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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Blues review. Show all posts
Showing posts with label Blues review. Show all posts

Tuesday, November 8, 2022

Lyle Odjick & The Northern Steam - Through The Rain - New Release Review

 I just had the opportunity to review the most recent release, Through The Rain, by Lyle Odjick and The Northern Steam, and it's a cool look at traditional blues from a modern perspective. Opening with Misery Train, Lyle Odjick on harmonica plays solo with a foot stomp, creating the huff and puff of an old steamer. On shuffle, Cut Me Loose, Odjick gets his harmonica going along with lead vocal, backed by Ben Griggs on guitar, Mike Turenne on bass, Rick Griggs on lead and rhythm guitar and Fred Sebastian on drums. Very cool. On a funky take on Sleepy John Estes', Leaving Trunk, it's Tony D's guitar riff that sets the stage and Odjick works the lead on vocal and harmonica. With some tasty roofs, this is a solid track. Boogie track, Bad For You, is one of my favorite tracks on the release with a solid guitar vamp and tasty harmonica riding the wave. Very nice. Slow blues, Broken Man gives Tony D a real nice opportunity to show his blues chops with extended fluid lead guitar runs and Odjick really amps it up on harmonica giving this track real tension. Solid. On title track, Through The Rain, Odjick really sets a driving pace and Tony D hits it on slide guitar giving the track a rickin' Foghat like sound, capped by Odjick on harmonica. Wrapping the release is Jimmy Roger's blues shuffle, Rock This House, with Jason Fryer adding the lead on guitar and Odjick really getting it on harmonica. Sam McGee's keyboard work on this track really adds to the overall feel of the track making this an excellent closer. 


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Thursday, November 3, 2022

HipsterDumpster Records artist: Matty T Wall - Live Down Underground - New Release Review

 I just had the opportunity to review the most recent release, Live Down Underground, by Matty T Wall and it's a hot new blues rocker...live! Opening with Broken Heart Tattoo, Australian blues guitar player Matty T Wall hits the road running with his aggressive guitar attack and solid vocals. Joined by Ric Whittle on drums and Leigh Miller on bass this is a romping boogie. Solid opener.  Slideride is a hot rocker with Wall letting his slide do the talking. With a driving beat, Wall shows a relentless approach on guitar with the rawness of Hound Dog Taylor. Excellent track. Another driving track, Scorcher, shows Wall's excellent picking style mixed with dark overtones. Miller sets a great pace and Whittle adds fuel to the flame. This track is a scorcher. This Is Real slows things down quite a bit with Wall strumming a chord and then singing melodic phrases. With only the simplicity of Miller's bass and Whittle's drum strokes, this track really sits nicely. As the track matures, Wall steps forward and solos with excellent blues rock guitar phrasing. Very nice. Hendrix's Voodoo Chile is the basis for a strong, live jam that clocks in at nearly 15 minutes. Wrapping the release is Smile, a meandering guitar blues with solid footing and excellent phrasing. With active bass lines by Miller and a solid tom tom beat by Whittle, Wall closes this show down nicely. If you're looking for a great blues rocker this may be one of the best of the year.


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Wednesday, November 2, 2022

Flying Horse Records artist: The Jazz Professors - Blues and Cubes - New Release Review

