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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Tuesday, November 4, 2014

Jimmy Barnes To Release HINDSIGHT on January 27, 2015

MASCOT RECORDS AND JIMMY BARNES ANNOUNCE JANUARY 27 RELEASE DATE FOR HINDSIGHT
15th Studio Album Marks Barnes' 30th Anniversary of Debut As Solo Artist, and Features Little Steven, The Baby Animals, Tina Arena & Joe Bonamassa, Family Members Diesel and Mahalia, and More in Celebrating Extraordinary Milestone

New York --- Mascot Label Group's Provogue label and Jimmy Barnes have announced a January 27, 2015 release date for HINDSIGHT.  The album marks his 30th anniversary as a solo artist, and his 15th studio release since stepping away from Cold Chisel. No Australian artist has enjoyed a more prolific, legendary career down under than Barnes, who has enjoyed fame and success on a global scale.  He enjoyed an unparalleled and unbroken streak of six chart-topping albums in a row, spanning the 1980s and into the ’90s. Just like Cold Chisel previously, his solo work literally provided the soundtrack for a generation of Australians.  The incredible statistics of nine number one albums in total (all but one of his 14 studio albums debuting inside the Top 3), alongside his dual induction in to the ARIA Hall of Fame (as a solo artist and member of Cold Chisel), have cemented Barnes legacy as one of the great Australian recording artists of all time.

HINDSIGHT sees Barnes surrounded by family and friends, revisiting some of the biggest hits from throughout his solo career, along with a few deeper cuts.   His family members contributing to the album include daughter Mahalia, son David Campbell and brother-in-law Diesel. His friends who collaborated on the recordings feature Jon Cain and Neil Schon of Journey, The Living End, Tina Arena, Steven Van Zandt, Joe Bonamassa and more.

Barnes shares, "I was trying to do something special for the 30th anniversary. Chisel did STANDING ON THE OUTSIDE, where we got a lot of our favorite bands to record our songs. It’s a great idea, but everyone’s been doing it. So I thought, I’ll get all my favorite acts and I’ll get to sing with them! It’s either me being the singer, or doing duets.  I tour a lot and I’m always stimulated by support bands and all the musicians I work with. Over the years I have done lots of collaborations – DOUBLE HAPPINESS was an album of duets, and I’ve recorded with Tina Turner, INXS, John Farnham, Joe Cocker and many others."  He continues, "These songs are important to me - I wouldn’t go out there and change the essence of the songs.  But I didn’t bring in all these great artists to tell them what to do - I’m actually working with them because I’m learning from them. It was like, ‘What are we going to do with this and have fun with it?’ They sound like new songs now and really fresh to sing.  I’d come up with a shortlist. Basically, I had a good idea of the artist I wanted for each song - I didn’t want to put square pegs into round holes. The whole thing has been made quite quickly and spontaneously.  The first track we put down was ‘Ride The Night Away’ which was originally on FOR THE WORKING CLASS MAN album.  Back then Steven Van Zandt sent that song to me via Gary Gersh, who was the A&R man for Geffen Records in America. It was a little demo that he’d recorded on a Dictaphone. There was nothing else on it, just Steven scatting. Steven and drummer Steve Jordan had written this song specifically for me. When I got it, it was just the perfect demo. I just put it in the right key for me and I did it. I’ve been a fan of Springsteen since 1973 – the E Street Band is one of my favorite bands in the world, but I’d never seen them live – we’d never crossed paths and I was always working when they were touring. But when they came back to Australia this time (March, 2014), and I was working with them in New Zealand, I got this idea in my head that I would like to do the song with Steven. I went up to him and said, 'This song you sent me 30 years ago, I wouldn’t mind recording it with you.' So Steven came to my house. My son [Jackie] played drums, and I got Steven playing the guitar solo and singing harmonies. Virtually, it was take three, but we spent about 12 hours together, just talking."

