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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Thursday, February 2, 2017

Forty Below Records Set to Release John Mayall's "Talk About That Album" on Vinyl February 17







Forty Below Records Set to Release John Mayall’s Talk About That Album on Vinyl February 17



Vinyl Package to Include Free Download Card



LOS ANGELES, CA – Forty Below Records announces a February 17 release date for the vinyl edition of iconic musician and Blues Hall of Fame member John Mayall’s latest album, Talk About That. Originally released on CD January 27, the vinyl version will also include a free download card.



Joining Mayall (vocals, keyboards, harmonica and guitar) and Greg Rzab (bass), Jay Davenport (drums) and Rocky Athas (guitar) as special guest is legendary guitarist Joe Walsh, who plays on two tracks, “The Devil Must Be Laughing” and “Cards on the Table,” both John Mayall compositions.



John Mayall will begin a lengthy European tour in early February. His most-recent American dates included several days onboard the “Legends Cruise,” and featured an exciting special guest appearance from another legend – Todd Rundgren – who jammed on guitar with John and the band on the Otis Rush classic, “All Your Love.”



Talk About That is drawing rave reviews from the press and extensive radio airplay. “…Mayall continues to work tirelessly to spread the blues gospel…the 11 tracks offer a master class in contemporary blues, topped off with a helping of Mayall’s trademark lyrical wit and even a guest appearance by Joe Walsh” -  People.com.



Talk About That ranks with the best. Some may talk about that statement all day, but in the end, it’s true. Everything that defines a great album is here. Mayall wrote some songs that matter, and interspersed three smart covers. His quartet, aided by a trio of brass as needed, smokes every one with remarkable potency.” – Elmore Magazine



Watch a special musicUcansee.com video of the making of Talk about That








Produced by John Mayall (who also designed the album package) and Forty Below Records president Eric Corne (who also engineered and mixed), Talk about That was recorded at House of Blues Studio in Encino, California, and contains 11 tracks: eight originals, plus covers from Memphis soul music songwriter Bettye Crutcher (“It’s Hard Going Up”), blues great Jimmy Rogers (“Goin’ Away Baby”) and rock singer/songwriter Jerry Lynn Williams (“Don’t Deny Me”). The album also showcases a three-piece horn section that adds extra punch on several tracks, including the infectious New Orleans-flavored “Gimme Some of that Gumbo.”



“When I first had the idea for the title track, ‘Talk about That,’ I wanted to write lyrics that were about aspects of life that were running through my head,” John Mayall recalled. “I also wanted to give the song a modern groove that would convey the fun mood driving the piece.  Greg and Jay laid down a really infectious rhythm for me to feature my keyboard chops and bring the song to life with a really funky feel driving it.”



Throughout his career, John Mayall has always written timely songs that reflect what he sees going on in the world around him, whether it’s war, poverty, social injustice or personal introspection. Such is the case with “The Devil Must Be Laughing,” which deals with the current political and world climate. And that incentive also brought him in touch with Joe Walsh, who contributes some percolating guitar work that melds perfectly with the song’s theme.



“A day before we recorded ‘The Devil Must Be Laughing,’ we got a message through the studio owner that Joe Walsh wanted to come by and possibly play on a track or two as a guest,” Mayall said. “Who was I to say no to that idea!  So, Joe turned up at noon on the appointed day and with only a quick listen, plugged in and we did the song in one take.  The second song closely followed, and with a smile and a quick photo, Joe was done and on his way.  What a kick for all of us that day!”



For Joe Walsh, playing on a session with one of his musical heroes held a special place. “It has been a bucket-list item since 1970 to play with John Mayall,” Walsh said. “John had a run of GREAT British guitarists (one after another) with his ‘Bluesbreakers’ albums, and that’s how many of us in the States became aware of them.  Clapton, Peter Green, Mick Taylor - I studied them all for hours and became a much better guitarist as a result. The albums were legendary stuff and I have wanted to work with John for years and years, wondering what it would be like.



“Finally got the chance - and he was the complete gentleman and fine, fine musician I had always hoped he would be. When you meet a hero who helped shape your career – it’s a wonderful feeling to find they’re even cooler than you always thought they were.”