 I just had the opportunity to review the most recent release, Blues and Cubes, from The Jazz Professors, and it's a full helping for straight up jazz. Opening with Blue Lamp, Jeff Rupert on sax and Dan Miller on trumpet share the lead on this first track exploring the work of Picasso. Joined by Per Danielsson on piano, Bobby Koelble on guitar, Marty Morell on percussion and Richard Drexler on bass. Cool opener. On Les Damoiselles D'avignon, Morell sets a tasty drum rhythm and Drexler's aggressive lines really have his bass humming. Danielsson lays out a terrific piano solo, followed by Rupert whose fluid sax work is undeniable. Koelble's fret work avoids the cliché with clean, thoughtful articulation. Very nice.  I really like Charlie Parker's Segment with it's paired trumpet/sax lead and tight yet highly active bottom by Drexler. Rupert's lead sax lines, punctuated by Danielson is really nicely matched with the great trumpet attack by Miller. Excellent! Another beautiful melody on Promenade In Blue really works well for this set. Rupert's tone is excellent and Drexler's bass, though not over stated really adds another dimension. Danielsson takes a real nice stroll on piano with well executed concepts and Rupert circles back with a wailing great solo. Drexler gets a nice spot to show up front and he demonstrates poise and fluid grace. Very nice. On a bit more conceptual pace, Drexler's Picasso's Blue Lobster really flows with Rupert laying the groundwork, followed by strong solos by Drexler and Koelble before retuning to the alluring melody. Very nice. Wrapping the release is jazz rocker, The Iberian, with it's rocking, then swinging execution. Rupert really digs in on sax solo on this one followed by Miller on trumpet and Koelble on guitar. Drexler is just as aggressive under the melody with precise accents by Danielsson on piano and that ever tight drum snap by Morell. This is a strong closer for a really cool release.


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Thursday, October 27, 2022

DixieFrog Records artist: Todd Sharpville - Medication Time - New Release Review

 


I just had the opportunity to review the most recent release, Medication Time, from Todd Sharpville, and it's a solid rocker. Opening with Walk Out In The Rain, Todd Sharpville on vocal and guitar sets a tense stage with his intense vocal and Clapton like guitar riffs. Joined by Bruce Bears on Hammond, Brad Hallen on bass and Mark Texeira on drums, this is an attention grabber of an opener. Driving track, Get Outta My Way features Doug James on Bari sax, Mark Early on tenor sax, Carl Querfurth on trombone and Doc Chanonhouse on trumpet and put to great use with a full horn delivery and a strong sax solo by Early. House Rules is a great track that's likely to get you up on your feet. With it's tight rhythm and slick guitar soloing by Sharpville, this track is super. Larry McCray joins on guitar and vocal on Brothers From Another Mother and the guy's voices actually pair up quite nicely (McCray on the left). McCray and Sharpville jam out pretty nicely for the last minute or so and James deep bari punctuation really sets it off. Bluesy ballad and title track, Medication Time really has a great feel and Sharpville's vocals carry the melody nicely, complimented by Bears on piano and Hammond. The close of this track is emotion filled with exceptional guitar riffs that are bound to perk up your senses. Raising the Texas style on blues rocker, God Loves a Loser, Sharpville shows great flair and style in blues rock style. Red Headed Woman has a lot of country influence with hot finger picking electric guitar picking and just the right amount of spunk. Wrapping the release  is soulful ballad, I Don't Need To Know Your Name again blending vocals with Larry McCray and a very nice sax solo by Early. This is a really strong release with a wide blend of great tunes.



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Wednesday, October 26, 2022

Ron Addison - Ride On - New Release Review

 


I just had the opportunity to review the most recent release, Ride On, by Ron Addison and it's a cool blues fused rocker. Opening with title track, Ride On, Ron Addison on lead vocal and guitar is joined by Mary Munsey on keys, Erin Larkin on backing vocals, Herb Olshin on guitar, Will Dowell on bass and Brian Seiler on drums. A straight up radio track, a solid opener. Picnic With You is one of my favorite tracks on the release with a swampy, Tony Joe White feel. Addison's guitar and vocals both show real swagger and Duane Catfish Frye adds some real cool harmonica. Bluesy ballad, Doug MacCleod's The Sun Shine Down My Way is a real nice showcase for Addison on vocal and guitar over warm organ and features some real nice sax by Munsey. Very nice. Hoo Doo is another really cool track with a great Latin beat by Seiler and guitar reverb.  Slow blues, My Heart Can't Be Broken Any More gives Addison a real nice opportunity to show his blues guitar chops with plenty of balance and solid vocal. Wrapping the release is traditional spiritual, Ain't No Grave, gets a real nice rework with a rock tempo. With warm vocal backing by Shana Livingston and Robbie Hale, this is a great closer for a solid release. 