Kevin Shirley reconvened with Barnes to produced HINDSIGHT, collaborating together for the first time since Cold Chisel’s final album NO PLANS.  Shirley brought Joe Bonamassa in to the sessions, where he is featured on ‘Too Much Ain’t Enough Love" and also plays on "Stone Cold."   From there, it snowballed. Mark Lizotte, Diesel, The Living End, Barnes' daughter Mahalia, and one of his personal favorites Jon Stevens joined the fold.  He reflects, "I recorded ‘I’d Rather Be Blind’ with Jon Stevens, one of my favorite singers of all time. We’re dear mates, we’ve grown up together. He used to support me when he was a young singer, and now we do gigs together all the time. So to get Jon to sing with me was really special.  Baby Animals doing ‘Time Will Tell’ is a great, great version.  LOVE AND FEAR and PSYCLONE were albums that were reasonably lost compared to the others, so to go back and cover songs like 'Time Will Tell' and ‘Love and Hate’ (with Shihad) was a great experience and gave us a chance to breathe some fresh life into them and reintroduce those songs to people who buy my records.”  In celebrating this occasion collaborating with his brother-in-law Diesel (Mark Lizotte), he offers, "'I'd Die To Be With Tonight' was a big song for me, one of the pivotal songs of my career. I wanted to work with Diesel and I said, ‘What song would you like to do?’ and that was his first choice loved. It’s modernized the song but also took me back to 1987, or whenever it was when THE INJECTORS album came out and when I was first recording that song.“  Perhaps most special is the featured appearance of his daughter Mahalia, who sings "Stand Up" with Barnes.  He states, "Mahalia is a beast – she’s a phenomenal singer. She’s one of the best girls I know. I know I’m biased, because I’m her father, but she’s got a great work ethic, she sings harder than anyone I know, she’s a caring person, a great mother and she’s a great mentor for young artists.  She picked ‘Stand Up’, which is one of my favorite tunes from the HEAT album. Mahalia and her band, The Soul Mates, did it first take, and it was just frightening – it reminded me of Sly and the Family Stone."

Barnes is a gifted artist who has made extraordinary contributions to the global music scene.  This truly is a celebration wherein songs that have been the soundtracks to the lives of millions find a reinvention with freshness, energy and a new timeless appeal. The complete track listing includes:
"Lay Down Your Guns" w/ The Living End; "Time Will Tell" w/ The Baby Animals; "Ride The Night Away" w/ Little Steven; "Stand Up" w/ Mahalia Barnes & The Soul Mates; "I'd Die To Be With You" w/ Diesel; "Stone Cold" w/ Tina Arena & Joe Bonamassa; "Working Class Man" w/ Jon Cain and Ian Moss; "Going Down Alone" w/ Neal Schon and Jon Cain; "Love And Hate" w/ Shihad; "No Second Prize"; "I'd Rather Be Blind" w/ Jon Stevens; "When Your Love Is Gone"; "The Other Kind"; "Walk On" w/ David Campbell and "Still On Your Side" w/ Bernard Fanning.




Dr. Sam Records artist: Stacy Mitchhart - Live My Life - New Release Review

I just received the newest release, Live My Life, by Stacy Mitchhart and it's a blues rockin' party. Opening with I Drink Whiskey, the thoughts of George Thorogood come to mind with a driving bass by Michael Dearing, harp from Jacob Titton and guitar and vocals from Mitchhart. Mitchhart whips out his cigar box guitar for this next number, Lennon and McCartney's Come Together. Maintaining the general structure of the original, Mitchhart takes a more extended look at guitar soloing and Darin James is instrumental in keeping the track rock solid. With a bit of a Jimmie Rogers western feel, Tilton lays down the B3 while Mitchhart grinds away at the frets. Nice! R&B track Voodoo Doll rides a nice groove. Tipton on B3 lays the ground work for Mitchhart on vocal and Cory Distefano (trumpet) and Jules Caldarera (sax) top off the punctuation. Instrumental track Soul Stroll finds Mitchhart playing the melody on guitar, shared with Tipton on B3 and again with perfect punctuation by Distefano and Caldarera. Bill Withers' Better Off Dead, has a really swampy groove augmented by Dearing and Tipton. This is my favorite track on the release with nicely placed and cool guitar work. Darin James and Pino Squallace really sauce up the rhythm. Excellent! On title track Live My Life, Mitchhart keeps it simple with only his cigar box guitar and basics. He does rip a healthy 6 string solo on this track as does Tipton on harp. On I'm The Reason (She Walks That Way) has an easy swing and features real nice solos from John Hinchey on trombone, Distefano on trumpet and Caldarera on sax. On Gil Scott Heron's Legend In His Own Mind, Mitchhart really hits the groove. Emanuel Cole lays down some nice bass work and Mason Embry is tight on the keys. A horn prominent track, Distefano and Caldarera add a lot of warmth to a smooth vocal outing. Boogie Bar & BBQ has a country rockin' feel with Mitchhart on slide and lap steel guitars. Darin James really keeps the bottom tucked in for that true "train like" country sound. Slippery! Two steppin' instrumental Cat Bowl Blues is a foot stomper with simple rhythm and wild cigar box slide antics. Fun! Wrapping the track is 12 bar number, Worried Mind Blues. Micthhart not only does a nice job on vocals but also adds ukelele and some slick dobro. Rev. Zack Reynolds slips in a nice harp solo with his percussion duties and Scott McEwen adds a nice line on stand up bass.

