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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, When You Call, from Matt Lomeo, and it's a lot of fun. Opening with One More 1&1, a soulful track with definite Al Green feel. Matt's vocals are excellent and his harmonica playing strong, backed by Billy Watts on guitar, Terry Wilson on bass, James Cruce on drums, Kevin McKendree on organ, Darrell Leonard on horns, and Teresa James on backing vocals. Great opener. Another great R&B high stepper, When You Call, has great presence with Terry Wilson adding a nice slide part as well as vocals, and organ accents by McKendree. Take The Boulevard has a real nice feel nicely displaying the versatility of Lomeo's vocals. His phrasing is first rate creating a juicy texture. Very nice. Took My Bar And Left Me has a cool walking bass line by Wilson and well blended vocals by James and Lomeo. With solid keyboard work by McKendree and horn work by Leonard, this track has solid radio potential. Wrapping the release is a second cut of When You Call with a great funky bass line by Wilson and guitar line by Watts. This is a cool release with a lot of soul.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I had the pleasure to attend the Joe Bonamassa concert at the Arizona Financial Theatre (Previously Dodge Theater) in Phoenix Arizona on November 18, 2022, in support of his most recent release, Time Clocks, and the house was packed. I was fortunate enough to have brilliant seats not far from the stage and very near the middle of the floor. I started listening to Joe Bonamassa around 2000 when I caught an earful of his music on Pandora. Wasn't long before I had his new release, A New Day Yesterday, and Bonamassa had a new fan. I saw him shortly thereafter in a small club in Scottsdale and then at the Rhythm Room in Phoenix. He didn't have the repertoire of songs that he has now but it was amazing to see this unassuming kid with his long hair and his jeans dragging on the ground, step up on the stage and blow through his own book and quickly show how easily he could cruise from one guitar icon phrasing to another, playing their riffs and blowing back the crowd. His own big track at the time, A New Day Yesterday, coupled by his really nicely covered If Heartaches Were Nickels, in a two hour or so set of maybe 15 tracks always left the crowd wanting more.
Now Joe Bonamassa is a house hold name. Bonamassa has released more than 30 solo albums, and worked on at least 14 other featured projects with Black Country Communion, Rock Candy Funk Party, Beth Hart and Sleep Eazy's and been nominated for Grammys at least 3 times. He has a massive guitar collection and amps to go with them. This guy isn't a collector... He is a PLAYER. There's no question that this guy can physically step on the gas and like a supercar go zero to 100 in sub 3 seconds. In Phoenix 2022, Joe brought at least 6 guitars on stage, changing every 3 or 4 songs, availing himself to different tones and as a guitar player, each guitar talks to you differently. He opened with a contemporary blues set and on a gold top Les Paul. If you haven't seen Joe in years, he is now highly polished with his hair trimmed professionally but not square. He has a custom made blue suit with sequin trim, not unlike a tamed down Manuel or Nudie suite with notes for theme, and of course there's the glasses. He doesn't play to all of the theatrics of a guitar icon and sticks to his craft, and that's something that I appreciate about a mature performer. His second set (of tunes) was played on a tobacco burst strat and a bit more gritty, and the third set was played on a red es 335. This was my favorite grouping of tracks, more deeply blues with a funky take on I Feel Like Breaking Up Somebody's Home. Bonamassa took time to introduce/credit each band member numerous times throughout the concert with Josh Smith on guitar (this guy screams, primarily on Ibanez tele if I recall correctly), Steve Mackey on Jazz bass who did a knockout performance including a real nice solo, Reese Wynans who also really added a lot of excellent key work on piano and B3 and Lemar Carter on drums who kept everything tight. His backing singers were Jade MacRae and Juanita Tippens, taking the lead from time to time, and who really play a prime part in balancing Bonamassa on vocal (who really does a nice job as a vocalist by the way).
