I just received the newest release, Can't Even Do Wrong Right, from Elvin Bishop and it's the best of Bishop in possibly 15 years. I have been a huge Elvin Bishop fan since his first note on the first Butterfield Blues band stuff and my admiration grew as he became more loose. He is an excellent guitar player, raucous story teller and an all around amazing performer. This release takes me back to his more primitive style days of Juke Joint Jump and Let It Flow and that is excellent! Opening with the title track, Can't Even Do Wrong Right, Bishop fronts as a vocalist and is right up to one of his curious stories. Bishop has such a great time with his stories you can't help but not only get sucked in but want to sit down and party with him! He has his 345 cranked up to fat and you sit thinking, this guy invented the real country blues... this is absolutely excellent! Blues With A Feeling has a real strong Bishop country funk with cool vocal harmonies. Bishop plays both slide and his signature straight blues riffs. This is another terrific track and one that strikes you right between your Bishop loving crossed eyes. On Old School, Bishop is joined by Charlie Musselwhite and with only light percussion, rhythmic bass, Bishop and and Charlie trade riffs. Very cool. On R&B style ballad Let Your Woman Have Her Way, old band mate Mickey Thomas (Fooled Around And Fell In Love), takes the lead vocal lead joined by gospel like backing vocals and organ. Regretfully, the literature supplied to me doesn't allocate credit to these talented participants but I will say that this is a really nice track showcasing Thomas, and Bishop plays a really tasty and classically memorable slide solo. Super! No More Doggin' has Bishop back in the easy two steppin blues and playing slide melody. Oh Yeah! This is what you real Bishop guitar fans come for... to hear the dog bark. Bishop has not lost a quarter of a step playing with the wisdom of a 90 year old and the fire of a 20 year old... with a lot of time on his hands to have some real fun. Musselwhite does really fine harp solos complimenting Bishop making, this instrumental track a tight highlight for both artists on this release. Everybody's In The Same Boat is a cool down and dirty blues track. Bishop takes the opportunity to tell one of his thought provoking but light hearted stories with a twist of humor but also with that great guitar work that we all want to hear. Very solid track. Dancin' has a definite taste of gumbo with the addition of accordion stylistic percussion. There is even some steel guitar thrown in to the mix but this track is all Bishop... loaded with fun! Honest I Do is a brilliant instrumental with lush guitar work both fat and lightly articulate reminiscent of dual guitar leads featuring Johnny V and Bishop in earlier years. Addition of accordion gives it a Louisiana spice. Excellent! Bo Weevil is all fun with the pure Zydeco sound and Elvin's vocal style fitting the bill perfectly. With both accordion and guitar taking the instrumental this is a well balanced track and a lot of fun. Wrapping the release is classic Hey-Ba-Ba-Re-Bop, a hard stompin rockabilly blues track. With a cool coronet solo on this track as well as guitar, this is an excellent track leaving you wanting more. Bishop pulls out the stops on guitar on this track with his carefree, freewheeling guitar style guaranteed to put a smile on your Elvin lovin face! This is an excellent release and one that I will be playing for a long time!
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label Charlie Musselwhite. Show all posts
Showing posts with label Charlie Musselwhite. Show all posts
Monday, August 11, 2014
Thursday, May 15, 2014
Blind Pig nabs major blues awards!
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Friday, May 9, 2014
Behold the Bender!