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Monday, November 3, 2014

Australia's Anni Piper Launches 2014 Florida Tour November 13 in Punta Gorda

 
 
Back from Australia, bassist-vocalist, Anni Piper, brings her lively blend of "Saucy Aussie" blues to Florida for a tour that kicks off in Punta Gorda on Thursday, November 13.
More info at  www.annipiper.com.
ANNI PIPER, AUSTRALIA'S AWARD-WINNING FIRST LADY OF BLUES LAUNCHES 2014 FLORIDA TOUR ON NOVEMBER 13 IN PUNTA GORDA
 
 
Performs Locally: Two Brothers Home Style Cooking - Thur. Nov. 13
 
 
 
 
   (PUNTA GORDA, Fl)  - Back from Australia, Anni Piper brings her lively blend of "Saucy Aussie" blues to Florida for a tour that kicks off Thursday, November 13 in Punta Gorda at Two Brothers Home Style Cooking, 307 E. Marion. 7 p.m. show. Free. Info: (941) 347-8483 or http://2brothershscpg.wix.com/2brothershscpg.

  Anni Piper blends deep, sexy vocals with a high-energy bass playing style (often barefoot), making for a thoroughly enjoyable live experience.
On the recording end, Piper won "Best Blues Album" at the 2013 Canberra Roots & Blues Awards in Australia for her collaborative effort with Nicole Hart on the critically-lauded Split Second (Blues Leaf Records). Piper was also nominated in the "Female Vocalist Of The Year" category for the 2014 Australian Blues Music Awards.
 
 
 
                 Anni Piper, Australia's award-winning First Lady of Blues.
 
 
                                              ANNI PIPER - SOME BACKGROUND
 
     Piper first started playing electric guitar at age twelve, but switched to bass at age fourteen.  In 2004 Anni released an album entitled "Jailbait" in her native Australia, for which she won "Best New Talent" at the 2005 Australian Blues Music Awards. Subsequent album releases include 2007's "Texas Hold 'Em," 2010's "Chasin' Tail" (released by Blues Leaf), and her newest, 2013's "Split Second." Blues Leaf also released "Two's Company,"  a compilation from her two Australian releases.  Throughout her burgeoning career, Piper's charismatic stage presence and sultry vocals have garnered her both great reviews and multiple music industry awards nominations.
 
 
                              WHAT THE MEDIA IS SAYING...
 
 
"If you enjoy award-winning talent with a splash of the wild side, sultry Australian performer Anni Piper won't even come close to disappointing you. And you don't have to travel Down Under!"                     NAPLES DAILY NEWS
 
"Raw and raucous, down and dirty, Down Under blues."   ILLINOIS TIMES                                     
"A songwriter of distinction, her songs have a blues sensibility while still addressing the issues of today."                                                                                  EDMONTON JOURNAL
 
"Barefoot in a red cocktail dress and brandishing both an electric bass guitar and a powerful blues vocal tone, this down under diva makes quite the impression."
                                                                                                                   VERO BEACH NEWSWEEKLY
 
 
 
The Alternate Root magazine invited Anni Piper to perform on their popular television show "The Extended Play," taped this past Spring in front of a live studio audience in Boston. Watch it here:
 
 
                      Anni Piper  - Winter 2014 Tour Itinerary
Nov. 13 (Thur.)
Nov. 20 (Thur.)
Nov. 21 (Fri.)
Nov. 22 (Sat.)
Nov. 26 (Wed.)
Nov.  28 (Fri.)
Nov. 29 (Sat.)
Dec. 4 (Thur.)
Dec. 5 (Fri.)
Dec. 19 (Fri.)
TWO BROTHERS HOME STYLE COOKING
ACES LOUNGE
TITANIC MICROBREWERY
TITANIC MICROBREWERY
ENGLEWOODS ON DEARBORN
MANGROVE MAMAS RESTAURANT
MANGROVE MAMAS RESTAURANT
SOUTH SHORES TAVERN/PATIO BAR
LITTLE BAR
THE ALLEY


  (more dates to be announced)
   Punta Gorda, FL
   Bradenton, FL
   Coral Gables, FL
   Coral Gables, FL
   Englewood, FL
   Sugarloaf Shores,, FL
   Sugarloaf Shores, FL
   Lake Worth, FL
   Goodland, FL
   Sanford, FL
 