Thruout the night he pulled in a red strat, a blonde Les Paul and then natural custom tele with a forward humbucker and more rock oriented, followed by his last set on a cherry burst Les Paul. Bonamassa paused a few times to talk with the audience and just to friendly it up and I'm sure the crowd was receptive. Bonamassa played for 2 hours and it was pure Joe. Sure... he took a little turn on one track and played a few note tribute to Jeff Beck and ZZ Top's Just Got Paid has become a "Bonamassa track" and he really played it hard with Led Zep and Govt Mule interludes and even threw a little Theremin out. A definite crowd favorite. The show was powerful and exciting and the crowd loved it. This was a strong concert by a gracious performer ... pure Joe giving it what he's got. He's a world class guitar player, and a great performer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Changing Times, from Silent Partners, and it's a huge heaping of soul and blues. Opening with Ain't No Right Way To Do Wrong, a deep soulful blues track, Silent Partners get straight to the groove. With a rich bass line by Russell Jackson, tight drums by Tony Coleman and strong supportive guitar lead by Jonathan Ellison, this is a powerful opener. Backed by Don Daily on violin, this track has great radio appeal. Another strong radio track is, Road To Love with excellent lead vocals and backing vocals by Lisa Lueschner Andersen and featuring cool solo guitar work by Kid Andersen. Very nice. Funky, Never Make Your Move Too Soon, has a real nice feel that will get your butt right out your chair. With BB King style "talking" guitar riffs, by Ellison, and well placed organ placement by Jim Pugh over a romping bass line by Jackson, this track is moving. I love the sweet, soulful vocal lead on Teasing Woman, backed by the plucky bass/guitar rhythm. Ellison's guitar lead really hits the spot making this one of my favorite tracks on the release. Wrapping the release is Beale Street Shuffle with a laid back, shuffle feel on an old Robert Johnson concept. This band knows how to make a groove and sit in it and most anything Kid Andersen touches sounds like gold so we have a winner here.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Blood On My Hands, by Emanual Casablanca and it's solid rocker with a blues base. Opening with Afraid of Blood, a dark rocker with heavy overtones, Emanual Casablanca on vocal and guitar sets the tone joined by Paul Howells on guitar, Julian Chobot on bass, Teddy Sideropolous on drums and Paul Gilbert on guitar. Title track, Blood On My Hands is really a cool track with a strong, lumbering blues bottom, emphasized by Maximillian Sebastian on bass, Theodore Augustine on drums, Brother Dave on guitar and some of Casablanca's best vocals on the release. I really like blues based, Bloodshot Eyes with it's relentless thumping bass line by Chobot and solid guitar riffs by Albert Castiglia. Driving boogie, Testify is one of my favorite tracks on the release with a grinding guitar riff by Howells and it's simple blues feel. Wrapping the release is Rottenpockets with a heavily distorted guitar vamp by Sebastian and tight drum pulse by Poyraz Aldemir. This is a metal flavored track with melodic vocals by Casablanca.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Blues Legend, by Junior Wells, and it's terrific. This is a compilation of vintage singles from the 50's and 60's and includes the entire gamut. Opening with Cut That Out, Junior Wells trademark harp sound is front and center with his vocal, joined by Johnny Jones on piano, Louis Myers on guitar, Dave Myers on bass and Odie Payne on drums. Excellent! Well's most notable track, Hodo Man (HooDoo Man) is on deck with Wells paired with Elmore James on his infamous slide guitar. Early In the Morning features the great Otis Spann on piano pushing Wells to the limit with Muddy Waters on guitar, Willie Dixon on bass and Odie Payne on drums... What a lineup! On Lawdy! Lawdy! Wells harp seems to float on air, Spann on piano is excellent and of course the entire band really rocks. Syl Johnson adds guitar flair to Two Headed Woman over an active bass line by Dave Myers. Slow blues, I Could Cry is a really great single with strong vocals by Wells and excellent guitar lead by Johnson. Lafayette Leake on piano really adds nicely to this classic with the mighty Earl Hooker on guitar. Another great Wells track pairs him with Earl Hooker and Leake on piano. This is a classic jam and one not to miss. Another of Wells' most loved tracks, Messin With The Kid features Hooker and Leroy Gibson on guitar, Jarrett Gibson and Donald Hankins on sax, Fred Bellow on drums. Classic! Hooker pulls out the slide on I'm A Stranger, adding a real nice tension against Leake on piano and Johnny Walker on organ, Bobby Little on drums and Earnest Johnson on bass. Boogie track I Need Me A Car, features Hooker on guitar, Johnny Walker on organ and cool vocals by Wells. The rest of the players are unknown. Wrapping the release is a swinging cover of What's I Say with Wells on vocal, Little Brother Montgomery on piano, Otis Rush on guitar, Jack Myers on bass, and Fred Below on drums. This really is an excellent set and if you don't have the full Wells catalog you need this one!