The Bluesland Horn Band - Six - New Release Review

 I just had the opportunity to review the most recent release, Six, from The Bluesland Horn and it's a cool, funky blues jam. Opening with lazy shuffle, My Old Truck, Marty Cochrane leads on vocal, backed with a full horn compliment including Miguelito Valdez and Doug Zacharias on trumpet, Barrie Sorenson on tenor sax, Armando Alvarez on bari sax, Tim Keels on tuba and with Casey Ryder on bass, Jan Randle on piano, Ross Hall on drums and Terry Medd on acoustic guitar and dobro. Cool opener. Shuffle In The Attic has a Freddy King feel with Medd laying in some real nice guitar riffs and Alvarez on bari holds the bottom tight. I really like rocker, Rock My Roll with it's swagger. Featuring some real nice guitar work by Medd and a strong sax solo by Jerry Cook, this track has attitude. Alley Shuffle again finds Medd up front with a taste of T Bone Walker but with the punchy horn section of Doug Zacharias, John Reid and Paul Evans and with Guy Plecash on piano and Gavin Sorochan on drums. Wrapping the release is So Long, Goodbye with Jack Lavin on vocal, harp and bass. I really like Lavin's harp tone which adds great texture to the track. A solid shuffle featuring Medd on slide, Miles Jackson on organ and Ross Hall on drums, this is a solid closer. 

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The LH Express - Painting Stars - New Release Review

 

I just had the opportunity to review the most recent release, Painting Stars, from The LH Express (formerly The Lucas Haneman Express) and it's energetic. Opening with Getaway, with it's country rock feel, shows Lucas Haneman up front on vocal and guitar with Megan Laurence on vocal, and Martin Newman on bass and Valera Negovora on drums and percussion. Powerful vocal duet really gives this track a nice push and Negovora's potent drumming really kicks it up a notch. Bluesy, Being Strong, features Laurence with rich vocal lead and one of the most powerful tracks on the release. A cool, rock bottom and firm bass by Newman makes this one of my favorite tracks on the release and Haneman steps up with a particularly soulful guitar solo. Very nice. Funky rocker, When I'm With Her, has a strong guitar riff and Haneman and Laurence's interplay vocally makes this my choice for radio track. Very cool. Rising From The Dead digs deeper into blues rock with a lightly salted back beat. Haneman's lead vocals are great and I really like the boost by Newman with the tight drum work of Negovora. This is another track with a strong melody and real radio potential. Wrapping the release is title track, Painting Stars, with light percussion and bass under Laurence's lead vocal and Haneman on slide. A country rock beat and a solid melody, is a fitting closer to this solid release.

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Stony Plain Records artist: Rory Block - Ain't Nobody Worried - New Release Review

 I just had the opportunity to review the most recent release, Ain't Nobody Worried, by Rory Block and it's a solid entry into her Power Women of the Blues series (Volume 3). Opening with Mavis Staples' I'll Take You There, Block accompanies herself with her resilient acoustic guitar as well as slide and percussion with soulful lead vocal and great backing vocals. Strong opener. On Mary Wells' classic R&B track, My Guy (My Girl), Block does a really nice job to retain the pop orientation of the original again, only with the backing of her guitar and percussion. Very nice. On Etta James' I'd Rather Go Blind, Block digs deep to that extra feeling and produces solid vocal results. With only the minimal of guitar and warm backing vocals, this track really works nicely. Carole King's stellar, You've Got A Friend works well for Block, overdubbing her own vocal backing with her own lead on one of the late 20th century's best tracks. Wrapping the release is Elizabeth Cotton''s trademark, Freight Train, with Block shining playing Cotton's best know song in her own style and completed with Block's own vocal style and slide work. This is a super release dedicated to the great women of song. 

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Gypsy Soul Records artist:The Commoners - Find A Better Way - New Release Review

 I just had the opportunity to review the most recent release, Find A Better Way, from The Commoners and it has all of the swagger and sting you would want. Opening with title track, Find A Better Way, Chris Medhurst shows what a rock frontman is supposed to sound like. With a touch of Steve Marriott, and a powerful bottom, led by Adam Cannon on drums and Ben Spiller on bass as well as solid guitar riffs by Ross Haynes Citrullo gives this track real bite. More than Mistakes has a firm bottom and some real nice lead guitar by Citrullo, supported by Miles Evans-Branagh on keys and Medhurst on rhythm guitar. Solid radio track. Naturally, has a strong melody and rich backing vocals by Chantal Williams, Shezelle Weekes and Tash Lorayne, coupled with a strong sway making it another top radio candidate. I Won’t adds another dimension with just a touch of country blues, and the steel guitar finesse of Michael Ekhart and really nice vocal blending. Very nice. Wrapping the release is stripped down folk blues, Alive, featuring the lush vocals of Medhurst, with beautiful steel work by Ekhart. This is really a nice release with a lot of meat. 

