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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Monday, January 9, 2017

Blues Music Award nominees announced by the Blues Foundation; ceremony is May 11


THE BLUES FOUNDATION ANNOUNCES
38TH BLUES MUSIC AWARD NOMINEES 
Awards ceremony to be held May 11, 2017 in Memphis


MEMPHIS, Tenn. The Blues Foundation is pleased to announce the nominations for its annual Blues Music Awards, which the international organization will present on Thursday, May 11, 2017 at the Cook Convention Center in downtown Memphis, Tennessee. Universally recognized as the highest accolade afforded blues musicians, The Blues Music Awards upholds its rich cultural tradition by honoring the past year’s superior achievements in blues performance, songwriting, and recording. This annual ceremony represents the premier event for blues professionals, musicians, and fans around the globe.  
Sugar Ray Norcia, individually, and collectively with his band, The Bluetones, received the most nominations with seven, including B.B. King Entertainer Award, Best Song, Best Album and Best Band. The total reaches ten with the inclusion of his Bluetones bandmates Monster Mike Welch (Instrumentalist-Guitar), Michael “Mudcat” Ward (Instrumentalist-Bass) and Anthony Geraci (Pinetop Perkins Piano Player). Chicago-based guitarist Toronzo Cannon garnered four nominations and he faces off against Norcia in both the Best Song and Best Album categories. Best Album probably ranks as the most competitive category, with Norcia and Cannon battling Bobby Rush, Kenny Neal, William Bell and the Nick Moss Band, who all have three nominations.  
Several nominees will be defending their titles won at last year’s Blues Music Awards. Instrumentalist-Harmonica winner Kim Wilson is one of this year’s nominees, and Cedric Burnside might again claim the Instrumentalist-Drums crown. Shemekia Copeland and Bettye LaVette also return to the categories they won last year (Contemporary Blues Female Artist and Soul Blues Female Artist, respectively), while 2016’s Acoustic Artist winner, Doug MacLeod, is one of this year’s contenders too.   
The Awards also honor the next generation of blues performers with the Best Emerging Artist Album category. In fact, two Emerging Artist nominees also are contenders for a second award. Detroit native Thornetta Davis’s “I Gotta Sang the Blues” is up for Best Song, while Terrie Odabi is competing against the likes of Bettye LaVette and Mavis Staples to be named Soul Blues Female Artist.  
The complete list of 38th Blues Music Award nominees also can be found at the Blues Foundation’s website — www.blues.org. A ballot will soon be sent to all Blues Foundation members, as they have the privilege of deciding which nominees will actually take home a Blues Music Award in May. Anyone interested in casting a vote to decide this year’s winners may receive a ballot by joining or renewing their membership with The Blues Foundation at any time up to February 28, 2017. 
The Blues Music Awards ceremony annually proves to be one of the year’s best shows. Not only does almost every nominee attend, but they also perform, creating a lineup featuring the best of the best in blues all in one evening. More information regarding membership, voting, ticket, and host hotel information can be found at www.blues.org or by calling 901.527.2583.  
Major funding is provided by ArtsMemphis and the Tennessee Arts Commission.  The 38th Blues Music Awards are also sponsored by BMI, GET and I-55 Productions, Legendary Rhythm & Blues Cruise, Memphis Convention and Visitors Bureau, the Sierra Nevada Brewing Company and Sony/Legacy.    
The Blues Foundation is Memphis-based, but world-renowned as THE organization whose mission is to preserve blues heritage, celebrate blues recording and performance, expand worldwide awareness of the blues, and ensure the future of this uniquely American art form.  Founded in 1980, The Blues Foundation has approximately 4000 individual members and 200 affiliated local blues societies representing another 50,000 fans and professionals around the world.  Its signature honors and events — the Blues Music Awards, Blues Hall of Fame, International Blues Challenge and Keeping the Blues Alive Awards — make it the international center of blues music. Its HART Fund provides the blues community with medical assistance for musicians in need, while Blues in the Schools programs and Generation Blues Scholarships expose new generations to blues music. The recent opening of the Blues Hall of Fame Museum, in Memphis, TN, now adds the opportunity for music lovers of all ages to interact with the music and the history. For more information, log onto www.blues.org.
38th Blues Music Award Nominees
Acoustic Album
Doug MacLeod - Live in Europe
Eric Bibb - The Happiest Man in the World
Fiona Boyes - Professin' the Blues
Jimmy “Duck” Holmes - Live at Briggs Farm
John Long - Stand Your Ground
Luther Dickinson - Blues and Ballads (A Folksinger's Songbook) Vol I and II