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Back On The Road To You, from Freedy Johnston and it's a well written and performed set of great tunes. Opening with Back On The Road To You, Freedy Johnston quickly demonstrates why he gets such critical praise. With strong vocal harmonies and a super melody, Johnston is joined by Dusty Wakeman on bass, Doug Pettibone with really nice lead and steel guitar riffs, and Sasha Smith on keys. Aimee Mann joins Johnston on Darlin', one of my favorites on the release with it's lush melody and lightly played steel guitar by Pettibone. Shimmering keys by Smith create an iridescence on the track. Susan Cowsill joins Johnston on pop rocker, The Power of Love with a total radio melody and concise attack. Pettibone adds in some real nice guitar flavor giving it just the right blend. Wrapping the release is The Really Miss Ya Blues with it's definite radio friendly melody. Perfect vocal harmony puts you in mind of the Everlys and with it's simple backing and rhythm, this is a solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Voodoo Nation, from Supersonic Blues Machine and it's a cool blues rocker. Opening with Money, SBM sets up a cool New Orleands flavored funk rocker with a solid drum line by Kenny Aronoff and featuring Kris Barras on lead vocal and guitar, Fabrizio Grossi on bass, Alex Alessandroni Jr on keys and perfect backing vocals by Francis Benitez and Andrea Grossi- Benitez. You and Me is a solid rocker that reminds me of Pink Floyd (and I actually don't know why). I think maybe it has the drive of Roger Waters' The Wall and the guitar attack by King Solomon Hicks (doesn't sound like Gilmore), but the riffs are cut from the same cloth. Very cool. 8 Ball Lucy is one of my favorites with solid vocals, cool slide by Sonny Landreth and really cool reggae drum work by Aronoff. Title track, Voodoo Nation, has an interesting sound with really potent drum work by Aronoff, wark key addition by Alessandroni Jr. and again very effective vocal backing by Grossi-Benitez. Wrapping the release is radio track, All Our Love with it's catchy tune andlight country influence. With Charlie Starr on slide guitar paired with Barras on lead guitar and lead vocal, and strong piano work by Alessandroni, this is a strong closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review a recent release, A Tribute to Eric Clapton from Cleopatra Records and it covers much of his popular music over his vast career. Opening with JJ Cale's, Cocaine, blues guitar man and vocalist Kirk Fletcher and organ master Brian Auger team up for what may be Clapton's biggest hit. With Clapton like phrasing Fletcher sets the pace for the balance of the release. From the Cream era, Jack Bruce and Eric Clapton composition, The Sunshine of Your Love is actually pretty interesting with Eric Gales on vocal and on guitar. Gales vocals are solid and his guitar soloing explosive, balancing out the Baker like powerful drumming by Adam Hamilton. Bob Marley's I Shot The Sherriff, was certainly a cool choice by Clapton for his 461 release and covered here by Pat Travers on vocal and guitar and joined by Artimus Pyle on drums has just a bit more rock that Claptons version with a great cowbell line and excellent riffs by Travers. Certainly his most popular song of recent times is Tears in Heaven given a total rework by Ana Popovic on guitar and lead vocal with Buthel Burns on bass and Jerry Wayne Kelley Jr on drums. Popovic really adds a lot of soul to this track making it the most likely radio track on the release. Snowy White makes a cool appearance with strong, Clapton influenced riffs on another Bruce/Cream composition, White Room. With Graham Bonnet on lead vocal, this track is a true classic. Wrapping the release is Steve Winwood's Blind Faith hit, Can't Find My Way Home featuring Shirley King on vocal and Tull's Martin Barre on guitar. I've always enjoyed Barre's guitar hand and am glad to see him included here on a solid wrapper to one of rock's champions.