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Wednesday, November 20, 2013
Henrietta Records artist: Charlie Musselwhite - Juke Joint Chapel - New Release Review
I just received the newest release, Juke Joint Chapel, from Charlie Musselwhite and it's a monster. I've been listening to Musselwhite for years and I can honestly say that this is my favorite release in some time. Opening with Eddie Taylor's Bad Boy, a super shuffle track, Musselwhite sets a firm groove. Musselwhite has a distinctive style and tone and it's strong here with Charlie on vocals and swinging guitar work from Matt Stubbs. On Shakey Jake track Roll Your Money Maker, Musselwhite and bassist Mike Phillips have a lot of fun with the vocals and Stubbs rips out some smoking hot riffs. On Tony Joe White's As The Crow Flies, Musselwhite really gets the Chicago groove going on harp. With some hot work by June Core on drums, Stubbs steps up with cool great riffs. On Billy Boy Arnold's Gone Too Long, Musselwhite takes a more melodic take on his solo with sounds of his work from the 70's. Very cool. Stubbs steps up again with some really nice riffs doubled up on the double stops. Little Walter's It Ain't Right is up next and Musselwhite has you hopping out of your shoes. Great harp work! On Strange Land Musselwhite keeps the basic track simple giving him a lot of breathing room to play some super harp. Stubbs and Musselwhite play in a tandem jam building to a hard driving crescendo. On original track, Blues Overtook Me, Musselwhite sets a really nice pace to accommodate his personal style. This is a nice long harp jam and Charlie doesn't waste a note. Stubbs also takes a cool opening on this track keeping the groove moving. Really nice. River Hip Mama is a boogie track with Musselwhite leading the way against the guitar vamp. This track like many of the others hits a high spot where Musselwhite and Stubbs trade riffs and the track is really cookin. Another original track, Blues Why Do You Worry Me, has a solid Chicago feel with Musselwhite playing a cool intro and singing lead. What differentiates this release from other "traditional Chicago" blues releases? These guy jam it out and have fun. most of these tracks are 4-6 minutes long and that gives the band a good opportunity to show their chops. Feel It In Your Heart is an unusual track with a Latin style rhythm and a bit of a western sounding arrangement. On Prince Conley's I'm Going Home, a jazzy blues number, the band plays a really cohesive rhythm for Musselwhite to sing and play harp. Stubbs also contributes a really nice solo on this track. Duke Pearson's Cristo Redentor is a somber instrumental ballad featuring Musselwhite and his signature tone. It's a really cool track to wrap up a great new release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Tuesday, November 19, 2013
New Sugar Ray Norcia "Remembering Little Walter" video
NEW SUGAR RAY NORCIA VIDEO FROM
LITTLE WALTER TRIBUTE - "UP THE LINE"
Last December, five of the finest harmonica players on the current blues scene - Billy Boy Arnold, Charlie Musselwhite, Mark Hummel, Sugar Ray Norcia, and James Harman - gathered to pay tribute to harp virtuoso and innovator Little Walter Jacobs. All are featured on the tribute recording entitled Remembering Little Walter.
Blind Pig Records has released another in a series of
videos from that memorable evening - Sugar Ray Norcia's performance of Little
Walter's "Up The Line," which also features a sterling guitar solo by Little
Charlie Baty. To watch the video, please click HERE.
In addition to Little
Charlie, Sugar Ray is accompanied by Nathan James on guitar, June Core on drums
and RW Grigsby on upright bass.
To hear more from the album, or to learn more about
it, please click HERE.
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Wednesday, October 23, 2013
Stax Records and Concord Music Group thank you for supporting Ben Harper and Charlie Musselwhite
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Thursday, October 17, 2013
new Charlie Musselwhite video
NEW CHARLIE MUSSELWHITE VIDEO
FROM LITTLE WALTER TRIBUTE -
"JUST A FEELING" Last December five of the finest harmonica players on the current blues scene - Billy Boy Arnold, Charlie Musselwhite, Mark Hummel, Sugar Ray Norcia, and James Harman - gathered to pay tribute to harp virtuoso and innovator Little Walter Jacobs. All are featured on the Blind Pig CD entitled Remembering Little Walter.
Here's the next in a series of Blind Pig video release
from that memorable evening - Charlie Musselwhite's performance of Walter's
"Just A Feeling." To watch the video, please click HERE.
Charlie is accompanied by
Little Charlie Baty on guitar, Nathan James on guitar, June Core on drums and RW
Grigsby on upright bass.
To hear more from the album, or to learn more about
it, please click HERE.
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For more information visit www.blindpigrecords.com. |
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