Acoustic Artist
Doug MacLeod
Eric Bibb
Fiona Boyes
Jimmy “Duck” Holmes
Luther Dickinson

Album
Bobby Rush - Porcupine Meat
Kenny Neal - Bloodline
Nick Moss Band - From the Root to the Fruit
Sugar Ray & the Bluetones - Seeing is Believing
Toronzo Cannon - The Chicago Way
William Bell – This Is Where I Live
         
Band
Golden State Lone Star Blues Revue
Lil’ Ed & The Blues Imperials
Nick Moss Band
Sugar Ray and the Bluetones
Tedeschi Trucks Band
 
B.B. King Entertainer
Joe Bonamassa
John Nemeth
Lil’ Ed Williams
Sugar Ray Norcia
Sugaray Rayford

Best Emerging Artist Album
Corey Dennison Band - Corey Dennison
Guy King - Truth
Jonn Del Toro Richardson - Tengo Blues
Terrie Odabi - My Blue Soul
Thornetta Davis - Honest Woman

Contemporary Blues Album
Al Basile - Mid Century Modern
Kenny Neal - Blood Line
Nick Moss Band - From the Root to the Fruit
The Record Company - Give It Back To You
Toronzo Cannon - The Chicago Way

Contemporary Blues Female Artist
Alexis P Suter
Ana Popovic
Janiva Magness
Shemekia Copeland
Susan Tedeschi
 
Contemporary Blues Male Artist
Albert Castiglia
Kenny Neal
Mike Zito
Sugaray Rayford
Toronzo Cannon

Historical Album
Arthur “Big Boy” Crudup, A Music Man Like Nobody Ever Saw, Bear Family Records
B.B. King, More B.B. King: Here’s One You Haven’t Heard, Ace Records
Bobby Rush, Chicken Heads: A 50-Year History of Bobby Rush, Omnivore Recordings
Michael Burks, I’m A Bluesman, Iron Man Records
Pinetop Perkins & Jimmy Rogers, Genuine Blues Legends, Elrob Records
 
Instrumentalist-Bass
Biscuit Miller
Bob Stroger
Michael “Mudcat” Ward
Patrick Rynn
R W Grigsby
 
Instrumentalist-Drums
Cedric Burnside
Jimi Bott
June Core
Tom Hambridge
Tony Braunagel

Instrumentalist-Guitar
Bob Margolin
Joe Bonamassa
Kid Andersen
Monster Mike Welch
Ronnie Earl 

Instrumentalist-Harmonica
Dennis Gruenling
Jason Ricci
Kim Wilson
Mark Hummel
Sugar Ray Norcia
   
Instrumentalist-Horn
Al Basile
Nancy Wright
Sax Gordon Beadle
Terry Hanck
Vanessa Collier 

Koko Taylor Award (Traditional Blues Female)
Annika Chambers
Diunna Greenleaf
Inetta Visor
Shaun Murphy
Trudy Lynn

Pinetop Perkins Piano Player
Anthony Geraci
Barrelhouse Chuck
Henry Gray
Jim Pugh
Victor Wainwright

Rock Blues Album of the Year
Albert Castiglia - Big Dog
Mike Zito - Keep Coming Back
Moreland & Arbuckle - Promised Land or Bust
Tedeschi Trucks Band - Let Me Get By
Walter Trout - Alive in Amsterdam

