 2005’s Meat & Potatoes), and even dusts off Queen of the Junior Prom (the pick of 2002 debut Standing In The Morning), with the crowd reaction suggesting that Siegal’s earliest fans have never left his side.
In Siegal’s hands, the old is every bit as thrilling as the new. Even dog-eared cover versions can feel like they’re being born right in front of you. At the North Sea Jazz Club, he shows his scholarly appreciation of the masters - whether re-imagining Tom Russell’s classic cockfighting fable, Gallo Del Cielo, or revisiting his own back-pages in Nottingham, England, where local legend Harry Stephenson entranced the crowds. “I just really wanted to do one of Harry’s songs,” explains Siegal, before launching into Stephenson’s gutsy rocker, Writing On The Wall.
For the final two tracks of the album Ian is joined by siblings, Joel and Tess Gaerthe, from the popular Dutch indie band, Ashtraynutz.
One night. A thousand highlights. And yet another reason why Ian Siegal is leading the musical pack in the post-millennium.
CHESTER, LIVE ROOMS
TUESDAY 17th MARCH 2015
Tickets: £16 / Box Office: 0871 220 0260
Book Online: theliverooms.com
1 Station Road, Chester, CH1 3DR
theliverooms.com
TUESDAY 17th MARCH 2015
Tickets: £16 / Box Office: 0871 220 0260
Book Online: theliverooms.com
1 Station Road, Chester, CH1 3DR
theliverooms.com
GLASGOW, STEREO
WEDNESDAY 18th MARCH 2015
Tickets: £16 / Box Office: 0141 222 2254
Book Online: Synergy Concerts.com
22-28 Renfield Lane, Glasgow, G2 6PH
Stereo Café Bar Website
WEDNESDAY 18th MARCH 2015
Tickets: £16 / Box Office: 0141 222 2254
Book Online: Synergy Concerts.com
22-28 Renfield Lane, Glasgow, G2 6PH
Stereo Café Bar Website
ABERDEEN, JAZZ FESTIVAL
THURSDAY 19th MARCH 2015
Tickets: £15 / Box Office: 0845 111 0302
Book Online: Aberdeen Jazz Festival
Blue Lamp, 121 Gallowgate, Aberdeen, AB25 1BU
www.jazzatthebluelamp.com
THURSDAY 19th MARCH 2015
Tickets: £15 / Box Office: 0845 111 0302
Book Online: Aberdeen Jazz Festival
Blue Lamp, 121 Gallowgate, Aberdeen, AB25 1BU
www.jazzatthebluelamp.com
HARROGATE, RIPLEY BLUES
FRIDAY 20th MARCH 2015
Tickets: £15 / Box Office: 01423 860340
Book Online: ripleylive.com
Town Hall, Ripley, Harrogate, HG3 3AX
ripleylive.com
FRIDAY 20th MARCH 2015
Tickets: £15 / Box Office: 01423 860340
Book Online: ripleylive.com
Town Hall, Ripley, Harrogate, HG3 3AX
ripleylive.com
DERBY, FLOWERPOT
SATURDAY 21st MARCH 2015
Tickets: £15 / Box Office: 01332 834 438
Book Online: www.rawpromo.co.uk
25 King Street, Derby, DE1 2DZ
www.flowerpotderby.co.uk
SATURDAY 21st MARCH 2015
Tickets: £15 / Box Office: 01332 834 438
Book Online: www.rawpromo.co.uk
25 King Street, Derby, DE1 2DZ
www.flowerpotderby.co.uk
SCARBOROUGH, TOP SECRET BLUES FESTIVAL
SUNDAY 22nd MARCH 2015
Tickets: £48 / Box Office: 01723 821888
Book Online: Scarborough Spa
Spa, South Bay, Scarborough, YO11 2HD
Scarborough Blues Festival Website
SUNDAY 22nd MARCH 2015
Tickets: £48 / Box Office: 01723 821888
Book Online: Scarborough Spa
Spa, South Bay, Scarborough, YO11 2HD
Scarborough Blues Festival Website
NEWCASTLE, CLUNY
TUESDAY 24th MARCH 2015
Tickets: £16 / Box Office: 0191 230 4474
Book Online: See Tickets