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Tuesday, October 25, 2022

Blonde on Blonde Direct artist: Dave Thomas - Road To The Blues - New Release Review

 I just had the opportunity to review the most recent release, Road To The Blues, by Dave Thomas and it's a solid blues rock release. Opening with title track, Road To The Blues, Dave Thomas on lead vocal and guitar keeps it simple with a basic shuffle backed by Steve Jinks on bass and drums and James Goodwin on piano. Up tempo shuffle, Eye On The Money, has a lighter feel with cool guitar runs by Thomas and with the add of Michael Smith and Phil Marshall on sax, this track swings. Slower blues ballad, Another Girl is my favorite track on the release with soulful vocals by Thomas and really nice piano work by Goodwin. With a velvety pace and perfect piano phrasing, this track is tops. On After All These Years, a modern presentation of delta style blues, Thomas on guitar and vocal and backed by Gareth Tucker on harmonica and Jinks on bass and drums stretches a little on electric guitar giving the release just a little blues juice. Wrapping the release is Chuck Berry's, Memphis Tennessee with a more open, rural feel. Fluid acoustic guitar runs over interwoven acoustic work by Thomas really caps the release off nicely. 


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Friday, October 21, 2022

M.C. Records artist: Mike Morgan and the Crawl - The Lights Went Out In Dallas - New release review

I just had the opportunity to review the most recent release, The Lights Went Out In Dallas, by Mike Morgan and the Crawl and it's super. Opening with Ding Dong Daddy, Mike Morgan is up front on lead vocal and guitar dueling with master Anson Funderburgh and it's an excellent opener with Drew Allain on bass, and Danny Cochran on drums. With a name like Funkafaction, you know it's gonna be funky, with Morgan on guitars, Mike Flanigin on B3, Reo Casey on Rhodes piano, Allain on bass and Kevin Schermerhorn on drums. This is a strong track that really moves. Title track, The Lights Went Out In Dallas, has a catchy melody and firm lead vocals by Morgan and backing vocals by Andrea Wallace plus Matt Farrell on B3 making it my choice for radio track for the release. I like the groove of boogie, Out In The Jungle with it's low slung rhythm and guitar pace. Morgan on vocal and guitar, Casey steps up with a cool solo on guitar himself and the slap rhythm of Schermerhorn on drums makes this another favorite. Slower blues, Goin' Down To Eli's is a really nice track, stretched out with plenty of space for Morgan on slide guitar. Very cool. Wrapping the release is another radio track, Our Last Goodbye featuring Morgan on lead vocal and with a compact melodic guitar solo and warm vocal backing by Wallace, a cool closer for a solid release. 


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Thursday, October 20, 2022

Until The Sun - A Night A The Rhythm Room - New Release Review

 


I just had the opportunity to review the most recent release, A Night At The Rhythm Room, by Until The Sun and it's a solid blues based rocker. Opening with Battle Cry, Alyssa Swartz is upfront on lead vocal and has just the right blend of grit and polish. With Brandon Teskey on guitar, Chris Tex on drums and Glenn Peacock on bass, this band is tight and stout. Southern California born, Teskey opens Hell of a Thing with a red hot blues solo, paving the way for Swartz's vocal lead. This is his showcase and his tone is pure and sweet and his dynamics noteworthy. Very cool. One of my favorite tracks on the release is Death in Disguise with a good emotional balance between Swartz and Teskey. Soul ballad, Burning Home, has some real radio potential with a solid melody, good front work by Swartz and just enough guitar adornment to catch your interest. Wrapping the release is Led Zep's Whole Lotta Love with open guitar interpretation by Teskey over a solid base by Peacock and Tex. A good power closer in a local club by this Phoenix based band. 