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Bywater Call - Remain - New Release Review

 I just had the opportunity to review the newest release, Remain, from Bywater Call and it's a cool, modern, southern flavored, funk fused rocker. Opening with Falls Away, Meghan Parnell on lead vocal, shows clear command of the track with Dave Barns on guitar, Stephen Dyte on trumpet and trombone, Bruce McCarthy on drums, Mike Meusel on bass, Julian Nalli on sax and Alan Zemaitis on keys. I particularly like the stiff drum rhythm by McCarthy played against the lush slide work of Barnes. Great opener. Title track, Remain, has all of the components of a top radio track with it's sweet, memorable melody, strong vocals and instrumental arrangement with just the right amount of guitar. Let Me Be Wrong has a lot of sting with it's R&B beat and excellent vocals by Parnell and warm keyboard / vocal backing. Meusel sets a great bass posture on Sea We Swim and with McCarthy on drums, Zemaitis on keys and full horn support of Dyte. Parnell really swings it vocally making this one of my favorites on the release. Excellent! Bring It Back with a R&B flavored feel and powerful vocals by Parnell and punchy horn work by Dyte and Nalli give this track a firm base and Barnes cuts his guitar loose for a great ripping slide solo.  This really a cool release and one with broad appeal. Check it out. 

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David Owen - Oh Suzana Blues - New Release Review

 I just had the opportunity to review the most recent release, Oh Suzana Blues, from David Owen and it's solid acoustic country blues. Opening with Soul of a Sullen Man, David Owen on vocal, harmonica and guitar is joined by Dominic Davis on bass and Fats Kaplin on violin. Very nice in a Rev Gary Davis style. On All Folks Get The Blues, Owen takes to a Piedmont style picking, complimenting his vocal with harmonica with special guest Colin Linden adding guitar as well. Very nice. Bankruptcy Blues is a cool, delta style blues with Owen on vocal, harmonica and guitar. This track has a real Mali undertone giving it a rich delta feel. Title track, Oh Suzana Blues is a real simple country folk blues with it's straightforward approach and vocal dominance. Wrapping the release is So Lonesome Without You, a cool folk track featuring Owen on vocal and harmonica and Colin Linden on dobro. Nicely crafted and presented, this is a solid closer for a cool acoustic release. 

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Blue Moon Marquee - Scream, Holler & Howl - New Release Review

 I just had the opportunity to review the most recent release, Scream, Holler & Howl, from Blue Moon Marquee, and it's a cool blend of blues, swing gypsy jazz and more. Opening with title track, Scream, Holler and Howl, Blue Moon Marquee (A.W. Cardinal - vocal and guitar and Jasmine Colette - bass) gets this newest release (September 9, 2022) moving with a cool variation on a Howlin' Wolf theme with a spin. Backed by Darcy Phillips on Hammond, Matt Pease on drums Jerry Cook on sax this is a cool opener. Hound Dog On A Chain is a strong blues rocker with a driving bottom. With Colette on vocal and bass, and Cardinal on guitar really gets moving with a Booker T kind of sound complimented by Phillips' organ work. Lowlands has an early jazz sound with definite bluesy roots. With Colette on lead vocal and Bonnie Northgraves on sassy trumpet, this is a very cool track. Slinky, Come On Down really has a nice feel thanks to the snappy underpinnings by Pease on drums and Cook's bari sax work, complimenting the vocal work of Colette. Cool rag/gypsy jazz track, My Wild Rose is really cool with Cardinal back up front on lead vocal and a really nice synchronized gypsy style guitar soloing between Cardinal and Paul Pigat, with Phillips on piano, Colette on bass and Pease on drums. Very smart. Red Dust Rising is a solid blues track with Cardinal growling out the lead vocal. Philips piano really adds a classic blues character and Cardinal's guitar riffs add a modern authenticity. Wrapping the release is Another Night To Cry in classic blues styling. With Duke Robillard laying down a strong rhythm and Cardinal on guitar and lead vocal, over Phillips on piano, Colette on bass and Pease on drums this track is a fine closer. 