 

For more information, visit www.johnmayall.com and www.fortybelowrecords.com

Rising Blues Rock Artist - Advanced Way Beyond Her Years




Rising Blues Rock Artist
Advanced Way Beyond Her Years


on the Connor Ray Music Label, recorded at Red Shack Recording Studio Houston

The Real Deal at Seventeen

The level of feeling that a seventeen year old artist can bring to the stage can be simply amazing. As their performance begins your mind isn't fully grasping what you are seeing and hearing on stage. You notice a level of established comfort that radiates from the young performer.  The mind can easily form an early opinion that it’s just another novelty act because it rationalizes the question, "How could anyone be deeply in tune with the blues at just seventeen?"  Then as the show progresses it happens, the age factor simply erodes, it goes completely away.  Obviously, it would be one thing for the  young performer to bust an axe with perfection at seventeen but it's quite another when they already possess the stage presence of the relaxed, older blues artist.  It’s a very cool experience to witness as it backs up the age old adage that the blues is a feeling and of course that feeling can reside in anyone, at any age. Overall, it is this set of combined abilities which are possessed by both young and older artists alike that allows them to present the blues in a mind blowing, magnificent way.  Ally Venable is a seventeen year old female blues rock artist who possesses these abilities.  She immediately transforms her audiences from being in that initial curiosity phase into the "this is way cool" phase.  Festival talent buyers are noticing Ally and she continues to perform at such notable events as The T Bone Walker Blues Festival in Longview, Texas and the Mud Bug Festival in Shreveport, Louisiana.  Ally Venable is a young blues rocker that is following the original footsteps of her female contemporaries and may well be the rising star on the horizon. 
Ally Venable, simply amazing!

The inspired, natural on stage presence of the Ally Venable experience

Watch Ally include a very young fan from the audience at this performance
Check it out - just click on the arrow below





Steve Krase, President, Connor Ray Music, "From the moment I saw Ally perform I knew I wanted to sign her.  This is an amazing talent that will indeed reach amazing heights as her career continues to unfold."


'Tearing Up The Rails' by Lucas Haneman Express



New release from Ottawa's Lucas Haneman Express
available on CD Baby & iTunes














With clever, poignant lyrics, upbeat, modern blues and haunting ballads, Lucas Haneman Express have joined the ranks in a long line of exceptional bands from the Ottawa, Ontario area with their sophomore release Tearing Up The Rails.  This remarkable group is comprised of Lucas Haneman as the primary songwriter, guitarist and vocalist, along with Jeff Asselin on drums, Martin Newman on bass and vocals and Megan Laurence adding her angelic yet powerful vocals to the 14-track recording.

Showing a deep and rejuvenating connection to the blues tradition, with gritty, passionate high energy material, Tearing Up The Rails runs from funky and upbeat songs such as The Verdict, Calling The Blame, Take Two, Firestorm, Scrabble, and Working Band to the beautiful, soft and subdued Waiting At Your Door (featuring delicate organ work by guest Jesse Whiteley), Storybook Love, and Love Shine.  Three of the songs on Tearing Up The Rails were recorded at the legendary Sun Studios in Memphis including Give Me Life, Blind Man’s Blues - where Haneman muses autobiographically about his life as a visually impaired musician - and the seductive That’s The Truth.  The two cover songs on the album prove The Lucas Haneman Express have mastered creativity and ingenuity with their bluesy interpretations of Bryan Adams’ Run to You (with Steve Marriner of MonkeyJunk on harmonica) and Steppenwolf’s Magic Carpet Ride.

Lucas Haneman Express is a fresh and funky powerhouse band whose sound is drenched in blistering musical interplay, gripping guitar solos and solid backbeats.  Tearing Up The Rails is sure to become an instant favourite for music fans everywhere. 


