I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just received the newest release, Enjoy It While You Can, from The McKee Brothers and I love it. Opening with One Of Us Gots Ta Go, a jazzy blues track in the style of WW Washington, this track is hot! Featuring Bob Schultz on lead vocal and Kirk Fletcher on lead guitar this track swings. Denis McKee on guitar, Bobby West on piano, Jim Alfredson on Hammond, Duncan McMilan on Wurlitzer, Ralph McKee on bass and Jerome Edmonson on drums is a solid unit but throw Lee Thornburg on trumpet, Doug Webb on sax and Sophia on backing vocal and you have pure power! Funky, Change, has a slinky feel and a cool bass line by Bobby Watson. Schultz's vocals are super and Fletcher trading off with the horn section and really nice accent vocals by Melissa McKee make this a really sweet track. A real screamer, A Little Bit Of Soul features Larry McCray on lead vocals and guitar. I really like Larry's vocals and his guitar work is crisp. The horn section is tight and a driving bass line from Bobby Watson really works. This music is woven like fine silk with Dennis, Melissa McKee and Maxann Lewis bringing the backing vocals. Excellent! Title track, Enjoy It While You Can, finds Schultz back up fron on lead vocals and and features smoking guitar solos from McCray and Stan Budzynski. Tight drum work by Edmonson and the back pump by the horn section is essential. Bluesy ballad, A Long Way Back Home, has a nice gospel like organ base by Alfredson and Dave mcKee shows his own flare on lead guitar riffs. Very nice. Melissa McKee and Sophia Hanifi really blend nicely on backing vocals and Webb hits a nice stride of his own on sax. Very nice. Another jazz funk number with hot bass riffs, Connections, will have you moving in your seat. Watson sets the pace and Schultz rides the groove. Fletcher on lead guitar, Jonathan Ovalle on percussion and the hot horn section backed by Melissa McKee and Reggie Gonzales on vocals...excellent! If I haven't made it clear yet...I really like this release. Right There, features Schultz on lead vocal and Fletcher on lead guitar. Webb lays out a nice sax riff becoming a part of the constant refrain and the horn section is really rocking. Melissa, Sophia and Reggie and really hot and Webb's soloing is absolutely smoking! Fletcher is always on his game and this track is breathing heavy with super bari work under the bottom with Watson's bass. Excellent! Dr. John's Qualified is an absolute favorite with very little change in arrangement but with really nice slide work from Budzynski as well as cool wah wah effects. Edmonson's drum funk is tight and thumping bass work from Watson is really solid. Thornburg on trumpet and trombone and Webb on tenor and bari gives the track extra pop ... yes... Schultz's lead vocals are super and of course any Dr John track would be dead in the water without super piano work by Dennis McKee. Desperate Situation is a cool R&B track which should easily get a lot of radio play with it's hook. This release is so well put together that I can tell you right now it is one of the best releases I've heard this year. McKee's guitar work hits all of the accents and the backing vocals are rich. The horn work on this track is spot on and parts like the subtle soprano sax solo by Webb are so unexpected and cool. Getting the James Brown on with a rolling funk, Dennis McKee takes the lead on vocal with refreshing ease and Larry McCray sits back and steps on the gas riffing high over a rolling bass line by Ralph McKee and Glenn Giordano. Very nice. Earl King's, It All Went Down The Drain, has a looser feel with deep bari sax notes pushing the train. Stan on slide, Rick Berthod on fills, Dave Kaftan on second solo, Dennis McKee on tremolo guitar... this track has a lot going on. Wrapping the release is Patti Griffin's ballad, Up To The Mountain, featuring Melissa McKee on lead vocal. McCray has the lead guitar playing a really nice melodic but screaming solo and Barsimanto the drums. With choral like horn work by Thornburg and Webb, this track is a solid cruiser.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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