36 Lime Street, Ouseburn, Newcastle-upon-Tyne, NE1 2PQ
The Cluny Website
TUESDAY 24th MARCH 2015
Tickets: £16 / Box Office: 0191 230 4474
Book Online: See Tickets
36 Lime Street, Ouseburn, Newcastle-upon-Tyne, NE1 2PQ
The Cluny Website
BOLTON, RAILWAY
WEDNESDAY 25th MARCH
Tickets: £15 / Box Office: 01204 306 450
Book Online: Railway Venue Website
37 Chapeltown Road, Bromley Cross, Bolton, BL7 9LY
Railway Venue Website
WEDNESDAY 25th MARCH
Tickets: £15 / Box Office: 01204 306 450
Book Online: Railway Venue Website
37 Chapeltown Road, Bromley Cross, Bolton, BL7 9LY
Railway Venue Website
BRISTOL, TUNNELS
THURSDAY 26th MARCH 2015
Tickets: £15 / Box Office: 0845 6050 255
Book Online: thetunnelbristol.co.uk
Bristol/Exeter Mews, Lower Approach Road,
Temple Meads, Bristol, BS1 6QF
thetunnelbristol.co.uk
THURSDAY 26th MARCH 2015
Tickets: £15 / Box Office: 0845 6050 255
Book Online: thetunnelbristol.co.uk
Bristol/Exeter Mews, Lower Approach Road,
Temple Meads, Bristol, BS1 6QF
thetunnelbristol.co.uk
NORWICH, ARTS CENTRE
FRIDAY 27th MARCH 2015
Tickets: £15 / Box Office: 01603 660 352
Book Online: Norwich Arts Centre Tickets
St Benedict’s Street, Norwich, NR2 4PG
Norwich Arts Centre Website
FRIDAY 27th MARCH 2015
Tickets: £15 / Box Office: 01603 660 352
Book Online: Norwich Arts Centre Tickets
St Benedict’s Street, Norwich, NR2 4PG
Norwich Arts Centre Website
LONDON, JAZZ CAFÉ
SATURDAY 28th MARCH 2015
Tickets £17.50 / Box Office: 0844 847 2514
Book Online: ticketmaster.co.uk
5 Parkway, Camden Town, NW1 7PG
TheJazzCafeLondon.com
SATURDAY 28th MARCH 2015
Tickets £17.50 / Box Office: 0844 847 2514
Book Online: ticketmaster.co.uk
5 Parkway, Camden Town, NW1 7PG
TheJazzCafeLondon.com
SOUTHAMPTON, TALKING HEADS
SUNDAY 29th MARCH 2015
Tickets: £12 / Box Office: 02380 678 446
Book Online: TalkngHeads.co.uk
320 Portswood Road, Portswood, SO17 2TD
TalkingHeads.co.uk
SUNDAY 29th MARCH 2015
Tickets: £12 / Box Office: 02380 678 446
Book Online: TalkngHeads.co.uk
320 Portswood Road, Portswood, SO17 2TD
TalkingHeads.co.uk
IAN SIEGAL
BIOGRAPHY & DISCOGRAPHY
BIOGRAPHY & DISCOGRAPHY
Blues album of the Year
MOJO MAGAZINE 2014
MOJO MAGAZINE 2014
“One of the most innovative, gifted and engaging blues
performers on the planet today.” MOJO
Ian Siegal is known as a bluesman, but it’s just
one shade in the palette of an artiste who slips between continents,
eras and expectations. They say you can’t sing the blues until you’ve
lived the life, and when Ian Siegal steps up to the mic, you can hear
the slings and arrows. Recent years have seen the songwriter catch
fire, with British Blues Awards raining down and consecutive nominations in 2012 & 2013 for Contemporary Album of The Year in the Blues Music Awards - in effect, the Grammys of the Blues.performers on the planet today.” MOJO
Ian was born in 1971 in Hampshire. It has been said that had he been performing and recording in the sixties he would today be accorded the same reverence as artists such as Van Morrison and Joe Cocker. Instead, he dropped out of Art College in the late eighties to go busking in Germany. From the streets of Berlin he progressed to clubs around Nottingham, then to London and ultimately to major stages around Europe.