  
 

VizzTone Label Group artist: Erin Harpe & the Delta Swingers - Love Whip Blues - New Release Review

I just received the newest release (11/4/14), Love Whip Blues, by Erin Harpe & the Delta Swingers and it's relaxed and enjoyable. Opening with The Delta Swing, Erin Harpe leads the way on vocal and Jim Countryman plays a real nice bass line. Richard Rosenblatt on harp contributes throughout on harp and Bob Nisi hold the tempo on drums. On title track, Love Whip Blues, Harpe shows the dynamics of her vocals on a track from the linage of Memphis Minnie and Dave Gross adds some cool keys effects. Willie Brown's Future Blues is up next with a lot of spring and Sonny Jim Clifford on slide. Good Luck Baby has a R&B favor with a twist of island. A very poppy tune with a smooth melody it's a perfect track for airplay. Lucille Bogan's The M&O Blues has a real nice sway to it, highlighted by the harp work of Rosenblatt and and thick slide work of Bob Margolin. Excellent! One Way Man based on William Moore's One Way Gal is a light springy blues track and a nice showcase for Harpe. Luke Jordan's Pick Poor Robin Clean is a cool little blues ditty. Gross on guitar and mandolin on this track adds to the brightness of the overall feel and a cool bass solo sneaks in there as well. Very nice! Virtual Booty Blues has a springy step and it's obvious that Harpe is having a blast. Rosenblatt adds some really nice riffs on this track giving it that extra taste of blues. Charles River Delta Blues, based on Mississippi Blues by Willie Brown has a real nice feel. A nice jam between Gross on piano, Rosenblatt on harp and Harpe on guitar gives this track a real Chicago feel. Wrapping the release is John Prine's Angel From Montgomery. This is a different and fresh arrangement from the ones most of us are familiar with with a bright mostly acoustic backing. A very nice conclusion to a cool, light and breezy release.

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Sunday, November 2, 2014

Shrapnel Records artist: Chris Duarte Group - Lucky 13 - New Release Review

I just received the newest release, Lucky 13, from the Chris Duarte Group and it cooks! Opening with free wheelin' You Know You're Wrong, Duarte, backed by John McKnight on drums and Kevin Vecchione on bass, this tracks rocks. A relentless drive on the bottom and Duarte's fluid guitar riffs make this a grand opener. Think SRV on an experimental, progressive trip. Angry Man is a cool rock n roller with a nice hook. A simple beat and flashy riffs make this a very appealing track. Crazy For Your Love is a strong blues track with a solid Texas lope. You want a heavy dose of Texas blues...here it is! Excellent! Who Loves You is Chris Duarte meets Clarence Brown. With a definite swing and beautiful Gatemouth like guitar riffs, this track is a winner. Here I Come is a lighter pop style blues track with slick guitar riffs and a definite hook. Let It Go is an intense slow blues track with incredibly inspired guitar soloing. This track is over 9 minutes but believe me, it seems like 3. Brilliant! Man Up returns to a more radio sound with a cool Todd Rundgren feel but with firm Duarte signature. Not Chasing It is nice rockin' guitar jam with a certain looseness. A solid base gives Duarte all the room he needs to lay down a cool line and he just lets it rip. Nice! Weak Wheels is a heavy footed blues rocker with a funky bottom. Cool melody, nice vocal harmonies and a wailing guitar riff....This track will stick with you! Ain't Gonna Hurt No More is a Texas style boogie with a real nice drag. Texas style all the way and Duarte lays it down nice and tasty. next up is Meus Via Vita Suite which is 3 separate concepts, the first, Let's Go For A Ride, which is a cool pop track with what sounds like backward guitar riffs. Part 2 is Minefield Of My Mind which has a much more progressive feel. Totally instrumental, lays down a driving rhythm and then just allows a John McLaughlin like guitar solo go. Really interesting! Part 3, Setting Sun, is a ballad which slows way down with a gospel/R&B feel. Clear concise guitar riffs cap this track. Wrapping the release is Jump The Trane, a real cool guitar shuffle track. Excellent finish to a really hot release !  