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Through The Rain, by Lyle Odjick and The Northern Steam, and it's a cool look at traditional blues from a modern perspective. Opening with Misery Train, Lyle Odjick on harmonica plays solo with a foot stomp, creating the huff and puff of an old steamer. On shuffle, Cut Me Loose, Odjick gets his harmonica going along with lead vocal, backed by Ben Griggs on guitar, Mike Turenne on bass, Rick Griggs on lead and rhythm guitar and Fred Sebastian on drums. Very cool. On a funky take on Sleepy John Estes', Leaving Trunk, it's Tony D's guitar riff that sets the stage and Odjick works the lead on vocal and harmonica. With some tasty roofs, this is a solid track. Boogie track, Bad For You, is one of my favorite tracks on the release with a solid guitar vamp and tasty harmonica riding the wave. Very nice. Slow blues, Broken Man gives Tony D a real nice opportunity to show his blues chops with extended fluid lead guitar runs and Odjick really amps it up on harmonica giving this track real tension. Solid. On title track, Through The Rain, Odjick really sets a driving pace and Tony D hits it on slide guitar giving the track a rickin' Foghat like sound, capped by Odjick on harmonica. Wrapping the release is Jimmy Roger's blues shuffle, Rock This House, with Jason Fryer adding the lead on guitar and Odjick really getting it on harmonica. Sam McGee's keyboard work on this track really adds to the overall feel of the track making this an excellent closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Live Down Underground, by Matty T Wall and it's a hot new blues rocker...live! Opening with Broken Heart Tattoo, Australian blues guitar player Matty T Wall hits the road running with his aggressive guitar attack and solid vocals. Joined by Ric Whittle on drums and Leigh Miller on bass this is a romping boogie. Solid opener. Slideride is a hot rocker with Wall letting his slide do the talking. With a driving beat, Wall shows a relentless approach on guitar with the rawness of Hound Dog Taylor. Excellent track. Another driving track, Scorcher, shows Wall's excellent picking style mixed with dark overtones. Miller sets a great pace and Whittle adds fuel to the flame. This track is a scorcher. This Is Real slows things down quite a bit with Wall strumming a chord and then singing melodic phrases. With only the simplicity of Miller's bass and Whittle's drum strokes, this track really sits nicely. As the track matures, Wall steps forward and solos with excellent blues rock guitar phrasing. Very nice. Hendrix's Voodoo Chile is the basis for a strong, live jam that clocks in at nearly 15 minutes. Wrapping the release is Smile, a meandering guitar blues with solid footing and excellent phrasing. With active bass lines by Miller and a solid tom tom beat by Whittle, Wall closes this show down nicely. If you're looking for a great blues rocker this may be one of the best of the year.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Medication Time, from Todd Sharpville, and it's a solid rocker. Opening with Walk Out In The Rain, Todd Sharpville on vocal and guitar sets a tense stage with his intense vocal and Clapton like guitar riffs. Joined by Bruce Bears on Hammond, Brad Hallen on bass and Mark Texeira on drums, this is an attention grabber of an opener. Driving track, Get Outta My Way features Doug James on Bari sax, Mark Early on tenor sax, Carl Querfurth on trombone and Doc Chanonhouse on trumpet and put to great use with a full horn delivery and a strong sax solo by Early. House Rules is a great track that's likely to get you up on your feet. With it's tight rhythm and slick guitar soloing by Sharpville, this track is super. Larry McCray joins on guitar and vocal on Brothers From Another Mother and the guy's voices actually pair up quite nicely (McCray on the left). McCray and Sharpville jam out pretty nicely for the last minute or so and James deep bari punctuation really sets it off. Bluesy ballad and title track, Medication Time really has a great feel and Sharpville's vocals carry the melody nicely, complimented by Bears on piano and Hammond. The close of this track is emotion filled with exceptional guitar riffs that are bound to perk up your senses. Raising the Texas style on blues rocker, God Loves a Loser, Sharpville shows great flair and style in blues rock style. Red Headed Woman has a lot of country influence with hot finger picking electric guitar picking and just the right amount of spunk. Wrapping the release is soulful ballad, I Don't Need To Know Your Name again blending vocals with Larry McCray and a very nice sax solo by Early. This is a really strong release with a wide blend of great tunes.