Stony Plain Records artist: Sass Jordan - Rebel Moon Blues - New Release Review

I just had the opportunity to review the most recent release, Rebel Moon Blues, from Sass Jordan and it's got a raw edge. Opening with a funky take on Sleepy John Estes' Leaving Trunk, Sass Jordan shows just how special her vocals can be with Steve Mariner on harp adding great punctuation. Backed by the Champagne Hookers, Chris Caddell on guitars, Jimmy Reid on guitars, Derrick Brady on bass and Cassius Pereira on drums, this is a great opener. Smokin. On Keb Mo's Am I Wrong, Jordan works it hard with Caddell on slide acoustic guitar, kick drums and basic handclaps percussion. Simple and solid. JB Hutto's Too Much Alcohol gets a strong remake with Caddell on slide dobro. Keeping the track in it's raw "acoustic" format and accentuating the raw marriage between Jordan's vocals and the sound of Caddell's resonator guitar makes for great blues. Wrapping the release is Gary Moore's blues ballad, Still Got The Blues. Jordan backs off of the throttle just a little and allows the natural smoothness of her vocals float on the back of Moore's melodic guitar lead, played here by Caddell. This is a cool release showing the strong vocal talents of Jordan.

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Wide Mouth Mason - I Wanna Go With You - New Release Review

I just had the opportunity to review the most recent release, I Wanna Go With You, from Wide Mouth Mason and it's got a cool, stripped down, earthy sound. Opening with Bodies In Motion, Saskatoon born Shaun Verreault on vocal and guitars and Safwan Javed on percussion and vocals establish a high bar with a fat guitar toned, blues rhythmed, track with a solid melody and super vocals. With phrasing that puts me in mind of prime Leon Russell, this is a super track. Quick paced, Some Kind of Requiem, is a snappy, contemporary blues number with fluid slide runs and strong vocals. Very nice. I really love the overdriven electric guitar sound that Verreault gets on Erase Any Trace. These guys have focused in on a really cool blend of blues, rock and gospel styling that really hits square. Very nice. On Only Child, Mason stretches further into the driving rock styling but preserving the raw blues edge grinds out s pure rocker. Excellent! Another style covered is southern blues style of Shorty Medlock on High Road. Guitar picking, over laid on slide work and a driving bass line gives this track particular traction. Listen closely on Modern Love, yes, the Daviid Bowie hit track gets a total rework and if you don't catch the words will likely slip right past you. It retains the original energy but totally reworking the track format, and with the addition of Shawn "The Harpoonist" Hall makes this redo is very successful.  Rag style track, Outsourced gives Verreault a great opportunity to show off his guitar work and the addition of Kelly "Mr Chill" Hoppe on harmonica and nicely blended vocals, a cool track. Wrapping the release is a really solid radio track, You Get Used To It with great vocal blending between Verreault and Javed. With it's contemporary rock styling and sound, this is the definite radio track on the release and a super closer. 

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Guy Belanger - Eldorado - New Release Review

I just had the opportunity to review the most recent release, Eldorado, from Guy Belanger and it's pretty cool. Opening with instrumental, Carving The Wind, featuring Guy Belanger interweaving his harmonica work with Robert MacDonald on guitar over the bass work of Marc-Andre Drouin and Michael Dufour on drums. A pure Latin beat sets the tone for instrumental title track, Eldorado, with it's crisp rhythm and swaying feel. Belanger crafts a really nice melody and MacDonald shapes flowing guitar tones that almost sound like the wind. Very nice. A track with an overall blues feel and real tension, When Will I Know features Belanger on lead vocal and harmonica and Bob Stagg on b3, piano and Wurlitzer. This is a really sensitive track with a great radio sense. One of my favorite tracks on the release is light funky jazz rocker, Wicked with it's super bass line from Drouin, and Belanger on harmonica melody and including a real nice guitar solo by MacDonald. Another track with roots in the blues is Hummin' with some really nice blending between Eric Longsworth on cello and MacDonald on acoustic guitar and understated harmonica work by Belanger. With an almost Tower of Power (with no horns) feel, Ganga has you bobbing in no time and with harmonica lead, excellent guitar work by MacDonald, the addition of Paul Picard and the hard work of Drouin on bass. Excellent! Wrapping the release is Stillwater, an interesting, almost anthem track, with strong harmonica effects and a firm guitar, bass, drums underpinning. This is a smooth closer for a real interesting release. 

