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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Wednesday, May 9, 2012
Lookin' For A Home - Olive Brown
Jefferson had yet to turn Brown when, at age five, she sang at a sanctified temple in St. Louis. By then her family, including a mother who played ragtime piano, had relocated to Detroit. Her professional debut was in Motor City clubs in the early '40s, and within several years she had relocated west to the Windy City. Brown maintained an axis of gigging most of her career between Chicago, Detroit, and St. Louis. Because of both being born and dying in the latter city, it is there that her name is often listed as a native talent, following Helen Brown alphabetically. Her connection with Chicago is just as strong, however, and includes the required connections with talent such as the Todd Rhodes Orchestra, Earl Bostic, Cecil Gant, Tiny Bradshaw, Gene Ammons, and even the young soul singer Jackie Wilson.
In the mid-'60s she recorded for the Spivey label, a typical mishmash organized by label maestro Victoria Spivey, which allows listeners to sample the color contrast between guest star Muddy Waters and Olive Brown, a brown-in that might be followed nicely with the album Raw Sienna by Savoy Brown. In this same period, Brown began nearly a decade living in Canada, but this was hardly an exile from music. The roster at a Colonial Tavern date recorded by the CBC in Toronto promises great things, featuring Brown as vocalist with a band including the marvelous trumpeter Buck Clayton, stalwart pianist Sir Charles Thompson, and basso profundo Tommy Potter. Like many of the radio network's live recordings, this '60s session has never been issued on disc.
A similar fate seems to have been in store for some of Brown's other great moments on tape. Her track entitled "Roll Like a Wheel" received much attention when included on a compilation entitled Don't Freeze on Me: Independent Women's Blues, but was actually never released at the time it was recorded. In the early '70s she returned to St. Louis and began performing on the major riverboat lines. In 1973 she received rave reviews for a boisterous performance at the St. Louis Ragtime Festival.
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New Release - Joel DaSilva & The Midnight Howl - Self titled - Review

I'm listening to the new self titled release by Joel DaSilva and the Midnight Howl and it's great! It opens with Let's Not Fight, a Texas style blues, with so real down home Texas style guitar playing. Hangin'On, gets a little more rock in the step but still strongly pushing the blues. DaSilva thankfully isn't just copying those who came before him but is throwing down some really cool riffs. Hard Time takes more of a ballad radio push and features the stellar Albert Castiglia on slide. Try, another ballad, but this time primarily acoustic, is a strong airplay candidate. Boogie Real Low is a real crap kicker with guitar and bass grindin' out the rhythm and getting you in the groove. This is really A John Lee Hooker style boogie but updated and gives DiSilva a chance to rip on guitar and rip he does! Heart Of My Father, is written over the premise of an old European folk tune and I really like it. After the initial set up, it develops into a very slick slower blues tune. It's a great tune both sung and played with a lot of feeling. I mean sit back and enjoy the rip! Nitro's Grease is a great loping instrumental blues with T- Bone Walker style flair but sounding much more contemporary. Again another great track. Every Night is a cool acoustic blues again in the Texas style and is a nice change up for the wrapping up of the recording. Who Knows is a more contemporary blues rock style song but one that very successfully sets a groove line that you'll like. The last track, For Don is a very cool acoustic slide instrumental. It's dark and I think most of you will really enjoy it.
Ok...here's the skinny... and you don't get this strait a directive from me often.... check this cd out. It's really good!!
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NEA Funds Music Maker's Chapel Hill Series
HILLSBOROUGH, N.C. - Music Maker is proud to announce a spring music series at Southern Village in Chapel Hill, N.C., that will be offered free to the public. The Roots and Leaves Series will feature traditional music on four Fridays in June from 6-8pm. Each performance will focus on a specific musical genre and highlight the cultural heritage of the local area. The event is made possible by a grant from the National Endowment for the Arts, Market Street at Southern Village and Aloft Hotel Chapel Hill.
My South My Blues, on June 8th, will present a varied group of bluesmen, including John Dee Holeman, an NEA National Heritage Fellow, Captain Luke and Cool John Ferguson.
Listen: John Dee Holeman's Little Country Gal
Heart Strings will explore the Piedmont string-band tradition that has evolved over two centuries, presenting Piedmont-style guitarist Boo Hanks, and country band Kelly and the Cowboys on June 15th.