Siegal’s forte is playing to an audience. Whether fronting his band, or alone with just an old acoustic guitar, he takes command of the stage in a way very few artistes alive today can match. Sweat, passion, humour, balls-to-the-wind slide guitar and a soul-infused voice big enough to fell trees! And as his BBC-recorded 2014 solo release MAN & GUITAR shows, he has a neat line in between-songs banter and humour.
His career got under way in 2003/04 with two successive European tours as the opening act for ex-Rolling Stone Bill Wyman’s Rhythm Kings (Wyman also invited Ian to record with the Rhythm Kings). This was followed by UK tours as a duo with Big Bill Morganfield (son of Muddy Waters). During this time Siegal was also capturing the hearts of audiences in Holland, Belgium, Austria and Hungary. In 2005 he topped the Soul/Blues/Jazz charts in Holland. And hasn’t looked back.
RECORDINGS
His 2005 album Meat & Potatoes – the first to gain a full retail release - has been universally praised and gained a maximum four star (excellent) rating in the Penguin Book of Blues Recordings. Ian is one of only two living British Blues artists to gain this distinction. Meat & Potatoes was later re-released as a limited edition together with a DVD of his stunning 2005 performance on the main stage at the North Sea Jazz Festival.
That was followed by Swagger his 2007 release, which again received universal praise, “No less of a testament to the talents of one of the most innovative, gifted and engaging blues performers on the planet today.” MOJO magazine ranked Swagger as their no.2 Blues album of 2007.
In response to fans’ requests for an acoustic album The Dust was released at the end of 2008. A collection of new songs and some old favourites (with noted pedal steel guitarist B.J. Cole appearing on some tracks), the CD quickly entered HMV’s roots chart, and again made No.2 in MOJO magazine’s Blues album chart – this time for 2008.
His 2009 release Broadside finally gave Ian the top spot in MOJO’s annual Blues album chart, the first non-American to achieve this status.
Having previously recorded exclusively in the UK, for his 2011release The Skinny Ian went to America to work with Grammy nominee Cody Dickinson of the North Mississippi Allstars as producer. A band was assembled from musicians in the North Mississippi area including Gary Burnside, Robert Kimbrough and Rodd Bland, all offspring of notable bluesmen. The Skinny gained Siegal his first Blues Music Awards nomination for Contemporary Album of the Year and he performed at the 2012 Awards ceremony in Memphis.
Ian returned to north Mississippi in 2012 to collaborate with another dream-team of local legends that he collectively coined The Mississippi Mudbloods. Joining Ian and Cody Dickinson were Cody’s brother, Luther Dickinson, and Alvin Youngblood Hart. Ian first met Alvin during The Skinny sessions, when the Grammy-winning guitarist swung by the studio and ended up tracking some guitar and backing vocals.
The end result of this second visit to the Dickinson’s Zebra Ranch Studio was Candy Store Kid released at the end of 2012, which quickly reached no.1 in the iTunes UK blues chart and garnered a swathe of awards in the UK and another nomination in the Blues Foundation’s Blues Music Awards.
2014 saw two album releases. Man & Guitar (May, 2014), showcases Siegal’s supreme ability as a solo performer and his force-ten charisma. Recorded by the BBC at the Royal Albert Hall London Bluesfest, it is Siegal at his belt & braces best – a world-class performer bleeding into his favourite songs. This scored Ian another no.1 spot in MOJO’s annual chart of Blues recordings.
That May release was followed in November by THE PICNIC SESSIONS, a low-fi back-porch project with friends in the USA. What was intended to be a fan-club-only side project quickly gained momentum, resulting in a label-backed full release in January 2015. The album has Ian, Luther Dickinson, Alvin Youngblood Hart and Jimbo Mathus sitting semi-circle around an old ribbon microphone, simply chatting, singing and playing. Recorded in two afternoon sessions, The Blues magazine made it their Jan/Feb 2015 featured album, saying “The strength and feel of Siegal’s voice shows just how effectively and legitimately he can inhabit the vocal traditions of Mississippi.”
In 2013, after 10 years of touring Europe with an unchanged band, Ian recruited entirely new personnel, three young players based in Holland (average age 23). It was, he says - “one of the best decisions I have made in a long while.” The band brought a new energy and a fresh approach to Ian’s songs. Eager to let the world hear the results, ONE NIGHT IN AMSTERDAM was recorded at the North Sea Jazz Club in Amsterdam and releases March 9, 2015.
