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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Todd Wolfe. Show all posts
Showing posts with label Todd Wolfe. Show all posts

Friday, February 2, 2018

Rose Cottage Records artist: Peter Karp - Blue Flame - New Release Review

I just had the opportunity to review the most recent release, Blue Flame, from Peter Karp and it's a cool blues rocker. Opening with Rolling On A Log, Karp on lead vocal and guitar is joined by Kim Wilson on harp, Daniel Pagdon on bass and Paul Unsworth on drums. Kicking it up a gear, Train O' Mine is a hard driving blues rocker with Dave Keyes on piano and Dennis Gruenling sailing on harp. Warming things up a bit with slide resonator Karp gets a little greasy on Valentine's Day. Very nice. Quiet ballad, The Turning Point develops nicely into a radio style track with an interesting melody and featuring a nice guitar solo by Mick Taylor. My favorite track on the release is The Arson's Match with a distinct Elmore James feel. Featuring Karp's best vocals on the release, hot harp from Wilson and Karp and fat fat slide, nice track. A laid back, rural feel is the ticket on From Where I Stand and another of my favorites on the release. A bright melody, clean vocals and mandolin by John Zarra make this another top radio track.  Boogie, The Nietzsche Lounge has a great groove and gets your foot stomping. Karp handling vocal and piano with a great guitar boogie line supporting it makes this another outstanding track. Wrapping the release is Young Girl, a stripped down blues track with raw energy and Karp's overblown vocals with resonator accompaniment. I like this sound. Cool closer. 

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Tuesday, February 7, 2017

Rose Cottage Records artist: Peter Karp - Alabama Town - New Release review

I just had the opportunity to review the most recent release, Alabama Town, from Peter Karp and it's rich with texture. Opening with title track, Alabama Town, Peter Karp takes the lead on vocal and guitar, joined by Daniel Pagdon on bass, Mike Catapano on drums, and John Zarra on mandolin. A solid rocker and opener. With a driving swing, Till You Get Home, has great feel. Karp's vocals are crisp and Mike Latrell's piano work is smart. On That's How I Like It, a modern blueser the guitar tones are fat and rich joined by Dennis Gruenling on harp. Very cool. Shuffle track, Blues In Mind features real cool piano work and key backing vocals by Dae Bennett, Joanie Coleman, Kesha Love, Toni Summler and Elliot. On bluesy ballad, I'm Not Giving Up, Karp sings soulfully over arpeggiated guitar chords. Warm gospel like choral backing and stinging guitar soloing by Mick Taylor makes this one of my favorites on the release. The Prophet has a stripped down blues form featuring Karp on resonator, James Karp on guitar, Gruenling on harp and cool stagger drumming making this another of the standout tracks on the release. Leanne Westover sits in on Kiss The Bride performing a duet with Karp for a track with real country flavor, highlighted by Zarra's mandolin work. Very nice. Lost Highway has a real nice New Orleans rhythm with smooth vocal blending. Y'All Be Lookin' has a cool boogie beat and karp's vocal phrasing is spot on. Aggressive guitar tone on this track and a cool walking bass line makes this another of my favorites. Garth Hudson adds his distinctive accordion styling to cool, acoustic ballad, I Walk Alone. Wrapping the release is Beautiful Girl, an easy going acoustic blues featuring sweet harp lines by Gruenling and Karp accompanying himself on guitar. Very nice closer for a solid new release.

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Wednesday, January 14, 2015

American Showplace Music artist: John Ginty - Bad News Travels Live - New Release Review