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Wednesday, October 19, 2022

Lauren Glick - Lush - New Release Review

 I just had the opportunity to review the most recent release, Lush, by Lauren Glick and it's a smooth mix of blues and rock. Opening with ballad, Don't Add Up, Lauren Glick on vocal, bass and keys, blows open the doors on this release with vocal power. Her voice is solid and the melody is very radio oriented. With tight backing by Scott Malaby on guitar, Bobby Malaby on drums and Matt Vangasbeck on keys, this is a solid opener. Soulful, Love and Peace, is pure melody with Glick up front and center on vocal with only enough instrumentation to back a solid radio track. Her voice is gritty enough to make it stand out yet, smooth enough to appeal to a broad audience. With a lot of punch, Poor Boy, has a cool back beat and warmed up by Vangasbeck's organ work, one of my favorites on the release. Glick's vocals really work well on this track and Malaby's guitar accents really add nicely to the mix. Wrapping the release is Perfectly Capable, with it's bluesy gut grinding soul feel and Glick really works it. Malaby's guitar shore up the melody and vocal backing work really nicely with Glick's lead making hits a strong closer. 


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Tuesday, October 18, 2022

Black Hen Music artist: Steve Dawson & the Telescope 3- Phantom Threshold - New Release Review

 I just had the opportunity to review the most recent release, Phantom Threshold, from Steve Dawson, and it's an interesting blend of blues and country. Opening with Cozy Corner with a meandering melody somewhat like a movie soundtrack, Dawson blends acoustic and electric guitars, mandolin, and marxophone with Jay Bellerose on drums, Jeremy Holmes on bass, Chris Gestrin on keys and Daniel Lapp on violins providing a supple background for his solo pedal steel explorations. Very cool.  Ol' Brushy has a funky bottom with Gestrin on Wurlitzer, clavinet and organ, Bellerose on snare and Homes on bass providing a really strong framework allowing Dawson's steel guitar soloing in contrast with Gestrin's own melodic work. The Waters Rise is a pure C&W style melody with steel guitar lead over a rhythm strum on a National tricone and with really smart accordion work by Fats Kaplan. One of my favorites on the release. Lily's Resistor is a really nice track in 3/4 time. Full melody lead by Dawson on pedal steel, with accents on baritone guitar with reverb, clean electric six string and pure country style backing by Gestrin on organ, moog, meletron and wurlitzer, Holmes on bass and Bellerose on drums sets a very relaxing pace. Wrapping the release is Whirlwind, featuring Dawson alone on Weissenborn. Alternating back and forth between flat picked melody and slide, Dawson really works the melody for a solid closer for a cool release. 


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Monday, October 17, 2022

M.C. Records artist: Big Jack Johnson - Stripped Down In Memphis - New Release Review

 I just had the opportunity to review the most recent release, Stripped Down In Memphis, from Big Jack Johnson and it's a big helping of old school, delta style blues. Opening with Jimmy Reed's Baby What You Want Me To Do, Big Jack Johnson on guitar and vocal is teamed up with Kim Wilson on harmonica. With a steady, jangly acoustic guitar rhythm under his solid vocal delivery and Wilson's soulful harmonica riffs, this is a great opener. Andy Gibson's The Hucklebuck is a classic with the electric guitar turned up to warm. A stirring rhythm and again with Wilson soloing on harmonica, this is a terrific track. Wild Child Butler's See Me Coming is a cool, laid back, blues jam feat Butler on harmonica and vocal and Johnson on guitar and vocal. Wrapping the release is Bill Doggett's The Hully Gully Twist with Wilson on harmonica and Johnson on electric guitar. A rambling blues with a romping guitar lead and harmonica solo counterpoint, this is a strong closer for a totally enjoyable release. 