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Ride On, by Ron Addison and it's a cool blues fused rocker. Opening with title track, Ride On, Ron Addison on lead vocal and guitar is joined by Mary Munsey on keys, Erin Larkin on backing vocals, Herb Olshin on guitar, Will Dowell on bass and Brian Seiler on drums. A straight up radio track, a solid opener. Picnic With You is one of my favorite tracks on the release with a swampy, Tony Joe White feel. Addison's guitar and vocals both show real swagger and Duane Catfish Frye adds some real cool harmonica. Bluesy ballad, Doug MacCleod's The Sun Shine Down My Way is a real nice showcase for Addison on vocal and guitar over warm organ and features some real nice sax by Munsey. Very nice. Hoo Doo is another really cool track with a great Latin beat by Seiler and guitar reverb. Slow blues, My Heart Can't Be Broken Any More gives Addison a real nice opportunity to show his blues guitar chops with plenty of balance and solid vocal. Wrapping the release is traditional spiritual, Ain't No Grave, gets a real nice rework with a rock tempo. With warm vocal backing by Shana Livingston and Robbie Hale, this is a great closer for a solid release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Road To The Blues, by Dave Thomas and it's a solid blues rock release. Opening with title track, Road To The Blues, Dave Thomas on lead vocal and guitar keeps it simple with a basic shuffle backed by Steve Jinks on bass and drums and James Goodwin on piano. Up tempo shuffle, Eye On The Money, has a lighter feel with cool guitar runs by Thomas and with the add of Michael Smith and Phil Marshall on sax, this track swings. Slower blues ballad, Another Girl is my favorite track on the release with soulful vocals by Thomas and really nice piano work by Goodwin. With a velvety pace and perfect piano phrasing, this track is tops. On After All These Years, a modern presentation of delta style blues, Thomas on guitar and vocal and backed by Gareth Tucker on harmonica and Jinks on bass and drums stretches a little on electric guitar giving the release just a little blues juice. Wrapping the release is Chuck Berry's, Memphis Tennessee with a more open, rural feel. Fluid acoustic guitar runs over interwoven acoustic work by Thomas really caps the release off nicely.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, The Lights Went Out In Dallas, by Mike Morgan and the Crawl and it's super. Opening with Ding Dong Daddy, Mike Morgan is up front on lead vocal and guitar dueling with master Anson Funderburgh and it's an excellent opener with Drew Allain on bass, and Danny Cochran on drums. With a name like Funkafaction, you know it's gonna be funky, with Morgan on guitars, Mike Flanigin on B3, Reo Casey on Rhodes piano, Allain on bass and Kevin Schermerhorn on drums. This is a strong track that really moves. Title track, The Lights Went Out In Dallas, has a catchy melody and firm lead vocals by Morgan and backing vocals by Andrea Wallace plus Matt Farrell on B3 making it my choice for radio track for the release. I like the groove of boogie, Out In The Jungle with it's low slung rhythm and guitar pace. Morgan on vocal and guitar, Casey steps up with a cool solo on guitar himself and the slap rhythm of Schermerhorn on drums makes this another favorite. Slower blues, Goin' Down To Eli's is a really nice track, stretched out with plenty of space for Morgan on slide guitar. Very cool. Wrapping the release is another radio track, Our Last Goodbye featuring Morgan on lead vocal and with a compact melodic guitar solo and warm vocal backing by Wallace, a cool closer for a solid release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, A Night At The Rhythm Room, by Until The Sun and it's a solid blues based rocker. Opening with Battle Cry, Alyssa Swartz is upfront on lead vocal and has just the right blend of grit and polish. With Brandon Teskey on guitar, Chris Tex on drums and Glenn Peacock on bass, this band is tight and stout. Southern California born, Teskey opens Hell of a Thing with a red hot blues solo, paving the way for Swartz's vocal lead. This is his showcase and his tone is pure and sweet and his dynamics noteworthy. Very cool. One of my favorite tracks on the release is Death in Disguise with a good emotional balance between Swartz and Teskey. Soul ballad, Burning Home, has some real radio potential with a solid melody, good front work by Swartz and just enough guitar adornment to catch your interest. Wrapping the release is Led Zep's Whole Lotta Love with open guitar interpretation by Teskey over a solid base by Peacock and Tex. A good power closer in a local club by this Phoenix based band.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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