I just received a cool new 2 CD release, Bad News Travels from John Ginty and it's quite live, tight and entertaining. Opening with Switch, a walking bass line driven B3 extravaganza. Paul Kuzik sets the tempo and Ginty takes over where Booker T left off. With a double drums setup featuring Dan Fadel and Andrei Koribanics this is a tight track. Very nice! Arrivals is a funky jam with cool guitar lines by Mike Buckman and Ginty playing against his retort. Next up is Black Cat featuring Albert Castiglia. A slow blues groove, Ginty sets a really nice stage for Castiglia to take the lead on vocal and guitar. I've only ever seen Castiglia on Youtube (never live) and he is an exceptional player. I am looking forward to seeing him if he ever makes it to Phoenix. He doesn't over sing, his phrasing is inviting and his vocals are really nice. Ginty plays both piano and B3 solos taunting Castiglia into a really sweet and extremely fiery guitar solo. Excellent! On funk infused Elvis Presley, again Castiglia takes the lead on vocals with the feel of Boz Scaggs. I've reviewed a few of his releases and all favorable but watching him in person quickly elevates him to the list of people who I want to see in person soon! Castiglia's smokin' soloing played against Ginty's strong improvisational skills on keys makes this one terrific track. Up next is Peanut Butter, an easy shuffle featuring Todd Wolfe. Ginty's B3 work is exemplary and Wolfe grabs his tele just choking the life out of it. I've seen Wolfe in concert a few times and have always walked away smiling but Ginty coaxes a flame thrower out of Wolfe's bag of tricks. Excellent! I think that I mentioned that it was hard for me to fathom a blues band that was primarily built around a B3 player but Ginty is one guy who can really carry it off. He is no wallflower and really cooks the keys. On Rock Ridge, there is a cool phase shift during the B3 intro that messes with your head a little bit. Wolfe uses a coricidin bottle to get his slide tone before breaking into a cool jazz style jam with Kuzin walking the bass lead and Ginty and Wolfe stretching it out. Very nice! Next up is Seven and the Spirit, a bluesy rocker featuring Alexis P. Suter. Last year I reviewed Suter's terrific new release and it's a pleasure to see her join Ginty on stage with her guitar player, Jimmy Bennett. This is one of today's elite female blues singers with Jackie Scott and Karen Carroll in my opinion. Bennett lays into his Les Paul and Ginty adds substantially to the track with his well heeled organ work, along with the drumming of Fadel and Koribanics elevating the track to a full revival feel (Can't Turn You Loose).

Disc two opens with guitarist/vocalist Cris Jacobs and Castiglia, Suter and Ginty on stage for Damage Control, a funky rocker with more than a little taste of country. Jacobs knows his way around the telecaster and plays some blistering solos but also venturing into Jerry Garcia territory in style. Castiglia, playing his custom strat style guitar with rosewood fretboard and what look like some pretty expensive humbuckers. Sharing vocals on this track each player gets a chance to take his day in the spotlight making for a pretty cool jam. The Quirk opens with a cool B3 riff from Ginty, joined by Castiglia and Jacobs. Kuzik is solid on bass and Ginty gets a chance to stretch a bit. Jacobs takes the first guitar solo with a very round sound for a tele. Castiglia is up next mowing the fretboard's upper register. Ginty brings the tension back down with his laid back melody before driving off on his own solo. Off the Cuff is a keyboard feature track for Ginty with primarily drum and bass backing. The duo drumming actually brings me in mind of early Allmans with Trucks and Jainoe. Listening to it multiple times I actually think I hear a trace of Trouble No More hiding in there somewhere. Fadel and Koribanics take a pretty nice drum break showing the cleanliness and coordination of two guys who play a lot together. Ginty takes a free form solo without any backing. Creating a musical impressionistic painting as an abstracted graphic forms on the screen is a definite change. Sliding right in to the beautiful intro of Mirrors, Ginty and Jacobs trade riffs before opening into a funky rock track. Jacobs gets a Santana like tone out of his tele and plays sparingly as Ginty crafts the body of the track, taking extended times breathing very soulful solos from his tele. Very nice! Wrapping the release is Trinity featuring all of the guest artists along with Ginty and band. Again, a tent raising revival style track finds Ginty leading the way. Breaking into a smooth sway Castiglia is fist to take the floor followed closely by Jacobs. Shifting gears again to a bit of a pop feel, Ginty creates a theme line and Buckman gives his first solo. Jacobs isn't far behind with a hot blistering riff followed by Bennett on slide. Castiglia paces himself taking the longer of the solos with plenty of spark. Wolfe is also more patient but lays out a crisp solo as well. Cool conclusion to a really nice show.