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Thursday, October 13, 2022

VizzTone Label Group artist: The Nighthawks - Established 1972 - New Release Review

 I just had the opportunity to review the most recent release, Established 1972, by The Nighthawks and it's a solid rocker. Washington D.C.'s legendary blues rockers have released a new album and they haven't lost a step. Opening with rocker, Nobody, Mark Wenner is upfront on harmonica and lead vocal, backed by Dan Hovey on guitar, Mark Stutso on drums and Paul Posciotta on bass. With it's driving rhythm and take no prisoners feel, this is a strong opener. Boogie track, Coming and Going, not only has a great rhythm but the concept line is great and Hovey's guitar lead is hot. Wenner lays in some real nice blues riffs on harmonica making this one of my favorites on the release. Ask Me Nice has a really bluesy feel with trademark harp tones and phrasing by Wenner and an overall slinky vibe. Funky, Gas Station Chicken, has a great bass line by Pisciotta and fine vocals punched up by Wenner on harmonica and some flashy guitar work by Hovey. Very cool. Wrapping the release is country flavored, Driving, with it's easy pace and smooth lead vocals. Hovey lays in a melodic guitar solo and counter lead by Wenner on harmonica gives the track a solid shine. 


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Monday, October 10, 2022

VizzTone Label Group artist: Ben Levin - Take Your Time - New Release Review

 I just had the opportunity to review the most recent release, Take Your Time, from Ben Levin and it's a super entry to a strong line of super releases by Levin. Opening with title track, Take Your Time, Levin on piano and vocal fronts a band of great players including my man Johnny Burgin on guitar and Shorty Starr on drums. A cool shuffle track this is a strong opener and gives Burgin space to lay down some real nice riffs. Lil Ed Williams joins on Why Do Things Happen To Me with his distinctive guitar feel and vocal work. I really like the work that Levin has been doing and paired with Lil Ed on guitar, Aron Levin on guitar, Walter Cash on bass and Ricky Nye on drums, he's on fire. Burgin is up again as featured lead player on Latin influenced, Out Of Your Own Way. Burgin can really set the fuel and ignite it and I can tell his playing style immediately. I didn't know he was playing on this release on the first pass through and I heard this track and said... wow Johnny...Great! Levin's vocal and piano work, coupled with Burgin makes this my favorite track on the release. New Orleans flavored boogie, You Know You're So Fine features Lil Jimmy Reed on lead vocal and guitar over the excellent piano boogie of Levin. With Aron on guitar, Walter on bass and Ricky on drums, this track has a great groove. Another great piano shuffle is closer, Mr Stroger's Strut featuring Bob Stroger on vocal and bass. With Noah Wotherspoon on guitar, Nye on drums and Levin on keys, this is an excellent closer. 


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Friday, October 7, 2022

HowellDevine - Strange Time Blues - New Release Review

 I just had the opportunity to review the most recent release, Strange Time Blues, by HowellDevine, and it's a laid back folk blues set. Opening with Mississippi Fred McDowell's East St. Louis Blues, Joshua Howell on vocal, guitars and harmonica is front and center, backed by Pete Devine on drums and washboard and Joe Kyle, Jr. on bass. I really like the vibe of Devine original, Smoke, with hit's hill country structure and especially his harmonica energy. Very cool. Fundamental remake of Blind Boy Fuller's Untrue Blues with it's easy, finger picking style and prominent bass thump by Kyle. Who doesn't love RL Burnside's Long Haired Doney and it's boogie feel. Howell has most of it on vocal and guitar but Kyle and Devine really anchor it down tight. Morganfields' Long Distance Call sits nicely in his original groove with soulful vocals by Howell, and tight drum rhythm by Devine staying close with loose slide work by Howell expanding on Water's own style and some slick, aggressive bass playing by Kyle. Very cool. Band original, Strange Time Meltdown is a somewhat funky groove with a plucky bass line and nice drum line setting the pace for a cool jam by Howell on electric guitar... slowly pulling apart into nothingness. Possibly my favorite on the release. Wrapping the release is Rev Robert Wilkins' That's No Way To Get Along. Devine gets the Duolian rocking nicely and his smooth vocals deliver the word over light snare work and a stead pluck by Kyle. This is a cool release of acoustic blues focused around some prime acoustic playing. Solid. 