Tearing Up The Rails Track List

1.The Verdict 4:23
2.Give Me Life 4:32
3.Calling The Blame 4:06
4.Waiting At Your Door 4:58
5.Run To You 5:00
6.Take Two 6:05
7.Blind Man’s Blues 4:28
8.Firestorm 3:49
9.Storybook Love 5:57
10. Love Shine 3:43
11. Scrabble 5:11
12. That’s The Truth 5:17
13. Magic Carpet Ride 4:12
14. Working Band 4:07



View the new video for "The Verdict"

Alan Lomax's man-on-the-street interviews the day after Pearl Harbor featured in Smithsonian program


 Howlin' Wuelf Media





The Smithsonian Channel announced the debut of "The Lost Tapes: Pearl Harbor," a look at the historic attack on United States military forces that brought the country into World War II. This program uses a wealth of original audio and film sources, much of it never available to the public before including folklorist Alan Lomax's man-on-the-street interviews the day after the attack. These particular interviews have not been featured in any other documentary, although other ones from Lomax are online.

The Smithsonian's site says:

"President Roosevelt called December 7, 1941, 'a date which will live in infamy,' a quote that would become one of the most famous in American history. In fact, the attack on Pearl Harbor inspired several powerful public statements, but many of them have never been heard before, until now. Take an unprecedented look at this tragic day entirely through news reports, public statements, recently declassified documents, and footage recorded in the days before, during, and after the event that shook the world."

http://www.culturalequity.org/

http://www.smithsonianchannel.com/shows/the-lost-tapes/pearl-harbor/1004513/3437438



Luca Burgalassi - Windward - New Release Review

I just had the opportunity to review the most recent release, Windward, from Luca Burgalassi and it's soothing and nicely styled. Opening with title track, Windward, Burgalassi leads the way on vocal and acoustic guitar with a smooth blend of backing vocals and instrumentation sounding a bit like James Taylor or an early Crosby /Nash composition. Nice start. With it's calypso rhythm, The Turn is next with a cool bass rhythm by Giacomo Bertaccini and solid percussion by Gianni Apicella. Next up with a smooth boss nova pace on Fields of Innocence, Matteo Fusaro adds clean piano as the track just glides on a cloud. The Sweetest Blues is one of my favorites with nice melodic turns and slick, blues fused guitar riffs and nicely melded vocal harmonies.  Don't Waste Your Time has the strongest radio style melody, complimented by additional harp work and nicely articulated acoustic guitar riffs by Burgalassi. On Down On Me, the band gets a really nice jazzy feel with a serious bass groove by Daniele Nannini. Solid vocal harmonies and well placed guitar riffs throughout this release really give it a special life. Wrapping the release is Winter Lady, another jazzy track but with the addition of banjo and steel guitar by Burgalassi giving it a euro country feel. This is a very nice closer to a very solid release.



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Wednesday, February 1, 2017

Ollie Vee - Into The Dark New Release Review

I just had the opportunity to review the most recent release, Into The Dark, by Ollie Vee and it's quite outstanding! Opening with To Hell With Your Grey Eyes, lead singer and guitarist, Jesse Adamson leads you on a  euphoric journey. Joined by lead guitarist and backing vocalist, Johnny Vassos who's work is impeccable, Howard Linscott on bass and backing vocals and Adam Perzia on drums, these guys really have it going with a retro country western feel. Excellent opener! Feeling Bad continues in the same vein but with a light taste that reminds me of Frank Black and the Catholics. Very nice. The Filthy Streets has a Bo Diddley beat enhanced by strong bass work by Linscott and cool slide work by Vassos. It's Hot is a great title for this track which runs like it's tail is on fire. With a country western flair and a train feel, this track hits it rocking. Stinging guitar riffs by Vassos and stomping drum work by Perzia is tight. Into The Dark is a beautiful track with nicely blended vocals and lush guitar work giving you the sense of a Roy Orbison but with vocals more to my personal taste. Atmospheric guitar work under straight forward and simple lead work sets a really nice pace. Excellent! Isabel (The Mexican) falls back into a more traditional country western format. I love the rugged guitar undertone and the simple lead melody. Very nice! With a conventional country western beat On A Town Called Low, Adamson takes this band to cool retro country western place and I really like it. Solid vocals, a super melody and tight rhythm give this song radio charisma.  Double step One Track Mind is a great country rocker with a super bass/drum bottom. Adamson delivers nicely on vocal and backing vocals are clean giving this track just the right touch. Baby Blue is a tight little country rocker with a definite 50's early rockabilly feel. Wrapping the release is a different take on the Talking Heads, Psycho Killer. Keeping the vocal inflections of David Byrne is the most obvious hints to the tracks origins with it's country western handling. This is a really nice set and gets a mighty yahoo! Check it out!