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Gypsy Soul Records artist: Bywater Call - Self titled - New Release Review

I just had the opportunity to review the most recent self titled release by Bywater Call and it's very nice. Opening with thick, Derek Trucks like slide tone from Dave Barnes, Arizona is a soulful, funky pop rocker. Meghan Parnell has a smooth, soulful lead voice and backed by Samantha Martin, Stacie Tabb, Sherie Marshall and Chantal Williams, this is almost angelic.  A nice sax solo by Jullian Nalli, tight trumpet by Stephen Dyte, a firm hand on bass by Mike Meusel, nicely worked keys by Alan Zemaitis and rhythmic drumming by Bruce McCarthy, this is a super opener. A super rock guitar riff by Barnes sets Talking Backwards on a straight ahead groove and again Parnell has a firm hand on the lead. Punchy horns, a hot sax solo by Nalli and just the right tough of organ and piano by Zemaitis make this a solid rocker. R&B ballad, Nightmare is really a great track with a super melody and lead vocals by Parnell. Backing vocals by Carleigh Aikins and Chantal Williams over a light instrumental backing, a clean slide solo by Barnes and a firm bass line is a perfect balance for radio play.  One of my favorite tracks on the release is sweaty, Walk On By, with some extremely soulful vocals by Parnell. A bluesy edge and stiff, guitar lead gives Parnell the push she needs to go the extra mile on this one with a excellent vocal/instrumental tension. Wrapping the release is light, acoustic oriented, Swing Low and Parnell showing the bright pop vocals that will propel her career, over the keys of Zemaitis, firm bass of Meusel, tight drums of McCarthy and smooth backing vocals of Aikens and Williams. This is a smooth closer for a tasty release. 

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Sue Decker - Outskirts of Love - New Release Review

I just had the opportunity to review the most recent release, Outskirts of Love, by Sue Decker and it's a solid rural country flavored blues release. Opening with Lay Me Down In the Indigo, Sue Decker, shows a solitary sound, singing toe to toe with her resonator guitar. This is an interesting track and a cool opener. Wynn Gogol adds full keyboard support and Damian Graham on bass giving The Stain a strong radio feel. A nice melody and Decker's unique vocals give this track solid traction. A real nice acoustic blues is Too Close to the Bone, one of my favorites on the release. Fingerpicked and simple, may be Decker's best vocal track on the release. Easy flowing pop tune, Let Me Begin with You, has a contemporary rock rhythm and strong melody, with horn programming by Gogol. Backing vocals by Gavin Hodgins and Gogol give this track a healthy radio feel. Another of my favorites on the release is folk flavored Silver Anniversary, with a great melody, strong lead vocal and basic acoustic guitar accompaniment by Adam Dobres on guitar and vocal harmony by Hodgins. Wrapping the release is stripped down blues, Travellin' Light, featuring Decker accompanying her vocal on resonator. This is a special release, blending folksy blues with pop music. 

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Make It Real Records artist: Matchedash Parish - Saturday Night - New Release Review

I just had the opportunity to review the debut release, Saturday Night, from Matchedash Parish and it's really strong. Matchedash Parish, made up of 12 musicians and with each a real contributor, you expect greatness … and you get it. Opening with When The Rain Comes, a subtle blend of rock, blues, funk, gospel and R&B (plus more) this sounds like the second coming of one of the best rock bands of all time..."The Band". Lead by Matt Weidinger on vocal and keys , this is such a great sound. The full compliment is Lance Anderson on lead vocal and keys, Quisha Wint on  lead vocal and leading the choir, Michelle White backing vocals, Jill Zadeh backing vocals, Shamakah Ali on drums, Ben Rolo on drums, Art Avalos on percussion, mark McIntyre on bass, Mackenzie Jordan on guitar, Gene Hardy on sax and William Sperandei on trumpet, this is a full ensemble. With a proud, Al Green like strut and full gusto, Where There Is Love, follows right on the heels and the second powerful song out of two served up. Seriously they could stop here and have made a better music set than many full recordings out there. With a full load of New Orleans flavor, God Gave You Hands features Wint on lead vocal and a great spiritual based, R&B track. This band is giving you both barrels all the time...no filler. Slipping in a really nice sax solo by Hardy over glistening electric piano and organ this track is fat fat fat and punchy with trumpet by Sperandei.  Excellent!  Not Sold On Getting Old is a cool, funky track with Anderson on lead vocal. With a polished melody, solid bass lines, real nice keyboard and slide solos and great backing vocals, another shining track. Hopeless Romantic again features Anderson on lead vocal with great gospel like backing this track has a Van Morrison like feel. A great melody, healthy warmth and strong instrumentation woven loosely throughout, think Tupelo Honey on steroids. Congo Strut is really instrumentally oriented with terrific jazz runs by Sperandei, Anderson and Weidinger. Excellent New Orleans flavor. Wrapping the release is upbeat rocker, This Love Can't Last with Anderson back on lead vocal and strong trumpet support by Sperandei and great vocal backing by Wint, White and Zadeh. Jordan's slide work really spices up the mix and Hardy's sax work is tight. Excellent closer. 