Song
“Blues Immigrant” written by Matthew Skoller & Vincent Bucher and performed by Matthew Skoller on Blues Immigrant
“I Gotta Sang The Blues” written and performed by Thornetta Davis on Honest Woman
“Seeing Is Believing” written by Ray Norcia and performed by Sugar Ray & The Bluetones on Seeing Is Believing
“Walk A Mile In My Blues” written by David Duncan, Curtis Salgado & Mike Finigan and performed by Curtis Salgado on The Beautiful Lowdown
“Walk it Off” written and performed by Toronzo Cannon on The Chicago Way

Soul Blues Album
Bobby Rush - Porcupine Meat
Curtis Salgado - The Beautiful Lowdown
Johnny Rawls - Tiger in a Cage
Wee Willie Walker - Live! Notodden Blues Festival
William Bell - This Is Where I Live  
     
Soul Blues Female Artist
Bettye Lavette
Lara Price
Mavis Staples
Terrie Odabi
Vaneese Thomas

Soul Blues Male Artist
Bobby Rush
Curtis Salgado
Johnny Rawls
Wee Willie Walker
William Bell

Traditional Blues Album
Big Jon Atkinson & Bob Corritore - House Party at Big Jon's
Bob Margolin - My Road
Golden State Lone Star Blues Revue - Golden State Lone Star Blues Revue
Lurrie Bell - Can't Shake This Feeling
Sugar Ray & the Bluetones - Seeing is Believing

Traditional Blues Male Artist
Bob Margolin
John Primer
Lil’ Ed Williams
Lurrie Bell
Sugar Ray Norcia

Slim Cuts artist: Slim Butler - Bad Intention - New Release review

I just had the opportunity to review the most recent release, Bad Intention, from Slim Butler and it's terrific! Slim has great style and it's been too long since I reviewed his last release Inner Blues back in 2013.
Opening with All About You a cool R&B style blueser, a la Robert Cray, Tad Robinson shows just how sweet his voice is on soulful music and with a tight band lead by Jarmo " Slim" Puhakka on nicely stylized guitar riffs, Esko Ollila on drums, Harri Taitonen on keys and Hannu Lehtomaa on bass and punched up by the horn section (Slimcuts) of Tapio Maunuvaara on trumpet, Jukka-Pekka Peltoniemi on trumpet, Olli Tuomainen on tenor sax and Antti Napankangas on trombone. Great opener. On driving rocker, Mean Trouble, Andrew Black has the mic with a heavier feel and Slim keeps things close on guitar. On funky, Junk In The Trunk, you get a definite Tower Of Power feel with nice horn work, Black again on lead vocal and excellent drum work from Ollila and with super bottom by Marja-Kaisa Villanen on bari sax and featuring some nice guitar riffs by Slim. Very nice. R&B track, It Ain't Me has Robinson back on lead vocal with cool key work from Taitonen and nice horn backing. Slim really winds it out nicely on this track with cleanly articulated guitar runs complimenting the closing refrain. Jumpin' Santa is a real cool little instrumental with a boogie beat. Slim sets a real nice loping pace on guitar and Markku Orislanti hits on drums. Very smooth. On title track, Bad Intentions, Slim takes the mic and is joined by Harri Raudaskoski who plays an aggressive guitar solo with Slim on guitar 2. A Stone Free "styled" track, this is a cool rocker. With a snappy, swampy beat, Monkey Moon is infectious. Slim lays in slick guitar riffs under silky smooth vocals by Robinson. Cryin' Shame is another super track with a nice bass line by Lehtomaa and excellent lead vocals by Black. With really nice sax work Olli and great horn work overall by the Slimcuts, this track defies you to keep your bottom still. With a great walking bass line by Lehtomaa, smokin' riffs by Slim and great lead vocals and harp by Robinson, Lady In Blue is a super track. Wrapping the release is solid blues number, Coast To Coast featuring the soulful vocals of Black. Warm organ lines by Taitonen and bluesy riffs by Slim really cement this excellent closer.