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Allman Brothers drummer ButchTrucks shot himself - My prayers are with his friends and family

WEST PALM BEACH, Fla. (AP) — Allman Brothers drummer Butch Trucks killed himself in front of his wife, police reports released Wednesday show.
The 69-year-old Trucks shot himself in the head Jan. 27 at his home, the West Palm Beach police reports show.

'My husband just shot himself! My husband just shot himself!,' the wife of Allman Brothers Band drummer Butch Trucks screams into the phone seconds after what sounds like a gunshot.
DailyMail.com has obtained from police the audio of the 911 call that Melinda Trucks, the legendary drummer's wife of more than 25 years, placed January. 24 when the rocker took his own life in his waterfront condo in West Palm Beach, Fla.
The heavily edited recording -- police stripped all identifying words from the original -- starts with a loud noise believed to be the moment Trucks pulled the trigger on the pistol he held to his head as Melinda lets out blood-curdling screams.
'Allo, allo, my husband just shot himself,' Melinda yells into the phone. 'My husband just shot himself.'
'What did he shoot himself with,' the 911 operator asks.
'A pistol,' Melinda replies as the voice of a man sounds off in the background. According to the original police report, Trucks' singer son Vaylor may have been at the scene.
'Is he breathing still, though,' the operator asks.
'No, no,' Melinda replies. 'He shot himself in the head.
'I can't look at him,' Melinda says. 'What do I do? Call the hospital? .... Oh, I can't touch him!'
'No ma'am, you don't have to call the hospital ... You don't have to touch him ... Paramedics and the police are on the way,' the operator responds. 'Just stay outside.'
The transcript of the frantic call made to West Palm Beach Police also provides the awful details of the drummer's death at home in the downtown waterfront Villa Del Lago complex.
A woman caller who is unidentified on the transcript but described as 'hysterical' dialed 911 at 6:02 p.m., the transcript shows. 


The transcript of the frantic call made to West Palm Beach Police about 6:00 p.m. also  provides the awful details of the drummer's death at home in the downtown waterfront Villa Del Lago complex.
A woman caller who is unidentified on the transcript but described as 'hysterical' dialed 911 at 6:02 p.m., the transcript shows. 
The police dispatcher reported the woman saying her 'husband just shot himself' with a pistol.
The caller used Trucks' real first name, Claude, when she identified the victim.
As several squad cars rolled toward the apartment building, the caller continued talking to the dispatcher although she was so distraught she couldn't speak in complete sentences.
Trucks suffered a gun shot wound to the head, the caller said. At that point, the caller wasn't sure Trucks was still breathing.
The dispatcher then radioed the officers that Trucks' wife, painter Melinda, and a son were waiting for police in the hallway outside the condo. Trucks had two adult children, a daughter and a son, Atlanta-based musician Vaylor Trucks.
The dispatcher noted Melinda witnessed Trucks pulling the trigger.
Although he was breathing when police arrived, the man considered by Rolling Stone magazine as one of the top 10 drummers in rock history expired seconds later as the dispatcher concluded the call by noting a 'Signal 7,' police code for a dead person.
Police refused to comment but put out a statement confirming that Trucks died in his condo, and investigators did not suspect foul play despite the fact the incident officially still is under investigation.


The Palm Beach County Medical Examiner's Office performed an autopsy Wednesday, but the results won't be known for weeks.
Kathleen Salata, a manager at Villa Del Lago, said Melinda was spotted by residents Wednesday but was 'completely distraught.'
Several residents walking their dogs said they had no clue that the shooting occurred in their building and didn't realize that a legendary rocker lived on the fifth floor.
Todd Brodginski, Trucks' publicist, didn't return repeated calls asking whether the musician appeared depressed as of late.
Palm Beach County court records, meanwhile, show Trucks appeared to be wrestling with financials problems as of late.
In 2011, Trucks had to sell his prized home in Palm Beach for $2 million when it was possibly worth twice as much to pay off a $800,000 mortgage that a bank was trying to foreclose on.
In 2014, Trucks and his wife spent $500,000 on the condo where he shot himself.
And he was hounded by the IRS, according to federal records.