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Stony Plain Records artist: The Hogtown Allstars - Hog Wild - New Release Review

 I just had the opportunity to review the most recent release, Hog Wild, from The Hogtown Allstars and it's super. Opening with New Orleans flavored, Mr. Lucky, featuring Chuck Jackson on lead vocal, Gary Kendall on bass, Pat Carey on sax, Teddy Leonard on guitars, Howard Moore on trumpet, Jim Casson on drums and featuring super piano work by Tyler Yarema on piano and backing vocals by Quisha Wint, Jill Zadeh and Selena Evangeline. Shuffle, Real Good Night has a party feel with solid horn backing by Carey and Moore and prominent placement by Wint, Zadeh and Evangeline. Moore lays in a real nice guitar melody on this track but this tune really is prime for airplay. Subway Casanova is one of my favorite tracks with it's swampy, funky rhythm and great slide work by Leonard. Chicago style blues, Biscuits and Beans is stripped down with Jackson on vocal and harmonica and Leonard on guitar. This is as pure and simple as it gets. Very nice. Wrapping the release is I Ain't Lyin' a driving boogie. With Jackson, Kendall and Moore on vocal and the music being carried by Yarema, Kendall and Casson with some real nice horn work by Carey this is a solid closer for a strong release. 

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Jim Dan Dee - Real Blues - New Release Review

 I just had the opportunity to review the most recent release, Real Blues, from Jim Dan Dee, and I really like it. Opening with Guitar Slim's The Things That I Used To Do, Jim Stefanuk on lead vocal and guitar is on attack. His vocals are strong and his riffs relentless. Backed by Shawn Royal on drums, Dwayne Lau on bass and Jason Sewerynek on sax, this is a fiery opener. On title track, Real Blues, the band uses a slow firm pace to create dynamics and Stefanuk plays lead arpeggiation and fluid lead runs over reverb saturated harmony. With David Gilmore like phrasing, this track is sure to be a fan favorite. Rock and roller, Two Shakes of a Lamb's Tail has a cool backbeat courtesy of Royal and Lau. Sewerynek really punctuates with his sax work and Stefanuk's vocals are cocky with stinging guitar riffs to back 'em up. Solid. I like the approach on T for Trouble with a heavy bottom and heavy guitars under the vocal. Sewerynex wails the blues on sax and Stefanuk grinds on guitar.  This is pure 70's blues rock. Excellent! Wrapping the release is Texas style boogie, Money Don't Work On The Devil and the band is in full tilt. Strong closer. 

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Cliff Stevens - Better Days - New Release Review

 I just had the opportunity to review the most recent release, Better Days, from Cliff Stevens and it's it's a cool blues rocker. Opening with Better Days, a solid rocker with a good SRV style swagger, features Cliff Stevens on lead guitar and vocal, Serge Dionne on bass, Eric Sauve on keys, and Sam Harrisson on drums. With a "southern rock" flavor, No Room Left has a nice ABB like feel ... I can almost hear Chuck Leavell on piano. With a strong radio melody and select guitar riffs, this is a strong radio contender. Another serious radio contender is Light Of An Angel with a pure pop ballad melody. Stevens does a nice job as vocal front man and paired with Kim Feeney on harmony and a melodic slide solo, pure radio gold. Bluesy ballad, I Love You Still, is my favorite track on the release with cool blues progressions and a strong melody. Stevens lets the music flow with some more aggressive soloing and fluid runs. Very nice. Blues shuffle, True Love has a great feel with nice piano work by Sauve, nice backing vocals by Feeney and a slashing guitar solo of his own. I Been Thinking About You is another solid blues entry in the vein of Guitar Slim. With his vocal call and guitar response, this is a real nice track with an extended guitar workout, boosted by the warm organ of Sauve and the harmonica work of Pat Loiselle. Very nice. Wrapping the release is finger picking Slim Picking featuring Stevens on acoustic guitar. This is generally laid back but artistically nice and a solid closer to a solid release. 

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Stony Plain Records artist: HOROJO Trio - Set The Record - New Release Review

 I just had the opportunity to review the most recent release, Set The Record, from HOROJO Trio and I really like it. Opening with rocker, Man of Steel, lead vocalist Jeff Rogers who also plays keys leads the way, with well known guitar slinger JW-Jones on guitar and Jaime Holmes doing a great job on drums really get it ramped up. R&B track, Set The Record Straight has a lightly funky rhythm and the real richness of Rogers vocals shine through. Jones, who lead the vocal charge on his own solo releases and Holmes do a terrific job blending backing vocals making this a tight vocal effort.  One of my favorite tracks on the release is Stay Crazy with it's soulful feel and terrific lead vocals. With it's radio melody and Jones tasty guitar riffs, this track is very nice. Another particularly strong track is The Night with has a terrific melody, strong lead vocal by Rogers who adds warm organ backing and includes a sweet guitar solo by Jones. Very nice. Contemporary blues rocker, Give and Take gives Jones a real chance to show his blues roots with excellent riffs highlighting the track. Holmes takes charge on "James Brown" like rhythm as Jones and Rogers trade vocal/guitar lead on Something You Should Know. This track really moves out and Jones slides right in with a crisp guitar solo that really capps the track and Holmes showboats a little himself adding real icing to this cake.  Real Deal begins as a high intensity rocker with HOROJO firing on high but slows to a really nice blues giving Jones a great opportunity to show his blues chops and that he does. Rogers is just what Jones needed to give him a wider audience with excellent pipes on this new release. 