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Ben Racine Band - Live A Montreal - New Release Review

I just had the opportunity to review the most recent release, Live A Montreal, from the Ben Racine Band and it's quite entertaining. Opening with Addiction, a swaggering blues rocker, Ben Racine, lead vocalist and guitar player has super presence, with deep throaty bari sax by Mathieu Moose Mousseau and backed by Kaven Jalbert on tenor sax, Charles Trudel on keys, Francois Dube on bass and Nicky Estor on drums. I really like Contageous, a soulful rocker with a stiff drum beat. Warm sax work and solid vocals set the pace and again Moose steps up with a nice sax solo, bookended with another by Racine and Jalbert. Very nice! JG Watson's Cuttin' In is one of my favorites with it's soulful melody smoky sax work by Jalbert and tight guitar riffs by Racine. Southbound Girl is a up beat shuffle with great vocals and guitar lead by Racine, tight riffs by Estor and a warm under blanket by Trudel and Jalbert. Excellent! Boogaloo rhythm gives No Smoke Without Fire a great feel and Moose and Jalbert really work it. Move On has a great working funky beat, reinforced by Jalbert and Moose. This would have been a great concert to see and the crowd was treated here with more than 15 tracks. Check it out! 

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Black Hen Music artist: Matt Patershuk - If Wishes Were Horses - New Release Review

I just had the opportunity to review the most recent release, If Wishes Were Horses, by Matt Patershuk and it's a cool blend of folk, blues and country. Opening with The Blues Don't Bother Me, a springy, modern style country track, has many traces of original country and western music like Patershuk on lead guitar and earthy vocals, super baritone guitar work by Steve Dawson and backing vocals by Kristin Webber and Larissa Maestro and full backing by Gary Craig on drums, Jeremy Holmes on bass, Chris Gestrin on piano and Charlie McCoy on harmonica. I really like the tango styling of instrumental, Horse 1 (For Bravery & Good Fortune) with excellent guitar soloing by Patershuk and Dawson, McCoy on harmonica and Gestrin on keys. Very nice! Alberta Waltz, a country styled ballad, has great feel and authenticity. With Patershuk on lead vocal, clean piano work by Gestrin and Dawson's complimentary steel guitar work, this is definitely on of my favorites on the release. Another track with a distinctive flavor is Velvet Bulldozer with it's country blues styling, the rich vocals of Patershuk, roaring slide work of Dawson, excellent punctuation by Craig and Charlie McCoy's distinctive harmonica sound. Excellent! Real authentic country and western track, Let's Give This Bottle A Black Eye has it all. Patershuk was made to sing this track and Gestrin has studied authentic country piano styling. Dawson seals the deal with his pedal steel guitar... let me say now before the review is over...get this release! There are a few short interludes throughout the release called Horse (1-2-3 &4). Alone, they are hard to review, but they are meaningful little blips featuring Maestro, Gestrin, and Dawson separately which add nicely to the overall composition. Very cool. Wrapping the release is Louisiana flavored country rocker, Red Hot Poker, with a cool balance of raspy vocal by Patershuk, controlled pedal steel by Dawson, electric keys by Gestrin and Holmes on bass. Excellent closer.