A consummate Floridian, Trucks was born in the Jacksonville area and by age 8 played drums with local bands.
He was playing a gig in Daytona in the late 60s when he was approached by Gregg and Duane Allman. Together, they formed The Allman Brothers Band, which became one of the 70s most popular concert bands.
Trucks moved to the Palm Beach area in the early 1990s. He and Melinda had become stalwarts on the local charity circuit and often made appearances at high-profile dinners to benefit non-profit groups.
He was one of the Allman Brother's Bands two drummers. Through the years, the band broke up and reunited three times and Trucks was there for every reunion. 
During their most recent stretch, from 1999 to 2014, Trucks' own nephew Derek was brought into the band to play guitar.  
After the band's most recent break-up two years ago, Trucks started a new group called Butch Trucks and the Freight Train Band. Trucks played his last show on January 6, and the group was scheduled for more shows this spring.
Trucks had been very open about his demons, including the drug and alcohol problem he developed in his early years in the band. 
Trucks told the Palm Beach Post that by 1974, the first thing he did in the morning was drink a beer or wine. He got into cocaine as a way to prolong the night. 
When the band first broke up in 1974, he says he tried to quit both by moving his family to Tallahassee and going back to school to finish college.  
While he was able to kick hard alcohol and drugs, he kept drinking wine.
After his kids left the house, Trucks and his wife moved to Palm Beach where his alcohol demons came back to bite him. 


'I promised myself no more than three glasses and I couldn't do it. I just couldn't do it,' he said.  
In October 2001, he quit alcohol completely, without going to rehab of Alcoholics Anonymous. 
'You have to make the commitment deep down inside that this is enough. That you care more for the people around you than the booze. My message is 'life can get better,'' he said
Just this year, Rolling Stone named Trucks and bandmate Jai Johanny 'Jaimoe' Johanson among the 100 Greatest Drummers of All Time.   

Trucks was one of two original drummers, along with Jai Johanny "Jaimoe" Johanson, who helped formed the rhythms and the drive for The Allman Brothers. Formed in 1969 and led by Duane and Gregg Allman, the group helped define the Southern rock sound that incorporated blues, rock, country and jazz.
Originally from Jacksonville, Florida, Trucks joined with the Allman siblings to form the band, including guitarist Dickey Betts and bassist Berry Oakley. They moved to Macon, Georgia, to cut their first record with Capricorn Records.
The two drummers melded their individual styles, with Trucks considered to be the straightforward, driving train rhythm player, while Johanson added his R&B and jazz drumming influences.
The band's 1971 live album, "At Fillmore East," became their seminal breakthrough album, featuring a fusion of jazz, blues and rock. It featured songs like "You Don't Love Me" and a 22-minute version of "Whipping Post."
Trucks also helped encourage a family lineage of musicians. One nephew, Derek Trucks, is the frontman of the Tedeschi Trucks Band and also joined The Allman Brothers band in 1999 as a guitarist. Another nephew, Duane Trucks, is the drummer for Widespread Panic.
Trucks was most recently touring with his band, Butch Trucks and the Freight Train.

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Tuesday, January 31, 2017

Landon Spradlin - No More Blue Mondays - New Release Review

I just had the opportunity to review the most recent release, No More Blue Mondays, from Landon Spradlin and it's strong. Opening with Seminary, a cool R&B style track featuring Spradlin on lead vocal and guitar and backing by Henry Spinetti on drums, Dave Markee on bass, and Dan Cutrona on keys this is a solid opener. Title track, No More Blue Mondays, settles right down into the arms of Texas and a super deep blues number. With heavy spiritual overtones and super organ backing by Cutrona, Spradlin really sings the blues and his guitar work is gripping and intense. Excellent! R&B hit, Drift Away gets a solid cover with little changes in arrangement. With particularly solid bass work by Markee and nice backing vocals by Amoy Levy, Ciceal Levy and Owen Welch, this track is bound for solid airplay. With upbeat tempo and country style, I Got Jesus Name is a super lively track that will have your toe tapping. Snappy drum/bass rhythm and clever guitar riffs make this track work. He Is There is a somber ballad featuring Spradlin's soulful vocals and powerful lyrics, pushed hard by super backing vocals by Levy, Welch and Levy. One of my favorite tracks on the release, My Friend Jesus, has an easy, Waltz tempo (think the band or Leon Russell)and it is particularly powerful in delivery and execution. With lead bass work by Markee and key organ work by Cutrona, Spradlin's vocals soar. Very nice! Wrapping the release is revival/spiritual style My Help. Spradlin is riding high on a snappy drum beat, running bass lines and solid organ. With great backing vocals, this is an excellent closer for a powerful release.