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Outside The Box - Mike Nagoda - New Release - New Release Review

 I just had the opportunity to review the most recent release (January 14, 2022) Outside the Box, from Mike Nagoda and it's an interesting blues rocker. Toronto based, Nagoda, was born with Cerebal Palsy and identifies as a queer, disabled blues and roots musician. Having a difficult time mastering guitar in a conventional fasion, Nagoda approached Toronto bluesman Brian Cober who developed the art of double slide where a slide is worn on two separate fingers creating an unusual effect. Opening with shuffle track, He's My Man, Nagoda wastes no time in displaying his sexuality, which was quite common with early blues although primarily heterosexual in nature. Joined by Liam Ward on harmonica, Nagoda showcases his double slide techniques. Pretty cool. With a slinky, kinda funky bottom, courtesy of D'Arcy Cain on bass, Jeremy Ronson on drums, Here To Stay has a rocky feel with Nagoda on guitar, vocal and Hammond. Slow, 8 bar track, Busker's Blues, features a nice guitar solo by Michael Keith, a solid piano solo by Anthony D'Allessandro, and some real nice harmonica by Liam Ward. O, Maximus is an interesting blues rocker with an adventurous instrumental extension featuring nice solos by Nagoda and Ward. Very nice. I think my favorite track on the release is "Pixies like" title track, Outside the Box, with it's alternating time signatures, vocal attack and rowdy guitar work by Frank Cosentino, Nelson Sobrel and Nagoda. Latin influenced, Conquistador, features cool percussion work by Chris Birkett with Ronson, Rex Ruber on alto sax, D'Allessandro on piano and a hot guitar solos by Robb Cappelletto and Nagoda. Wrapping the release is We Got A Party (Further On Up The Road), a loose blues rocking jam. D'Allesandro lays in another nice piano solo and Nagoda rips another solo of his own making this a solid closer for the release.

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Shakey Trill - New Release Review

 I just had the opportunity to review the newest self titled release, Shakey Trill and it's an interesting mix of raw blues and folk music by Mike MacDonald and Tyler Pantlin. Opening with I Love That Woman, MacDonald on lead vocal sets a great fingerpicking lead and Pantlin lays in solid harmonica accents. Lighthouse is a terrific original blues by MacDonald really showcasing MacDonald on slide resonator and Pantlin on harmonica. Very nice. On Morganfield's classic, I Can't be Satisfied, Pantlin has the lead on vocal and MacDonald really works the slide plus the addition of Alec Fraser on bass. Excellent! Lonely is another really solid delta style blues track with balanced contributions between Pantlin and MacDonald on harmonica and guitar. This is a particularly nice showcase for Pantlin's blues styling and MacDonald's vocals are rock solid. Guitar boogie track, Hold On To It has great pace and bound to get you nodding your head. I really like MacDonald's vocals on this track and Pantlin's harmonica work really works nicely. Wrapping the release is Sailing, a bluesy rocker with a contemporary feel. With MacDonald on lead vocal and guitar and a healthy harmonica response from Pantlin, the duo maintains a blues format in a rock delivery. This is a solid release with some great tunes. 

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Brandon Isaak - Modern Primitive - New Release review

 I just had the opportunity to review the most recent release, Modern Primitive, from Brandon Isaak and it's an interesting mix of blues, rock, folk and jazz music. Opening with Lost Love and Loose Women, a bluesy shuffle, features Isakk on lead vocal and guitar and lap steel and Keith Picot on bass. Jazzy, Valentine Blues is a fleet fingered rag with solid vocals and trademark guitar soloing by Isaak. Very nice. With a bit of swampy blues, I Wish I Did What I Said is another really cool tracks with Isaak on resonator, harmonica and lead vocal. This track has it's own feel but traces to early southern country blues. Very nice. My choice for radio track of the release is swing track, Something New, with a solid melody, strong rhythm and really nice lap steel work by Isaak.  My favorite track on the release is Six Little Letters with it's driving piano rhythm and vocal/guitar call and response. I really like Isaak's guitar soloing on this track with excellent phrasing and feel. Another track with hot guitar lead is Back To New Orleans and it's uptempo swing beat. A nice harmonica solo and strong vocals make this another of the most memorable tracks on the release. Wrapping the release is seasonal, I Wanna Swing For Christmas. Isaak really knows how to swing and his vocals just float on the track. Solid closer for a real nice release. 