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Black Hen Music artist: Big Dave McLean - Pocket Full of Nothin' - New Release Review

I just had the opportunity to review the most recent release, Pocket Full of Nothin', from Big Dave McLean and it has a great feel. Opening with Songs of the Blues, a strutting blues rocker with Big Dave on guitar and vocal, Steve Dawson on excellent slide guitar, Gary Craig on drums, Jeremy Holmes on bass, Chris Gestrin on piano, Malcolm on trumpet, Jerry Cook on bari sax and Dominic Conway on tenor sax. Solid opener. I really like McLean's expressive vocals on Backwards Fool with the National steel guitar behind for contrast and Aiken's muted trumpet as an accent. Very nice. Boogie track, Voodoo Music has a great groove and Dawson's tremolo over his slide work creates a cool shimmer. A strong, slower blues entry is Just To Be With You. McLean creates a real dark atmosphere with his powerful vocals and Dawson's slide work is tight and energized. Very nice. Wrapping the release is ballad, There Will Always Be A Change. With it's springy, country blues styling, McLean and Dawson set a perky pace on vocal and guitar and Aiken, Cook and Conway balance the track nicely with horns. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Fuel Junkie - All Out - New Release Review

I just had the opportunity to review the most recent release, All Out, from Fuel Junkie and I really like it. Opening with title track rocker, All Out, with horns blazing. Featuring Mark LcClerc on lead vocal and tenor sax, Philippe Brochu-Pelletier on tenor sax, Patrice Luneau on bari sax, Antoine Loiselle on guitar, jean-Francois Charest on bass and Philippe Fleury on drums and adding Lex French on trumpet, Andy King on trumpet, Jean-Nicolas Trottier on trombone and Olivier Lizotte on bass trombone this leaves a powerful vapor trail. High Stress, Low Money has a strong new Orleans feel with tight march style drumming by Fleury and interwoven tenor sax lead by Leclerc and Brochu-Pelletier over the solid bottom of Luneau on bari for a great follow-up. With a low down funky beat Can You Dig It? is a cool bluesy jam with great lead by Charest on bass and Loiselle on slide guitar. Excellent! Slow blues, Bad Luck, showcases the soulful vocals of Leclerc and allows plenty of room for sax and guitar solos. Very nice. Get Out On The Road is a power R&B style track with strong bari sax reinforcement by Luneau and trumpets by French and King. Luneau and Leclerc's sax solos are hot making this one of my release favorites. My favorite track on the release is closer, Push Me Away with it's heavy bass laden bottom and soaring guitar work by Charest. It has it's smooth parts, but this is Fuel Junkie wide open. Excellent closer for a strong release. 

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Mark Crissinger - Believe In Love - New release review

I just had the opportunity to review the most recent release, Believe In Love, by Mark Crissinger and it's full of surprises. Opening with Believe In Love, with it's romping bottom, courtesy of Jay Stevens on bass and Bill Hicks on drums, Mark Crissinger has the front on lead vocal and guitar, backed by Darcy Phillips on keys and Pierre Komen on sax. Boogie track, I Hear You're Talking, really gives Phillips the floor to work his magic and Crissinger country style vocal and guitar riffs solidify the sound. Another track with a two step feel is La Hoochie Coo with twangy guitar riffs and smooth harmonica by Marty Howe. Heartache and Trouble has a strong melody and with soothing vocals and melodic harmonica line, a definite radio track. My favorite track on the release is Hard No, with it's cool rhythm and catchy tune. Solid guitar work, drum foot work and warm backing gives it that extra punch.  Wrapping the release is country rocker, Hornby with it's springy pace and tight rhythms. Crissinger's vocal lead is cool and his guitar riffs hot, Komen lays nicely on the sax, Howe on harmonica work and another nice piano solo by Phillips gives it the right juice.  

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Northern Social - Northern Social - New Release Review

I just had the opportunity to review the debut self titled release from Northern Social and I really like it. Like earlier work by Wickens and the Grand Nationals this new release has a lot of edge and genuine blues feel. Opening with Waiting, a strong rugged blues rocker, Dylan Wickens, who handles lead vocal, guitar and bass, paired with Mike Rajna on drums and percussion created a sound that is much bigger than two guys. Solid rhythms, vocals and power guitar makes this a great opener. Am I Wrong has a straightforward rock beat with vibrant rhythm guitar with Wicken's vocals carrying the melody. King Of Hearts has a lumbering blues feel with a heavy accent on the 2 and 4 and a fat fat guitar rhythm. Wicken's lead guitar work is tasty and raw where Rajna's drum work is tight and focused. Very nice. Wrapping the release is Dead Neighbor Blues with an easy acoustic country blues feel. Particularly effective is the simplicity of foot drum and tambourine by Rajna under Wicken's traditional acoustic slide work and solid blues vocals. Strong closer. 