Listen: Boo Hanks' Step It Up and Go
Sisters of the South on June 22nd, focusing on blues and gospel, will include performances from powerhouse vocalist Essie Mae Brooks and Pat "Mother Blues" Cohen.
Listen: Essie Mae Brooks' Rain In Your Life
Native Voices, our final show on June 29th, will showcase North Carolina Native American artists drawing on centuries of ancestral music for their inspiration. Nammy-award-winning artist Pura Fé Crescioni with the Pura Fé Trio will perform, alongside 15-year old guitar prodigy Lakota John Locklear.
Listen: Pura Fé Crescioni's Red, Black on Blues
The outdoor concerts will take place at the Village Green at Market Street in Southern Village on Fridays from June 8th - 29th, 6-8pm. For more information visit www.musicmaker.org.
About Music Maker Relief Foundation:
Music Maker Relief Foundation, Inc. is a tax exempt, public charity under IRS code 501(c)3. Music Maker aims to keep our Southern culture vital by directly supporting senior
(over 55) American roots musicians in need, expanding their professional careers, and assisting Next Generation artists in the development of their professional careers. Since the organization's
founding in 1994, Music Maker has assisted hundreds of musicians who represent the traditions of Blues, Gospel, Old-Time String Band, Jazz and more. Music Maker's programs ensure the
talents of these cultural treasures are accessible so that our rich musical heritage can be shared with the world and preserved for future generations
Excellent Concert Footage - Bob Margolin

Bob Margolin, (born May 9, 1949, Brookline, Massachusetts, United States)and featured here with Mike Sponza, is an American electric blues guitarist. His nickname is "Steady Rollin'".
Bob Margolin was born and raised in Brookline. He started playing guitar in 1964, and his first appearance on record was with Boston psychedelic band Freeborne, and their 1967 album Peak Impressions.
Margolin was a backing musician for Muddy Waters from 1973 to 1980, performing with Waters and The Band in The Last Waltz. As a solo recording artist, he has recorded albums for Alligator Records, Blind Pig, Telarc and his own Steady Rollin' record label.
In 1979 he made a guest appearance, along with Pinetop Perkins, on The Nighthawks album, Jacks & Kings.
In 1994, he appeared with Jerry Portnoy as guest musicians on the album, Ice Cream Man by John Brim. It received a W. C. Handy Award nomination as the best 'Traditional Blues Album of the Year'.
Margolin is a columnist for the Blues Revue magazine.
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Tuesday, May 8, 2012
Search For Robert Johnson Part 4 (of 5)

The Search for Robert Johnson is a 1991 UK television documentary film about the legendary Delta blues musician Robert Johnson, hosted by John Hammond, and produced and directed by Chris Hunt. In it, Hammond travels through the American Deep South to pursue topics such as Johnson's birth date, place and parents, his early musical development, performances and travels, romances, his mythic "pact with the devil," his untimely murder in his late twenties, the discovery of possible offspring, and the uncertainty over where Johnson is buried. Throughout, Johnson's music is both foreground and background, from recordings of Johnson and as performed on camera by Hammond, David Honeyboy Edwards, and Johnny Shines.
Blues musician and "keeper of the flame" John Hammond described his journey into the American South as "the quest of a lifetime". His father, record producer and jazz impresario John H. Hammond, had planned and advertised for Robert Johnson to perform at Carnegie Hall, but Johnson died prior to the concert.
The film is loosely organized around field work by Johnson researcher Robert "Mack" McCormick. Throughout the film, Hammond travels to locations where Johnson lived, performed, recorded, and purportedly where he died, and interviews two of Johnson's girlfriends and blues musicians who knew him, as well as two noted blues researchers. Locations include the "Delta, the floodplain of northwestern Mississippi, on into Arkansas and Texas, and into southern Mississippi, where he was born and died."
The film has been noted for its presentation of new evidence, at the time, about Johnson's life.
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Hoochie Coochie Man - The Graham Bond Organization

The Graham Bond Organization (Graham Bond - Ginger Baker - Jack Bruce - Dick Heckstall-Smith) at The 1965 National Jazz and Blues Festival held at the Richmond Athletic Grounds, Richmond, Surrey, UK on August 7th, 1965
Graham John Clifton Bond (28 October 1937 – 8 May 1974) was an English musician, considered a founding father of the English rhythm and blues boom of the 1960s.