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Thursday, October 30, 2014

Full Force Music Management artist: Sterling Koch Trio - Place Your Bets - New Release Review

I just received the newest release, Place Your Bets, from Sterling Koch and it's more purely pop blues than previous releases. Opening with SRV's House Is Rockin', Koch is joined by Jack Kulp on harp and backing vocals. On Hound Dog Taylor's It's Alright, Koch again keeps the bottom easy but hits the slide nicely as well as complimenting with a sweet articulated guitar solo. Kulp again does a nice job on harp. Jimmy Reed's Dizzy doesn't vary much from Reed's original but with an easier approach. Again backing vocals from Kulp add to the breadth of the vocals and Koch's slide playing is top notch. ZZ Top's Tubesnake Boogie sees the addition of backing vocals from Jennifer Dierwechter. Again keeping it to a simple acoustic style, this track has a totally different feel from the heavy romper that Gibbons throws down. On Albert King's, Don't Bother Me, Kulp opens the track on harp and some of the most slicing slide work on the release bites through. Sonny Boy Williamson II's, Checkin' Up On My Baby defaults from lead harp to some real nice clean slide work. Kulp does check in with a nicely blown harp solo for one of the coolest track on the release. John Lee Hooker's Dimples, has a real nice swing, taking Hookers original feel to the next slickest step. I had noticed on earlier recordings Koch's proficiency on guitar but on this release, I have more of an appreciation of him as a vocalist. Neat and clean guitar and harp riffs fill this track. Otis Rush's My Baby (She's A Good 'Un) is up next and with a little twist of that southern flare and even maybe a taste of Johnathan Edwards, this track has some of the best harp work on the release. Kenny Wayne Shepherd's Blue On Black is a well known ballad with quiet approach. Jennifer Dierwechter has a more dominant role vocally and Koch, along with a rhythmic acoustic strumming, fills the air with sweet slide runs. Original Koch track, Nothin' But The Blues, has a super, wide open open slide solo and Kulp follows with a cool harp solo of his own. Wrapping the release is Peter Green's Oh Well!. Koch continues to reaffirm his skill as both a vocalist and guitar player. Nice job. If you're looking for a release where you'll remember each track and love slide work, this may be your ticket.

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Wednesday, October 29, 2014

Vizztone Label Group artist: Sean Costello - In The Magic Shop - New Release Review

I just received the newest release of artist Sean Costello's work, In The Magic Shop and it is spectacular! This release was recorded at the Magic Shop studio in 2005 but never released. The spontaneity is remarkable. Opening with BB King's It's My Own Fault, Costello digs in on his guitar and plays some of the most lush guitar riffs that I have heard this year. This thing is off the hook! Primarily but not exclusively an instrumental, even Costello's vocals are spot on. Brilliant! Next up is Can't Let Go, a catchy R&B track joined by Paul Linden on B3, Melvin Zachery on bass, Brian Jackson on Wurlitzer, Liz Tormezand Brianne Winter on backing vocals and Ray Hangen on drums. On Hard Luck Woman, a bouncy blues track it's hard not to get infected. With Linden adding in some harp work, this is a tight track and on that on melody and rhythm alone should hit the airwaves. Really nice! Ned Wever's beautiful ballad, Trust in Me, is up next and Costello shows how expressive he can be just as a showcase vocalist. Excellent! Feel Like I Ain't Got A Home is a blues rocker with a straight forward drive. This is another excellent radio for different reasons. A catchy melody and driving rhythm makes this a track that will stick with you. Fenton Robinson's You Don't Know What Love Is, is a spectacular funky blues number. With Costello singing with great clarity over Matt Wauchope on B3 and grabbing his guitar by the scruff, this track defies you to sit still. Excellent! Bobby Womack's Check It Out retains all of the R&B sound and Costello's voice is perfect for delivery throughout. Succinct guitar riffs punctuate the track. I really really like it! I Went Wrong is a beautiful BB King styled track and Zachery's bass line setting the bar. Costello really does an excellent job on vocals and Linden keeping the groove on keys, Costello takes a really nice guitar solo. A totally unexpected track, Rod Stewart's You Wear It Well, would be a natural track for the radio as it was a huge track for Stewart years ago. Solid writing and a solid performance makes for a solid interpretation by Costello and addition of 12 string guitar work by Jimi Zhivago. Told Me A Lie is a really unusual track with soulful vocals and an interesting bass line. Although I'm not blown away by the guitar tone, the overall feel is still excellent. Make A Move is a light jazzy but funky track with a cool groove. Costello's tone seems pinched but his playing is really nice. Hagen really sets the tone on drums and backing vocals by Greta Gettler and Dayna Kurtz add texture. Wrapping the release is Johnny Fuller's Fool's Paradise. A really pretty melody is a super basis for this track with Costello again showing that he's not just another excellent guitar player. But an excellent guitar player he is. Playing light articulate riffs against Linder on keys, this track is a really nice close to an excellent release. I have a number of Sean Costello albums but this is a must have! (Profits to Sean Costello Memorial Fund for Bipolar Research)