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Monday, January 30, 2017

Canadian Songwriter Lee Palmer Releases Bridge February 24th


Canadian Songwriter Lee Palmer Releases Bridge



Palmer's fourth album in four years is out on February 24th










"The music of Lee Palmer is perhaps best described as a mix of blues, country, jazz, folk and Americana. But above all it is very good music, Lee Palmer played his songs with conviction. This is an interpreter we believe every word and every sentence.” – Rudolph's Music Reviews

Canadian guitarist and songwriter Lee Palmer’s fourth album in as many years is a mixture of Americana and blues featuring some of the best session players in Toronto, affectionately known as “The One Take Players” for Palmer’s recordings. 

Recorded at famed Metalworks studio and produced by Palmer and Elmer Ferrer, the album tracks were written and intended for release in 2016 but Palmer’s plans were sidelined by quadruple bypass surgery. Not one to slow down, Palmer quickly recuperated and headed straight into the studio to record the album. 

Lee Palmer’s previous releases received many positive reviews from critics around the world, landed in heavy rotation on satellite radio, including being one of the top 10 most played albums for 11 consecutive months, as well as campus and community radio and speciality radio shows. 

“This collection of songs pays tribute to ‘My Town’ and ‘My Old Man’. It also tips a hat to the late JJ Cale’s musical career with ‘Tulsa Sound’ and Glen Campbell’s fight with Alzheimer’s in ‘That’s No Way to Go’. This album forms the musical bridge that allows me to travel between the many genres that have influenced my writing”, says Palmer. 

With ten original tracks, Bridge is another unique recording from Lee Palmer.



BRIDGE TRACK LISTING

1. THAT’S NO WAY TO GO 3:09
2. TULSA SOUND 4:24
3. BACK TO LONELY 4:24
4. OUR LOVE BEARS REPEATING 3:44 
5. DID IT FEEL LIKE THIS 3:16
6. MY TOWN 4:03
7. MY OLD MAN 3:44
8. WELL, WELL, WELL, WELL 3:19
9. CHOCK FULL OF TROUBLE 4:31
10. SO LONG AS YOU’VE BEEN LOVED 3:14

Lee Palmer - vocals
Al Cross - drums
Alec Fraser - acoustic & electric bass
Mark Lalama – Hammond organ, piano & accordion
Kevin Breit – guitar, mandolin & dobro

Additional guest performers
Elmer Ferrer, Kiki Ferrer, Aaron Solomon, Turner King, Dave Dunlop, Mary McKay, Lori-An Smith & Patricia Shirley














Imelda May's "Life Love Flesh Blood" out April 7 on Verve, produced by T Bone Burnett, Single "Black Tears" premieres on Billboard


IMELDA MAY’S LIFE, LOVE, FLESH, BLOOD
OUT APRIL 7 VIA VERVE RECORDS

“BLACK TEARS” PREMIERES AT BILLBOARD

MAY’S FIRST NEW FULL-LENGTH ALBUM IN THREE YEARS
PRODUCED BY T BONE BURNETT


Artwork photo credit: Max Dodson

“I’ve never met anyone quite like Imelda May. She is full of life…
I [am] inspired by her honesty and her generosity, and I continue to
be intrigued.”—T Bone Burnett

“I love the girl she used to be but I think I love even more the woman
she’s become. Still mischievous and playful, still a siren, but there’s an ache
in her voice now that has me with a glass at my ear to the wall of her world
where trouble has entered the room. There’s an erotic power here that’s not
just feminine power. She makes truth telling an invitation to intimacy.”—Bono

Life, Love, Flesh, Blood, the fifth full-length record from critically acclaimed Irish singer Imelda May and her first new music in three years, is due April 7 via Verve Records. The record is receiving early rave reviews in the U.K., with the Evening Standard noting that May “has poured her heart and soul into her new album.” Billboard is premiering the track “Black Tears” in celebration of the forthcoming release; listen/share the track [HERE] and HERE.