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Friday, January 6, 2017

Plowboy Records artists: The Kentucky Headhunters - On Safari - New release review

I just had the opportunity to review the most recent release, On Safari, from The Kentucky Headhunters and it's a real ass kicker. The release opens with Beaver Creek Mansion, a contemporary country rocker with fat slide work by Greg Martin with healthy rhythm guitar from Richard Young, bass by Doug Phelps and drums by Fred K. Young. Deep South Blues Again is a sweaty blues rocker with a driving bass line and great lead vocals. These guys know good guitar tone and use it to their advantage, getting their guitars singing like chainsaws. Very cool. I Am The Hunter has great swagger and sting with powerful riffs and beefy drums. Caught In A Dream is a straight up rocker which should capture a bit of airplay. With warm harmonies and super key work from Kevin McKendree, this track is tight. One of my personal favorites on the release, Crazy Jim, has a taste of Curtis Mayfield which is really nice. Delivered as a country ballad, this soul based track is really solid and nicely elevated by the raw vocals, power bass riffs and organ work by McKendree. Solid radio track, Lowdown Memphis Town Blues, hits it square up the middle with a catchy melody, nice harmonies and crisp guitar overtones. Another powerhouse, Way Down Yonder, has a a heavy foot print and soaring guitar riffs. With the passion of the original southern rockers, this track grinds. Changing over to New Orleans style blues, Jukebox Full Of Blues, Greg Martin really hits the slide and McKendree's piano work is excellent! Rock on! Wrapping the release is Governor's Cup, a strolling instrumental in what I'd call Chet Atkins style. Clean, cool and articulate, a swell closer.

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Thursday, January 5, 2017

FWG Records artist: Cee Cee James - Stripped Down & Surrendered - New Release review

I just had the opportunity to review the most recent release, Stripped Down & Surrendered from Cee Cee James and it's a funky, bluesy pop mix. Opening with title track, Stripped Down & Surrendered, Cee Cee James takes it back to the delta with acoustic guitar and rudimentary percussion under her own vocals. A cool electric guitar adds bite and a modern touch. Nicely glazed by a steel bodied resonator guitar, The Edge Is Where I Stopped has a nice melody and warm vocals with minimal snare work. Another track with tasty slide work is Hidden and Buried. A cool rhythm, backing work like vocals and keyboard make this one of my favorite tracks on the release. Slow, San Francisco style blues, Love Done Left Home, looks at a more contemporary form of blues with James stretching a bit more on vocals and nice guitar work highlighting the track. Cold Hard Gun is bluesy but restrained with a nice blues guitar vamp and nice vocal harmonies. Another track with San Francisco traces is Thank You For Never Loving Me with particularly expressive vocals and intimate guitar riffs. Another of my favorites on the release is You're My Man with an almost Willie Dixon swagger. Wrapping the release is So Grateful, stripped back to resonator and vocal. A nice conclusion to a solid release.

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Wednesday, January 4, 2017

Chris Duarte starts 2017 in Florida!

The Chris Duarte Group, Austin, Texas



The Chris Duarte Group heads to South Central Florida to kick off 2017 with a five-show run including the opening night headliner for the Suncoast Blues Festival at the Sarasota Fairgrounds!  Other shows will be hosted by Ray Lewis at the Mudville Music Room in Jacksonville, a return to The Alley in Sanford, a stop at Boston’s on the Beach in Delray Beach, and finishing at The Barrel Room in Fort Myers.
The Chris Duarte Group had a banner year in 2016, highlighted by Chris Duarte being inducted into the Canadian Blues Hall of Fame while touring in Windsor, spending two weeks in the Sturgis, South Dakota area up to and during Bike Week and introducing his power-trio style of Blues to new fans at several new stops across our great Nation.
Another highlight was a three-show sell-out in Joplin, Missouri – such a success that the Coda Concert House moved to a larger venue to accommodate guests who traveled from all across the country to witness the inaugural Jimi Hendrix Birthday tribute concert and two additional concerts – the final night was a very rare Jazz-Blues Improv show with special guests Jesse Aycock & Paul Benjaman.
Red House video courtesy of Brian Douglas Media, Ashland, MA.
Chris Duarte finished 2016 in his hometown of Austin, Texas playing at his standing Monday night gigs at The One2One, and a dual headline concert with Beth Lee and the Breakups at The Townsend.