MEMORABLE MOMENTS
Ian has become established in Europe as one of the most natural, exciting and vibrant talents on the Blues-roots-Americana scene. Each year the stages get bigger, but what sticks most in Ian’s mind is his guest appearance with then 92-year old Pinetop Perkins and some of the other remaining members of Muddy Waters’ band. This was at London’s Jazz Café in 2005 to a packed house. Then later at a festival in Norway, in a role reversal, these legends of post-war Blues spontaneously joined Ian on stage for what turned into a memorable hour-long set.
In a twist to his career, Ian performed for several years (2009-12) with France’s Orchestre National de Jazz in a program of Billie Holiday songs entitled “Broadway in Satin.” Backed by a 12-piece orchestra of young hand-picked musicians and accompanied by the French singer, Karen Lanaud, Broadway in Satin has performed at major festivals across France and as far afield as South America and east Africa.
Blues Album Of The Year
MOJO MAGAZINE 2014
MOJO MAGAZINE 2014
British Blues Awards Hall of Fame
2013
2013
Male Vocalist Of The Year
BRITISH BLUES AWARDS 2013, 2012 & 2011
EUROPEAN BLUES AWARDS 2013
BRITISH BLUES AWARDS 2013, 2012 & 2011
EUROPEAN BLUES AWARDS 2013
Album Of The Year
BRITISH BLUES AWARDS 2013
BRITISH BLUES AWARDS 2013
Best Song
BRITISH BLUES AWARDS 2013
BRITISH BLUES AWARDS 2013
Best Contemporary Album
BLUES MUSIC AWARDS NOMINEE 2013 & 2012
BLUES BLAST MUSIC AWARDS NOMINEE 2013
BLUES MUSIC AWARDS NOMINEE 2013 & 2012
BLUES BLAST MUSIC AWARDS NOMINEE 2013
Acoustic Artist Of The Year
BRITISH BLUES AWARDS 2012
BRITISH BLUES AWARDS 2012
Band Of The Year
BRITISH BLUES AWARDS 2010
BRITISH BLUES AWARDS 2010
Blues album Of The Year
MOJO magazine 2009
MOJO magazine 2009
Labels:
Ian Siegal,
One Night In Amsterdam,
Release
Brad Hatfield - For A Change - New Release review
I just received the newest release, For A Change, from Brad Hatfield and it's got quite a sting. Opening with That's My Home, a blues rocker, Hatfield handles lead vocals and Bob Britt is hot on guitar. Kevin McKendree (keys), Tommy MacDonald (bass) and Tom Hambridge (drums) round out the package. This track brings to my mind the late great Bill Perry, too soon gone. Back Door Scratchin' has a funky under tone but it's really blues with edge and again love Hatfield's vocals and Britt's guitar work. Excellent! On easy shuffle track, Behave Yourself, it's McKendree who shines instrumentally with really nice piano work and Britt's solo work had a bit more of an acoustic feel. Smarter Than I Was has a heavier rock feel , still with a blues base. I grinding rhythm and swirling guitar riffs proliferate this track. Very cool. Devil On Both Shoulders is a country rock 2 stepper led by Hambridge on drums and the slide work of Britt. Hatfield has plenty of swagger, heavy bottom by MacDonals and prominent piano work of McKendree gives this track plenty of roll. So Much, So Little has a real nice bluesy feel with Hatfeld on both lead vocal and harp. With hot drum work from Hambridge, this is one of the coolest tracks on the release. Slow blues number, Never Finished Nothin' allows Hatfield to show his soulful side and Britt throws down some absolutely excellent guitar riffs. MacDonald sets the course with a strong bass line and again McKendree's piano work is stellar. Excellent! Good Love After Bad is a cool boogie track with a sound of modern Cream with organ. Quite a nice track. Drink, Drank, Drunk has a has a super cool boogie rhythm and a great pace that keeps you moving in your seat (or more). Britt puts together an unusual guitar solo really emphasizing the country nature of the track (by juxtaposition) and the keyboard rhythm is cool. Title track, For A Change, has more of a casual "radio" feel with an easy to like melody and warmly matched instrumental accompaniment. Swamp Poker is another track with plenty of kick. An easy country feel, say like Lay Down Sally, with simple guitar riffs makes it universally appealing. McKendree really kicks the last track, Burbank's Boogie off with an incredible piano roll. Hatfield kicks it into gear sounding like a new era Little Richard. Not only vocally but pn harp, Hatfield is on fire. This is a great track to wrap up the release. Super release with a lot of something for everyone!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Tuesday, January 6, 2015