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Broke Fuse - Rocket Ride - New Release Review

 I just had the opportunity to review the most recent release, Rocket Ride, by Broke Fuse, and it's a solid blues rocker. Opening with  The Stephenson Swamp Stomp, Jay Moonah, the man behind Broke Fuse, lays down some cool blues harp work, backed only by tambourine, setting the pace for the release. Title track, Rocket Ride, is a driving blues rocker with a great bass/drum rhythm, keyboards and lead vocal, all by Moonah and nicely blended female backing vocal by Debbie Fleming and featuring Mike McKenna on slide guitar. Very cool. Shuffle, One Shot, has a bit of blues and a bit of rock with piano by Eric Lambier and vocal, harmonica, drums, organ and bass by Moonah. A definite radio track candidate. Stingray Blues has a slow easy pace with guitar and drum rhythm. Moonah's vocals are understated but his harp playing sails. Very cool. Pop rocker, Miss Me When I'm Gone, has a really lively beat and is another top radio style track with it's solid melody and rhythm. Strong lead vocals and harmonica work by Moonah highlight the track. Instrumental, Los Detalles Del Diablo, is a cool track with a firm Latin beat with Moonah playing harmonica melody over tight guitar riffs. Wrapping the release is The Ballad of Sonny Shade with Moonah and Matthew Bartram, Paul Butters and Neil Bennett on vocal, Bartram on organ, and Moonah on guitar, harmonica, drums and bass. Slipping is a few nice guitar solos are 1st Butters and then Alex Matthews. Cool closer. 

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Stony Plain artist: Steve Marriner - Hope Dies Last - New Release Review

 I just had the opportunity t oreview the most recent release, Hope Dies Last, from Steve Marriner and it's a  blues fuzed rocker. Opening with Take Me To The City, Daniel Neill sets a stiff snare beat, Joined by Jim Bowskill on lead guitar and Ian McKeown on bass and of course Marriner on lead vocal, guitar and harmonica. Strong opener. High energy rocker, How High is one of my favorites on the release with Glenn Milchem on the drum kit and Bowskill again on lead guitar. Marriner has a markledly more rocking sound and it's tight. Samantha Martin guests with Marriner  on lead vocal on Enough with Jesse O'Brien on piano and B3, Darcy yates on bass, Boswkill on steel guitar and Milchen on drums. This is the definite radio track on the release with a solid melody and smooth presentation. Another really cool track is Uptown Lockdown with it's funky bottom courtesy Yates and Milchen and fat lead guitar work by Boswkill. Very cool. Petite Danse has a definite French/New Orleans flavor with great slide style added by Bowskill. Wrapping the release is acoustic ballad, Long Way Down, with Marriner on vocal, guitar, bass, and piano with Brittany Brooks, Roxanne Potvin, Bowskill and Moa Blucher on backing vocals. With a strong melody and solid vocals by Marriner, a very nice closer.

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Stony Plain Records artist: Maria Muldaur with Tuba Skinny - Let's Get Happy Together - New Release Review

 I just had the opportunity to review the most recent release, Let's Get Happy Together, from Maria Muldaur and Tuba Skinny and it's captures the sound of the 20's and 30's. Opening with I Like You Best of All, Muldaur on vocal and Shaye Cohn on wild cornet, Todd Burdick on the anchor ... tuba, Barnabus Jones on super trombone, Jason Lawrence on 6 string banjo, Craig Flory with a great clarinet solo, Greg Sherman on guitar, Max Bien Kahn on guitar and Rubin Rupuzzi on washboard. I really like the clarinet / cornet play off each other. It sets the stage nicely and Jones is a strong trombone player so his work with Muldaur's vocals are classic. Taking the pace down quite a bit on Delta Bound, Flory and Jones again really work the track and Burdick's tuba work is terrific under Muldaur's vocals. I Go For That has great pace and excellent instrumental weaving that is so important in this period music as well as all Dixieland music. Very nice. One of Muldaur's showpiece vocals on the release is Big City Blues, originally performed by 30's star Annette Henshaw. Wrapping the release is Road of Stone, a special track to Muldaur who says it was recorded by Sweet Pea Spivey, sister of Victoria Spivey who discovered her. With trumpet lead and cool clarinet wailing, cornet and trombone soloing, this is a perfect closer for a cool release. 

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