Follow along for more tour dates at Chris Duarte’s website, https://duarte.rocks


STILL more media praise for bluesman Mike Zito's new album




Released on Ruf Records distributed by the In Tune Music Group this passed November, Make Blues Not War, is currently #1 on the Roots Music Report's Blues chart, #7 on XM Sirius' Rack of Blues 5 weeks in. The album's nabbed a nomination for "Best Blues Album" by New Orleans' Offbeat Magazine.

This is blues guitar gunslinger Mike Zito's second release since leaving the mighty Royal Southern Brotherhood (Cyril Neville, Devon Allman, Yonrico Scott, Charlie Wooton). It has been getting great press coverage and I'm including a small sampling below. It's his 13th album overall and perhaps the most energetic of the bunch. 
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Guitarist, singer and songwriter Mike Zito is one of the big names of the blues, a former member of The Royal Southern Brotherhood, and this is his own 13th album overall. It's not quite a back-to-basics set, but not far off - he has the support of a trio including producer Tom Hambridge on drums; Mike himself says that the intention was to make "a kick ass blues-rock album", and he's succeeded. Mind you, he does play mostly 12 bar numbers here, and although some are loud (try the opener, 'Highway Mama'), overall this reminded me of Alligator's "high-energy" sound of the 80s - particularly Johnny Winter - brought up to date. Mike really does rock the blues here - lend an ear to 'Chip off The Block, with his son Zach on guitar, and that's not nepotism, he can play. Then again, other guests include Walter Trout and harmonica ace Jason Ricci, and the two borrowed tunes are instructive - a full-on six and a half minutes long impassioned version of the great Luther Allison's slow West side Chicago blues 'Bad News Is Coming' and the closing track, Clarence Garlow's 'Route 90', a rocking zydeco influenced blues taken straight (and wild!), with Kevin McKendree supplying some fantastic boogying piano work. You might guess I enjoyed this set - a lot! 
Norman Darwen/Blues In The South January

Mike Zito has been on our radar for several years now, with his own solo career as well as a productive stint with the Royal Southern Brotherhood.  He'd always wanted to make a fun, guitar-centric blues-rock album, and what better place to do it than right here in Nashville with drummer, composer, and producer extraordinaire Tom Hambridge at the helm.  The result is the blistering twelve cuts that remind us to "Make Blues Not War," on the Ruf label.
Let's get right to the music.  Leading off is the tale of that "Highway Mama" who'll  "make your motor run wild!" Zito's all over the guitar here, as is special guest Walter Trout on additional guitar.  The biographical story of Mike's son, Zach, is the theme of "Chip Off The Old Block," who was "bangin' on my guitar before he could walk!"  Zach's come full-circle, too, as he's the featured guitarist on this one.
"Road Dog" is perhaps the set's most poignant cut.  It details the loneliness of life on the road thru Mike's eyes, where "all I ever do is leave."  "Redbird" is full of Hendrixian psychedelia (and is perhaps Mike's answer to "Little Wing"), and "Crazy Legs" choogles along at a breakneck pace and deals with those "tight red skirts" and other things you"ll see at your neighborhood bar!
We had two favorites, too.  The title cit is a good ole slide-guitar fest with down-home harp from guest Jason Ricci as Mike prefers to "pass around the peace pipe"  instead of fighting!  And, the set closes with an absolute rockin' road trip along "Route 0," name-checking everywhere from San Antone to Katy to Beaumont on the way down to the Land Of Dreams!  Kevin McKendree's piano wraps a big ole bow on the whole thing!
With "Make Blues Not War" Mike Zito has hit on an album that is pure fun, and serves as his reminder to himself and us fans why he enjoys playing guitar!  Peace out, Mike!  Sheryl and Don Crow, the Nashville Blues Society.
Sheryl and Don Crow/donandsherylsbluesblog.wordpress.com/ 12/30

Mike Zito - Make Blues Not War (Ruf Records). The co-founder of the excellent Royal Southern Brotherhood is now firmly established as a top notch solo performer, and Zito's new Ruf CD soared into the higher reaches of the Billboard Blues Chart on the day of its release. The Missouri-born singer and guitarist's sterling efforts are aided and abetted here by fellow bluesmen Walter Trout and Jason Ricci as he unveils what is arguably his finest offering to date, blessed with muscular gems such as Highway Mama and the harmonica-led Chicago blues of the robust title track.
 Kevin Bryan/worksopguardian.co.uk 1/2