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Quebec's Masterful Harmonicist Guy Bélanger Set To Release Eldorado October 25

Quebec's Masterful Harmonicist   Guy Bélanger Set To Release Eldorado October 25

Bélanger's sixth solo album coming out via Bros Records

Quebec’s most sought-after harmonica player, Guy Bélanger is set to release his 6th solo album, Eldorado on October 25th on Bros Records. This long-awaited new release features a mix of original blues songs and instrumental gems that highlight his remarkable melodic touch. Eldorado is another demonstration of the top-notch chemistry Bélanger and his band can attain in studio. This brilliant assemblage of original songs also contains a few surprising covers, of note a delta blues version of Prince's “Sign 'O The Times” and a joyous rendition of Van Morrison’s “Bright Side of the Road”.  With a storied career that has spanned more than four decades, Bélanger has worked with some of Quebec’s biggest names in music and entertainment including, among others, Celine Dion, Cirque du Soleil, and Bob Walsh. He is a two-time Maple Blues Award winner and since 2003 has won 14 Lys Blues awards. Eldorado is Bélanger’s most ambitious album to date; the songs are powerfully emotive with twists at every turn. Eldorado is an invitation to the listener into Guy Bélanger’s musical universe through his marvellous songwriting and the top-notch harmonica playing.  The album and its themes are summed up concisely by Bélanger.  “Eldorado means (for me) “The Quest”. I love the road I ride, and the pitfalls only give me the courage to move forward…” guybelangermusic.com TRACK LIST 1.         CARVING THE WIND (3:17) 2.         BRIGHT SIDE OF THE ROAD (5:22) 3.         ELDORADO (3:42) 4.         WHEN WILL I KNOW (6:14) 5.         WICKED (3:52) 6.         HUMMIN’ (5:09) 7.         GANGA (5:22) 8.         SIGN O’ THE TIMES (4:06) 9.         HOPE & FAITH (4:45) 10.       FOUR LITTLE WORDS 11.       STILLWATER (3:49)

Sunday Wilde & the 1 Eyed Jacks - New Release Review

I just had the opportunity to review the most recent release from Sunday Wilde & the 1 Eyed Jacks and she hasn't missed a beat. Opening with Willie Dixon's Evil, a slinky, bluesy number with glistening guitar riffs by Ari, and Wilde's trademark vocals, the band is rolling with Wilde on piano, Arek Chamski on bass and Collin Craig on drums. Dead Man's Clothes is an interesting number with a predominant modified walking base line, percussive rim shot rhythm and cool soaring guitar riffs. Sure to be a crowd favorite, Dead Presidents is a quirky boogie and the inference that everybody loves money... yes they do. Slow blues take on London's It Hurt's Me Too, is a dynamic vocal showcase for Wilde who accompanies herself on piano with only a basic bottom and a really nice guitar solo by Ari. One of my favorite tracks on the release is Spirits up My Friend with it's somber melody and Wilde's vocals paired nicely with her stark piano accompaniment over the solitary bass line of Arek. Wrapping the release is I Guess I Didn't Hear You Right, a simple bluesy ballad with the simplest of backing and iridescent guitar work and blues riffs by Ari.