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Tuesday, October 28, 2014

Firenze Records artist: Markus James - Head For The Hills - New Release Review

I just received the newest release (October 28, 2014), Head For The Hills, from Markus James and it's alive! Opening with Just Say Yes, a stripped down driver with straightforward drumming and rhythm guitar. James vocals, presented like through a distorted mic is nicely complimented by whirling slide guitar work. Very cool! RL Burnside's Going Down South really has the feel of today's modern blues as delivered by the Keys for example but with heartier slide and also featuring Kenney Kimbrough on drums. I like this track for isn't simplicity juxtaposed against it's modern slide techniques. Head For The Hills has a lot of the roots of Mali without losing it's North American sound (or vice versa). Shake is a real shak shaker with Calvin Jackson on drums. James does a real nice job on vocal and guitar on this track plus adding a cool harp part as well. This track is certain to appeal to contemporary audiences. Suit Of Golden Clothes is one of my favorites from purely a blues point of view. It captures much of the delta feel and sounds. For Blind Willie is a a somber guitar chant not unlike some of Ry Cooders work. It is very pure and very nice! Marlon Green leads the way on drums on Gone Like Tomorrow. With high register slide work playing against the solid rhythms of the tom toms, this is a cool track just for listening. Fallin From The Sky shows a lot of tension with heavy vocal work from James and his steamy slide work backed only by basic (hambone) percussion. Very cool! Nomo is the closest to a contemporary commercial track on the release. A catchy melody and lyrics make this an easy anthem. Title track, Head For The Hills has a driving beat from Kimbrough and metallic sounding slide work under authentic vocals. With country blues picking coupled with slide work and lightly distorted vocals this is another cool track. On A Mississippi Porch has a very clean and simple acoustic touch. Easy acoustic slide work and hambone percussion give this track realism. Sleepyhead has what I'd describe as a quiet melody that is almost distinctly Mississippi but with a definite Mali sense about it. Very nice. Candyland Refugee is a track with two distinct facets. A simple contemporary song but with an African rhythm and instrumentation. Interesting sound. Diddley Bow And Buckets is a primitive track of exactly as it is titled. A simple DB and soft buckets by Calvin Jackson. Woke Me has a strong feel of Robert Johnson (Crossroads) with a certain modern feel. Kimbrough is back on drums and James' vocals are confident and his slide work is hot! Wrapping the track is Green, a simple acoustic slide guitar melody. A cool track with acoustic nature sounds added on string instrument is a nice conclusion to an unusually cool blues release.

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Monday, October 27, 2014

3011 Records artist: Howard and the White Boys - Rosa's Lounge - New Release Review

I just received the newest release, Rosa's Lounge, from Howard and the White Boys and it's quite good. Opening with Heat Seeking Missile, a cool R&B style blues, Howard (bass and vocals) and the boys, Rocco Calipari (guitar), Pete Galanis (guitar) and Jim "Bucka" Christopolous launch off into a great track. Nice lead guitar work and great vocals highlight the track. Strung Out On The Blues is up next and it rips! A down and dirty track really showcases Howard's vocals and especially tasty guitar riffs throughout. This is my favorite track on the release and shows how strong Howard and gang can be live! Trouble Follows You is a cool Billy Boy Arnold or Bo Diddley influenced track with a great rhythm and strong drum beat by Christopulos. Cool slide work on this track over the guitar rhythm nicely emphasizes the contrast. Judge has a bit of funk and slick guitar rhythms. Freewheeling guitar work pushed along by Christopulos and McCullum makes this track sing. A slow R&B style blues, What Would I Do, sets up nicely. This track should play nicely into radio play with a sweet melody and fluent bursts of guitar wizardry. Guess Who's Coming To Dinner is a cool blues track with a track of Taj Mahal in feel. With a solid bass line and nice slide work, this track will appeal to both dancers and guitar enthusiasts. Super boogie, Black Cat features Steve Asma on slide guitar and this track moves! Asma adds a real nice texture and a free wheeling approach as the band literally romps (Think Tush). Excellent! R&B style track, The Last Time, employs wah wah and a funky back beat for a straight up radio track. Of course there are slick solos with pinched harmonics and double stops but this track is one that will stick in your head. The Blues Are Killin' Me is an easy blues rocker with a solid bass line and featuring Neal O'hara on organ some fluid guitar riffs in an extended jam format. Wrapping the release is That's Alright which was recorded in JoyRide Studios in Chicago. With a tighter more radio oriented flavor, this track again seems to be perfectly suited for a diverse audience of listeners. I like this release. A live review of this band shows it's musical talent and diversity. Very cool.