Delta Groove welcomes Tony Braunagel
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Labels:
Delta Groove,
Tony Braunagel
Canadian Blues Legend Big Dave McLean Is "Faded but Not Gone" on Label Debut CD for Black Hen Music, Due March 3
Big Dave McLean
Is Faded but Not Gone on Label Debut CD for Black Hen Music, Due March
3
Producer Steve
Dawson Assembles All-Star Cast to Back the Legendary Canadian Bluesman, Along
with Special Guests Colin Linden, Colin James and The McCrary
Sisters
NASHVILLE, TN – Black Hen Music announces the signing of
legendary Canadian bluesman Big Dave McLean, and will release his label debut
CD, Faded but Not Gone, on March 3. Produced by Black Hen label
main-man Steve Dawson, who also adds his award-winning guitar talents throughout
the album, Faded but Not Gone was recorded at The Henhouse in
Nashville, Tennessee, and engineered by the acclaimed Bil VornDick. Besides
Dawson, the all-star cast of players backing McLean for the sessions features
Kevin McKendree (Delbert McClinton, Brian Setzer) on keyboards, John Dymond on
bass and Gary Craig on drums. Special guests include Colin Linden, Colin James
and The McCrary Sisters. The organic qualities of the music on Faded but
Not Gone extended even to the cover shot, taken at the old school photo
booth in Jack White’s Third Man Records store in Nashville.
The dozen tracks on the new CD include a healthy dose of Big
Dave McLean originals, as well as cool covers of songs from Skip James (“Devil
Got My Woman”), Tampa Red (“Dead Cat on the Line”), Tom Waits (“Mr. Siegal”),
Ray LaMontagne (“Devil’s in the Jukebox”) and The Wood Brothers (“One More
Day”), plus Dave’s gritty take on the traditional title song. Throughout the
album, McLean’s well-worn vocals, soulful guitar playing and mean harmonica
wails permeate each track with an authority and passion that is
palpable.
“It has been an extreme pleasure and privilege to work
alongside such incredibly talented and gifted musicians and singers,” said Big
Dave McLean about the recording sessions. “I feel we set out to make a great
recording, and we totally accomplished our goal.”
With a voice and delivery that recalls the great Long John
Baldry, Big Dave McLean has been the heart and soul of the Winnipeg, Canada,
music scene and been singing the blues better than anyone there for decades. A
Juno and Western Canadian Music Award-winner, McLean channeled the recent loss
of his mother and brother into a vital, deeply heartfelt expression of loss and
recovery on the songs from Faded but Not Gone,
making it his most personal album to date.
That soulfulness truly manifests itself in particular on two
of Dave’s original compositions: “Shades of Grace,” a lovely and poignant
tribute to his mother, who used to sing “Amazing Grace” to him when he was a
child; and “The Fallen,” an elegy to his brother, who passed away the week
before the song was recorded.
“Everything about this project blew my mind – especially
Steve Dawson,” recalled McLean. “Spending a week down in Nashville with his
family was an amazing experience. I visited an old slave plantation, went to the
Grand Ole Opry and sat in with Colin Linden’s regular jam session. I have always
been into Delta blues and early Chicago blues, but it was nice to step it up and
play in a more of a country blues style on songs like ‘Devil in the Jukebox’ and
‘One More Day.’ The whole experience touched me deeply.”