Zito proves that the blues are still a vibrant and exciting musical genre. There is a tendency for blues music to sound very similar and hard to distinguish individual songs. Zito completely tears that myth down on Make Blues Not War by showing his versatility. Not only is Zito a world class guitar player, he is a great singer. This album mixes blues with rock and roll, southern rock and swamp rock to create an album that is infectious and each song is distinct. Zito can sing his tail off, but every song comes back to the guitar and his playing is smokin'.
Mike Zito is no stranger to the music business. This is the Saint Louis native's ninth solo album. Not only has Zito had a very prolific and successful solo career, he was a founding member of the Royal Southern Brotherhood (2010-2014) which included the likes of Cyril Neville, Devon Allman, Charlie Wooton, and Yonrico Scott. When he is not playing, he is also a sought after producer.
The title track, Make Blues Not War (Track5), is a traditional blues number that Zito takes to the third power with blazing guitar solos and harmonica that raises the roof on this number. He pays homage to blues legends on this song, including Robert Johnson, Muddy Waters, and BB King. The song is about peace through music. Being able to tear down barriers with the power of song. It is a good sentiment and should be employed more often, for sure.
Bad News Is Coming (Track 7) is a slower tempo blues number that clocks in at six and a half minutes. It is a relatively long song but plays like a three minute song because of Zito's outstanding guitar playing. This song is exciting and the solos contain a lot of twists and turns to make this song extremely interesting and one that you will want to hear over and over. 
Wasted Time (Track 3) is great number similar in style to the legendary Stevie Ray Vaughan. Zito's guitar is pretty darn good on this tune. Although this song and the others may be about topics that are normally sad or "blue", Zito has the ability to make these numbers uplifting and not feel depressing or blue at all. That is a rare talent, indeed, and you should give Make Blues Not War a serious listen.
Harry Kaplan/Twangrila.com 1/1

Singer, guitarist, and songwriter Mike Zito sure ain't kidding when it comes to making the blues. Zito's impassioned vocals and blistering guitar playing are red hot scorching to the point were your stereo speakers might just be reduced to smoking embers. The stomping beats and steady tempos slither along with breathtaking forward-ho precision. The protracted jams not only draw out every last ounce of pure angst, but also tear into the tasty fat pulsating grooves in an admirably savage and relentless manner. A fantastic album. 
Joe Wawrzyniak, JerseyBeat.com

An old pal of Elmore, Mike Zito, chats with senior writer, Jim Hynes, about his new album, Make Blues Not War, and provides a bit of career perspective as well, reflecting on his time with Royal Southern Brotherhood, his choice to leave behind the Wheel, the vibrant Houston music scene and, most important of all, recruiting a key new member for his touring act.
Elmore Magazine: How does it feel to have the album out that you've long wanted to make and see it rise immediately to #1 on the blues Billboard chart?
Mike Zito:  You know, in the roots and blues world, this is as good as it gets. I try to put more stock into going out to play, but in order to do it; you need to keep making records. It feels especially good for this record, because we are not breaking any new ground. We're just cutting loose and having fun. So, to see it be successful is like a bonus.
EM: I really liked what you were doing with the Wheel, and the band seemed especially tight live. Why go in a different direction?
MZ: The Wheel is a great band. I'd been doing it a while, from 2012 through 2015. I enjoy being in a band, I love writing songs, playing blues, blues-rock and playing guitar and jamming. The jamming part is not easy to do in a band, and the Wheel didn't really like it. It got to a point where I felt like I was fighting for space in my own project. When you've been doing the same thing, things start to get stale at a certain level. I could sense that, and it just seemed like it was time to take a break. Going out and just playing guitar like I'm doing now... heck, I haven't done something like this since the '90s.
EM: I'm curious, because your former bandmate in RSB, Devon Allman, (and we grieve with him in the loss of his mom) also sought out Tom Hambridge for his Ragged and Dirty album, with some inspiration from Luther Allison. You took a similar path. Is it coincidental, or did you and Devon talk about it?
MZ:  I introduced Devon to Tom Hambridge. Tom and I have been talking about doing this record of mine for eight years. Devon wanted to go more in the direction of blues, but really didn't have a lot of background and needed someone to help him. Luther Allison is my favorite artist. I was a big fan of Ruf Records and Luther in the '90s. I have all of his records. In fact, I always wanted to be on Ruf Records, and when I got the chance, I encouraged my manager, Reuben Williams, to get on the label. Cyrille recorded Luther's "You Can Run But You Can't Hide," Devon did "Ragged and Dirty" and I just produced Big Dog for Albert Castiglia, and he did "Drowning at the Bottom." I learned that Ruf had two of Luther's guitars in storage in New York and one of them was a Flying V Gibson that had been in storage for fifteen years that still had Luther's original strings on there. That's the guitar I played on "Bad News Coming," and also the guitar Albert used on his Luther song. Wow!  What a feeling to be playing his guitar while honoring his song.
[read the rest of the interview here: 
 Jim Hynes/ElmoreMagazine.com 12/15