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Saturday, August 30, 2014

American Showplace Music artist: John Ginty - Bad News Travels DVD - New Release Review

I just received a cool new DVD from John Ginty, The Showplace Sessions Live. This is a live video session of Bad News Travels and it's quite live, tight and entertaining. Opening with Switch, a walking bass line driven B3 extravaganza. Paul Kuzik sets the tempo and Ginty takes over where Booker T left off. With a double drums setup featuring Dan Fadel and Andrei Koribanics this is a tight track. Very nice! Arrivals is a funky jam with cool guitar lines by Mike Buckman and Ginty playing against his retort. Next up is Black Cat featuring Albert Castiglia. A slow blues groove, Ginty sets a really nice stage for Castiglia to take the lead on vocal and guitar. I've only ever seen Castiglia on Youtube (never live) and he is an exceptional player. I am looking forward to seeing him if he ever makes it to Phoenix. He doesn't over sing, his phrasing is inviting and his vocals are really nice. Ginty plays both piano and B3 solos taunting Castiglia into a really sweet and extremely fiery guitar solo. Excellent! On funk infused Elvis Presley, again Castiglia takes the lead on vocals with the feel of Boz Scaggs. I've reviewed a few of his releases and all favorable but watching him in person quickly elevates him to the list of people who I want to see in person soon! Castiglia's smokin' soloing played against Ginty's strong improvisational skills on keys makes this one terrific track. Up next is Peanut Butter, an easy shuffle featuring Todd Wolfe. Ginty's B3 work is exemplary and Wolfe grabs his tele just choking the life out of it. I've seen Wolfe in concert a few times and have always walked away smiling but Ginty coaxes a flame thrower out of Wolfe's bag of tricks. Excellent! I think that I mentioned that it was hard for me to fathom a blues band that was primarily built around a B3 player but Ginty is one guy who can really carry it off. He is no wallflower and really cooks the keys. On Rock Ridge, there is a cool phase shift during the B3 intro that messes with your head a little bit. Wolfe uses a coricidin bottle to get his slide tone before breaking into a cool jazz style jam with Kuzin walking the bass lead and Ginty and Wolfe stretching it out. Very nice! Next up is Seven and the Spirit, a bluesy rocker featuring Alexis P. Suter. I just reviewed Suter's terrific new release and it's a pleasure to see her join Ginty on stage with her guitar player, Jimmy Bennett. This is one of today's elite female blues singers with Jackie Scott and Karen Carroll in my opinion. Bennett lays into his Les Paul and Ginty adds substantially to the track with his well heeled organ work, along with the drumming of Fadel and Koribanics elevating the track to a full revival feel (Can't Turn You Loose). Guitarist/vocalist Cris Jacobs and Castiglia join Suter and Ginty on stage for Damage Control, a funky rocker with more than a little taste of country. Jacobs knows his way around the telecaster and plays some blistering solos but also venturing into Jerry Garcia territory in style. Castiglia, playing his custom strat style guitar with rosewood fretboard and what look like some pretty expensive humbuckers. Sharing vocals on this track each player gets a chance to take his day in the spotlight making for a pretty cool jam. The Quirk opens with a cool B3 riff from Ginty, joined by Castiglia and Jacobs. Kuzik is solid on bass and Ginty gets a chance to stretch a bit. Jacobs takes the first guitar solo with a very round sound for a tele. Castiglia is up next mowing the fretboard's upper register. Ginty brings the tension back down with his laid back melody before driving off on his own solo. Off the Cuff is a keyboard feature track for Ginty with primarily drum and bass backing. The duo drumming actually brings me in mind of early Allmans with Trucks and Jainoe. Listening to it multiple times I actually think I hear a trace of Trouble No More hiding in there somewhere. Fadel and Koribanics take a pretty nice drum break showing the cleanliness and coordination of two guys who play a lot together. Ginty takes a free form solo without any backing. Creating a musical impressionistic painting as an abstracted graphic forms on the screen is a definite change. Sliding right in to the beautiful intro of Mirrors, Ginty and Jacobs trade riffs before opening into a funky rock track. Jacobs gets a Santana like tone out of his tele and plays sparingly as Ginty crafts the body of the track, taking extended times breathing very soulful solos from his tele. Very nice! Wrapping the release is Trinity featuring all of the guest artists along with Ginty and band. Again, a tent raising revival style track finds Ginty leading the way. Breaking into a smooth sway Castiglia is fist to take the floor followed closely by Jacobs. Shifting gears again to a bit of a pop feel, Ginty creates a theme line and Buckman gives his first solo. Jacobs isn't far behind with a hot blistering riff followed by Bennett on slide. Castiglia paces himself taking the longer of the solos with plenty of spark. Wolfe is also more patient but lays out a crisp solo as well. Cool conclusion to a really nice show.