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Thursday, October 6, 2022

VizzTone Label Group artist: Dylan Triplett - Who Is He? - New Release Review

 I just had the opportunity to review the most recent release, Who Is He?, from Dylan Triplett and it's a  strong blend of blues, R&B, soul and jazz. Opening with blues shuffle, Barnyard Blues, Dylan Triplett wastes no time showing his vocal skills, backed by Kingfish Ingram on solo guitar, Johnny Lee Schell on guitar and Dr Wayne Goins on rhythm guitar, Mike Finnigan on organ, Ryan Marquez on piano, Montez Coleman on drums, Larry Fulcher on bass and with Kudisan Kai, Maxayn Lewis, Mike Finnigan and Larry Fulcher on backing vocals. Excellent! Soulful, Brand New Day...Same Old Blues has a really nice feel. Triplett's vocals are smooth as silk, with clean piano work by Marquez, floating slide guitar by Tru Born and backing vocals by Kai and Lewis are as nice as D'Angelo. Very nice. I'll Be There Waiting is a terrific track, with a R&B feel and great lead vocals. Schell covers lead guitar and Finnigan's organ work adds super warmth. Very nice. On up tempo shuffle, She Felt Too Good, you'll find a hard time not rocking in your chair. A cool sax solo by Art Wayne Pollard  and a real nice guitar solo by Goins really set this track apart. Excellent! Hi stepping is all I can say about That's The Way Love Is. Marvin Gaye's influence on vocal style, real nice keys by Marquez and rich backing vocals by Kai and Lewis make this a top radio track. Wrapping the release is a modern interpretation of Miles Davis' All Blues. With just a bit of funk led by Joe Sublett, and tight drums rhythm by Coleman leaves plenty of space for Triplett to let it all hang out vocally. Goins guitar solo in the style of JG Watson adds to the juiciness of this closer leaving you wanting more. Very nice. 


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Wednesday, October 5, 2022

VizzTone Label Group artist: Bob Margolin and Bob Corritore - So Far - New Release Review

 


I just had the opportunity to review the most recent release, So Far, from Bob Margolin and Bob Corritore with special guest Jimmy Vivino and it's solid blues. Opening with Steady Rollin' On, Bob Margolin leads this acoustic duo on lead vocal and guitar with Bob Corritore on harmonica. Written by Margolin, this acoustic delta style blues is a cool opener. Robbie Robertson's It Makes No Difference is on of the Band's super tracks and one of my favorites on this release, blending vocals by Margolin and Jimmy Vivino who also contributes guitar and showing a totally different side of Corritore on harmonica in a totally non Chicago blues stance. Boogie, Now and Then is a cool mover featuring Corritore on harmonica over the steady drive by Margolin on guitar. Very cool. Bob Corritore's Salt River Stomp is another of my favorites as an instrumental with a lot of hot licks. Wrapping the release is John Lee Williamson's, My Little Machine with Margolin on lead vocal and guitar. His playing is tight a strong and Corritore's harmonica is loud and proud. Excellent closer. 


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Tuesday, October 4, 2022

Stony Plain Records artist: The Strongman Blues Remedy, Volume 1 - New Release Review

 I just had the opportunity to review the most recent release, The Strongman Blues Remedy, Volume 1, from The Strongman Blues Remedy and it's chocked full of foot tapping blues. Opening with blues rocker, Hard Luck, leader Steve Strongman adds great slide riffs, bass and harmonica to his solid lead vocal efforts for a super radio track. Joined by Dave King on drums and Jesse O'Brien on keys this is a great opener. Dawn Tyler Watson has the mic on Fine Young Man, a solid radio track with country and blues roots. Slick slide work by Strongman and with O'Brien on keys and King on drums, another fine track. Slow blues, White Lightnin' is my favorite track on the release with Strongman's best vocals on the release and strong, soulful, fluid guitar lead, backed by Alec Fraser on bass. Excellent! Crystal Shawanda has the mic on Tell Me I'm Wrong and her vocals are sassy and powerful against the bluesy riffs of Strongman. Wrapping the release is Love Comin' In with it's poppy shuffle feel. Strongman is back up front on vocal and his guitar work is bluesy and slick. With grinding rhythm work and a driving bottom, this is a solid closer for a cool release. 


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