Additionally, W Magazine recently premiered the video for the album’s first single, “Call Me,” hailing the track as a “sweet, spare lament,” while the Daily Mail called it “stylish and extremely moving.” Watch/share the video HERE. May also recently performed the album track “Black Tears” on “Jools Holland’s Annual Hootenanny” on New Year’s Eve, which can be viewed/shared HERE. May’s performance was the most-watched segment of the evening with 250,000 YouTube views to date, plus it is the second most viewed video on the BBC Music YouTube Channel since October.

Produced by the legendary T Bone Burnett, the album marks a new direction for May who, in the time since her 2014 release Tribal, ended her marriage of eighteen years. Life, Love, Flesh, Blood is May’s most autobiographical record to date; Burnett says of May, “When I first happened onto her music, she was a punky Irish Rockabilly singer with a great band. I was intrigued by her deep feeling for and understanding of that American art form, much of which, of course, had originated in Ireland. When I ran across her several years later, she had gone through a change of lives and was writing about it with a wild intensity and singing about it in the most open hearted way.” Adds May, “It’s therapy, like keeping a diary that a lot of people read. Some of my favorite songs don’t say much, but they reveal everything.”

May’s new musical direction accompanies an overarching stylistic change for the established singer. “I always loved the ’50s rockabilly style but there was a point where I felt I was almost dressing up as Imelda May,” she notes. “It was as if I was getting into character for a gig. And I didn’t want to do that anymore. This is me.”

Life, Love, Flesh, Blood features contributions from guitar hero Jeff Beck and piano maestro Jools Holland, as well as an accomplished group of backing musicians including the core trio of guitarist Marc Ribot (Tom Waits, Elvis Costello), drummer Jay Bellerose (Elton John & Leon Russell, Ray Lamontagne) and bassist Zach Dawes (The Last Shadow Puppets, Mini Mansions), the same band that recorded Robert Plant and Alison Krauss’ Raising Sand. Recorded over seven days in Los Angeles, the album was written over the course of May’s tumultuous past year and includes writing contributions from Angelo Petragalia (Kings of Leon) and Paul Moak (The Blind Boys of Alabama, Martha Wainwright). May states that she began writing songs for the album with “no preconceived notions of where it was going to go. My plan was to have no plan because it was freedom. It was liberating.”

May’s previous records have seen success both in the U.S. as well as in Europe. Tribal debuted at #1 in Ireland and #3 in the UK. The Guardian gave the album four stars, saying “This album is no time capsule; it’s fresh and embracing…” while The Times praised May’s “raw, impassioned vocals.” Her previous release, 2010’s Mayhem, also received critical acclaim with The Los Angeles Times commenting, “Ireland-born Imelda May’s career is fostered by paying homage to legends like Buddy Holly and Johnny Cash and, more importantly, furthering rockabilly’s cross-pollination into New Orleans jazz, delta blues and amp-splitting punk aggression.” Mayhem went Platinum in Ireland and Gold in the U.K., while May has seen performances on “Later…With Jools Holland,” “Conan,” “and an impressive four performances on “The Tonight Show with Jay Leno,” to name a few.

Sheriff & Outlaw Face Off in Wayne Hancock's New Music Video | Culture Collide Premiere


A sheriff and killer square off in the new music video from Texas honky tonk legend Wayne Hancock, and it's now playing via Culture Collide. The music video blends dark humor and tragedy, just like a classic country murder ballad should. This is Wayne Hancock's first music video in years, and it's following on the heels of Wayne Hancock's new album Slingin' Rhythm, available now. The video was directed by Chicago filmmaker Stanley Sievers (who is a performer at legendary Chicago comedy temple iO) and color graded by Mikey Pehanich at The Mill Chicago.