Bond was an innovator, described as "an important, under-appreciated figure of early British R&B", along with Cyril Davies and Alexis Korner. Jack Bruce, John McLaughlin and Ginger Baker first achieved prominence in his group, the Graham Bond Organisation. Bond was voted Britain's New Jazz Star in 1961. He was an early user of the Hammond organ/Leslie speaker combination in British rhythm and blues - he "split" the Hammond for portability - and was the first British artist to record using a mellotron, on his "The Sound of '65" and "There's A Bond Between Us" LPs. As such he was a major influence upon later rock keyboardists: Deep Purple's Jon Lord said "He taught me, hands on, most of what I know about the Hammond organ"
Bond was born in Romford, Essex. Adopted from a Dr. Barnardo's home, he was educated at the Royal Liberty School in Gidea Park, East London, where he learned music. His first jazz gig was in 1960 with the Goudie Charles Quintet, staying for a year. He first gained national attention as a jazz saxophonist as a member of the Don Rendell Quintet, then briefly joined Alexis Korner's Blues Incorporated before forming the Graham Bond Quartet with musicians he met in the Korner group, Ginger Baker on drums and Jack Bruce on double bass, together with John McLaughlin on guitar; and adopting the Hammond organ as his main instrument. The group then became the Graham Bond Organization (GBO), while John McLaughlin was later replaced by Dick Heckstall-Smith on saxophones.
Lack of commercial success, plus internal struggles, brought an end to the group in 1967 as Bond's mental and physical health deteriorated. Jack Bruce and Ginger Baker had already left, to form Cream with Eric Clapton. Baker's replacement, Jon Hiseman, and Dick Heckstall-Smith went on to form Colosseum.
After the break-up of the Organization, Bond continued to exhibit mental disorders, with manic episodes and periods of intense depression, exacerbated by heavy drug use. Moving to America, he recorded two albums and performed session work for Harvey Mandel and Dr. John among others, but he returned to England in 1969. He then formed Graham Bond Initiation with his new wife Diane Stewart, who shared his interest in magick, and in 1970 Holy Magick, which recorded a self-titled album and We Put Our Magick On You. He was also re-united with old band members while playing saxophone in Ginger Baker's Air Force and spending a short time in the Jack Bruce Band. Solid Bond, a double-album compiling live tracks recorded in 1963 by the Graham Bond Quartet (Bond, McLaughlin, Bruce and Baker) and a studio session from 1966 by the Graham Bond Organisation (Bond, Heckstall-Smith and Hiseman) was released that same year.
In 1972 he teamed up with Pete Brown to record Two Heads are Better Than One. He also recorded an album with the John Dummer Band in 1973, although this was not released until 2008. After the near-simultaneous collapse of his band and his marriage, Bond then formed Magus with British folk-singer Carolanne Pegg and American bassist Marc Mazz, which disbanded around Christmas 1973 without recording. During that same period, he discovered American singer-songwriter-guitarist Mick Lee, and they played together live but never recorded. Plans to include Chris Wood of Traffic never materialized due to Bond's death.
Bond's financial affairs were in chaos, and the years of lack of commercial success and the recent demise of Magus had badly hurt his pride. Throughout his career he had been hampered with severe bouts of drug addiction, and spent January 1973 in hospital after a nervous breakdown.[citation needed] On May 8, 1974, Bond died under the wheels of a train at Finsbury Park station, London, at the age of 36. Most sources list the death as a suicide. Friends agree that he was off drugs, although becoming increasingly obsessed with the occult (he believed he was Aleister Crowley's son).
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If Troubles Was Money - Blues Cargo
Blues Cargo love Blues Music and mostly like to play Chicago Blues style.Started playing in 1987 at Athens Greece as a four member band. Two guitars Bass and Drums.
After some changes to the members the Band at this time has a five member configuration which is drums,bass,guitar,keybords and sax.They like to listen to all kind of Blues Music But their influences came from people like Freddie King, Jimmy Rogers, Willy Dixon, Albert Collins, Albert King, Buddy Guy, Junior Wells, James Cotton , B B King ...........Also the younger ones like SRV, Lurie Bell, Chris Cain , Larry McCray, Robert Cray.Through these years (almost 25) they had a great deal of live appearances in Athens and all over Greece. Also they had the good luck to back up a number of American blues people such as lurrie Bell, Maxine Howard, Byther Smith, Jean Carol, Eddie C Campell, Louisiana Red, Big Time Sarah, Nellie Tiger Travis, Lovy Lee, Lefty Dizz, and others.....and some oppenings like John Mayall, John Hammond, Nick Gravenites.