It's not limited to drinking and losing and living life the wrong way. Blues music can encompass any number of themes, and Mike Zito has found an audience for his songs about sobriety and recovery.
The Texas-based blues guitarist makes a living on the road playing blues clubs and blues festivals. But those aren't Zito's only gigs. Because of the lack of an established blues club in several cities, today's blues circuit might include a show at a nontraditional venue like a VFW Hall, a golf course or a motorcycle club - anywhere a promoter can find a room. His local show falls into the latter scenario, and it's a good match for artist and audience. 
Cincinnati.com 12/14
 -----------------------------
That atmosphere of positivity began at the album sessions, as Mike tracked alongside Grammy Award-winning producer (and co-writer) Tom Hambridge at the Sound Stage Studios in Nashville, Tennessee. "It was so much fun," Zito remembers. "It's a completely live album, where the musicians all set up and we just hit record and went for it. The energy was awesome and sometimes we'd just be laughing so hard because it was all so intense and exciting."

 As the momentum gathered, the songs coalesced with an awesome flow, Mike painting in every shade of blue, from the frantic six-string showboating of "Crazy Legs" to the growling slow-burn of "Red Bird" and the smoky slide work on "Girl Back Home." "It was time," he says, "to get back to the blues and playing my guitar. Tom and I had spoken about making a kick ass blues-rock album for years. I like having fun and cutting loose - that's what this album is all about. "Chip Off The Block" was written for my oldest son, Zach Zito, who is the featured guitarist on this track. It's his first introduction into the music world and he did a great job. I couldn't be more proud of him. He graduates college next spring and joins me on tour in summer - I can't wait."

Meanwhile in his lyrics Mike searches for the silver linings in a troubled world. "I love writing songs and sharing deep feelings," he says. Zito describes "Road Dog," the album's wistful slow-blues travelogue as, "the most serious tune on the album. It's about the drama of life on the road. I know it can seem clichéd sometimes, but it's the life I lead. I miss my family, miss my wife, but this is what I do. I always leave."

Mike has spent over two decades on the run. He grew up in a hard-scrabble, blue-collar home in St. Louis, but after an early job at a downtown guitar shop exposed him to heavyweights like B.B. King, the Allmans and Eric Clapton (then the music of Joe Pass, Robert Johnson and Blind Willie Johnson), he set out to establish himself as a working musician. By 1997, Mike had released debut album Blue Room, and seemed to be going places. "The first time you hear yourself," he recalls, "you think, 'Wow, that almost sounds like music!'"

Then came the bumps in the road. By the early 2000's, alcoholism and drug abuse were threatening to rob Zito of his livelihood and talent, a period starkly addressed on the title track from 2011's acclaimed Greyhound album. "I just couldn't stop," he admits. "And a lot of the opportunities that I had back then - they kinda went away."