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Saturday, October 25, 2014

Jack Bruce, Bassist for Supergroup Cream, Dead at 71

Jack Bruce, the bassist for legendary rock supergroup Cream, has died. He was 71.
Bruce's family announced his death via Facebook and the musician's official website.
"It is with great sadness that we, Jack's family, announce the passing of our beloved Jack: husband, father, granddad and all-round legend," the statement said. "The world of music will be a poorer place without him, but he lives on in his music and forever in our hearts."
The Scottish-born singer died Saturday "at his home in Suffolk surrounded by his family," publicist Claire Singers confirmed.
No further details were provided, but the Press Association reported that Bruce died of liver disease.
Bruce is best known as a member of the 1960s British band, Cream, performing alongside members Eric Clapton and Ginger Baker. Formed in 1966, Cream went on to sell 35 million albums in just two years, according to Bruce's website. The band's third album, Wheels of Fire became the first-ever platinum-selling double album. Cream split shortly after its debut in 1968, and Bruce went on to front his own bands.
"Jack felt that he had strayed too far from his ideals, and wanted to re-discover his musical and social roots," according to Bruce's website.
He returned to the studio to record his 2001 solo album Shadows in the Air, which hit no. 5 on the British jazz and blues chart.
Bruce was born to musical parents in Glasgow, Scotland, on May 14, 1943. His parents traveled extensively in Canada and the U.S., and a young Bruce attended 14 different schools. He finished his formal education at Bellahouston Academy and the Royal Scottish Academy of Music, to which he won a scholarship for cello and composition.
Bruce left Scotland at 16, and in 1962, joined his first important band, the influential Alexis Korner's Blues Inc., in London. It featured drummer Charlie Watts, who later joined The Rolling Stones.



Thursday, October 23, 2014

"Virtue & Vice" By Hornbuckle Wins Mile High Blues Society's 'Best Self-Produced Blues CD'





                                       
                                             HOORAY FOR HORNBUCKLE:
  "VIRTUE & VICE" WINS 'BEST SELF-PRODUCED CD'
AS VOTED BY DENVER'S MILE HIGH BLUES SOCIETY



  (DENVER, CO) - "Virtue & Vice," the critically-acclaimed album by Denver-based group Hornbuckle, has won "Best Self-Produced CD" as voted on by the Mile High Blues Society in Denver, CO. "Virtue & Vice" will now qualify for the International competition judged by the Blues Foundation in Memphis, TN. The winner will be announced during the IBC Finals on the night of January 24, 2015 at the Orpheum Theatre in the Historic Beale Street District.

  "Virtue & Vice is beautifully recorded and produced," says Mile High Blues Society President, Rick Davis. "The songs are brilliant, sad, and uplifting. Blues ballads telling a story of failure, struggle, and redemption. The performances are first-rate," Davis concludes.

   Hornbuckle, known as "Denver's First Family of the Blues," is fronted by guitarist-vocalist Michael Hornbuckle and brother, Brian Hornbuckle (bass-vocals).


  WHAT THE MEDIA IS SAYING ABOUT HORNBUCKLE'S  "VIRTUE & VICE"


"Hornbuckle's sound is fresh and interesting...these guys have managed to find a way to give the blues a mainstream, pop-driven sound, while at the same time staying true to their bluesy roots. The songs themselves are nothing short of excellent."       
                                     ROCK OVER AMERICA

"Not since ZZ Top and Stevie Ray Vaughan has there been a band that could wind a mean bar room boogie and bring the blues home like the Hornbuckle Brothers. One of the best new independently produced albums of the year."
                                                  XOMBIEWOOF MAGAZINE

"Spearheaded by Michael's smooth, soulful voice (a la Paul Rodgers in Tonality), the quartet presents a thoroughly sophisticated product right down to the subtle instrumentation that makes "Beautiful Rain," "Angels, Addicts, Poets & Thieves," and "Beautiful Rain"sound so rich."
                                   MUSIC CONNECTION

"Michael Hornbuckle's voice is a soulful powerhouse that closely matches the pipes of Paul Rodgers (Bad Company) as the band soars over the blues on Virtue & Vice, their most recent release."
                                   THE ALTERNATE ROOT








       

   