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Instrumental - Alan Haynes
Alan Haynes (February 19, 1956), born in Houston, Texas, is an American Texas Blues guitarist. Alan has been playing professionally since the 1970s and has performed with a variety of Blues legends that include Stevie Ray Vaughan, Johnny Winter, Albert Collins, Albert King, The Fabulous Thunderbirds (1980's version with Jimmie Vaughan), Robert Cray, Bonnie Raitt, John Lee Hooker, and Otis Rush among others. He now resides in Austin, Texas and plays locally in and around Texas' major cities, especially Houston (where he performs nearly every month), occasionally in Dallas and Fort Worth, and also Europe, where he has a large following in Scandinavian countries, Germany, Denmark, and Israel.
In the late 1970s Alan joined the Texas Boogie Band as a second guitarist first but eventually became the main guitarist. Alan would make his move to Austin, TX in the early 1980s. While playing with the Texas Boogie Band, Haynes got to open and share the stage with legendary Blues artists such as Muddy Waters. Alan and the Texas Boogie Band were, by that time, the house band at the Texas Opry House, also getting radio broadcasting in Houston. Alan would later lead his own band, "Alan Haynes and the Stepchildren" and release his first EP, "Seventh Son" in 1984 under the Orphan label. Stepchildren included legendary Blues-Rock drummer Uncle John Turner, who had played with the likes of Johnny Winter during the late 1960s and early 1970s and recorded milestone Blues albums. Alan was inducted into the "Buddy Magazine Texas Tornado List" in 1980 and his band was voted "Best Blues Band" by the "Music City Austin - Music Poll" in 1985. Later on, for about six years in the 1990s, Alan was the house band at Antone's "home of the Blues." During those years, in 1994, Alan released his second studio album, Wishing Well. This time he had life friends and former Stevie Ray Vaughan and Double Trouble rhythm sections Chris Layton on drums, Tommy Shannon on bass, and Reese Wynans on keyboards. Alan also counted on Preston Hubbard from the Fabulous Thunderbirds and George Rains (Jimmie Vaughan's drummer) for this album.[1] The result was earned Haynes a featured article in the "Guitar Player" magazine in August 1995. Alan would later continue playing locally and in Europe and would record two more albums on his own, but this time capturing the emotions of live performances. These two, "Live at the Blue Cat Blues" recorded in Dallas in 1998 with Jim Suhler and "Live at the Big Easy" recorded in Houston in 2001 would result in Haynes' last works to date.
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Hardest Part Of Lovin' You - Tom Holland & The Shuffle Kings

Tom Holland & the Shuffle Kings are one of the hardest working blues bands not only in the Midwest, but the world! They have been playing stages across the world for 10 years now. They've been the backing band for such blues luminaries such as Hubert Sumlin, and Carey Bell to name a few. They regularly are featured at the House of Blues in Chicago, as well as many other venues around Chicago.
Collectively, the band has an accumulated experience level of over 75 years in the business. Tom currently is touring with blues legend James Cotton.
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FPR News April/May 2012
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Signature Sounds artist: Hundred Dollar Valentine - Chris Smither - New Release Review

Sitting here listening to the new recording, Hundred Dollar Valentine, by Chris Smither. This recording, set to be released on June 19, 2012 will be Smither's 12th studio disc. Smither is an excellent finger picking guitar player and songwriter. As most of you know from reading my reviews that I am far more oriented to sonic quality or the sound of someone's voice as well as the instrumentation than I am word oriented. In spite of this I do recognize a well done vocal recording when I hear one. This is one. Smither has a very solid voice and it works very well in the textural weave that he constructs with each song. His use of chord progressions are very melodic and endearing. I am enjoying listening to this cd from a totally different perspective with it being very well constructed and soothing as opposed to gut emotional with searing guitars. Smither is joined by Bill Conway on Drums; Kris Delmhorst on cello; Jimmy Fitting on harmonica; David Goodrich on slide guitar, xylophone and diddley bow; Ian Kennedy on violin; Anita Suhanin on vocals and introducing Robin Smither on violin. The recording projects solitude but also warmth and joy. If it sounds like your bag... I think you'll like it.
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