Thankfully, the epiphany of meeting the woman who would become his beloved wife put Mike back on the right path. In 2012, he found fresh inspiration as a member of  the A-list lineup of Royal Southern Brotherhood, then struck out with acclaimed solo albums Gone To Texas (2013) and Keep Coming Back (2015).
"I have many more hurdles to jump and more goals to strive for," he says, "but I'm very pleased and thankful with how I'm developing as an artist." This is powerfully demonstrated on Make Blues Not War, another step forward for this long-suffering disciple of the Blues. "I'm so proud of this new album," says Mike. "It's about the enjoyment I get when I listen to Johnny Winter and Muddy Waters, Stevie Ray Vaughan and Luther Allison. Their music makes me happy and reminds why I wanted to play guitar and play the blues. To be free and honest, loud and proud. I hope everyone enjoys listening to this album as much as I enjoyed making it..."
 Modern life moves fast. Rolling news. Rapid-fire tweets. A relentless barrage of (mis)information. Make Blues Not War is an album that demands you sign out, log off and turn yourself over instead to the old-fashioned pleasures of great music. "We hear about everything 24/7 now," says Mike Zito. "The news never stops and it's all become propaganda. But when you turn off the news and turn on some blues, the world is a beautiful place. I think music is the cure for all ailments. Always has been. Always will be."


ZYX Music artist: Raphael Wressnig & Igor Prado - The Soul Connection - New Release Review

I just had the opportunity to review the most recent release, The Soul Connection, from Raphael Wressnig & Igor Prado and it blows me away. Opening with Otis Clay's hit, Trying To Live My Life Without You, features Willie Walker on lead vocal surrounded by lush organ work of Wressnig and stinging guitar work of Igor Prado and backed by Rodrigo Mantovani on bass, Yuri Prado on drums, Sax Gordon Beadle on sax, Sidmar Vieira on trumpet and Lisa Andersen on backing vocals. Super soulful opener. Jazzy instrumental Young Girl has a great groove giving Prado and Wressnig wide open space to dig into solid solos. This is a super track that will get into your seat. Willie Walker is back on Little Willie John's soulful, Suffering With The Blues. With easy club styling, Prado really sit's down on his solo, squeezing out each drop of blues. Mantovani's bass work is spot on and Wressnig's organ work carrying the weight under beautifully crushing vocals by Walker. Tyrone Davis' R&B track, Turning Point, has a great feel featuring David Hudson on lead vocal. Mantovani's bass line really accentuates the track nicely with punchy key work from Wressnig and snappy drum work from Yuri. With cool lead organ work on original track, No-La-Fun-Ky, Mantovani and Yuri really hit the groove. This is a hot track and Igor's guitar work is smokin! Little Willie John's Home At Last has just the right feel featuring Willie Walker on some of the best lead vocals on the release, really nice key work by Wressnig, and excellent guitar phrasing and I do mean excellent phrasing from Prado. R&B instrumental, Turnip Greens has just the right bass lines to make this a super track with warm organ lead and Albert King like blues guitar riffs. Very cool. Willie Walker has the lead on Billy Myles' My Love Is, with a cool airy backing featuring mostly hand claps, finger snaps, a super cool bass line and keys. Very cool. Igor Prado's excellent jump track, The Face Slap Swing No 5, is absolutely off the hook with outrageous soloing from both Wressnig and Prado. My favorite track on the release...excellent! Instrumental, Grazing In The Grass, made popular by Hugh Masekela has solid orchestration and clean solos on an "easy" arrangement. Leon Beale takes the lead vocal role on Don Robey's Don't Cry No More, made popular by Wilson Pickett. With it's high energy spilling over and pushed to the sky by Wressnig and Igor, this track almost hits gospel heights. Willie Walker really raises the bar on Jon Thomas' Heartbreak and the driving bass line of Mantovani really gets this track stomping. Igor and Wressnig slip in really tasty riffs on this super stepping track. Wow! Wrapping the release is Wayne Rainey's country western hit, Why Don't You Haul Off And Love Me. Wressnig takes the lead and with a blend of country and gospel styling, wraps up one of the best releases that I've heard in a long time.


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