                                www.hornbucklemusic.com
               https://www.facebook.com/pages/Hornbuckle

Blind Pig Records artist: Jimmy Thackery - Extra Jimmies - New Release Review

I just received the newest release, Extra Jimmies, from Jimmy Thackery and it great! Made up of tracks from previous releases, Empty Arms Motel, Wild Night Out! and Switching Gears, this release is super. Opening with Write If You Find Love, a bluesy rock number, Thackery leads on vocal and guitar joined by Michael Patrick on bass and Al Gamble on B3. BB King's cool shuffle track, You Upset Me Baby, is up next and Thackery is immediately in the groove. Drummer Mark Stutso takes the lead on vocal and Thackery gives this track a good spanking on guitar and Wayne Burdette joins on bass. Recorded live, a whole different dynamic occurs with a bit more time to jam. Very cool! Fast instrumental shuffle, Rude Mood is a terrific opportunity for Thackery to spread his wings and smoke show what he's got and he's not holding back. Excellent! On New Orleans influenced, I Got To Be Strong, Patrick, Gamble and Stutso carry the rhythm and Thackery spices it up with red hot riffs. I particularly like Thackery's loose vocal style on this track giving it a party feel. Wildchild Butler's Lickin' Gravy is flat out smokin' with Thackery taking it down and dirty. His vocal grit juxtaposed against his rip snorting guitar solo's make this my favorite track on the release! Take Me With You When You Go is sopping with gumbo joined by Chubby Carrier on accordion. Love To Ride has a simple two step rhythm and clever bluesy riffs and soft backing vocals. Trouble Man is a straightforward blues rocker featuring some scorching fretwork and a catchy melody. I Wouldn't Change A Thing is a bluesy ballad featuring nice vocal harmonies with Reba Russell, solid B3 work from Gamble and saturated guitar work from Thackery. Very nice! Lowell Fulsom's Honey Hush is up next set up with a simple rock and roll rhythm. Thackery's fat guitar attack really sets this track apart not only stylistically but sonically. Cool! Flyin' Low is a good name for this track with it's low key style but it is flying. Grinding guitar riffs at the bottom of the fretboard make this track different. Empty Arms Motel has a rockin' R&B feel. Nicely articulated double stopped picking and wild bends give this track that something special. Wrapping the release is Monkey, a serious rock n roller. Gamble holds down the bottom with Patrick as Thackery lays down some of the hottest RnR riffs on record since Alvin Lee. Excellent conclusion to a super release.

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Wednesday, October 22, 2014

Blind Pig Records artist: JW-Jones - Belmont Boulevard - New Release Review

I just received the newest release, Belmont Boulevard, from JW-Jones and I think it's his best yet. Opening with Love Ten Times, a contemporary blues/rock number with a pinch of country, Jones and drummer Tom Hambridge handle the vocal part. On Bobby Parker number, Watch Your Step, Jones throws a bit of sixties rhythm to a classic R&B track with hot guitar riffs. Very Nice! Blue Jean Jacket has a fresh, southern blues rock feel with Reese Wynans on keys and Jones rips hot riffs on guitar. On Coming After Me the band lays down a really nice slinky groove with a strong bass line from Dave Roe and some of the best vocals on this release from Jones. Particularly nice guitar work by Jones on this track makes it one of my release favorites. Don't Be Ashamed has a bit of a British blues feel with Laura Greenberg on drums and Jamie Holmes on drums. Thank You has a pop rock feel with a R&B basis. Flaming guitar riffs highlight this track with it's driving beat. Really cool Magic Slim like riffs open Magic West Side Boogie. This is a slick instrumental with a cool boogie beat. I really like Jones' fretwork on this track highlighting it as a clear front runner on the release. What Would Jimmie Do? is a slower boogie with a Latin twist and a cool swing. A true rocker this track gives Jones another opening to show what he can do. Very nice! If It Feels This Good Tomorrow is definitely the radio track for the release. A catchy hook and sweet melody drives the song. Buddy Guy's What's Inside Of You is a hot number with a lot of the flash of Mr Guy himself and the right funky push that Jones needs to break loose. This is the guitar man's track and a definite cooker! Never Worth It is structured around the basic early Rock and Roll pattern and keeps it solid like TYA. A bit more polished that Mr Lee, Jones does a real nice job of articulating his riffs and adding some cool reverb and chords. Wrapping the release is Cocaine Boy is a raw blues number with echo guitar effects and staggered drumming with quite pleasant results. A real nice track to complete Jones' first release on Blind Pig Records.

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