 The extras include an impromptu interview with Ginty as he sets up his B3 and Leslie. This is primarily an opportunity to meet John the man and his dedication to his own craft. Another feature is an interview with producer/director Ben Elliott. A walk around the control room shows the super analog equipment present in Showplace studio. Some of the history of the studio and equipment and it's significance to the sound is really cool. Additional footage shows the live room where the musicians sit. An explanation of how the acoustics are controlled and different acoustic effects as well as isolation rooms are featured.  

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Thursday, August 8, 2013

American Showplace artist: John Ginty - Bad News Travels - New Release Review

I just received the new release, Bad News Travels, from John Ginty and it's really quite good. It's unusual that I find a release that is actually built around an organ player (James Brown and Lucky Peterson) but here's one. Opening with The Quirk, Ginty starts this instrumental track with a B3 vamp and slowly piece by piece the band joins in. Dan Fadel on drums, Paul Kuzik on bass and then out pops an outrageous guitar player.... Albert Castiglia. Playing a blues rock fusion, this track rips! (Listen to those drums!) On Black Cat, Ginty slows everything down and Castiglia takes the mic for some really nice vocals. Ginty plays really soulful B3 keys against really tasty blues riffs by Castiglia. Peanut Butter, another instrumental, has a great hook driven by Ginty on keys and Todd Wolfe steps in playing great response to Ginty's call on guitar. This is some really intense guitar work and I credit Ginty not only for assembling this great crew of musicians and building the tracks, but also for bringing out the best in all of these musicians. On a more pop oriented track, Seven & The Spirit, Alecia Chakour takes the lead on vocals and Neal Casal sits in on guitar. This is definitely the airplay track of the release and it should do quite well. Chakour has a great voice for this style track and Casal plays a super melodic, well articulated guitar solo to top off the track. Next Up is Mirrors, a high steppin instrumental featuring Warren Haynes on guitar with a solid overdriven guitar tone with an attack more like Santana than I have heard from him. The track takes a bit of a Latin turn as Ginty solos on B3 and Fadel and Kuzik absolutely jam. Really nice. Switch really features Ginty on keys more than any other track and it's a driver. With tom tom work pushing the bottom, Ginty really gets the most out of his 3 piece band on this cool jazz instrumental. On Damage Control, Ginty gets a bit more of the New Orleans beat going and Castiglia is back on vocal and guitar. A hot country blues like guitar solo erupts and Cris Jacobs joins on acoustic guitar and backing vocals. Rock Ridge features Martie Maguire on fiddle starting with a bit of a folk/mountain sound but then breaking into a full blown jazz rock track, not unlike early Dregs stuff. This is a really cool track showing yet more versatility from Ginty and crew. Castiglia joins again for the funky Elvis Presley. With clever lyrics and and great vocals, Castiglia leads the way on this track, laying down a really sweet solo with a lot of feel. Ginty unloads some heavy sounds on this track and the bottom is solid and consistent. This is a cool track and should meet a totally different audience than the standard radio play group... this could be the big one! Just the right amount of hook and heft. Trinity is a full blown foot stomper featuring Cris Jacobs on guitar. Breaking midwave it takes on a gospel like swing and is a super closer. This is a really super release and one that could appeal to a very wide audience with loads of guitar, great writing great beats and of course cool keys.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

This track is not from the release but does show the texture of Ginty's music.