Tas Cru - You Keep The Money - New release Review
I just received the newest release from Tas Cru and it builds nicely on the foundation of his last release. Opening with You Keep The Money, a Latin flavored rocker with a blues twist, Cru on vocal and guitar is accompanied by Dick Earl Ericksen on harp, Ron Keck on percussion, Dave Olson on drums and Bob Purdy on bass. Next up is A Month of Somedays, a nicely executed blues ballad. Cru shows his patience on a nicely executed guitar intro and Guy Nirelli warms the bottom with smooth organ work. A really nicely executed guitar solo caps the track. Very nice! Half The Time is a country rock fused blues track (think Jimmy Rogers). Snappy guitar riffs and cool backing vocals by Mary Ann Casale and Alice "Honeybea" Ericksen give this track that extra kick. La Belle Poutine is a really nicely executed blues ballad a la Gary Moore. Clean and nicely articulated guitar lead by Cru and nice electric piano work from Chip Lamson and again Nirelli on organ makes this my favorite on the release. Excellent! Funky, Heart Trouble had a nice feel and snappy drum work from Olson. Again, clever guitar riffs, piano lines and backing vocals from Casale and Ericksen balance the track. A Little More Time has a pop feel with easy jazz like guitar riffs and backing vocals. Could be a radio wonder. One Bad Habit is a easy stepping shuffle with nice harmonies. A feel good track it is surely a crowd pleaser. Take Me Back To Tulsa is driving track with great bass riffs. Cru leads the way on this one vocally with nice backing and lamson does a really nice job on piano. Ericksen blows a nice harp solo on this track and Cru sticks a country infused guitar solo giving it a real Tulsa flair. Cool track! Count On Me is a real swingin blues shuffle with a solid bass line. Nicely blended vocals and strong construction make this another track that could get good airplay. Holding On To You is a simple ballad with warm backing vocals and nicely blended harp overtones and a warm bed of organ. Bringing Out The Beast has a nice swagger and kind of reminds me of an old Little Feat track. Simple clean guitar riffs and harp work over a gritty vocal track and suspended organ work gives this track it's bite. Wrapping the release is Thinking How To Tell Me Goodbye, a country 2 stepper. With authentic country styling, harp and acoustic riffs, this track gets er done.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
Review,
Tas Cru,
You Keep The Money
Monday, January 5, 2015
Willie "Popsy" Dixon, Drummer/Vocalist Of The Holmes Brothers, Diagnosed With Cancer
WILLIE "POPSY" DIXON, DRUMMER AND VOCALIST OF ACCLAIMED SOUL/BLUES BAND THE HOLMES BROTHERS, DIAGNOSED WITH CANCER
Willie "Popsy" Dixon, drummer and vocalist of the critically
acclaimed soul/blues band The Holmes Brothers, has been diagnosed with
stage four bladder cancer. He is celebrated for his soaring, soulful
multi-octave vocals and his driving, in-the-pocket drumming. Shortly
after performing with the band on December 6, Dixon was hospitalized
with pneumonia. Doctors then discovered the cancer. He is currently in
hospice care in Virginia.
Dixon, born in Virginia Beach, Virginia on July 26, 1942, met brothers Sherman and Wendell Holmes at a New York gig in 1967. Dixon sat in with the brothers and sang two songs. "After that second song," recalls Wendell, "Popsy was a brother." They played in a variety of Top 40 bar bands until 1979, when the three officially joined forces and formed The Holmes Brothers band. The band has toured the world, releasing 12 albums starting with 1990's In The Spirit on Rounder. Their most recent release is 2014's Brotherhood on Alligator. The New York Times calls The Holmes Brothers "deeply soulful, uplifting and timeless."
In September 2014, The Holmes Brothers were honored with a National Endowment For The Arts National Heritage Fellowship, the highest honor the United States bestows upon its folk and traditional artists.
Fans can leave messages for Dixon at The Holmes Brothers Facebook page.
Dixon, born in Virginia Beach, Virginia on July 26, 1942, met brothers Sherman and Wendell Holmes at a New York gig in 1967. Dixon sat in with the brothers and sang two songs. "After that second song," recalls Wendell, "Popsy was a brother." They played in a variety of Top 40 bar bands until 1979, when the three officially joined forces and formed The Holmes Brothers band. The band has toured the world, releasing 12 albums starting with 1990's In The Spirit on Rounder. Their most recent release is 2014's Brotherhood on Alligator. The New York Times calls The Holmes Brothers "deeply soulful, uplifting and timeless."
In September 2014, The Holmes Brothers were honored with a National Endowment For The Arts National Heritage Fellowship, the highest honor the United States bestows upon its folk and traditional artists.
Fans can leave messages for Dixon at The Holmes Brothers Facebook page.
IBC Artist Announces European/UK Tour
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Labels:
Crossroads Blues Society,
Dan Phelps,
IBC
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