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Debra Power - That's How I Roll - New Release Review

I just had the opportunity to review the most recent release, That's How I Roll, from Debra Power and it's a full boat of piano laden blues. Opening with All Night Playing The Blues, Debra Power knocks down the door with her powerhouse singing and terrific piano playing. Backed by Chris Byrne on bass and Lyle Molzan on drums, this track is rolling. Title track, That's How I Roll is a slick shuffle with Power way up front on vocal and punchy horns on the top with Mike Clark on tenor sax, Pat Bellveau on bari and Ian David Hartley on trumpet and featuring Tim Williams on slide guitar. Bluesy ballad, Don't Ever Leave Me, shows the richness of Power's vocals with my closest comparison being Rod Stewart. Her piano playing is solid and complimentary and Mike F. Little's B3 work  making this one of my favorite tracks on the release. I'm Comin' Around is a cool piano boogie that really shows off Power's piano prowess and Joey Landreth adds real flair with his slide soloing. Very cool. R&B ballad, Let Me Love You Tonight is another solid showcase for Power's voice and Russell Broom's lead guitar work meshes really nicely with the piano and B3 work of Little. Wrapping the release is power blues rocker, Side On Sue with heavy handed drum work by Molzan and harp work by Steve Pineo. Byrne's rumbling bass line and guitar by Landreth makes this an excellent closer.

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Jim Zeller - Blues From Another Planet - New Release Review

I just had the opportunity to review the newest release, Blues From Another Planet, from Jim Zeller and it's cool. Opening with blues rocker, I Grew Up In Black And White, Jim Zeller is back with his latest and most interesting release. With it's slightly funky, almost David Bowie like feel, the track has a great rhythm and Zeller's harp playing is very cool. Backed by Jimmy James on guitar, Carl Dutremble on guitar, Marc Deschenes on bass and Bernard Deslauriers on drums, solid opener. On shuffle, Life is Good, Zeller is solid on vocal and harmonica with cool guitar riffs by James and Dutremble and Zeller's harp work is hot. Very nice. Slower blues number, Violins Began to Play, is one of my favorites on the release with some of Zeller's best vocals and nice piano work by Larry Cohen. Featuring tasteful harmonica playing by Paqquale Cerascuolo, a real nice track. The man With The Harmonica is a real nice ballad with harmonica lead. A smooth, movie theme song style track which also features an excellent guitar solo, very nice. Wrapping the release is Lydian Bossa Nova, a short instrumental with Zeller on harmonica and only the minimal of percussion by Deslauriers and Olivier St-Pierre on shakers. Solid closer for Zeller's best release yet. 

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Cliff Stevens - Nobody But You - New Release Review

I just had the opportunity to review the most recent release, Nobody But You, from Cliff Stevens and it's smooth radio style rock with solid guitar riffs. Opening with How Long, Cliff Stevens hits the road running with a solid entry checking all the boxes. A cool blues rocker with solid vocals and a low key, understated boogie beat. Title track, Nobody But You, has a cool, swinging pace with a nice walking bass line courtesy of Domenic Romanelli, joined by Eric Suave on keys, and Sam Harrisson on drums. Stevens steps out pretty nicely on guitar on tis one in a Robbin Ford style. Very nice. Little By Little is a smooth paced bluesy ballad with solid vocals, a nice melody, nicely paired backing vocals by Kim Feeney and a flowing guitar solo by Stevens. My favorite track on the release is instrumental, Cry Baby with it's walking bass line, aggressive lead guitar and fat organ solo. Very nice. Come Back is a real nice rocker with a straight up bottom and features Stevens on slide guitar with Harrisson really hanging tight on drums. Another of my favorites. Wrapping the release is poppy shuffle, Truth Don't Lie with great percussion, a snappy rhythm and warm vocals. Stevens gets his country style picking in on this number for a happy closer. 

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Brett Spaulding & The Psychic Spies - Livin' To Play - New Release Review

I just had the opportunity to review the most recent release, Livin' To Play, by Brett Spaulding & The Psychic Spies and it solid. Opening with blues based rocker and title track, Livin' To Play, Brett Spaulding on lead vocal and guitar sets a lumbering pace with solid footing. Backed by Chad Holtzman on guitar and organ, Emmet VanEtten on drums, Brent Wright on guitars and backing vocals, and Stephen Fletcher on keys, this is a solid opener. Can't Stop is sure fire radio track with a clean melody and Glenn Frey like bones. The Lucky Ones is one of my favorite tracks on the release with a solid rhythm and cool bass line. Spaulding's lead vocal, paired with backing vocals by Holtzman and Wright give it the perfect balance. Another of my favorite tracks is Everyday with it's chugging, driving, rock feel and obtuse guitar riff. Wrapping the release is Little Differences with it's garage undertone and poppy melody. This is a cool release with a lot of great tunes. 

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